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Stand in the Trench, Achilles by Elizabeth Vandiver Pdf
A study of the ways in which British poets of the First World War used classical literature, culture, and history as a source of images, ideas, and even phrases for their own poetry. Elizabeth Vandiver offers a new perspective on that poetry and on the history of classics in British culture.
Stand in the Trench, Achilles: Classical Receptions in British Poetry of the Great War by Elizabeth Vandiver Pdf
Elizabeth Vandiver examines the ways in which British poets of the First World War used classical literature, culture, and history as a source of images, ideas, and even phrases for their own poetry. Vandiver argues that classics was a crucial source for writers from a wide variety of backgrounds, from working-class poets to those educated in public schools, and for a wide variety of political positions and viewpoints. Poets used references to classics both to support and to oppose the war from its beginning all the way to the Armistice and after. By exploring the importance of classics in the poetry of the First World War, Vandiver offers a new perspective on that poetry and on the history of classics in British culture.
Author : Alfred J. Church Publisher : Simon and Schuster Page : 121 pages File Size : 54,7 Mb Release : 2012-11-26 Category : Juvenile Nonfiction ISBN : 9781625582423
The Iliad for Boys and Girls by Alfred J. Church Pdf
Vigorous retelling of Homer's Iliad, relating the incidents of the great siege of Troy, from the quarrel of the chiefs to the ransoming of Hector's body. Suitable for ages 8 and up.
An original and groundbreaking book that examines the psychological devastation of war by comparing the soldiers of Homer’s Iliad with Vietnam veterans suffering from post-traumatic stress disorder. In this moving, dazzlingly creative book, Dr. Shay examines the psychological devastation of war by comparing the soldiers of Homer’s Iliad with Vietnam veterans suffering from post-traumatic stress disorder. A classic of war literature that has as much relevance as ever in the wake of the wars in Iraq and Afghanistan, it is a “transcendent literary adventure” (The New York Times) and “clearly one of the most original and most important scholarly works to have emerged from the Vietnam War” (Tim O’Brien, author of The Things They Carried).
Masculinity and Ancient Rome in the Victorian Cultural Imagination by Laura Eastlake Pdf
Masculinity and Ancient Rome in the Victorian Cultural Imagination examines Victorian receptions of ancient Rome, with a specific focus on how those receptions were deployed to create useable models of masculinity. Romans in Victorian literature are at once pagan persecutors, pious statesmen, pleasure-seeking decadents, and heroes of empire, and these manifold and often contradictory representations are used as vehicles equally to capture the martial virtue of Wellington and to condemn the deviance and degeneracy of Oscar Wilde. In the works of Thomas Macaulay, Wilkie Collins, Anthony Trollope, H. Rider Haggard, and Rudyard Kipling, among others, Rome emerges as a contested space with an array of possible scripts and signifiers which can be used to frame masculine ideals, or to vilify perceived deviance from those ideals, though with a value and significance often very different to ancient Greek models. Sitting at the intersection of reception studies, gender studies, and interdisciplinary literary and cultural studies across discourses ranging from education and politics, this volume offers the first comprehensive examination of the importance of ancient Rome as a cultural touchstone for nineteenth-century manliness and Victorian codifications of masculinity.
Reading Poetry, Writing Genre by Silvio Bär,Emily Hauser Pdf
This ground-breaking volume connects the situatedness of genre in English poetry with developments in classical scholarship, exploring how an emphasis on the interaction between English literary criticism and Classics changes, sharpens, or perhaps even obstructs views on genre in English poetry. “Genre” has classical roots: both in the etymology of the word and in the history of genre criticism, which begins with Aristotle. In a similar vein, recent developments in genre studies have suggested that literary genres are not given or fixed entities, but subjective and unstable (as well as historically situated), and that the reception of genre by both writers and scholars feeds back into the way genre is articulated in specific literary works. Classical scholarship, literary criticism, and genre form a triangle of key concepts for the volume, approached in different ways and with different productive results by contributors from across the disciplines of Classics and English literature. Covering topics from the establishment of genre in the Middle Ages to the invention of female epic and the epyllion, and bringing together the works of English poets from Milton to Tennyson to Josephine Balmer, the essays collected hereargue that the reception and criticism of classical texts play a crucial part in generic formation in English poetry.
These ardent, even obsessed, poems about erotic passion are among the brightest jewels in the crown of Latin literature. Written by Propertius, Rome's greatest poet of love, who was born around 50 b.c., a contemporary of Ovid, these elegies tell of Propertius' tormented relationship with a woman he calls "Cynthia." Their connection was sometimes blissful, more often agonizing, but as the poet came to recognize, it went beyond pride or shame to become the defining event of his life. Whether or not it was Propertius' explicit intention, these elegies extend our ideas of desire, and of the human condition itself.
Remaking the Classics by Christopher Stray,Lorna Hardwick,Amanda Wrigley,Deborah Roberts,Elizabeth Vandiver,Leanne Hunnings,Ruth Hazel,Sheila Murnaghan,Stephen Harrison Pdf
This important collection of essays both contributes to the expanding field of classical reception studies and seeks to extend it. Focusing on nineteenth- and twentieth-century Britain, it looks at a range of different genres (epic, novel, lyric, tragedy, political pamphlet). Within the published texts considered, the usual range of genres dealt with elsewhere is extended by chapters on books for children, and those in which childhood and memories of childhood are informed by antiquity; and also by a multi-genre case study of a highly unusual subject, Spartacus. "Remaking the Classics" also goes beyond books to dramatic performance, and beyond the theatre to radio - a medium of enormous power and influence from the 1920s to the 1960s, whose role in the reception of classics is largely unexplored. The variety of genres and of media considered in the book is balanced both by the focus on Britain in a specific time period, and by an overlap of subject-matter between chapters: the three chapters on twentieth-century drama, for example, range from performance strategies to post-colonial contexts.The book thus combines the consolidation of a field with an attempt to push it in new and exciting directions.
