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"From the award-winning creator of Mambo Mouth, John Leguizamo's latest one-man show, Spic-O-Rama, is a sizzling satire of an urban Hispanic household. Desert Storm vet Krazy Willie is getting married, and the looming event inspires the six members of the Gigante clan--nerdy nine-year-old Miggy; the bridegroom himself; Laurence Olivier-wannabe Rafi; bitter, wheelchair-bound Javier; their sexy, sassy, long-suffering mother, Gladyz; and their foul-mouthed, philandering father, Felix--reveal the love, pain, and frustration of unrealized dreams common to all families."--Publisher's description.
This volume collects all four of the writer-performer’s legendary, award–winning solo shows. John Leguizamo rose to stardom with a series of critically acclaimed solo shows in which he embodied a diverse cast of unforgettable characters. Now all four of these classic theatrical works—Freak, Spic-o-Rama, Mambo Mouth, and Sexaholix—are available in this one essential volume. Mambo Mouth Leguizamo’s first show was an Off-Broadway sensation. In it, he portrayed seven different Latino characters in a bravura performance that earned him both Obie and Outer Critics Circle awards. Spic–O–Rama A “dysfunctional family comedy,” presents 24–hours in the life of one family. It enjoyed a sold–out run in Chicago before relocating to New York where it won its creator a Drama Desk Award. Freak Leguizamo’s Broadway debut tells his own coming–of–age story. A “demi–semi–quasi–pseudo–autobiography,” which went on to become an Emmy special on HBO. Sexaholix: A Love Story Leguizamo’s “raunchy-yet-sweet comic solo performance”—a hit on both Broadway and HBO—explores his own coming of age as he transforms into a father and family man (Washington Post).
Pimps, Hos, Playa Hatas, and All the Rest of My Hollywood Friends by John Leguizamo Pdf
Fans of John Leguizamo's smash-hit one-man shows (Mambo Mouth, Spic-o-rama, Freak, and Sexaholix) have already gotten a glimpse into his life, but this book tells the whole story, carrying readers along on a wild journey from his childhood in Queens to his current home at the top of the Hollywood pyramid. An acclaimed director, producer, and play-wright, and one of the highest-paid Latin actors in the world, Leguizamo shares the stories behind his many roles—what inspired them and what transpired as he created them—while dishing on his personal relationships with his family, friends, and celebrity colleagues. Here is both an intimate self-portrait and a unique behind-the-scenes look at the magic and chaos of stardom, a keenly intelligent and insanely funny book that celebrates a remarkably talented artist's greatest achievement: growing up Latino in America and succeeding on his own terms.
The graphic novel adaptation of John Leguizamo’s award-winning Broadway play—revised and expanded in paperback In this graphic-novel adaptation of his award-winning Broadway memoir, John Leguizamo lays bare his life story, sharing memories of his early years as an actor on stage, on television, and in major motion pictures opposite some of Hollywood’s biggest stars, such as Al Pacino, Patrick Swayze, and Steven Seagal, and working for directors Baz Luhrmann and Brian De Palma. Leguizamo opens up about his loves and marriages, while addressing self-doubt and melancholy in a way that enlightens and entertains. This revised and expanded paperback includes an all-new introduction by Lin-Manuel Miranda. “Ghetto Klown is autobiographical dynamite—this is Leguizamo at his scathing, honest, moving, comedic best. Among the finest portraits of an artist as a young wounded talented man as I’ve read.” —Junot Díaz “My main Johnny Legs has done it again. Ghetto Klown as a graphic novel? DOPENESS.” —Spike Lee
John Leguizamo went from being the class clown to a hard-working and successful actor and comedian. He has won awards from the film, TV, and theater communities, and is known for his appearances on TV's House of Buggin'; the films Spawn, Summer of Sam, and Moulin Rouge; and an updated film version of Romeo and Juliet. Newly updated, John Leguizamo, Second Edition tells the story of this versatile performer's life and career.
Wrongfully imprisoned and desperate to regain his freedom, Max Gomez agrees to become a subject in an underground government experiment. When the trial gives him phenomenal shape-shifting abilities, Gomez learns his new “freedom” requires surviving a superpowered war fought on the streets of NYC.
