Studying French Cinema

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Studying French Cinema

Isabelle Vanderschelden
Studying French Cinema Book PDF

Author : Isabelle Vanderschelden
Publisher : Liverpool University Press
Page : 404 pages
File Size : 45,8 Mb
Release : 2013-04-22
Category : Performing Arts
ISBN : 9781906733919

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Studying French Cinema by Isabelle Vanderschelden Pdf

Taking a text-led approach, with the emphasis on more recent popular films, Studying French Cinema is directed at non-specialists such as students of French, Film Studies, and the general reader with an interest in post-war French cinema. Each of the chapters focuses on one or more key films from the ground-breaking films of the nouvelle vague (Les 400 coups, 1959) to contemporary documentary (Etre et avoir, 2002) and puts them into their relevant contexts. Depending on the individual film, these include explorations of childhood, adolescence and coming of age (Les 400 coups, L'Argent de poche); auteur ideology and individual style (the films of Jean-Luc Godard and Agnes Varda); the representation of recent French history (Lacombe Lucien and Au revoir les enfants); transnational production practices (Le Pacte des loups); and popular cinema, comedy and gender issues (e.g. Le Diner de cons). Each film is embedded in its cultural and political context. Together, the historical discussions provide an overview of post-war French history to the present. Useful suggestions are made as to studies of related films, both those discussed within the book and outside.

Studies in French Cinema

Will Higbee,Sarah Leahy
Studies in French Cinema Book PDF

Author : Will Higbee,Sarah Leahy
Publisher : Intellect Books
Page : 0 pages
File Size : 54,7 Mb
Release : 2011
Category : Motion pictures
ISBN : 1841503231

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Studies in French Cinema by Will Higbee,Sarah Leahy Pdf

Studies in French Cinema looks at the development of French screen studies in the United Kingdom over the past twenty years and the ways in which innovative scholarship in the UK has helped shape the field in English- and French-speaking universities. This seminal text is also a tribute to six key figures within the field who have been leaders in research and teaching of French cinema: Jill Forbes, Susan Hayward, Phil Powrie, Keith Reader, Carrie Tarr, and Ginette Vincendeau. Covering a wide range of key films--contemporary and historical, popular and auteur--the volume provides an invaluable overview for students and scholars of the state of French cinema, and French film studies at the beginning of the twenty-first century.

Studying French Cinema

Isabelle Vanderschelden
Studying French Cinema Book PDF

Author : Isabelle Vanderschelden
Publisher : Unknown
Page : 256 pages
File Size : 53,7 Mb
Release : 2021
Category : Motion pictures
ISBN : 1800342004

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Studying French Cinema by Isabelle Vanderschelden Pdf

Taking a text-led approach, with the emphasis on more recent popular films, 'Studying French Cinema' is directed at non-specialists such as students of French, film studies, and the general reader with an interest in post-war French cinema. Each of the chapters focuses on one or more key films from the ground-breaking films of the nouvelle vague to contemporary documentary and puts them into their relevant contexts.

Contemporary Sino-French Cinemas

Michelle E. Bloom
Contemporary Sino French Cinemas Book PDF

Author : Michelle E. Bloom
Publisher : University of Hawaii Press
Page : 289 pages
File Size : 48,6 Mb
Release : 2017-11-30
Category : History
ISBN : 9780824875114

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Contemporary Sino-French Cinemas by Michelle E. Bloom Pdf

