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Author : Douglas A. Russell Publisher : Prentice Hall Page : 528 pages File Size : 49,9 Mb Release : 1985 Category : Art ISBN : STANFORD:36105003284481
Effective costume design is a subtle art, for the impact of stage dress can immediately convey historical perspective, insights into individual characters, and a visual complement to the setting. The author, whose years of experience as a costume designer have made him a master of the craft, examines every detail of the complex process. From script to production, the author guides the reader towards a complete understanding of costume design, in a work encompassing critical, aesthetic, practical, and historical viewpoints.
The Art and Practice of Costume Design by Melissa Merz Pdf
In The Art and Practice of Costume Design, a panel of seven designers offer a new multi-sided look at the current state and practice of theatrical costume design. Beginning with an exploration of the role of a Costume Designer, the subsequent chapters analyse and explore the psychology of dress, the principles and elements of design, how to create costume renderings, and collaboration within the production. The book also takes a look at the costume shop and the role of the designer within it, and costume design careers within theatrical and fashion industries.
Author : Douglas A. Russell Publisher : New York : Appleton-Century-Crofts Page : 630 pages File Size : 49,5 Mb Release : 1973 Category : Costume ISBN : STANFORD:36105036923469
From the Blurb: Effective costume design is a subtle art, for the impact of stage dress can immediately convey historical perspective, insights into individual characters, and a visual complement to the setting. Douglas A. Russell, whose years of experience as a costume designer have made him a master of the craft, examines every detail of the complex process. From script to production, Professor Russell guides the reader towards a complete understanding of costume design, for his work encompasses critical, aesthetic, practical, and historical viewpoints. On the one hand, Stage Costume Design is a practical manual which provides a step-by-step scheme for the construction of a costume. Every technical aspect-sketching, design and composition, color, fabric and pattern selection, accessory construction, ornamentation, and production organization-is here discussed with precision and clarity. Probing beyond mechanical problems, the author also investigates costume in terms of color association, the effect of fabric under light, and the structure of costume as personal expression. At the same time, this exemplary guide is the first in its field to emphasize costume design as an art as well as a craft; no other volume has so thoroughly explored the relation of costume design to the other arts of sculpture, architecture, and painting. By comparing period style to costume design, Professor Russell offers an entirely new artistic perspective too often overlooked in traditional texts. Although costume designing is shown to be a very complicated process, Professor Russell's introductory text will surely reward all who study it with care.
Performance Costume by Sofia Pantouvaki,Peter McNeil Pdf
Costume is an active agent for performance-making; it is a material object that embodies ideas shaped through collaborative creative work. A new focus in recent years on research in the area of costume has connected this practice in vital and new ways with theories of the body and embodiment, design practices, artistic and other forms of collaboration. Costume, like fashion and dress, is now viewed as an area of dynamic social significance and not simply as passive reflector of a pre-conceived social state or practice. This book offers new approaches to the study of costume, as well as fresh insights into the better-understood frames of historical, theoretical, practice-based and archival research into costume for performance. This anthology draws on the experience of a global group of established researchers as well as emerging voices. Below is a list of just some of the things it achieves: 1. Introduces diverse perspectives, innovative new research methods and approaches for researching design and the costumed body in performance. 2. Contributes towards a new understanding of how costume actually 'performs' in time and space. 3. Offers new insights into existing practices, as well as creating a space of connection between practitioners and researchers from design, the humanities and social sciences.
Modernizing Costume Design, 1820–1920 by Annie Holt Pdf
Annie Holt identifies the roots of contemporary Euro-American practices of costume design, in which costumes are an integrated part of the dramaturgy rather than a reflection of an individual performer’s taste or status. She argues that in the period 1820–1920, as part of the larger project of modernism across the artistic and cultural field, the functions of "clothing" and "costume" diverged. Onstage apparel took on a more specific semiotic task, acting as a fresh channel for the flow of information between the performer, the literary text, and the spectator. Modernizing Costume Design traces how five kinds of artists – directors, performers, writers, couturiers, and painters – made key contributions to this new model of costume design. Holt shows that by 1920, costume design shifted in status from craft to art.
