Studies In Islamic Painting Epigraphy And Decorative Arts
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Studies in Islamic Painting, Epigraphy and Decorative Arts by Bernard O'Kane Pdf
This lavishly illustrated volume features 19 articles by Bernard O'Kane on a wealth of topics in medieval Islamic art, from the Siyah Qalam album paintings and Arab and Persian illustrated manuscripts, to Egyptian and Iranian decorative arts, and to epigraphic developments in Persian and Arabic.
Studies in the Islamic Decorative Arts by Robert Hillenbrand Pdf
Islamic artists channelled their energies not into easel painting and large-scale sculpture, but rather into what Western scholars, obeying a very different hierarchy of art forms, rather disparagingly term the decorative arts or even the minor arts. In point of fact, some of the greatest masterpieces of Islamic art are in the media of ceramics, metalwork, textiles, ivory and glass. Often the images they bear express a complex set of meanings, for Islam inherited much material from the iconographic systems of earlier civilizations, notably those of the ancient Near East and of the classical world. Islam also developed its own distinctive vocabulary of signs and symbols. Accordingly, questions of iconography and meaning bulk large among the studies gathered together in the present volume. These studies, written over a period of almost thirty years, and taken from a wide variety of published sources, deal with aspects of the decorative arts from Spain to India and from the 7th to the 17th century. They focus in turn upon ceramics and metalwork; on coins, carpets and calligraphy; and on carving in wood and ivory. They are arranged under three headings. The first comprises general surveys of the field covering the content of these arts and confronting the challenges they present, such as the Islamic approach to three-dimensional sculpture. The second deals with questions of iconography and meaning, while the third comprises a series of studies devoted to specific media such as ivory, woodwork and numismatics. This volume therefore offers not only a general introduction to some of the problems posed by Islamic art, but also readings of key objects in an attempt to explore their meaning; and finally, an in-depth focus on individual objects representing specific genres and media.
Studies in the Islamic Arts of the Book by Robert Hillenbrand Pdf
The studies collected in this volume, some of them rather difficult of access, date mostly from the last fifteen years and focus primarily on Persian book painting of the 14th to the early 16th centuries. In this period Iran dominated the art of book painting in the Islamic world. The articles reprinted here examine various aspects of this, the golden age of Persian painting. They range from the period of Mongol rule, when the impact of Far Eastern themes and modes radically transformed the heritage bequeathed to Iran by Arab painting - a textbook case of the clash of civilisations - to the dawn of the modern era and the swansong of the classical style of Persian painting under the early Safavids. Yet other articles focus on the roots of book painting in the themes and styles developed in painted ceramics, on medieval Qur'anic calligraphy, on bookbinding and on the remarkably original variations played on the hitherto hackneyed theme of the figural frontispiece by Arab painters. Two major leitmotifs are explored in this selection of essays. One is provided by the constantly varying interpretations of the Shahnama (The Book of Kings), the Persian national epic, and especially the tendency of painters to interpret this familiar text in terms of contemporary politics. The other is the interplay of text and image, which highlights the tendency of painters to strike out on their own and to leave the literal text progressively further behind while they develop plots and sub-plots of their own. These enquiries are set within the context of a concerted effort to explore in detail how Persian painters achieved their most spectacular visual effects. In its combination of general surveys and closely focused analyses of individual manuscripts, this collection of articles will be of interest to specialists in book painting and in Islamic art as a whole.
Grove Encyclopedia of Islamic Art & Architecture: Three-Volume Set by Jonathan Bloom,Sheila Blair Pdf
The Grove Encyclopedia of Islamic Art and Architecture is the most comprehensive reference work in this complex and diverse area of art history. Built on the acclaimed scholarship of the Grove Dictionary of Art, this work offers over 1,600 up-to-date entries on Islamic art and architecture ranging from the Middle East to Central and South Asia, Africa, and Europe and spans over a thousand years of history. Recent changes in Islamic art in areas such as Afghanistan, Iran, and Iraq are elucidated here by distinguished scholars. Entries provide in-depth art historical and cultural information about dynasties, art forms, artists, architecture, rulers, monuments, archaeological sites and stylistic developments. In addition, over 500 illustrations of sculpture, mosaic, painting, ceramics, architecture, metalwork and calligraphy illuminate the rich artistic tradition of the Islamic world. With the fundamental understanding that Islamic art is not limited to a particular region, or to a defined period of time, The Grove Encyclopedia of Islamic Art and Architecture offers pathways into Islamic culture through its art.
