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As the most influential and charismatic figure in Southern rap, Grammy-nominated producer/rapper Chad "Pimp C" Butler of UGK was a fascinating and complex character who touched hundreds of thousands of fans with his music and his message. Sweet Jones: Pimp C's Trill Life Story, penned by former OZONE Magazine publisher and editor Julia Beverly, explores his memorable life and examines his suspicious death.
Author : Beverly Collins,Inger M. Mees Publisher : Walter de Gruyter Page : 622 pages File Size : 44,9 Mb Release : 2012-04-17 Category : Language Arts & Disciplines ISBN : 9783110812367
The Real Professor Higgins by Beverly Collins,Inger M. Mees Pdf
This volume presents the first full-scale biography of Daniel Jones, a preeminent scholar and leading British phonetician of the early twentieth century, and the first linguist to hold a chair at a British university. This book, richly illustrated with partly unpublished material traces Jones's life and career, including his contacts with other linguists, and with figures outside the linguistic world notably Robert Bridges and George Bernard Shaw.
Fifty Key Thinkers on Language and Linguistics by Margaret Thomas Pdf
What was the first language, and where did it come from? Do all languages have properties in common? What is the relationship of language to thought? Fifty Key Thinkers on Language and Linguistics explores how fifty of the most influential figures in the field have asked and have responded to classic questions about language. Each entry includes a discussion of the person’s life, work and ideas as well as the historical context and an analysis of his or her lasting contributions. Thinkers include: Aristotle Samuel Johnson Friedrich Max Müller Ferdinand de Saussure Joseph H. Greenberg Noam Chomsky Fully cross-referenced and with useful guides to further reading, this is an ideal introduction to the thinkers who have had a significant impact on the subject of Language and Linguistics.
Poet of the Medieval Modern by Francesca Brooks Pdf
The early Middle Ages provided twentieth-century poets with the material to re-imagine and rework local, religious, and national identities in their writing. Poet of the Medieval Modern focuses on a key figure within this tradition, the Anglo-Welsh poet and artist David Jones (1895-1974): representing the first extended study of the influence of early medieval English culture and history on Jones and his novel-length late modernist poem The Anathemata (1952). Jones's second major poetic project after In Parenthesis (1937), The Anathemata fuses Jones's visual and verbal arts to write a Catholic history of Britain as told through the history of man-as-artist. Drawing on unpublished archival material including manuscripts, sketches, correspondence, and, most significantly, the marginalia from David Jones's Library, this volume reads with Jones in order to trouble the distinction between poetry and scholarship. Placing this underappreciated figure firmly at the centre of new developments in Modernist and Medieval Studies, Poet of the Medieval Modern brings the two fields into dialogue and argues that Jones uses the textual and material culture of the early Middle Ages--including Old English prose and poetry, Anglo-Latin hagiography, early medieval stone sculpture, manuscripts, and historiography--to re-envision British Catholic identity in the twentieth-century long poem. Jones returned to the English record to seek out those moments where the histories of the Welsh had been elided or erased. At a time when the Middle Ages are increasingly weaponised in far-right and nationalist political discourse, the book offers a timely discussion of how the early medieval past has been resourced to both shore-up and challenge English hegemonies across modern British culture.
