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Author : Vessela S. Warner,Diana Manole
Publisher : Studies Theatre Hist & Culture
Page : 295 pages
File Size : 48,8 Mb
Release : 2019
Category : History
ISBN : 9781609386771
This collection investigates the ways in which postcommunist alternative theatre negotiated and embodied change not only locally but globally as well.
Author : Ileana Alexandra Orlich
Publisher : Central European University Press
Page : 238 pages
File Size : 51,8 Mb
Release : 2017-05-05
Category : Performing Arts
ISBN : 9789633861165
Exploring theater practices in communist and post-communist Hungary, Romania and Bulgaria, this book analyzes intertextuality or ?inter-theatricality? as a political strategy, designed to criticize contemporary political conditions while at the same time trying to circumvent censorship. In the Soviet bloc the theater of the absurd, experimentation, irony, and intertextual distancing (estrangement) were much more than mere aesthetic language games, but were planned political strategies that used indirection to say what could not be said directly. Plays by Romanian, Hungarianÿand Bulgarian dramatists are examined, who are ?retrofitting? the past by adapting the political crimes and horrifying tactics of totalitarianism to the classical theatre (with Shakespeare a favorite) to reveal the region?s traumatic history. By the sustained analysis of the aesthetic devices used as political tools, Orlich makes a very strong case for the continued relevance of the theater as one of the subtlest media in the public sphere. She embeds her close readings in a thorough historical analysis and displays a profound knowledge of the political role of theater history. ÿ
Author : Volodymyr Polokhalo
Publisher : Texas A&M University Press
Page : 388 pages
File Size : 47,6 Mb
Release : 1997
Category : History
ISBN : 0890967830
Transformation is still the order of the day in the polities of the former Soviet Union and Eastern Europe as they emerge from decades of communism and try to forge new identities, new economies, new societies. The Political Analysis of Postcommunism offers the perspectives of prominent political scientists, historians, sociologists, philosophers, and others, each writing on a particular aspect of the transformation of society from communist to postcommunist forms. Originally published, in English and Ukrainian, in 1995 in Kiev by the editors of the Ukrainian journal Political Thought, this volume is written by those who have themselves lived through the changes. Political scientists, sociologists, and others interested in the progress of postcommunist society in the independent, formerly communist nations of Eastern Europe and Central Asia will profit from reading these thought-provoking early insights into the world to come.
Author : Richard Sakwa
Publisher : Unknown
Page : 168 pages
File Size : 44,9 Mb
Release : 1999
Category : Capitalism
ISBN : STANFORD:36105023625549
Postcommunism has joined the list of terms like postmodernity and postcolonialism that defines the spirit of our age. Designed for undergraduate courses and an essential reference for those more familiar with the field, this authoritative text examines the validity and ramifications of the concept and places it in the broader context of global change.
Author : Jadwiga Staniszkis
Publisher : Institute of Political Studies Polish Academy of Sciences
Page : 380 pages
File Size : 41,6 Mb
Release : 1999
Category : Business & Economics
ISBN : UOM:39015051279399
Author : Anna Artwińska,Agnieszka Mrozik
Publisher : Routledge
Page : 266 pages
File Size : 49,6 Mb
Release : 2020-06-03
Category : History
ISBN : 9781000095142
Communism in twentieth-century Europe is predominantly narrated as a totalitarian movement and/or regime. This book aims to go beyond this narrative and provide an alternative framework to describe the communist past. This reframing is possible thanks to the concepts of generation and gender, which are used in the book as analytical categories in an intersectional overlap. The publication covers twentieth-century Poland, Czechoslovakia/Czech Republic, the Soviet Union/Russia, former Yugoslavia, Turkish communities in West Germany, Italy, and Cuba (as a comparative point of reference). It provides a theoretical frame and overview chapters on several important gender and generation narratives about communism, anticommunism, and postcommunism. Its starting point is the belief that although methodological reflection on communism, as well as on generations and gender, is conducted extensively in contemporary research, the overlapping of these three terms is still rare. The main focus in the first part is on methodological issues. The second part features studies which depict the possibility of generational-gender interpretations of history. The third part is informed by biographical perspectives. The last part shows how the problem of generations and gender is staged via the medium of literature and how it can be narrated.
