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In recent years there has been a explosion in finishing effects for plastics. Differentiation through product design as well as packaging design has become a paramount arm in the fight for market share in consumer products markets and elsewhere. Mass customisation through finishing effects is considered a key to commercially successful designs. Rapid developments in technology as well as a host of new plastics coming on stream have enabled the plastics industry and those that use plastics in their products to realize dramatic product enhancements in terms of both aesthetics and functionality. This conference addressed the potential of special effects through presentations from leading companies.
The Mission: To learn about the dynamic, technical advances occurring in special effect pigments and to know how to exploit them in specific coatings, plastics, printing inks and cosmetics applications while satisfying the demands of the market. The Audience: Colour designers, product developers and applications technologists in the coatings, plastics, printing inks and cosmetics industries, as well as all marketing and sales employees of these divisions who are seeking to instill coatings and pigment knowledge into their customers. The Value: Readers acquire a profound knowledge of the properties, manufacturing processes and specific application areas of special effect pigments. The latest advances in colorimetry ensure that products containing special effect pigments are subjected to state-of-the-art quality assurance methods.
Developments in Colorants for Plastics by Ian Christensen Pdf
At a time when it is critical to many plastics processors to add value to products, colorants are an essential part of the additives repertoire. Plastics are often processed at very high temperatures and shear, and products are exposed to heat and light. Colorants must tolerate these conditions to function adequately. This Rapra Review Report provides practical information for plastics processors with regard to colorant selection and the range of products and effects available. The review is accompanied by around 400 abstracts from the Rapra Polymer Library database, to facilitate further reading on this subject.
This first international conference on The Art of Plastics Design brought together designers, manufacturers, plastics engineers and end-users, together with producers of innovative plastics materials.
Highlighting more than a decade of research, this one-of-a-kind reference reviews the production, processing, and characteristics of a wide range of materials utilized in the modern tire and rubber industry. Rubber Compounding investigates the chemistry and modification of raw materials, elastomers, and material compounds for optimal formulation an
Editing and Special/Visual Effects by Charlie Keil,Kristen Whissel Pdf
Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day. Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Collectively, the contributors demonstrate how these two crafts have been integral to cinematic history, starting with the “trick films” of the early silent era, which astounded audiences by splicing in or editing out key frames, all the way up to cutting-edge effects technologies and concealed edits used to create the illusions. Throughout, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster. In addition to providing a rich historical overview, Editing and Special/Visual Effects supplies multiple perspectives on these twinned crafts, introducing readers to the analog and digital tools used in each craft, showing the impact of changes in the film industry, and giving the reader a new appreciation for the processes of artistic collaboration they involve.
High Performance Fillers 2006 by Rapra Technology,iSmithers Rapra Publishing Pdf
This second international conference focused on developments in High Performance Fillers from established materials to the latest innovations. There were presentations on many different types of fillers from flash calcined clays (Imerys), diatomaceous earths and perlites (World Minerals), aluminas (Sasol), natural fibres (Queens's University Belfast), titanium oxides (Oxonica), mica (Quartzwerke), wollastonite (RT Vanderbilt), pigments (Eckhart) and glass foam (Trovotech) to nanographite (State University of Michigan), POSS (Hybrid Plastics) and nanocomposites (Prof Camino, Prof Kenig, S Dunger). BASF AG and Electrolux discussed filler interactions with other compounding ingredients, whilst surface modification with silanes was presented by Dow Corning.
Girlhood and the Plastic Image by Heather Warren-Crow Pdf
You are girlish, our images tell us. You are plastic. Girlhood and the Plastic Image explains how, revealing the increasing girlishness of contemporary media. The figure of the girl has long been prized for its mutability, for the assumed instability and flexibility of the not-yet-woman. The plasticity of girlish identity has met its match in the plastic world of digital art and cinema. A richly satisfying interdisciplinary study showing girlish transformation to be a widespread condition of mediation, Girlhood and the Plastic Image explores how and why our images promise us the adaptability of youth. This original and engaging study will appeal to a broad interdisciplinary audience including scholars of media studies, film studies, art history, and women's studies.
Julie A. Turnock tracks the use and evolution of special effects in 1970s filmmaking, a development as revolutionary to film as the form's transition to sound in the 1920s. Beginning with the classical studio era's early approaches to special effects, she follows the industry's slow build toward the significant advances of the late 1960s and early 1970s, which set the stage for the groundbreaking achievements of 1977. Turnock analyzes the far-reaching impact of the convincing, absorbing, and seemingly unlimited fantasy environments of that year's iconic films, dedicating a major section of her book to the unparalleled innovations of Star Wars and Close Encounters of the Third Kind. She then traces these films' technological, cultural, and aesthetic influence into the 1980s in the deployment of optical special effects as well as the "not-too-realistic" and hyper-realistic techniques of traditional stop motion and Showscan. She concludes with a critique of special effects practices in the 2000s and their implications for the future of filmmaking and the production and experience of other visual media.
