Taiwan Cinema

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Taiwan Cinema

Author : Kuei-fen Chiu,Ming-yeh Rawnsley,Gary Rawnsley
Publisher : Routledge
Page : 232 pages
File Size : 47,9 Mb
Release : 2017-07-14
Category : Social Science
ISBN : 9781351691321

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Taiwan Cinema by Kuei-fen Chiu,Ming-yeh Rawnsley,Gary Rawnsley Pdf

The book examines recent developments in Taiwan cinema, with particular focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No.7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until about 2008) Taiwan cinema underwent a decline, and how cinema is portraying current social changes in Taiwan, including changing youth culture and how it represents indigenous people in the historical narrative of Taiwan. The book also explores the reasons why current Taiwan cinema is receiving a much less enthusiastic response globally compared to its reception in previous decades.

Taiwan Cinema

Author : G. Hong
Publisher : Springer
Page : 229 pages
File Size : 41,7 Mb
Release : 2011-02-25
Category : History
ISBN : 9780230118324

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Taiwan Cinema by G. Hong Pdf

A groundbreaking study of Taiwan cinema, Hong provides helpful insight into how it is taught and studied by taking into account not only the auteurs of New Taiwan Cinema, but also the history of popular genre films before the 1980s. The book is essential for students and scholars of Taiwan, film and visual studies, and East Asian cultural history.

Taiwan Cinema

Author : Kuei-fen Chiu,Ming-yeh Rawnsley,Gary Rawnsley
Publisher : Taylor & Francis
Page : 247 pages
File Size : 43,7 Mb
Release : 2017-07-14
Category : Social Science
ISBN : 9781351691338

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Taiwan Cinema by Kuei-fen Chiu,Ming-yeh Rawnsley,Gary Rawnsley Pdf

Chinese glossary: Selected names and terms -- Selected Chinese filmography -- Bibliography -- Index

Taiwan Cinema

Author : G. Hong
Publisher : Springer
Page : 369 pages
File Size : 40,8 Mb
Release : 2011-02-25
Category : History
ISBN : 9780230118324

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Taiwan Cinema by G. Hong Pdf

A groundbreaking study of Taiwan cinema, Hong provides helpful insight into how it is taught and studied by taking into account not only the auteurs of New Taiwan Cinema, but also the history of popular genre films before the 1980s. The book is essential for students and scholars of Taiwan, film and visual studies, and East Asian cultural history.

Historical Dictionary of Taiwan Cinema

Author : Daw-Ming Lee
Publisher : Scarecrow Press
Page : 509 pages
File Size : 53,5 Mb
Release : 2012-11-08
Category : Performing Arts
ISBN : 9780810879225

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Historical Dictionary of Taiwan Cinema by Daw-Ming Lee Pdf

Taiwan was able to solidly build and sustain a film industry only after locally-produced Mandarin films secured markets in Hong Kong and Southeast Asia during the 1960s and 1970s. Though only a small island with a limited population, in its heyday, Taiwan was among the top-10 film producing countries/areas in the world, turning out hundreds of martial arts kung fu films and romantic melodramas annually that were screened in theaters across Southeast Asia and other areas internationally. However, except for one acclaimed film by director King Hu, Taiwan cinema was nearly invisible on the art cinema map until the 1980s, when the films of Hou Hsiao-hsien, Edward Yang, and other Taiwan New Cinema directors gained recognition at international film festivals, first in Europe, and later, throughout the world. Since then, many other Taiwan directors have also become an important part of cinema history, such as Ang Lee and Tsai Ming-liang. The Historical Dictionary of Taiwan Cinema covers the history of cinema in Taiwan during both the Japanese colonial period (1895-1945) and the Chinese Nationalist period (1945-present). This is accomplished through a chronology highlighting the main events during the long period and an introduction which carefully analyses the progression. The bulk of the information, however, appears in a dictionary section including over a hundred very extensive entries on directors, producers, performers, films, film studios and genres. Photos are also included in the dictionary section. More information can be found through the bibliography. Taiwan cinema is truly unique and this book is a good place to find out more about it, whether you are a student, or teacher, or just a fan.

