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Style, Method and Philosophy in Wittgenstein by Alois Pichler Pdf
This Element provides a comprehensive explanation of Wittgenstein's philosophy. It introduces distinctions that are essential for approaching the multilayered complex of Wittgenstein's oeuvre. One is the distinction between writing philosophical clarifications for himself and forming philosophical books for his reader.
The style of Wittgenstein's writing in his Philosophical Investigations seems quite peculiar to many readers, and is in many way unlike any other style of writing in the history of philosophy. In Philosophical Health, Richard Gilmore argues that Wittgenstein's ultimate goal in the "Investigations" is to restore us to a condition of philosophical health. The traditional methods and styles of doing philosophy, Gilmore suggests, led to a strange kind of philosophical sickness. Philosophical health is a condition that does not repudiate the philosophical search or philosophical wonder, but does free us from a kind of sickness that results from looking in the wrong places for the wrong kinds of answers. According to Gilmore, Wittgenstein thought that to do philosophy in the right way we have to pay careful attention to the way we speak and think about things in our everyday lives. Philosophical Health is an original and thought-provoking look at Wittgenstein's later philosophy.
Wittgenstein at Work by Erich Ammereller,Eugen Fischer Pdf
Twelve specially-commissioned papers explore the revolutionary aims and methods of Ludwig Wittgenstein's later work, providing a much-needed methodological companion to the Philosophical Investigations.
One of the first things to strike the reader of Wittgenstein's writings is the unique power of his style. One immediately notices the intriguing and arrangement of the paragraphs in Philosophical Investi composition gations, or the stark assertiveness of the sentences in the Tractatus Logico Philosophicus. A sense of the singular style being employed is unavoidable, even before the reader understands anything of what is happening philos ophically. Perhaps precisely for this reason it is too often assumed that coming to understand either work has little or nothing to do with re sponding to its form. The unusual style is a mere curiousity decorating the vehicle of Wittgenstein's ideas. Form is assigned a purely incidental import, there is a coincidence of this or that rhetorical flair with the yet to be determined content of the thoughts. The remarkableness of the style is perhaps registered in a tidy obiter dictum standing beside the more arduous task of discovering the substance of the ideas being presented. our interest, or at Wittgenstein's peculiar way of writing ably captures least our attention, but it bears only minor philosophical import. Though not unprecedented as a form of philosophical composition, it does not conform to the currently acceptable conventions; hence Wittgenstein's style is often thought to stand in the way of understanding his meaning. Such assumptions can be harmless for certain types of writing; however it does not appear as though Wittgenstein's is one of these.
Wittgenstein on Logic and Philosophical Method by Oskari Kuusela Pdf
This Element outlines Wittgenstein's early and later philosophies of logic, and explains Wittgenstein's views regarding the methodological significance of logic for philosophy. Wittgenstein's early philosophy of logic is presented as a further development of Frege's and Russell's accounts of logic, and Wittgenstein later philosophy as a response to problems with his early views, including confusions about idealization and abstraction in logic. The later Wittgenstein's novel logical methods, such as the method of language-games, are outlined, and the new kind of logical naturalism developed in his later philosophy described. I conclude by discussing the later Wittgenstein on names.
This is a collection of the key articles written by renowned Wittgenstein scholar, G.P. Baker, on Wittgenstein’s later philosophy, published posthumously. Following Baker’s death in 2002, the volume has been edited by collaborator and partner, Katherine Morris. Contains articles previously only available in other languages, and one previously unpublished paper. Completely distinct from the widely-known work Baker did with P.M.S. Hacker in the Analytical Commentary on the Philosophical Investigations (Blackwell Publishing, 1980-1996).
Tractatus Logico-Philosophicus (The original 1922 edition with an introduction by Bertram Russell) by Ludwig Wittgenstein Pdf
This carefully crafted ebook: "Tractatus Logico-Philosophicus (The original 1922 edition with an introduction by Bertram Russell)" is formatted for your eReader with a functional and detailed table of contents. The Tractatus Logico-Philosophicus is the only book-length philosophical work published by the philosopher Ludwig Wittgenstein in his lifetime. It was an ambitious project: to identify the relationship between language and reality and to define the limits of science. It is recognized as a significant philosophical work of the twentieth century. Wittgenstein wrote the notes for Tractatus while he was a soldier during World War I and completed it when a prisoner of war at Como and later Cassino in August 1918. It was first published in German in 1921 as Logisch-Philosophische Abhandlung. Tractatus was influential chiefly amongst the logical positivists of the Vienna Circle, such as Rudolf Carnap and Friedrich Waismann. Ludwig Josef Johann Wittgenstein (1889 – 1951) was an Austrian-British philosopher who worked primarily in logic, the philosophy of mathematics, the philosophy of mind, and the philosophy of language. He published few works in his lifetime, including one book review, one article, a children's dictionary, and the 75-page Tractatus Logico-Philosophicus (1921).