"The first critical edition of W. H. Auden's poetry collection The Shield of Achilles, which won the 1956 National Book Award in Poetry, this book will include the complete text of Auden's award-winning volume The Shield of Achilles, accompanied critical commentary by Alan Jacobs: a preface to provide historical and publishing context; a longer introduction to orient the reader to the poems themselves; and detailed notes on words or passages in need of clarification for contemporary readers. Jacobs, who has edited two previous critical editions of Auden's poetry, argues that this was the most important single collection of poems Auden published, and also the most coherent of his collections. The two poetic sequences, "Bucolics" and "Horae Canonicae," bookend a remarkable set of lyrics, with "The Shield of Achilles" itself at the heart. One of Auden's last long poems, it refers to moment in The Iliad in which Thetis, mother of Achilles, asks Hephaestus to forge a shield for her son. Auden re-imagines how the shield of Achilles would look in the modern age, when the rules of war and the role of the hero have been rewritten. While the volume was widely praised, it is now out of print (although the title poem is included in larger collections of Auden's poetry). A critical edition allows readers to better understand and appreciate one of Auden's most important later poetic works, written in what Jacobs describes as "a poetic idiom that differs quite significantly from what anyone else at the time was doing. . . . it is, in a vital sense, public poetry and it can be enjoyed, understood, and profited from. This edition is meant to make that enjoyment, understanding, and profit easier of access.""--
Letters from the Coffin-Trenches by Ken Catran Pdf
Poignant YA historical romance between a teen who runs away to fight in World War One, and his sweetheart back at home. Harry Wainwright is 17, not quite 18, but he can't wait to enlist for the Great War - so instead of going back to boarding school he runs away to war. He does this with the help of his sweetheart, Jessica. They are a wholesome Edwardian couple, steeped in all the respectable morality of their age. Both are in love with romance. Their letters begin idealistically and enthusiastically but gradually both young people learn of the horror of war and its associated cynicism. Rather than a depressing read, this is an interesting chronicle of the times and a charming portrayal of innocent love. Finalist in the Senior fiction category of the NZ Post Children's Book Awards 2003.
The First World War produced an extraordinary flowering of poetic talent, poets whose words commemorate the conflict more personally and as enduringly as monuments in stone. Lines such as 'What passing-bells for these who die as cattle?' and 'They shall grow not old, as we that are left grow old' have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets. Music hall and trench songs provide a further lyrical perspective on the War. A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context. Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.
Collected Works of Velimir Khlebnikov: Letters and theoretical writings by Велимир Хлебников Pdf
Dubbed by his fellow Futurists the "King of Time," Velimir Khlebnikov (1885-1922) spent his entire brief life searching for a new poetic language to express his convictions about the rhythm of history, the correspondence between human behavior and the "language of the stars." The result was a vast body of poetry and prose that has been called hermetic, incomprehensible, even deranged. Of all this tragic generation of Russian poets (including Blok, Esenin, and Mayakovsky), Khlebnikov has been perhaps the most praised and the more censured. This first volume of the Collected Works, an edition sponsored by the Dia Art Foundation, will do much to establish the counterimage of Khlebnikov as an honest, serious writer. The 117 letters published here for the first time in English reveal an ebullient, humane, impractical, but deliberate working artist. We read of the continuing involvement with his family throughout his vagabond life (pleas to his smartest sister, Vera, to break out of the mold, pleas to his scholarly father not to condemn and to send a warm overcoat); the naive pleasure he took in being applauded by other artists; his insistence that a young girl's simple verses be included in one of the typically outrageous Futurist publications of the time; his jealous fury at the appearance in Moscow of the Italian Futurist Marinetti; a first draft of his famous zoo poem ("O Garden of Animals!"); his seriocomic but ultimately shattering efforts to be released from army service; his inexhaustibly courageous confrontation with his own disease and excruciating poverty; and always his deadly earnest attempt to make sense of numbers, language, suffering, politics, and the exigencies of publication. The theoretical writings presented here are even more important than the letters to an understanding of Khlebnikov's creative output. In the scientific articles written before 1910, we discern foreshadowings of major patterns of later poetic work. In the pan-Slavic proclamations of 1908-1914, we find explicit connections between cultural roots and linguistic ramifications. In the semantic excursuses beginning in 1915, we can see Khlebnikov's experiments with consonants, nouns, and definitions spelled out in accessible, if arid, form. The essays of 1916-1922 take us into the future of Planet Earth, visions of universal order and accomplishment that no longer seem so farfetched but indeed resonate for modern readers.
One of Britain’s best-known and most loved poets, Wilfred Owen (1893–1918) was killed at age 25 on one of the last days of the First World War, having acted heroically as soldier and officer despite his famous misgivings about the war's rationale and conduct. He left behind a body of poetry that sensitively captured the pity, rage, valor, and futility of the conflict. In this new biography Guy Cuthbertson provides a fresh account of Owen's life and formative influences: the lower-middle-class childhood that he tried to escape; the places he lived in, from Birkenhead to Bordeaux; his class anxieties and his religious doubts; his sexuality and friendships; his close relationship with his mother and his childlike personality. Cuthbertson chronicles a great poet's growth to poetic maturity, illuminates the social strata of the extraordinary Edwardian era, and adds rich context to how Owen's enduring verse can be understood.