Transnational cinemas are eclipsing national cinemas in the contemporary world, and Sino-French films exemplify this phenomenon through the cinematic coupling of the Sinophone and the Francophone, linking France not just with the Chinese mainland but also with the rest of the Chinese-speaking world. Sinophone directors most often reach out to French cinema by referencing and adapting it. They set their films in Paris and metropolitan France, cast French actors, and sometimes use French dialogue, even when the directors themselves don't understand it. They tend to view France as mysterious, sexy, and sophisticated, just as the French see China and Taiwan as exotic. As Michelle E. Bloom makes clear, many films move past a simplistic opposition between East and West and beyond Orientalist and Occidentalist cross-cultural interplay. Bloom focuses on films that have appeared since 2000 such as Tsai Ming-liang's What Time Is It There? , Hou Hsiao-hsien's Flight of the Red Balloon, and Dai Sijie's Balzac and the Little Chinese Seamstress. She views the work of these well-known directors through a Sino-French optic, applying the tropes of métissage (or biraciality), intertextuality, adaptation and remake, translation, and imitation to shed new light on their work. She also calls attention to important, lesser studied films: Taiwanese director Cheng Yu-chieh's Yang Yang, which depicts the up-and-coming Taiwanese star Sandrine Pinna as a mixed race beauty; and Emily Tang Xiaobai's debut film Conjugation, which contrasts Paris and post-Tiananmen Square Beijing, the one an incarnation of liberty, the other a place of entrapment. Bloom's insightful analysis also probes what such films reveal about their Taiwanese and Chinese creators. Scholars have long studied Sino-French literature, but this inaugural full-length work on Sino-French cinema maps uncharted territory, offering a paradigm for understanding other cross-cultural interminglings and tools to study transnational cinema and world cinema. The Sino-French, rich and multifaceted, linguistically, culturally, and ethnically, constitutes an important part of film studies, Francophone studies, Sinophone studies and myriad other fields. This is a must-read for students, scholars, and lovers of film.

Studying French Cinema

Isabelle Vanderschelden
Studying French Cinema Book PDF

Author : Isabelle Vanderschelden
Publisher : Liverpool University Press
Page : 251 pages
File Size : 43,8 Mb
Release : 2013-04-22
Category : Performing Arts
ISBN : 9781800347342

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Studying French Cinema by Isabelle Vanderschelden Pdf

Taking a text-led approach, with the emphasis on more recent popular films, Studying French Cinema is directed at non-specialists such as students of French, Film Studies, and the general reader with an interest in post-war French cinema. Each of the chapters focuses on one or more key films from the ground-breaking films of the nouvelle vague (Les 400 coups, 1959) to contemporary documentary (Etre et avoir, 2002) and puts them into their relevant contexts. Depending on the individual film, these include explorations of childhood, adolescence and coming of age (Les 400 coups, L'Argent de poche); auteur ideology and individual style (the films of Jean-Luc Godard and Agnes Varda); the representation of recent French history (Lacombe Lucien and Au revoir les enfants); transnational production practices (Le Pacte des loups); and popular cinema, comedy and gender issues (e.g. Le Diner de cons). Each film is embedded in its cultural and political context. Together, the historical discussions provide an overview of post-war French history to the present. Useful suggestions are made as to studies of related films, both those discussed within the book and outside.

The French Road Movie

Neil Archer
The French Road Movie Book PDF

Author : Neil Archer
Publisher : Berghahn Books
Page : 205 pages
File Size : 44,6 Mb
Release : 2012
Category : Foreign Language Study
ISBN : 9780857457707

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The French Road Movie by Neil Archer Pdf

The traditionally American genre of the road movie has been explored and reconfigured in the French context since the later 1960s. Comparative in its approach, this book studies the inter-relationship between American and French culture and cinemas, and in the process considers and challenges histories of the road movie. It combines film history with film theory methodologies, analysing transformations in social, political and film-industrial contexts alongside changing perspectives on the meaning and possibilities of film. At once chronological and thematic in structure, The French Road Movie provides in each chapter a comprehensive introduction to key themes emerging from the genre in the French context - liberty, identity and citizenship, masculinity, femininity, border-crossing - followed by detailed, innovative and often revisionist readings of the chosen films. Through these readings the author justifies the place of the road genre within French cinema histories and reinvigorates this often neglected and misunderstood area of study.

The Bressonians

Codruţa Morari
The Bressonians Book PDF

Author : Codruţa Morari
Publisher : Berghahn Books
Page : 285 pages
File Size : 46,8 Mb
Release : 2017-07-01
Category : Performing Arts
ISBN : 9781805394242

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The Bressonians by Codruţa Morari Pdf

How should we understand film authorship in an era when the idea of the solitary and sovereign auteur has come under attack, with critics proclaiming the death of the author and the end of cinema? The Bressonians provides an answer in the form of a strikingly original study of Bresson and his influence on the work of filmmakers Jean Eustache and Maurice Pialat. Extending the discourse of authorship beyond the idea of a singular visionary, it explores how the imperatives of excellence function within cinema’s pluralistic community. Bresson’s example offered both an artistic legacy and a creative burden within which filmmakers reckoned in different, often arduous, and altogether compelling ways.