From an acclaimed linguist, “part travelogue, part memoir, and part meditation on the intellectual and emotional underpinnings of language. . . . Priceless.” (Booklist) In this discursive jaunt through the groves and thickets of the English language, David Crystal creates an entertaining narrative account of his encounters with the language and its speakers. Woven from personal reflections, historical allusions, and observations of travelers, this fascinating journey through the language we use every day will have readers thinking twice about each word they speak. Starting in Wales and moving from England to San Francisco by way of, yes, Poland, Crystal encounters numerous linguistic side roads that he cannot resist exploring, from pubs to trains to Tolkien. Walking English is a captivating exploration of language by “one of England’s greatest living language commentators.” (The New Statesman) “In a conversational style that includes plenty of quirky facts, Crystal captures the exploratory, seductive, teasing, quirky, tantalizing nature of language study, and in doing so illuminates the fascinating world of words in which we live.” —Publishers Weekly “An informative, transformative trip into the mysterious, mutating, magical thicket of English.” (Kirkus Reviews) “Like passing the afternoon with a knowledgeable uncle.” —The Wall Street Journal “The Dr. Johnson of our age.” —The Sunday Herald “The book reads like a donnish Bill Bryson, a Bryson possessed with a maniacal passion for the Cambridge Encyclopedia of the English Language! . . . [A] compelling guide.” —Independent “Crystal proves an entertaining companion! It is pleasant to ramble with him along the byways of language.” —The Tablet
The first-ever book exclusively devoted to the history of the Newport Folk Festival, I Got a Song documents the trajectory of an American musical institution that began more than a half-century ago and continues to influence our understanding of folk music today. Rick Massimo’s research is complemented by extensive interviews with the people who were there and who made it all happen: the festival's producers, some of its biggest stars, and people who huddled in the fields to witness moments—like Bob Dylan’s famous electric performance in 1965—that live on in musical history. As folk has evolved over the decades, absorbing influences from rock, traditional music and the singer-songwriters of the ‘60s and ‘70s, the Newport Folk Festival has once again become a gathering point for young performers and fans. I Got a Song tells the stories, small and large, of several generations of American folk music enthusiasts.
The Heartbeats of Wing Jones by Katherine Webber Pdf
Jandy Nelson meets Friday Night Lights in this sweeping, warm, arrestingly original novel about family, poverty, and hope. Wing Jones, like everyone else in her town, has worshipped her older brother, Marcus, for as long as she can remember. Good-looking, popular, and the star of the football team, Marcus is everything his sister is not. Until the night everything changes when Marcus, drunk at the wheel after a party, kills two people and barely survives himself. With Marcus now in a coma, Wing is crushed, confused, and angry. She is tormented at school for Marcus’s mistake, haunted at home by her mother and grandmothers’ grief. In addition to all this, Wing is scared that the bank is going to repossess her home because her family can’t afford Marcus’s mounting medical bills. Every night, unable to sleep, Wing finds herself sneaking out to go to the school’s empty track. When Aaron, Marcus’s best friend, sees her running one night, he recognizes that her speed, skill, and agility could get her spot on the track team. And better still, an opportunity at a coveted sponsorship from a major athletic gear company. Wing can’t pass up the opportunity to train with her longtime crush and to help her struggling family, but can she handle being thrust out of Marcus’s shadow and into the spotlight? "The swiftly paced story will quickly sweep up readers...[a] well-crafted, inspirational debut with plenty of heart, hope, and determination." —Booklist "A story showing how hope and love can blossom in the midst of chaos." —Publishers Weekly
The History of the University of Oxford: Volume VII: Nineteenth-Century Oxford, Part 2 by M. G. Brock,M. C. Curthoys Pdf
Volume VII of The History of the University of Oxford completes the survey of nineteenth-century Oxford begun in Volume VI. After 1871 both teachers and students at Oxford were freed from tests of religious belief. The volume describes the changed mental climate in which some dons sought a new basis for morality, while many undergraduates found a compelling ideal in the ethic of public service both at home and in the empire. As the existing colleges were revitalized, and new ones founded, the academic profession in Oxford developed a peculiarly local form, centred upon college tutors who stood in somewhat uneasy relation with the University's professors. The various disciplines which came to form the undergraduate curriculum in both the arts and sciences are subject to major reappraisal; and Oxford's 'hidden curriculum' is explored through accounts of student life and institutions, including organized sport and the Oxford Union. New light is shed on the social origins and previous schooling of undergraduates. A fresh assessment is made of the movement to establish women's higher education in Oxford, and the strategies adopted by its promoters to implant communities for women within the masculine culture of an ancient university. Other widened horizons are traced in accounts of the University's engagement with imperial expansion, social reform, and the educational aspirations of the labour movement, as well as the transformation of its press into a major international publisher. The architectural developments–considerable in quantity and highly varied in quality–receive critical appraisal in a comprehensive survey of the whole period covered by Volumes VI and VII (1800-1914). By the early twentieth century the challenges of socialism and democracy, together with the demand for national efficiency, gave rise to a renewed campaign to address issues such as promoting research, abolishing compulsory Greek, and, more generally, broadening access to the University. Under the terrible test of the First World War, still more deep-seated concerns were raised about the sider effects of Oxford's educational practices; and the volume concludes with some reflections on the directions which the University had taken over the previous fifty years. series blurb No private institutions have exerted so profound an influence on national life over the centuries as the universities of Oxford and Cambridge. Few universities in the world have matched their intellectual distinction, and none has evolved and maintained over so long a period a strictly comparable collegiate structure. Now a completely new and full-scale History of the University of Oxford, from its obscure origins in the twelfth century until the late twentieth century, has been produced by the university with the active support of its constituent colleges. Drawing on extensive original research as well as on the centuries-old tradition of the study of the rich source material, the History is altogether comprehensive, appearing in eight chronologically arranged volumes. Together the volumes constitute a coherent overall study; yet each has a unity of its own, under individual editorship, and brings together the work of leading scholars in the history of every university discipline, and of its social, institutional, economic, and political development as well as its impact on national and international life. The result is a history not only more authoritative than any previously produced for Oxford, but more ambitious than any undertaken for any other European university, and certain to endure for many generations to come.
