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Author : Carlo Gozzi Publisher : University of Chicago Press Page : 320 pages File Size : 41,7 Mb Release : 1989-08-15 Category : Drama ISBN : 9780226305806
This collection brings together for the first time modern English translations of five Gozzi's most famous plays: The Raven, The King Stag, Turandot, The Serpent Woman, and The Green Bird, each annotated by the translators and preceded by the author's preface.
Motley Tales and a Play by Anton Pavlovich Chekhov Pdf
Known by readers around the world for his keen psychological insight and gentle vision of humanity's strengths and weaknesses, Anton Chekhov (1860-1904) ranks among the most important of modern authors. Drawn from among Chekhov's personal favorites, this anthology provides a selection of stories, plus the play, "The Three Sisters". All royalty earnings will be used to preserve and support the collections of The New York Public Library.
PM Traditional Tales and Plays by Beverley Randell,Jenny Giles,Annette Smith Pdf
PM is a firm favourite amongst Primary Schools due to its reputation for reading success. Offering over 800 carefully levelled fiction and non-fiction books, PM builds confidence through gradual progression and step-by-step support.
Reminiscent of Scheherazade and One Thousand and One Nights, Gianni Rodari's Telephone Tales is many stories within a story. Every night, a traveling father must finish a bedtime story in the time that a single coin will buy. One night, it's a carousel that adults cannot comprehend, but whose operator must be some sort of magician, the next, it's a land filled with butter men who melt in the sunshine Awarded the Hans Christian Anderson Award in 1970, Gianni Rodari is widely considered to be Italy's most important children's author of the 20th century. Newly re-illustrated by Italian artist Valerio Vidali (The Forest), Telephone Tales entertains, while questioning and imagining other worlds.
Tahrir Tales by Mohammed Albakry,Rebekah Maggor Pdf
The ten Egyptian plays in this collection offer grassroots perspectives on the jubilation, terror, hope and heartbreak of mass uprising. Collectively, they sketch events unfolding in Egypt from the twilight of Hosni Mubarak's regime to Abdel Fattah el-Sisi's ascendance to the presidency. A comprehensive introduction situates the plays within their social, political, and economic context, an in-depth translator's note delves into the challenges of translating Arabic for English-speaking audiences. Yasmeen Emam Shghaf's The Mirror and Hany Abdel Naser and Mohamed Mu'iz's They Say Dancing is a Sin explore how stigma and poverty silence women's voices. Sondos Shabayek and the BuSSy Company's documentary storytelling piece Tahrir Monologues and Said Solaiman's drama with movement The Window consider how collective mobilization empowers individuals to overcome personal fears. Ibrahim El-Husseini's symbolic ensemble drama Comedy of Sorrows and Ahmed Hassan Albana's melodrama In Search of Said Abu-Naga warn of the powerful forces waiting to hijack the revolution. Magdy El Hamzawy's satirical tragedy Report on Revolutionary Circumstances and Muhammed Marros's naturalistic three-hander The Visit reflect on how and why the revolutionary forces failed to dislodge the entrenched power structures. Ashraf Abdu's Coptic Church drama Sorrowful City foretells of a post-revolutionary deterioration into sectarian violence, and a stage adaptation of Khaled Al Khamissi's novel Taxi asks what has changed, if anything, for poor and working Egyptians in the years since Mubarak's overthrow.
Suitable for students, researchers, thespians, and general readers, Tales for Shakespeare is an anthology of source stories behind seven of Shakespeareâ (TM)s most beloved, frequently studied, and regularly performed plays. It begins with a general introduction examining Shakespeareâ (TM)s creative process and the assumptions about creativity shared by writers and readers of his age. It asks whether or not Shakespeare was a plagiarist, before showing how even posing this question requires extensive historical and critical framing. The full texts of seven primary source stories are then presented, all in modern spelling and punctuation, with glosses and notes. Each story is preceded by a concise introduction which, like the general introduction, is written for students and a range of other readers. The volume includes questions for each text, a general glossary, and a list of recommended further reading. A new translation of a source story for The Merchant of Venice is also included.
Folk and Fairy Tale Plays for Beginning Readers by Immacula A. Rhodes Pdf
These easy-to-read plays feature rhyme, repetition, and predictable language to help children build vocabulary and become confident, fluent readers. Includes tips for building fluency, a teacher rubric, a student self-assessment checklist, and extension activities.Reading adn rehearsing plays gives children the repeated practice they need to build reading confidence and fluency.Perfect for partner-, small group-, and whole class reading.Great for Readers Theatre.Helps meet language arts standards.Plays based on Cinderella, Goldilocks and the Three bears, The Gingerbread Man, The Little Red Hen, The Three Little Pigs, Little Red Riding Hood, Three Billy Goats Gruff, and more!