French Cinema

Phil Powrie,Keith Reader
French Cinema Book PDF

Author : Phil Powrie,Keith Reader
Publisher : Hodder Arnold
Page : 212 pages
File Size : 40,8 Mb
Release : 2002
Category : Performing Arts
ISBN : 0340760036

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French Cinema by Phil Powrie,Keith Reader Pdf

The study of French cinema has greatly expanded in recent years, as it is increasingly taught alongside literature in modern language departments. This book, written by two leading scholars of French film, offers students an introduction to the history and theory of French cinema.

French Queer Cinema

Nick Rees-Roberts
French Queer Cinema Book PDF

Author : Nick Rees-Roberts
Publisher : Edinburgh University Press
Page : 176 pages
File Size : 51,7 Mb
Release : 2008-10-27
Category : Social Science
ISBN : 9780748634194

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French Queer Cinema by Nick Rees-Roberts Pdf

French Queer Cinema examines the representation of queer identities and sexualities in contemporary French filmmaking. This groundbreaking volume is the first comprehensive study of the cultural formation and critical reception of contemporary queer film and video in France. French Queer Cinema addresses the emergence of a gay cinema in the French context since the late 1990s, including critical coverage of films by important contemporary directors such as Francois Ozon, Sebastien Lifshitz, Patrice Chereau, Andre Techine and Christophe Honore. Nick Rees-Roberts transposes contemporary Anglo-American Queer Theory to the study of French screen culture, drawing particular attention to issues of race and migration such as problematic fantasies of Arab masculinities in queer cinematic production. This theoretically-informed book engages with a number of fault-lines running through queer cultural representation in France including transgender dissent and the effects of AIDS and loss on the formation of queer identities and sexualities.

French Film

Susan Hayward,Ginette Vincendeau
French Film Book PDF

Author : Susan Hayward,Ginette Vincendeau
Publisher : Routledge
Page : 372 pages
File Size : 53,8 Mb
Release : 2014-04-23
Category : Social Science
ISBN : 9781136214868

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French Film by Susan Hayward,Ginette Vincendeau Pdf

The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include: * masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis * popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud * landmarks of the New Wave such as Les 400 Coups and A bout de souffle * important films of the 1990s such as Nikita and La Haine The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.

Cinema and Sensation

Martine Beugnet
Cinema and Sensation Book PDF

Author : Martine Beugnet
Publisher : SIU Press
Page : 208 pages
File Size : 48,8 Mb
Release : 2007
Category : Art
ISBN : 0809328569

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Cinema and Sensation by Martine Beugnet Pdf

"Cinema and Sensation: " "French Film and the Art of Transgression" looks at a much-debated phenomenon in contemporary cinema: the reemergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses.France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema s sensory impact and transgressive nature: "Adieu"; "A ma soeur"; "Baise-moi"; "Beau Travail"; "La Blessure"; "La Captive"; "Dans ma peau"; "Demonlover"; "L Humanite"; "Flandres"; "L Intrus"; "Les Invisibles"; "Lady Chatterley"; "Lecons de tenebres"; "Romance"; "Sombre"; "Tiresia"; "Trouble Every Day"; "Twentynine Palms"; "Vendredi soir"; "La Vie nouvelle"; "Wild Side"; and "Zidane, un portrait du XXIeme siecle." These films, among others, typify a willingness to explore cinema s unique capacity to move us both viscerally and intellectually.Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of Deleuze, Merleau-Ponty, and Bataille, among others, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques, and motifs that allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching today s most burning sociocultural debatesfrom the growing supremacy of technology, to globalization, exile, and exclusion."

The French Cinema Book

Michael Witt
The French Cinema Book Book PDF

Author : Michael Witt
Publisher : British Film Institute
Page : 0 pages
File Size : 52,5 Mb
Release : 2008-02-28
Category : Performing Arts
ISBN : 1844570126

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The French Cinema Book by Michael Witt Pdf

?The French Cinema Book is an accessible and innovative survey of key topics in French cinema from the 1890s to the twenty-first century. This multi-authored volume proposes new insights into familiar areas and sets out a fresh agenda for the study and appreciation of French cinema: • Who are the men and women who have made French cinema happen? • What is the business culture in which French cinema has evolved? • How has technological change effected artistic and commercial innovation? • What have been the most popular and the most experimental forms? • What has French cinema shown us of France, its society, its citizens, its concerns? • How has the spectator's experience of film-going changed in the last 100 years? • How have debates about film reflected cinema's unique place in French culture? The book combines historical context and background information with detailed discussion of case-studies, analysis of films, recommendations for further reading and online resources. The French Cinema Book is addressed to all lovers of French cinema, students and teachers, specialists and fans.