Taiwan Cinema as Soft Power

Author : Song Hwee Lim
Publisher : Oxford University Press
Page : 249 pages
File Size : 49,8 Mb
Release : 2021-12-17
Category : Performing Arts
ISBN : 9780197503379

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Taiwan Cinema as Soft Power by Song Hwee Lim Pdf

Why has Taiwanese film been so appealing to film directors, critics, and audiences across the world? This book argues that because Taiwan is a nation without hard political and economic power, cinema becomes a form of soft power tool that Taiwan uses to attract global attention, to gain support, and to build allies. Author Song Hwee Lim shows how this goal has been achieved by Taiwanese directors whose films win the hearts and minds of foreign audiences to make Taiwan a major force in world cinema. The book maps Taiwan's cinematic output in the twenty-first century through the three keywords in the book's subtitle-authorship, transnationality, historiography. Its object of analysis is the legacy of Taiwan New Cinema, a movement that begun in the early 1980s that has had a lasting impact upon filmmakers and cinephiles worldwide for nearly forty years. By examining case studies that include Hou Hsiao-hsien, Ang Lee, and Tsai Ming-liang, this book suggests that authorship is central to Taiwan cinema's ability to transcend borders to the extent that the historiographical writing of Taiwan cinema has to be reimagined. It also looks at the scaling down of soft power from the global to the regional via a cultural imaginary called little freshness, which describes films and cultural products from Taiwan that have become hugely popular in China and Hong Kong. In presenting Taiwan cinema's significance as a case of a small nation with enormous soft power, this book hopes to recast the terms and stakes of both cinema studies and soft power studies in academia.

Taiwan Cinema, Memory, and Modernity

Author : Ivy I-chu Chang
Publisher : Springer
Page : 279 pages
File Size : 51,7 Mb
Release : 2019-01-04
Category : Performing Arts
ISBN : 9789811335679

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Taiwan Cinema, Memory, and Modernity by Ivy I-chu Chang Pdf

This book investigates the aesthetics and politics of Post/Taiwan-New-Cinema by examining fifteen movies by six directors and frequent award winners in international film festivals. The book considers the works of such prominent directors as Edward Yang, Tsai Ming-liang and Chang Tsuo-chi and their influence on Asian films, as well as emergent phenomenal directors such as Wei Te-sheng, Zero Chou, and Chung Mong-hong. It also explores the possibility of transnational and trans-local social sphere in the interstices of layered colonial legacies, nation-state domination, and global capitalism. Considering Taiwan cinema in the wake of globalization, it analyses how these films represent the socio-political transition among multiple colonial legacies, global capitalism, and the changing cross-strait relation between Taiwan and the Mainland China. The book discusses how these films represent nomadic urban middle class, displaced transnational migrant workers, roaming children and young gangsters, and explores how the continuity/disjuncture of globalization has not only carved into historical and personal memories and individual bodies, but also influenced the transnational production modes and marketing strategies of cinema.

Thirty-two New Takes on Taiwan Cinema

Author : Emilie Yueh-yu Yeh,Darrell William Davis,Wenchi Lin
Publisher : University of Michigan Press
Page : 577 pages
File Size : 41,5 Mb
Release : 2022-12-22
Category : Social Science
ISBN : 9780472055463

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Thirty-two New Takes on Taiwan Cinema by Emilie Yueh-yu Yeh,Darrell William Davis,Wenchi Lin Pdf

A film-by-film introduction to Taiwan cinema and cultures

Taiwan Film Directors

Author : Emilie Yueh-yu Yeh,Darrell William Davis
Publisher : Columbia University Press
Page : 311 pages
File Size : 52,8 Mb
Release : 2005-07-06
Category : Performing Arts
ISBN : 9780231502993

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Taiwan Film Directors by Emilie Yueh-yu Yeh,Darrell William Davis Pdf

Focusing on the work of four contemporary filmmakers—Ang Lee, Edward Yang, Hou Hsiao-hsien, and Tsai Ming-liang—the authors explore how these filmmakers broke from tradition, creating a cinema that is both personal and insistent on examining Taiwan's complex history. Featuring stills, anecdotes, and close readings of films, the authors consider the influence of Hong Kong and martial arts films, directors' experiments with autobiography, the shifting fortunes of the Taiwanese film industry, and Taiwan cinema in the context of international cinema's aesthetics and business practices.

Cinema Taiwan

Author : Darrell William Davis,Ru-shou Robert Chen
Publisher : Routledge
Page : 477 pages
File Size : 55,9 Mb
Release : 2007-05-07
Category : Art
ISBN : 9781134125821

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Cinema Taiwan by Darrell William Davis,Ru-shou Robert Chen Pdf

Following the recent success of Taiwanese film directors, such as Hou Hsiao-hsien, Edward Yang, Ang Lee and Tsai Ming-liang, Taiwanese film is raising its profile in contemporary cinema. This collection presents an exciting and ambitious foray into the cultural politics of contemporary Taiwan film that goes beyond the auterist mode, the nation-state argument and vestiges of the New Cinema. Cinema Taiwan considers the complex problems of popularity, conflicts between transnational capital and local practice, non-fiction and independent filmmaking as emerging modes of address, and new possibilities of forging vibrant film cultures embedded in national (identity) politics, gender/sexuality and community activism. Insightful and challenging, the essays in this collection will attract attention to a globally significant field of cultural production and will appeal to readers from the areas of film studies, cultural studies and Chinese culture and society.