Designing Costume for Stage and Screen by Deirdre Clancy Pdf
"She is the most wonderfully inventive and brilliantly talented designer" Dame Judi Dench on Clancy. Deirdre Clancy is one of the most experienced and accomplished costume designers in the business. In this book, she gives her inside knowledge of designing for stage and screen, which includes television, film, theatre and opera. She includes a brief illustrated history of costume design – from the Greeks to Lady Gaga – an invaluable guide for students and current designers. Part Two takes the reader through the design process: how you go about doing it, and the different strands of costume design – from contemporary clothes through to period costume, how to communicate with the audience, designing on paper and with Photoshop or on an iPad and how to share and communicate your ideas and well as mood boards and collages for inspiration. Part Three is about the world of costume design – what it involves and how to get into the field, who does what and the differences between working for stage and screen productions. Clancy advises on budgets and improvisation and covers all the practicalities and behind-the-scenes tips. Part Four looks at period costume from the Dark Ages up to the twentieth century, encompassing authenticity and feasibility. Finally, Part Five looks at individual case studies in depth, including opera and Shakespeare productions. Packed with great drawings and case studies, this is an essential book for any student or professional costume designer looking for additional inside advice. Whether you are a designer for the stage or screen, this book has something new for you with advice from one of the best in the business.
Costume Design for Performance by Bettina John Pdf
Costume Design for Performance offers a detailed insight into the creative process behind designing costumes for the performing arts, including theatre, opera, dance and film. Guiding the reader through the essential steps of the designing process, Bettina John combines extensive knowledge of the industry with insights gleaned from leading experts in the performing arts. Featuring over 200 original artworks by more than thirty designers, this book gives a rare insight into this highly individual and creative process. Topics covered include script analysis; in-depth research techniques; practical techniques to explore design; basic drawing techniques; character development; the role of the costume designer and wider team and finally, advice on portfolio presentation.
Written by a well-known costume designer, this book is for anyone who would like to create costumes for the theater, whatever their experience or their budget. Topics include understanding the structure and work of a theater company; making the best use of production meetings; coping with budgets; decoding the costume clues in a script; setting up and equipping a workroom; finding costumes at thrift shops and flea markets; altering modern clothes for period productions; using and adapting commercial patterns; and developing simple sewing skills. Tina Bicât has worked as a costume designer for The Royal National Theatre, The New York City Ballet, The English National Opera, as well as for fringe theater groups, television, and film.
Unbuttoned: The Art and Artists of Theatrical Costume Design documents the creative journey of costume creation from concept to performance. Each chapter provides an overview of the process, including designing and shopping; draping, cutting, dyeing, and painting; and beading, sewing, and creating embellishments and accessories. This book features interviews with practitioners from Broadway and regional theatres to opera and ballet companies, offering valuable insights into the costume design profession. Exceptional behind-the-scenes photography illustrates top costume designers and craftspeople at work, along with gorgeous costumes in progress.
Costume Design: The Basics provides an overview of the fundamental principles of theatrical costume design, from pre-production through opening night. Beginning with a discussion of what is costume design, why do people wear clothes, and what is the role of the costume designer, this book makes accessible the art and practice of costume design. Peppered with interviews with working costume designers, it provides an understanding of what it means to be a costume designer and offers a strong foundation for additional study. Readers will learn: How to use clues from the script to decipher a character’s wardrobe Methods used to sketch ideas using traditional or digital media How to discuss a concept with a team of directors, producers, and designers Strategies to use when collaborating with a professional costume shop How to maintain a healthy work/life balance Courses of action when working under a limited money and labor budget. Costume Design: The Basics is an ideal starting point for aspiring designers looking for ways to achieve the best costumes on stage and realize their vision into a visual story told through clothing.
Designing and Making Stage Costumes by Motley,Motley (pseud.),Michael Mullin Pdf
Written for the use of students and practitioners in the amateur and professional worlds of today's theatre, this handbook covers every aspect of a costume designer's work from preliminary sketches and discussions with a producer to cutting and trying on for Shakespeare and modern plays.
If you have a love of history and clothing, there is a role for you in the theater. This book outlines the skills needed to be a costume designer, what must be done while the show is being rehearsed, and what the designer does during and after the performance. There is a chapter on how these experiences can translate to work in the real world, and there is a sidebar about someone who has made a career out of a love of clothes.
Comprehensive guide to designing, making, finding and using costumes for the stage. Includes information on working within budgets, creating costume design sets, managing wardrobes, research, and more.
COSTUME and DESIGN FOR DEVISED and PHYSICAL THEATRE by Tina Bicat Pdf
Costumes designed and made for devised or physical drama, for contemporary circus or for dance, differ radically from the more traditional costume work produced for naturalistic performance. For those working in the field - whether professional or student - these differences present challenges that this book seeks to highlight and explain while offering effective solutions to overcome them. Includes: the differences between designing for scripted and for devised work; the specialized designing, cutting and making, and fitting of costumes for dance, circus and other physical work; the role of the designer/maker in the devising company; design invention in the rehearsal room; the management of both time and budget with the late changes that happen with devised work; the breadth of different skills used in the work for performance.