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St. John de Crèvecoeur by Gay Wilson Allen,Roger Asselineau Pdf
"In St. John de Crèvecoeur, Gay Wilson Allen and Roger Asselineau reconstruct the life of this remarkable man--eyewitness to the American and French revolutions, and one of the first voices of our national consciousness"--Jacket, page [3].
Crèvecoeur's Eighteenth-Century Travels in Pennsylvania and New York by Percy G. Adams Pdf
Michel-Guillaume Jean de Crèvecouer, long regarded as a chief figure in American letters of the Revolutionary period, is remembered as the author of Letters from an American Farmer and the posthumous Sketches of Eighteenth Century of America, but his last and most ambitious work has been almost entirely neglected. Published in France as Le Voyage dans la haute Pensylvanie et dans d'état de New York, Crèvecouer's last book was never popular and has not heretofore appeared in English. Yet the Voyage has much to add to Crèvecouer's picture of eighteenth-century America, and to our own picture of the American Farmer as a man and writer. The Voyage, written after Crèvecouer's sojourn in France and his return to America as French consul, records a new phase both in American history and in the author's life. Adams has arrived at a selection of extracts from Voyage which will be of interest to Crèvecouer's many admirers among students of American history and literature. The editor has translated, arranged, and annotated these selections to form a collection will be a fit companion for Crèvecouer's two volumes of English essays and will supplement the earlier books by recording Crèvecouer's final view of the American scene. In his introduction to this collection, Adams presents a thorough analysis of the content and significance of the Voyage and convincingly justifies his contention that, though the work contains much that is not worthy of translation or republication, the selection here published for the first time in English may be regarded as a significant addition to Crèvecouer's writings.
Author : J. Hecor St. John de Crèvecoeur Publisher : National Geographic Books Page : 0 pages File Size : 55,6 Mb Release : 1981-12-17 Category : History ISBN : 9780140390063
Letters from an American Farmer and Sketches of Eighteenth-Century America by J. Hecor St. John de Crèvecoeur Pdf
America’s physical and cultural landscape is captured in these two classics of American history. Letters provides an invaluable view of the pre-Revolutionary and Revolutionary eras; Sketches details in vivid prose the physical setting in which American settlers created their history. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
In 1782, J. Hector St. John de Crèvecoeur wrote, “What then, is the American, this new man? He is an American, who, leaving behind him all his ancient prejudices and manners, receives new ones from the new mode of life he has embraced.” In casting aside their European mores, these pioneers, de Crèvecoeur implied, were the very embodiment of a new culture, society, economy, and political system. But to what extent did manliness shape early America’s character and institutions? And what roles did race, ethnicity, and class play in forming masculinity? Thomas A. Foster and his contributors grapple with these questions in New Men, showcasing how colonial and Revolutionary conditions gave rise to new standards of British American manliness. Focusing on Indian, African, and European masculinities in British America from earliest Jamestown through the Revolutionary era, and addressing such topics that range from slavery to philanthropy, and from satire to warfare, the essays in this anthology collectively demonstrate how the economic, political, social, cultural, and religious conditions of early America shaped and were shaped by ideals of masculinity. Contributors: Susan Abram, Tyler Boulware, Kathleen Brown, Trevor Burnard, Toby L. Ditz, Carolyn Eastman, Benjamin Irvin, Janet Moore Lindman, John Gilbert McCurdy, Mary Beth Norton, Ann Marie Plane, Jessica Choppin Roney, and Natalie A. Zacek.
Author : John David Cox Publisher : University of Georgia Press Page : 266 pages File Size : 41,5 Mb Release : 2010-04-15 Category : Social Science ISBN : 9780820330860
Traveling South is the first major study of how narratives of travel through the antebellum South helped construct an American national identity during the years between the Revolutionary War and the Civil War. John Cox makes his case on the basis of a broad range of texts that includes slave narratives, domestic literature, and soldiers’ diaries, as well as more traditional forms of travel writing. In the process he extends the boundaries of travel literature both as a genre and as a subject of academic study. The writers of these intranational accounts struggled with the significance of travel through a region that was both America and “other.” In writings by J. Hector St. John de Crèvecoeur and William Bartram, for example, the narrators create personal identities and express their Americanness through travel that, Cox argues, becomes a defining aspect of the young nation. In the narratives of Frederick Douglass and Solomon Northup, the complex relationship between travel and slavery highlights contemporary debates over the meaning of space and movement. Both Fanny Kemble and Harriet Jacobs explore the intimate linkings of women’s travel and the construction of an ideal domestic space, whereas Frederick Law Olmsted seeks, through his travel writing, to reform the southern economy and expand a New England yeoman ideology throughout the nation. The Civil War diaries of Union soldiers, written during the years that witnessed the largest movement of travelers through the South, echo earlier themes while concluding that the South should not be transformed in order to become sufficiently “American”; rather, it was and should remain a part of the American nation, regardless of perceived differences.