Wittgenstein and His Interpreters by Guy Kahane,Edward Kanterian,Oskari Kuusela Pdf
Comprising specially commissioned essays from some of the most significant contributors to the field, this volume provides a uniquely authoritative and thorough survey of the main lines of Wittgenstein scholarship over the past 50 years, tracing the history and current trends as well as anticipating the future shape of work on Wittgenstein. The first collection of its kind, this volume presents a range of perspectives on the different approaches to the philosophy of Wittgenstein Written by leading experts from America, Britain, and Europe Provides a much needed overview of the complex landscape of Wittgenstein exegesis and Wittgensteinian approaches to philosophy Assesses the current state, aims, and future of Wittgenstein scholarship An essential guide for both students and scholars
Style, Politics and the Future of Philosophy by A. Janik Pdf
Why did the two most influential philosophers in the twentieth century, Ludwig Wittgenstein and Martin Heidegger, write in such a curious fashion that they confused a whole generation of disciples and created a cottage industry for a second generation in the interpretation of their works? Do those curious writing strategies have a philosophical signif icance? How does philosophical style reflect attitudes to society and politics or bear significance for the social sciences? Is politics one type of human activity among many other independent ones as the classical modem political theorists from Hobbes and Machiavelli onwards have thought, or is it part and parcel of all of the activities into which an animal that speaks enters? How could the latter be elucidated? If politics arises from legitimate disputes about meanings, what does this imply for current cultural debates? for the so-called social sciences? above all, for that cultural conversation which some consider to be the destiny of philosophy in the wake of the demise of foundationalism? These are a few of the most important questions which led me to the critical confrontation and reflections in the essays collected below.
A Wittgenstein Symposium, Girona, 1989 by Josep-Maria Terricabras Pdf
The centenary of the birth of Ludwig Wittgenstein (1889-1951) provided an opportunity for recovering some of the great Wittgensteinian subjects, for re-examining them and for discussing their implications and relevance. This volume is the result of the interchange that took place in Girona (Spain) among well-known scholars of Wittgenstein's work in different countries. The eleven contributions are organized into three main subjects: on Wittgenstein's method (B. McGuinness, E. Tugendhat and J.M. Terricabras), on knowledge and meaning (G.E.M. Anscombe, R. Bambrough, N. Malcolm, and P.T. Geach), on language and use (D. Pears, E.v. Savigny, J. Bouveresse and J. Ferrater Mora). This volume is not only the result of the different and mature reflexions of its authors, but in two cases (Malcolm and Ferrater Mora) it has also unfortunately become their last contribution to the subject.
In this Element, the author set out to answer a twofold question concerning the importance of music to Wittgenstein's philosophical progression and the otherness of this sort of philosophical importance vis-à-vis philosophy of music as practiced today in the analytic tradition. The author starts with the idea of making music together and with Wittgenstein's master simile of language-as-music. The author traces these themes as they play out in Wittgenstein early, middle, and later periods. The author argues that Wittgenstein's overarching reorientation of the concept of depth pertaining to music in the aftermath of his anthropological turn, and against the backdrop of the outlook of German Romanticism, culminates in his unique view of musical profundity as 'knowledge of people.' This sets Wittgenstein's view in sharp contrast with certain convictions and debates that typify current analytically inclined philosophy of music.
Wittgenstein's Philosophical Development by M. Engelmann Pdf
The book explains why and how Wittgenstein adapted the Tractatus in phenomenological and grammatical terms to meet challenges of his 'middle period.' It also shows why and how he invents a new method and develops an anthropological perspective, which gradually frame his philosophy and give birth to the Philosophical Investigations .
In Wittgenstein's Way of Seeing, Judith Genova provides a an illuminating introduction to two surprisingly neglected aspects of his work: his conception of philosophy and his search for a style to embody his revolutionary practice. Genova examines the nuances, contours, and texture of logical twists of language. She elucidates Wittgenstein's reliance on the work of Kant and Freud, and presents how words are acts for Wittgenstein.
A Companion to Wittgenstein on Education by Michael A. Peters,Jeff Stickney Pdf
This book, bringing together contributions by forty-five authors from fourteen countries, represents mostly new material from both emerging and seasoned scholars in the field of philosophy of education. Topics range widely both within and across the four parts of the book: Wittgenstein’s biography and style as an educator and philosopher, illustrating the pedagogical dimensions of his early and late philosophy; Wittgenstein’s thought and methods in relation to other philosophers such as Cavell, Dewey, Foucault, Hegel and the Buddha; contrasting investigations of training in relation to initiation into forms of life, emotions, mathematics and the arts (dance, poetry, film, and drama), including questions from theory of mind (nativism vs. initiation into social practices), neuroscience, primate studies, constructivism and relativity; and the role of Wittgenstein’s philosophy in religious studies and moral philosophy, as well as their profound impact on his own life. This collection explores Wittgenstein not so much as a philosopher who provides a method for teaching or analyzing educational concepts but rather as one who approaches philosophical questions from a pedagogical point of view. Wittgenstein’s philosophy is essentially pedagogical: he provides pictures, drawings, analogies, similes, jokes, equations, dialogues with himself, questions and wrong answers, experiments and so on, as a means of shifting our thinking, or of helping us escape the pictures that hold us captive.