Chicano. Cubano. Pachuco. Nuyorican. Puerto Rican. Boricua. Quisqueya. Tejano. To be Latino in the United States in the twentieth and twenty-first centuries has meant to fierce identification with roots, with forbears, with the language, art and food your people came here with. America is a patchwork of Hispanic sensibilities-from Puerto Rican nationalists in New York to more newly arrived Mexicans in the Rio Grande valley-that has so far resisted homogenization while managing to absorb much of the mainstream culture. Living in Spanglish delves deep into the individual's response to Latino stereotypes and suggests that their ability to hold on to their heritage, while at the same time working to create a culture that is entirely new, is a key component of America's future. In this book, Morales pins down a hugely diverse community-of Dominicans, Mexicans, Colombians, Cubans, Salvadorans and Puerto Ricans--that he insists has more common interests to bring it together than traditions to divide it. He calls this sensibility Spanglish, one that is inherently multicultural, and proposes that Spanglish "describes a feeling, an attitude that is quintessentially American. It is a culture with one foot in the medieval and the other in the next century." In Living in Spanglish , Ed Morales paints a portrait of America as it is now, both embracing and unsure how to face an onslaught of Latino influence. His book is the story of groups of Hispanic immigrants struggling to move beyond identity politics into a postmodern melting pot.
A Companion to Twentieth-Century American Drama by David Krasner Pdf
This Companion provides an original and authoritative surveyof twentieth-century American drama studies, written by some of thebest scholars and critics in the field. Balances consideration of canonical material with discussion ofworks by previously marginalized playwrights Includes studies of leading dramatists, such as TennesseeWilliams, Arthur Miller, Eugene O'Neill and Gertrude Stein Allows readers to make new links between particular plays andplaywrights Examines the movements that framed the century, such as theHarlem Renaissance, lesbian and gay drama, and the soloperformances of the 1980s and 1990s Situates American drama within larger discussions aboutAmerican ideas and culture
This companion volume to Enter the Players: New York Stage Actors in the 20th Century explores the careers of over three hundred directors and choreographers who have worked in New York City, giving biographical sketches and listing directing and choreography credits through the year 2005.
Taking a Stand by Jared N. Champion,Peter C. Kunze Pdf
Contributions by Jared N. Champion, Miriam M. Chirico, Thomas Clark, David R. Dewberry, Christopher J. Gilbert, David Gillota, Kathryn Kein, Rob King, Rebecca Krefting, Peter C. Kunze, Linda Mizejewski, Aviva Orenstein, Raúl Pérez, Philip Scepanski, Susan Seizer, Monique Taylor, Ila Tyagi, and Timothy J. Viator Stand-up comedians have a long history of walking a careful line between serious and playful engagement with social issues: Lenny Bruce questioned the symbolic valence of racial slurs, Dick Gregory took time away from the stage to speak alongside Martin Luther King Jr., and—more recently—Tig Notaro challenged popular notions of damaged or abject bodies. Stand-up comedians deploy humor to open up difficult topics for broader examination, which only underscores the social and cultural importance of their work. Taking a Stand: Contemporary US Stand-Up Comedians as Public Intellectuals draws together essays that contribute to the analysis of the stand-up comedian as public intellectual since the 1980s. The chapters explore stand-up comedians as contributors to and shapers of public discourse via their live performances, podcasts, social media presence, and political activism. Each chapter highlights a stand-up comedian and their ongoing discussion of a cultural issue or expression of a political ideology/standpoint: Lisa Lampanelli’s use of problematic postracial humor, Aziz Ansari’s merging of sociology and technology, or Maria Bamford’s emphasis on mental health, to name just a few. Taking a Stand offers a starting point for understanding the work stand-up comedians do as well as its reach beyond the stage. Comedians influence discourse, perspectives, even public policy on myriad issues, and this book sets out to take those jokes seriously.
Latino Literature by Christina Soto van der Plas,Lacie Rae Buckwalter Cunningham Pdf
Offers a comprehensive overview of the most important authors, movements, genres, and historical turning points in Latino literature. More than 60 million Latinos currently live in the United States. Yet contributions from writers who trace their heritage to the Caribbean, Central and South America, and Mexico have and continue to be overlooked by critics and general audiences alike. Latino Literature: An Encyclopedia for Students gathers the best from these authors and presents them to readers in an informed and accessible way. Intended to be a useful resource for students, this volume introduces the key figures and genres central to Latino literature. Entries are written by prominent and emerging scholars and are comprehensive in their coverage of the 19th, 20th, and 21st centuries. Different critical approaches inform and interpret the myriad complexities of Latino literary production over the last several hundred years. Finally, detailed historical and cultural accounts of Latino diasporas also enrich readers' understandings of the writings that have and continue to be influenced by changes in cultural geography, providing readers with the information they need to appreciate a body of work that will continue to flourish in and alongside Latino communities.