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Sueños Chasing Dreams by Pabitra Adhikary, Sumana Roy Chowdhury, Mahendra Arya, Biren Sasmal, Revathi Raj Iyer, Bihong Kollogov, Kakoli Majumdar Ghosh, Pankhuri Sinha, Priyanka Joshi More, Tulika Majumder, Riddhima Sen, Saurabh Suman, Sarbojit Roy Choudhury Pdf
“There is a fragrance of hope. Inhale it. Discover the eloquence of silence. Listen to it. Even in darkness, find your light. There is a charm in waiting. The moment of fulfilling of your dreams will happen. Have faith. Chase your dreams!” - Avijeet Das
Sueños Chasing Dreams by Pabitra Adhikary,Sumana Roy Chowdhury,Mahendra Arya Pdf
"There is a fragrance of hope. Inhale it. Discover the eloquence of silence. Listen to it. Even in darkness, find your light. There is a charm in waiting. The moment of fulfilling of your dreams will happen. Have faith. Chase your dreams!" - Avijeet Das
World Poetry Symposium by Riddhima Sen,Sabbani Laxminarayana,Rhodesia,Revathi Raj Iyer ,Sankalita Roy ,Manmohan Sadana ,Kamalika Bhattacharya,Aurobindo Ghosh Pdf
The World Poetry Symposium, a global gathering of poets, scholars, and enthusiasts, celebrates diverse linguistic expressions, fosters cultural exchange, explores poetic traditions, and inspires creativity across borders, uniting voices harmoniously.
The authors, Jungian analysts, write for psychoanalysts and therapists who wish to integrate dream interpretation into their clinical practice. In this book, first published (hardcover) in 1987, ten contributing anthropologists and psychologists explore the ways in which dreams are remembered, recounted, shared (or not shared), interpreted, and used by peoples around the world. Annotation copyrighted by Book News, Inc., Portland, OR
Litteratura is our literary magazine aimed at featuring authors, writers, bloggers, publishers and organisations in the literary domain to provide them with mass visibility by widespread circulation, and extensive coverage both in print and digital media. This issue of Litteratura is all about Literature from features in Asia.
This is a book about three men who started out as strangers but soon found themselves to be friends. The 3 Amigos - as I like to call them - each have a passionate and abiding love for all spirits agave - but especially tequila. In fact, they are lovers o
The unexpected and moving story of an American journalist who works to uncover her family’s long-buried Jewish ancestry in Spain. Raised a Catholic in California, New York Times journalist Doreen Carvajal is shocked when she discovers that her background may actually be connected to conversos in Inquisition-era Spain , Jews who were forced to renounce their faith and convert to Christianity or face torture and death. With vivid childhood memories of Sunday sermons, catechism, and the rosary, Carvajal travels to the south of Spain, to the centuries-old Andalucian town of Arcos de la Frontera, to investigate her lineage and recover her family’s original religious heritage. In Arcos, Carvajal is struck by the white pueblo's ancient beauty and the difficulty she encounters in probing the town's own secret history of the Inquisition. She comes to realize that fear remains a legacy of the Inquisition along with the cryptic messages left by its victims. Back at her childhood home in California, Carvajal uncovers papers documenting a family of Carvajals who were burned at the stake in the 16th-century territory of Mexico. Could the author’s family history be linked to the hidden history of Arcos? And could the unfortunate Carvajals have been her ancestors? As she strives to find proof that her family had been forced to convert to Christianity six-hundred years ago, Carvajal comes to understand that the past flows like a river through time –and that while the truth might be submerged, it is never truly lost.
&“Titology,&” a term first coined in 1977 by literary critic Harry Levin, is the field of literary studies that focuses on the significance of a title in establishing the thematic developments of the pages that follow. While the term has been used in the literary community for thirty years, this book presents for the first time a thoroughly developed theoretical discussion on the significance of the title as a foundation for scholarly criticism. Though Maiorino acknowledges that many titles are superficial and &“indexical,&” there exists a separate and more complex class of titles that do much more than simply decorate a book&’s spine. To prove this argument, Maiorino analyzes a wide range of examples from the modern era through high modernism to postmodernism, with writings spanning the globe from Spain and France to Germany and America. By examining works such as Essais, The Waste Land, Ulysses, and Don Quixote, First Pages proves the power of the title to connect the reader to the thematic, cultural, and literary context of the writing as a whole. Much like a fa&çade to a building, the title page serves as the frontispiece of literature, a sign that offers perspective and demands interpretation.