In A Forgetful Nation, the renowned postcolonialism scholar Ali Behdad turns his attention to the United States. Offering a timely critique of immigration and nationalism, Behdad takes on an idea central to American national mythology: that the United States is “a nation of immigrants,” welcoming and generous to foreigners. He argues that Americans’ treatment of immigrants and foreigners has long fluctuated between hospitality and hostility, and that this deep-seated ambivalence is fundamental to the construction of national identity. Building on the insights of Freud, Nietzsche, Foucault, and Derrida, he develops a theory of the historical amnesia that enables the United States to disavow a past and present built on the exclusion of others. Behdad shows how political, cultural, and legal texts have articulated American anxiety about immigration from the Federalist period to the present day. He reads texts both well-known—J. Hector St. John de Crèvecoeur’s Letters from an American Farmer, Alexis de Tocqueville’s Democracy in America, and Walt Whitman’s Leaves of Grass—and lesser-known—such as the writings of nineteenth-century nativists and of public health officials at Ellis Island. In the process, he highlights what is obscured by narratives and texts celebrating the United States as an open-armed haven for everyone: the country’s violent beginnings, including its conquest of Native Americans, brutal exploitation of enslaved Africans, and colonialist annexation of French and Mexican territories; a recurring and fierce strand of nativism; the need for a docile labor force; and the harsh discipline meted out to immigrant “aliens” today, particularly along the Mexican border.
“The Contrast“, which premiered at New York City's John Street Theater in 1787, was the first American play performed in public by a professional theater company. The play, written by New England-born, Harvard-educated, Royall Tyler was timely, funny, and extremely popular. When the play appeared in print in 1790, George Washington himself appeared at the head of its list of hundreds of subscribers. Reprinted here with annotated footnotes by historian Cynthia A. Kierner, Tyler’s play explores the debate over manners, morals, and cultural authority in the decades following American Revolution. Did the American colonists' rejection of monarchy in 1776 mean they should abolish all European social traditions and hierarchies? What sorts of etiquette, amusements, and fashions were appropriate and beneficial? Most important, to be a nation, did Americans need to distinguish themselves from Europeans—and, if so, how? Tyler was not the only American pondering these questions, and Kierner situates the play in its broader historical and cultural contexts. An extensive introduction provides readers with a background on life and politics in the United States in 1787, when Americans were in the midst of nation-building. The book also features a section with selections from contemporary letters, essays, novels, conduct books, and public documents, which debate issues of the era.
Illuminates the historical tensions between the legal paradigms of citizenship and contract, and in the emergence of free labour ideology in American culture
Author : J. Hector St. John de Crèvecoeur Publisher : Courier Corporation Page : 210 pages File Size : 42,7 Mb Release : 2012-10-16 Category : History ISBN : 9780486146881
Letters from an American Farmer by J. Hector St. John de Crèvecoeur Pdf
18th-century classic detailing seafaring life in New England and plantation culture in the South also provided Old World readers with first major impressions of American landscapes, people, and institutions.
Benjamin Hoffmann’s Posthumous America examines the literary idealization of a lost American past in the works of French writers of the eighteenth and nineteenth centuries. For writers such as John Hector St. John de Crèvecœur and Claude-François de Lezay-Marnésia, America was never more potent as a driving ideal than in its loss. Examining the paradoxical American paradise depicted in Crèvecœur’s Lettres d’un cultivateur américain (1784); the “uchronotopia”—the imaginary perfect society set in America and based on what France might have become without the Revolution—of Lezay-Marnésia’s Lettres écrites des rives de l’Ohio (1792); and the political and nationalistic motivations behind François-René Chateaubriand’s idealization of America in Voyage en Amérique (1827) and Mémoires d’outre-tombe (1850), Hoffmann shows how the authors’ liberties with the truth helped create the idealized and nostalgic representation of America that dominated the collective European consciousness of their times. From a historical perspective, Posthumous America works to determine when exactly these writers stopped transcribing what they actually observed in America and started giving imaginary accounts of their experiences. A vital contribution to transatlantic studies, this detailed exploration of French perspectives on the colonial era, the War of Independence, and the birth of the American Republic sheds new light on the French fascination with America. Posthumous America will be invaluable for historians, political scientists, and specialists of literature whose scholarship looks at America through European eyes.