'Beauty and Islam' explores aspects of aesthetics in classical Islamic thought in the light of contemporary theories, offering new perspectives on Islamic art and architecture with examples ranging from the Qur'an and the Alhambra to the works of present day artists and philosophers. Tracing the roots of Islamic aesthetics back to the works of the great philosophers of the Middle Ages such as Avicenna and Averroes, Valerie Gonzalez finds that aesthetic theory in Islam must be seen within the much wider context of parallel thinking on theology, ethics, physics and metaphysics.
A collection of studies, published over three decades, which deal with the materials, issues and problems of Islamic painting ranging from 10th-century Egypt, Ottoman Turkey to 19th-century Persia.
Museum of Fine Arts (Springfield, Mass.),Walter B. Denny
Author : Museum of Fine Arts (Springfield, Mass.),Walter B. Denny Publisher : Unknown Page : 64 pages File Size : 51,5 Mb Release : 1976 Category : Art ISBN : STANFORD:36105031789824
Studies in Persian Art by Basil William Robinson Pdf
Over the last forty years, Basil Robinson has established a reputation as a leading authority on the art of Persia. His work on Persian manuscript illumination represents one of the most important contributions made in this century to the study of the development of this pivotal branch of Islamic art, which absorbed the influence of Arab and Chinese painting, and influenced in turn the miniature painting of Mughal India. This first volume concentrates on Persian painting. Seven papers examine the general evolution of painting in Persia from the fourteenth to the nineteenth centuries, "mostly preserved in manuscript illumination, with emphasis on that most characteristic of Persian manuscripts, "the Shah-Nameh, the national epic. Particular attention is paid to the Timurid period and the sixteenth and seventeenth centuries. Four reviews of exhibitions of Persian art follow. Thirteen studies are devoted to a later period, the school of painting that arose under the Qajar rulers, when Persian art flourished in such new and diverse media as oil painting and painted enamels. Vol I Contents: Preface A Survey of Persian Painting 1350-1896 Persian Painting and the National Epic Persian Miniatures and Manuscripts Persian Miniatures of the 16th and 17th Centuries Shah Abbas and the Mughal Ambassador Khan Alam: the Pictorial Record Areas of Controversy in Islamic Painting Book Illustration in Transoxiana: the Timurid Period Some Modern Persian Miniatures Persian Miniatures at the British Museum Persian Painting: A Loan Exhibition at the Victoria and Albert Museum Persian Miniature Painting from Collections in the British Isles Qajar Art: An Introduction The Court Painters of Fath Ali Shah The Amery Collection of Persian Oil Paintings Persian Royal Portraiture and the Qajars Some Thoughts on Qajar Lacquer Qajar Lacquer Persian Lacquer in the Bern Historical Museum Persian Lacquer and the Bern Historical Museum Casket A Pair of Royal Book-Covers A Lacquer Mirror Case of 1854 Qajar Painted Enamels A Royal Qajar Enamel The Tehran Nizami of 1848 and other Qajar Illustrated Books Inde.
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work. This second, revised edition includes addenda and corrigenda.
Colour, Light and Wonder in Islamic Art by Idries Trevathan Pdf
A unique investigation into the aesthetics of colour in Islamic art revealing its deeper symbolic and mystical meanings. The experience of colour in Islamic visual culture has historically been overlooked. In this new approach, Idries Trevathan examines the language of colour in Islamic art and architecture in dialogue with its aesthetic contexts, offering insights into the pre-modern Muslim experience of interpreting colour. The seventeenth-century Shah Mosque in Isfahan, Iran, represents one of the finest examples of colour-use on a grand scale. Here, Trevathan examines the philosophical and mystical traditions that formed the mosque's backdrop. He shows how careful combinations of colour and design proportions in Islamic patterns expresses knowledge beyond that experienced in the corporeal world, offering another language with which to know and experience God. Colour thus becomes a spiritual language, calling for a re-consideration of how we read Islamic aesthetics.
Presents a region-by-region history of the art of the Islamic world, looking at architecture, the art of the book, mosaics, pottery, textiles, and other decorative art forms.