Children's Plays from Favorite Stories by Sylvia E. Kamerman Pdf
Fifty royalty-free plays for children in the lower and middle grades based on such folk and fairy tales as "Pandora's Box," "Rapunzel," "Snow White," and "The Soup Stone."
This book is a collection of plays that have been adapted from well-known fairy tales. They can be used as performance plays, readers theatre or just used to promote reading in groups. Each play is between five and ten minutes long. The plays can be adapted to suit the various needs of the group. The cast list is very flexible. Characters can be added, changed or omitted. In addition, the teacher/group leader can assume the role of the storyteller if the children are unable to read or not at the reading level required. All suggestions for stage directions are included in brackets and italics. Also included in this book is a variety of drama activities. These activities are designed to be fun and enjoyable as well as promoting coordination, movement, character development and creativity. The plays in the collection are: Little Red Riding Hood Goldilocks The Three Little Pigs The Elves and the Shoemaker The Three Billy Goats Gruff The Ugly Duckling The Lazy Cow The Talking Tree Humpty Dumpty The Magic Porridge Pot The Stone Soup The Pied Piper of Hamelin The Little Red Hen The Gingerbread Man The Enormous Turnip Chicken Licken
"Folktales on Stage" is a collection of reader's theater scripts for young readers, adapted by award-winning children's author Aaron Shepard from his own folktale retellings. A wide variety of countries and cultures is represented, including Native America, Africa, the Middle East, Russia, Southeast Asia, and China. While focusing on ages 8 to 15, the collection features a full range of reading levels. The scripts in this collection are "The Adventures of Mouse Deer" (Indonesia), "The Calabash Kids" (Tanzania), "The Hidden One" (Native America), "The Boy Who Wanted the Willies" (Europe), "The Princess Mouse" (Finland), "The Legend of Slappy Hooper" (U.S.), "The Gifts of Wali Dad" (India, Pakistan), "The Baker's Dozen" (U.S.), "Master Maid" (Norway), "The Magic Brocade" (China), "Forty Fortunes" (Iran), "Master Man" (Nigeria), "Savitri" (India), "The Enchanted Storks" (Iraq), "The Crystal Heart" (Vietnam), and "The Sea King's Daughter" (Russia). ///////////////////////////////////////////////// Aaron Shepard is the author of many books, stories, and scripts for young people, as well as professional books and resources for writers and educators. He has also worked professionally in both storytelling and reader's theater, as a performer, director, and teacher trainer. Aaron's lively and meticulous retellings of folktales and other traditional literature have found homes with more than a dozen children's book publishers, large and small, and with the world's top children's literary magazines, winning him honors from the American Library Association, the New York Public Library, the Bank Street College of Education, the National Council for the Social Studies, and the American Folklore Society. His extensive Web site, visited by thousands of teachers and librarians each week, is known internationally as a prime resource for folktales, storytelling, and reader's theater, while his stories and scripts have been featured in textbooks from publishers worldwide, including Scholastic, Houghton Mifflin Harcourt, SRA, The College Board, Pearson Education, National Geographic, Oxford University Press, Barron's, Hodder Education, and McGraw-Hill. ///////////////////////////////////////////////// "Aaron Shepard is a national treasure. He has given thousands of us busy teachers and librarians a gold mine of ready-made plays our students clamor to perform over and over. Aaron's new collection never fails to delight and enthrall. While the experts argue about the 'right' way to teach reading, Aaron is in the middle of the action, inspiring our kids to read aloud with fluency, comprehension, expression, and best of all, joy." -- Judy Freeman, Author, "More Books Kids Will Sit Still For" "Aaron Shepard has done it! Folktales on Stage is a complete package of easy-to-perform, dynamic reader's theater scripts. Pack your passport and take a trip around the world. You and your actors will have a world of fun." -- Dr. Caroline Feller Bauer, Author, "Presenting Reader's Theater" and "New Handbook for Storytellers" "What a gift for the classroom teacher! Pure reading pleasure and not a single script that can't be used with small groups or an entire class. Performance reading builds fluency, but Aaron Shepard's gift for storytelling will also build appreciation. This collection will be a rich addition to reading programs in our balanced literacy classrooms." -- Susan Finney, Author, "Independent Reading Activities That Keep Kids Learning While You Teach Small Groups"