Author : Linda J. Cook
Publisher : Cornell University Press
Page : 285 pages
File Size : 47,6 Mb
Release : 2013-07-02
Category : History
ISBN : 9780801460098
In the early 1990s, the countries of the former Soviet Bloc faced an urgent need to reform the systems by which they delivered broad, basic social welfare to their citizens. Inherited systems were inefficient and financially unsustainable. Linda J. Cook here explores the politics and policy of social welfare from 1990 to 2004 in the Russian Federation, Poland, Hungary, Belarus, and Kazakhstan. Most of these countries, she shows, tried to institute reforms based on a liberal paradigm of reduced entitlements and subsidies, means-testing, and privatization. But these proposals provoked opposition from pro-welfare interests, and the politics of negotiating change varied substantially from one political arena to another. In Russia, for example, liberalizing reform was blocked for a decade. Only as Vladimir Putin rose to power did the country change its inherited welfare system. Cook finds that the impact of economic pressures on welfare was strongly mediated by domestic political factors, including the level of democratization and balance of pro- and anti-reform political forces. Postcommunist welfare politics throughout Russia and Eastern Europe, she shows, are marked by the large role played by bureaucratic welfare stakeholders who were left over from the communist period and, in weak states, by the development of informal processes in social sectors.
Author : Anca M. Pusca
Publisher : Routledge
Page : 146 pages
File Size : 40,9 Mb
Release : 2015-11-06
Category : Political Science
ISBN : 9781317360643
In this book, Anca Pusca seeks to extend the aesthetic and cultural turn in international relations to an analysis of post-communist transitions in Central and Eastern Europe. Building on the philosophy of Walter Benjamin and Jacques Ranciere, the work investigates how post-communist film, photography, theatre, art, museumization and architecture have creatively re-engaged with ideas of revolution, communism, capitalism and ethnic violence, and how this in turn has helped people survive and reinvent themselves amongst the material and ideological ruins of communism. The work illustrates how popular culture has effectively targeted and re-interpreted the classical representations of the transition in order to question: • The origin – focusing on practices of re-staging, memorializing and questioning the 1989 revolutions. • The unfolding – focusing on the human and material consequences of significant changes in processes of production and consumption. • The potential end – focusing on the illusions and disillusions surrounding the 'transition' process. A unique take on the influence that popular culture has had and continues to have on how we understand the post-communist transitions, this work will be of great interest to students and scholars of cultural and visual studies, eastern European politics and international relations.
Author : Michael D. Kennedy
Publisher : University of Michigan Press
Page : 266 pages
File Size : 53,5 Mb
Release : 1994
Category : History
ISBN : 0472105566
Explorations of cultural change in the former Soviet bloc
Author : Ileana Alexandra Orlich
Publisher : Unknown
Page : 94 pages
File Size : 41,8 Mb
Release : 2012
Category : Communism in literature
ISBN : 6061701918
Author : Stan Persky
Publisher : Cormorant Books
Page : 282 pages
File Size : 47,9 Mb
Release : 2014-11-01
Category : Political Science
ISBN : 9781770864474
In the midst of the sweep of history, it’s easy to anticipate that the events of twenty-five years ago might soon be lost to memory. We might forget why any of it mattered. In such conditions, it’s the responsibility of those of us who, among other things, write for the record, to use the occasion of a significant anniversary to ensure there are accounts of what happened, what we saw, and what we think it meant. (from Post-Communist Stories) Twenty-five years after the Berlin Wall was pulled down by Berliners fed up with the division of their city, Stan Persky returns to Eastern Europe. In essays informative and insightful, he illuminates what some consider the final act the Second World War: the end of the occupation by the Soviets of Germany, Poland, Hungary, Czechoslovakia, and the Baltic nations.