An Annotated Bibliography for Taiwan Film Studies

Author : Jim Cheng,James Wicks,Sachie Noguchi
Publisher : Columbia University Press
Page : 586 pages
File Size : 51,5 Mb
Release : 2016-04-19
Category : Performing Arts
ISBN : 9780231540339

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An Annotated Bibliography for Taiwan Film Studies by Jim Cheng,James Wicks,Sachie Noguchi Pdf

Compiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the disparate voices of Chinese film scholarship, charting its unique intellectual arc. Organized intuitively, the volume begins with reference materials (bibliographies, cinematographies, directories, indexes, dictionaries, and handbooks) and then moves through film history (the colonial period, Taiwan dialect film, new Taiwan cinema, the 2/28 incident); film genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); film reviews; film theory and technique; interdisciplinary studies (Taiwan and mainland China, Taiwan and Japan, film and aboriginal peoples, film and literature, film and nationality); biographical materials; film stories, screenplays, and scripts; film technology; and miscellaneous aspects of Taiwanese film scholarship (artifacts, acts of censorship, copyright law, distribution channels, film festivals, and industry practice). Works written in multiple languages include transliteration/romanized and original script entries, which follow universal AACR-2 and American cataloguing standards, and professional notations by the editors to aid in the use of sources.

Envisioning Taiwan

Author : June Yip
Publisher : Duke University Press
Page : 376 pages
File Size : 54,7 Mb
Release : 2004-10-07
Category : History
ISBN : 0822333678

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Envisioning Taiwan by June Yip Pdf

DIVTraces the growth and evolution of a Taiwan's sense of itself as a separate and distinct entity by examining the diverse ways a discourse of nation has been produced in the Taiwanese cultural imagination./div

Island on the Edge

Author : Chris Berry,Feii Lu
Publisher : Hong Kong University Press
Page : 206 pages
File Size : 45,6 Mb
Release : 2005-01-01
Category : Social Science
ISBN : 9789622097155

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Island on the Edge by Chris Berry,Feii Lu Pdf

This is the first English-language anthology on the Taiwan New Cinema and its legacy. It is an exciting collection which covers all the major filmmakers from Hou Hsiao Hsien and Edward Yang to Ang Lee and more. Gathering a range of essays that analyze individual films produced since the advent of the Taiwan New Cinema in the early 1980s, it aims to complement Feii Lu’s Taiwan Cinema: Politics, Economics, Aesthetics, translated by Chris Berry (Duke University Press and Hong Kong University Press, forthcoming). Taiwan and its internationally renowned cinema ar " on the edge" in more ways than one. For all of its history the island has been on the edge of larger geopolitical entities, subjected to invasions, migrations, incursions, and pressures. On the other hand, as one of the "Little Tiger" economies of Asia, it has been on the cutting edge of the Asian economic boom and of technological innovation; in recent years it has pioneered democratization of authoritarian regimes in East Asia.

New Taiwanese Cinema in Focus

Author : Flannery Wilson
Publisher : Edinburgh University Press
Page : 128 pages
File Size : 47,6 Mb
Release : 2015-05-29
Category : Performing Arts
ISBN : 9781474408141

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New Taiwanese Cinema in Focus by Flannery Wilson Pdf

In the Taiwanese film industry, the dichotomy between 'art-house' and commercially viable films is heavily emphasized. However, since the democratization of the political landscape in Taiwan, Taiwanese cinema has become internationally fluid. As the case studies in this book demonstrate, filmmakers such as Hou Hsiao-hsien, Edward Yang, Tsai Ming-liang, and Ang Lee each engage with international audience expectations. New Taiwanese Cinema in Focus therefore presents the Taiwanese New Wave and Second Wave movements with an emphasis on intertextuality, citation and trans-cultural dialogue. Wilson argues that the cinema of Taiwan since the 1980s should be read emblematically; that is, as a representation of the greater paradox that exists in national and transnational cinema studies. She argues that these unlikely relationships create the need for a new way of thinking about 'transnationalism' altogether, making this an essential read for advanced students and scholars in both Film Studies and Asian Studies.