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Secrets over Sweet Tea by Denise Hildreth Jones Pdf
Secrets can be funny things. We think they keep us safe, but more often than not, they spill out when we least expect and make a mess out of everything. It’s a truth Scarlett Jo Newberry knows all too well—a truth Grace Shepherd and Zach Craig are about to learn the hard way. As the lives of this boisterous pastor’s wife, polished news anchor, and beleaguered divorce attorney intersect in the tree-lined streets of Franklin, Tennessee, scandal threatens to topple their carefully constructed worlds. Grasping at survival, they embark on a journey of friendship and courage, desperate to find a way back to laughter, love, and life.
Chase Jones is My Fake Boyfriend by Emily Lowry Pdf
The All-Star Quarterback. A Fake Relationship. A Sweet and Unexpected Love. Abby Murrow is an introverted investigative journalist for a school paper that no one reads. When Abby's long-time crush, the school paper's editor, assigns her to write about the social life of Evermore High, she's forced to get a real taste of high school. But how do you write about a social life you've never had? Chase Jones is the all-star quarterback at Evermore High. He's a total catch - friendly, handsome, and popular. So why do all of his relationships end exactly three weeks after being featured on the school's gossip app? After hearing Chase has a mystery on his hands, Abby cuts a deal: she'll pretend to be his girlfriend and figure out who is sabotaging his relationships. In exchange, he takes her to the best parties, the hottest secret spots, and the infamous Christmas Crush. But as Abby spends more time with Chase, she starts wondering - if this relationship is supposed to be fake, why does it feel so real? Chase Jones is My Fake Boyfriend is the first book in the Rumors and Lies YA sweet romance series. If you like adorable dates, emotionally-charged relationships, and fun characters, you'll love Emily Lowry's sweet romances. Buy Chase Jones is My Fake Boyfriend to start reading this romance today!
Author : Kermit Ernest Campbell Publisher : Wayne State University Press Page : 220 pages File Size : 42,5 Mb Release : 2005 Category : Language Arts & Disciplines ISBN : 081432925X
Encyclopedia of Hip Hop Literature by Tarshia L. Stanley Pdf
Hip Hop literature, also known as urban fiction or street lit, is a type of writing evocative of the harsh realities of life in the inner city. Beginning with seminal works by such writers as Donald Goines and Iceberg Slim and culminating in contemporary fiction, autobiography, and poetry, Hip Hop literature is exerting the same kind of influence as Hip Hop music, fashion, and culture. Through more than 180 alphabetically arranged entries, this encyclopedia surveys the world of Hip Hop literature and places it in its social and cultural contexts. Entries cite works for further reading, and a bibliography concludes the volume. Coverage includes authors, genres, and works, as well as on the musical artists, fashion designers, directors, and other figures who make up the context of Hip Hop literature. Entries cite works for further reading, and the encyclopedia concludes with a selected, general bibliography. Students in literature classes will value this guide to an increasingly popular body of literature, while students in social studies classes will welcome its illumination of American cultural diversity.