The French Screenwriter

Sarah Leahy,Isabelle Vanderschelden
The French Screenwriter Book PDF

Author : Sarah Leahy,Isabelle Vanderschelden
Publisher : Unknown
Page : 384 pages
File Size : 50,6 Mb
Release : 2021-03-09
Category : Electronic
ISBN : 0719088429

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The French Screenwriter by Sarah Leahy,Isabelle Vanderschelden Pdf

This volume explores the overlooked category of screenwriters in French cinema, from the coming of sound to the digital age. Using key figures as case studies, it considers how the role has evolved industrially and critically, and sheds light on screenwriting practices in the context of debates on word and image, national cinema and authorship.

A History of the French New Wave Cinema

Richard Neupert
A History of the French New Wave Cinema Book PDF

Author : Richard Neupert
Publisher : Univ of Wisconsin Press
Page : 442 pages
File Size : 42,7 Mb
Release : 2007-04-20
Category : Performing Arts
ISBN : 9780299217037

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A History of the French New Wave Cinema by Richard Neupert Pdf

The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A History of the French New Wave Cinema offers a fresh look at the social, economic, and aesthetic mechanisms that shaped French film in the 1950s, as well as detailed studies of the most important New Wave movies of the late 1950s and early 1960s. Richard Neupert first tracks the precursors to New Wave cinema, showing how they provided blueprints for those who would follow. He then demonstrates that it was a core group of critics-turned-directors from the magazine Cahiers du Cinéma—especially François Truffaut, Claude Chabrol, and Jean-Luc Godard—who really revealed that filmmaking was changing forever. Later, their cohorts Eric Rohmer, Jacques Rivette, Jacques Doniol-Valcroze, and Pierre Kast continued in their own unique ways to expand the range and depth of the New Wave. In an exciting new chapter, Neupert explores the subgroup of French film practice known as the Left Bank Group, which included directors such as Alain Resnais and Agnès Varda. With the addition of this new material and an updated conclusion, Neupert presents a comprehensive review of the stunning variety of movies to come out of this important era in filmmaking.

Contemporary French Cinema

Alan J. Singerman,Michèle Bissière
Contemporary French Cinema Book PDF

Author : Alan J. Singerman,Michèle Bissière
Publisher : Hackett Publishing
Page : 434 pages
File Size : 48,9 Mb
Release : 2018-09-15
Category : Performing Arts
ISBN : 9781585108947

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Contemporary French Cinema by Alan J. Singerman,Michèle Bissière Pdf

Like its French-language companion volume Le Cinéma français contemporain: Manuel de classe, Alan Singerman and Michèle Bissière's Contemporary French Cinema: A Student's Book offers a detailed look at recent French cinema through its analyses of twenty notable and representative French films that have appeared since 1980. Sure to delight Anglophone fans of French film, it can be used with equal success in English-language courses and, when paired with its companion volume, dual-language ones. Acclaim for Le Cinéma français contemporain: Manuel de classe "From Le Dernier Métro to Intouchables, Bissière and Singerman cover the latest trends of French cinema, emphasizing context and analytical method as Singerman did in Apprentissage du cinéma français (Focus 2004). The authors offer a selection of films most French cinephiles will applaud, and they incorporate insights from some of the best critical work on French cinema. Students of French film will also find all the bibliographical pointers they need to dig deeper, and instructors will appreciate the pedagogical components included in the chapters." —Jonathan Walsh, Department of French Studies, Wheaton College, Massachusetts "This remarkable book comes to us from two seasoned teachers and critics and beautifully complements an earlier work, Alan Singerman's Apprentissage du cinéma français. The time period covered, more targeted here than in the preceding text, is admirably well chosen, and the breakdown by broad category, each offering multiple options, guides the teacher while offering a choice among an abundance of interesting films. The preliminary chapters, both succinct and informative, give students an excellent overview of French cinema as a whole and of the technical knowledge needed for film analysis. Each of the subsequent chapters offers an indispensable introduction discussing the plot, director, production, actors, reception, and context of the film in question and also provides a very useful filmography and bibliography… an exemplary work." —Brigitte E. Humbert, Department of French and Francophone Studies, Middlebury College