2023 by Günter Berghaus,Dalila Colucci,Tim Klähn Pdf
This thirteenth volume of the International Yearbook of Futurism Studies explores some of the many facets of Neo-Futurism from the second half of the twentieth century to the present day. It looks both at the revival and the continuation of Futurist aesthetics, whether in explicit or palimpsest form, in a variety of media: literature, visual art, design, music, architecture, theatre and photography. The essays delve into the broad spectrum of artistic research and offer a good dozen case studies that document, with a transnational and interdisciplinary orientation, the manifold forms of Neo-Futurism in various parts of the world. They investigate how historical Futurism's intellectual and artistic perspective was appropriated and developed further in a more or less conscious, faithful and original way, all the while confronting its progenitor's cultural, social and political misconceptions. Interdisciplinary contributions to neo-futurism as a global phenomenon
#1 NEW YORK TIMES BESTSELLER • ONE OF ESSENCE’S 50 MOST IMPACTFUL BLACK BOOKS OF THE PAST 50 YEARS In this iconic memoir of his early days, Barack Obama “guides us straight to the intersection of the most serious questions of identity, class, and race” (The Washington Post Book World). “Quite extraordinary.”—Toni Morrison In this lyrical, unsentimental, and compelling memoir, the son of a black African father and a white American mother searches for a workable meaning to his life as a black American. It begins in New York, where Barack Obama learns that his father—a figure he knows more as a myth than as a man—has been killed in a car accident. This sudden death inspires an emotional odyssey—first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family, confronts the bitter truth of his father’s life, and at last reconciles his divided inheritance. Praise for Dreams from My Father “Beautifully crafted . . . moving and candid . . . This book belongs on the shelf beside works like James McBride’s The Color of Water and Gregory Howard Williams’s Life on the Color Line as a tale of living astride America’s racial categories.”—Scott Turow “Provocative . . . Persuasively describes the phenomenon of belonging to two different worlds, and thus belonging to neither.”—The New York Times Book Review “Obama’s writing is incisive yet forgiving. This is a book worth savoring.”—Alex Kotlowitz, author of There Are No Children Here “One of the most powerful books of self-discovery I’ve ever read, all the more so for its illuminating insights into the problems not only of race, class, and color, but of culture and ethnicity. It is also beautifully written, skillfully layered, and paced like a good novel.”—Charlayne Hunter-Gault, author of In My Place “Dreams from My Father is an exquisite, sensitive study of this wonderful young author’s journey into adulthood, his search for community and his place in it, his quest for an understanding of his roots, and his discovery of the poetry of human life. Perceptive and wise, this book will tell you something about yourself whether you are black or white.”—Marian Wright Edelman
Theatre in Spain, 1490-1700 by Melveena McKendrick Pdf
This is the first book to examine the rise of Spain's extraordinary national theatre in the sixteenth and seventeenth centuries in all its aspects - the commercial theatre, the court drama and the Corpus autos, the organisation of theatrical life, the playhouses themselves and their public, the literary and moral controversies, and the plays as literary texts. The book has been written for students of drama as well as Hispanists: Spanish theatre is set in its national and international context; Spanish titles and theatrical terms are translated. Considerable space has been devoted to the experimental drama of the sixteenth century before Lope de Vega. At the core of the book is a highly distinctive, successful national theatre which mirrored the energies, beliefs and anxieties of a great nation in crisis, yet at the same time granted full expression to the individual genius of its greatest exponents - Lope de Vega, Tirso de Molina and Calderon de la Barca.
Enacting History by Scott Magelssen,Rhona Justice-Malloy Pdf
Enacting History is a collection of new essays exploring the world of historical performances. The volume focuses on performances outside the traditional sphere of theatre, among them living history museums, battle reenactments, pageants, renaissance festivals, and adventure-tourism destinations. This volume argues that the recent surge in such performances have raised significant questions about the need for, interest in, and value of such nontraditional theater. Many of these performances claim a greater or lesser degree of historical "accuracy" or "authenticity," and the authors tease out the representational and historiographic issues related to these arguments. How, for instance, are issues of race, ethnicity, and gender dealt with at museums that purport to be accurate windows into the past? How are politics and labor issues handled in local- or state-funded institutions that rely on volunteer performers? How do tourists' expectations shape the choices made by would-be purveyors of the past? Where do matters of taste or censorship enter in when reconciling the archival evidence with a family-friendly mission? Essays in the collection address, among other subjects, reenactments of period cookery and cuisine at a Maryland renaissance festival; the roles of women as represented at Minnesota's premiere living history museum, Historic Fort Snelling; and the Lewis and Clark bicentennial play as cultural commemoration. The editors argue that historical performances like these-regardless of their truth-telling claims-are an important means to communicate, document, and even shape history, and allow for a level of participation and accessibility that is unique to performance. Enacting History is an entertaining and informative account of the public's fascination with acting out and watching history and of the diverse methods of fulfilling this need.