Author : Roberta Barker
Publisher : University of Iowa Press
Page : 313 pages
File Size : 45,8 Mb
Release : 2023-01-04
Category : Literary Criticism
ISBN : 9781609388614
"Symptoms of the Self offers the first full study of one of the most paradoxically popular figures in transatlantic theatre history: the stage consumptive. Consumption, or tuberculosis, remains one of the world's most deadly epidemic diseases; in the nineteenth and early twentieth centuries in France, Britain, and North America, it was a leading killer, responsible for the deaths of as many as one in four members of the population. Despite-or perhaps because of-their horrific experiences of tubercular mortality, throughout the nineteenth and well into the twentieth century audiences in these same countries flocked to see consumptive characters love, suffer, and die onstage. Beginning with the origins of the stage consumptive in Romantic-era France and ranging through to the queer theatres of New York City in the 1970s, this book explores famous plays such as La dame aux camélias (Camille) and Uncle Tom's Cabin alongside rediscovered sentimental dramas, frontier melodramas, and naturalistic problem plays. It shows how theatre artists used the symptoms of tuberculosis to perform the inward emotions and experiences of the modern self, and how the new theatrical vocabulary of realism emerged out of the innovations of the sentimental stage. In the theatre, the consumptive character became a vehicle through which-for better and for worse-standards of health, beauty, and virtue were imposed; constructions of class, gender, and sexuality were debated; the boundaries of nationhood were transgressed or maintained; and an exceedingly fragile whiteness was held up as a dominant social ideal. By telling the story of tuberculosis on the transatlantic stage, Symptoms of the Self aims to uncover some of the wellsprings of modern Western theatrical practice-and of ideas about the self that still affect the way human beings live and die"--
Author : Marlis Schweitzer
Publisher : University of Iowa Press
Page : 300 pages
File Size : 54,7 Mb
Release : 2020-11-02
Category : Performing Arts
ISBN : 9781609387365
Bloody Tyrants and Little Pickles traces the theatrical repertoire of a small group of white Anglo-American actresses as they reshaped the meanings of girlhood in Britain, North America, and the British West Indies during the first half of the nineteenth century. It is a study of the possibilities and the problems girl performers presented as they adopted the manners and clothing of boys, entered spaces intended for adults, and assumed characters written for men. It asks why masculine roles like Young Norval, Richard III, Little Pickle, and Shylock came to seem “normal” and “natural” for young white girls to play, and it considers how playwrights, managers, critics, and audiences sought to contain or fix the at-times dangerous plasticity they exhibited both on and off the stage. Schweitzer analyzes the formation of a distinct repertoire for girls in the first half of the nineteenth century, which delighted in precocity and playfulness and offered up a model of girlhood that was similarly joyful and fluid. This evolving repertoire reflected shifting perspectives on girls’ place within Anglo-American society, including where and how they should behave, and which girls had the right to appear at all.
Author : Kenneth Elliott
Publisher : University of Iowa Press
Page : 210 pages
File Size : 48,6 Mb
Release : 2023
Category : Biography & Autobiography
ISBN : 9781609389192
Beyond Ridiculous tells the story of Theatre-in-Limbo. Elliott narrates in first-person the company's Cinderella tale of fun, heartbreak, and dishy drama. At the center of the book is a young Charles Busch, an unforgettable personality fighting to be seen, be heard, and express his unique style as a writer-performer. The tragedy of AIDS among treasured friends in the company, the struggle for mainstream acceptance of LGBTQ+ theatre during the reign of President Ronald Reagan, and the exploration of new ways of being a gay theatre artist make the book a bittersweet and joyous ride.
Author : J. Chris Westgate
Publisher : University of Iowa Press
Page : 297 pages
File Size : 54,6 Mb
Release : 2024-07-01
Category : Performing Arts
ISBN : 9781609389482
Rowdy Carousals makes important interventions in nineteenth-century theatre history with regard to the Bowery Boy, a raucous, white, urban character most famously exemplified by Mose from A Glance at New York in 1848. Theatrical representations of the Bowery Boy emphasized the privileges of whiteness against nonwhite workers including enslaved and free African Americans during the Antebellum Period, an articulation of white superiority that continued through the early twentieth century with Jewish, Italian, and Chinese immigrants. The book’s examination of working-class whiteness on stage, in the theatre, and in print culture invites theatre historians and critics to check the impulse to downplay or ignore questions about race and ethnicity in discussion of the Bowery Boy. J. Chris Westgate further explores links between the Bowery Boy’s rowdyism in the nineteenth century and the resurgence of white supremacy in the early twenty-first century.