An insightful and multidisciplinary exploration of plastic pollutants in the ocean environment In Plastics and the Ocean, renowned researcher Anthony L. Andrady delivers a comprehensive and up-to-date treatment of the sources, characterization, and environmental impacts of plastics in the ocean. The book focuses on macroplastics as well as micro-scale and nanoscale plastics and the human impacts of these that reach consumers via seafood. It also addresses the human behavioral aspects of the problem via discussions of the mismanagement of urban litter. A diverse collection of expert perspectives is arranged logically and guides the reader through this fast-evolving multi-disciplinary subject area. Beginning with an overview of the field, the book goes on to explore the importance of this area of research to related disciplines and to the everyday lives of consumers. This text offers engineers and scientists an up-to-date review of the subject and the state of the art as summarized by key researchers in the field. The book includes: A synthesis of leading voices in oceanography, biogeochemistry, industrial chemistry, ecotoxicology, polymer science, and behavioral science Discussions of the impacts of a range of marine plastics, including large debris, microplastics, and nanoplastics A summary of the abundance and impacts of plastics in various niches in the marine environment Descriptions of the current methodologies for sampling, detection, processing, and identification of plastic waste Plastics and the Ocean is an indispensable resource for professionals, researchers, instructors, and graduate students in polymer science, marine biology, and environmental engineering. It’s also a must-read text for chemical engineers, materials scientists, and environmental engineers seeking a one-stop resource that describes the origins, occurrence, composition, environmental fate, and biological impacts of plastic pollutants in an ocean environment.
How one company created the dominant aesthetic of digital realism. Just about every major film now comes to us with an assist from digital effects. The results are obvious in superhero fantasies, yet dramas like Roma also rely on computer-generated imagery to enhance the verisimilitude of scenes. But the realism of digital effects is not actually true to life. It is a realism invented by Hollywood—by one company specifically: Industrial Light & Magic. The Empire of Effects shows how the effects company known for the puppets and space battles of the original Star Wars went on to develop the dominant aesthetic of digital realism. Julie A. Turnock finds that ILM borrowed its technique from the New Hollywood of the 1970s, incorporating lens flares, wobbly camerawork, haphazard framing, and other cinematography that called attention to the person behind the camera. In the context of digital imagery, however, these aesthetic strategies had the opposite effect, heightening the sense of realism by calling on tropes suggesting the authenticity to which viewers were accustomed. ILM’s style, on display in the most successful films of the 1980s and beyond, was so convincing that other studios were forced to follow suit, and today, ILM is a victim of its own success, having fostered a cinematic monoculture in which it is but one player among many.
One Shot Hitchcock by Luke Robinson,Melanie Robson Pdf
In One Shot Hitchcock, some of the best writers and thinkers in film studies have taken up the challenge of writing about a single shot from an Alfred Hitchcock film. Fifteen of Hitchcock's most engaging, horrifying, beautiful, sexual, and bizarre shots are interrogated and loved. Single shots are looked at from multiple angles, considering its importance for the film in question, and for other ways we can think about the cinema. This book is not only for people who enjoy watching and discussing Hitchcock's films, but for those who wish to discover new ways of writing about the films they love.
This book focuses on the polyolefin additives that are currently important in the plastics industry, alongside new additives of increasing interest, such as nanofillers and environmentally sustainable materials. As much as possible, each chapter emphasizes the performance of the additives in the polymer, and the value each relevant additive brings to polypropylene or polyethylene. Where possible, similar additives are compared by capability and relative cost. With major sections for each additive function, this book provides a highly practical guide for engineers and scientists creating and using polyolefin compounds, who will find in this book a wealth of detail and practical guidance. This unique resource will enable them to make practical decisions about the use of the various additives, fillers, and reinforcements specific to this family of materials. ABOUT THE AUTHOR Michael Tolinski is a freelance writer and a lecturer at the University of Michigan's College of Engineering. He is a frequent contributor to Plastics Engineering and Manufacturing Engineering. Structured to make it easy for the reader to find solutions for specific property requirements Contains a number of short case studies about companies that have used or developed a particular additive to achieve a desired result Covers environmental resistance, mechanical property enhancement, appearance enhancement, processing aids, and other modifications of form and function