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The EC Archives: Tales from the Crypt Volume 1 by Various Pdf
As any fan of comics knows, EC Comics still represent the best of golden age writing and artwork. Now, Dark Horse Books is proud to bring you the very first issues of EC's Tales from the Crypt, featuring the amazing artistic talents of Johnny Craig, Al Feldstein, George Roussos, Wally Wood, Harvey Kurtzman, Graham Ingels, and Jack Kamen!
Tales from the Crypt by Bill Gaines,Albert B. Feldstein Pdf
Originally published in 1952 and 1953, this volume of Gemstone's ECArchives series reprints issues #13-18 of Tales from the Crypt! Creatorsinclude writers Bill Gaines and Al Feldstein, and artists Jack Davis, JackKamen, Graham Ingels, Al Williamson, Joe Orlando, and GeorgeEvans.
Author : Vincent Courtney Publisher : Random House Books for Young Readers Page : 100 pages File Size : 47,7 Mb Release : 1995 Category : Juvenile Fiction ISBN : 0679874747
Tales from the Crypt #1: Ghouls Gone Wild by Mark Bilgrey,Don McGregor Pdf
Presents four tales of terror in the spirit of the original EC Comics series, including "Body of Work", where two nosy and somewhat murderous neighbors discover shocking inspiration for Jack Kroll's outsider artwork.
Tales from the Crypt #8: Diary of a Stinky Dead Kid by Stefan Petrucha,Maia Kinney-Petrucha,John L. Lansdale Pdf
The Ghoulunatics – The Vault-Keeper, the Old Witch, and everyone's favorite, The Crypt-Keeper are back to offer their twisted takes on "Diary of a Wimpy Kid," the "Twilight"series, and Guitar Hero! The cover-featured Stinky Dead Kid stars in two tales - - one that explains exactly how he became a Stinky Dead Kid, and another in which he battles "Guitar Demon," a popular musical toy that's become possessed by an evil entity. There's also the trenchant tale of teen love involving a girl and a vampire, "Dielite," and the riotous return of the ever-doomed Thomas Donnelly in his most bizarre tale yet!
Author : New York Times Staff Publisher : Taylor & Francis Page : 1284 pages File Size : 52,5 Mb Release : 2001 Category : Literary Criticism ISBN : 1579580580
The New York Times Book Reviews 2000 by New York Times Staff Pdf
This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.
Contains the official biograpy of the Crypt Keeper, a history of EC Horror Comics, 105 covers, and other stories, facts, and features relating to "Tales from the Crypt"
The EC Archives: Tales from the Crypt Volume 2 by Al Feldstein Pdf
The classic EC comics series, now in an affordably priced deluxe-size trade paperback! More classic horror tales written and illustrated by the all-star line-up of Al Feldstein Wally Wood, Jack Kamen, Johnny Craig, Joe Orlando, Graham Ingels, and Jack Davis! Reprinting 24 stories from Tales from the Crypt issues #23–#28, the inspiration for the hit movie and HBO series! Collects Tales from the Crypt issues #23–#28.
Modern Art on Display: The Legacies of Six Collectors is structured as a sequence of case studies that pair collectors of modern art with artists they particularly favored: Duncan Phillips and Augustus Vincent Tack; Albert Barnes and Chaim Soutine; Albert Eugene Gallatin and Juan Gris; Lillie Bliss and Paul Cézanne; Etta Cone and Henri Matisse; G. David Thompson and Paul Klee. The case studies are linked by a thematic focus on the integral relationship between the collectors’ acquired knowledge about the work they amassed and their innovative display models. This focus brings a new perspective to the history of collecting and interpreting modern art in America for nearly half a century (1915-1960). By examining the books the collectors themselves read and analyzing archival photographs of their displays, the author makes a case for the historical significance of how the collectors presented the art they acquired before their collections were institutionalized.
In the 1960s and early 1970s, Chicago witnessed a remarkable flourishing of visual arts associated with the Black Arts Movement. From the painting of murals as a way to reclaim public space and the establishment of independent community art centers to the work of the AFRICOBRA collective and Black filmmakers, artists on Chicago's South and West Sides built a vision of art as service to the people. In Art for People's Sake Rebecca Zorach traces the little-told story of the visual arts of the Black Arts Movement in Chicago, showing how artistic innovations responded to decades of racist urban planning that left Black neighborhoods sites of economic depression, infrastructural decay, and violence. Working with community leaders, children, activists, gang members, and everyday people, artists developed a way of using art to help empower and represent themselves. Showcasing the depth and sophistication of the visual arts in Chicago at this time, Zorach demonstrates the crucial role of aesthetics and artistic practice in the mobilization of Black radical politics during the Black Power era.
Here is your chance to collect some of the most iconic comic book covers by some of the greatest artists to ever pick up a pencil! EC Comics, under the guidance of publisher Bill Gaines, was--according to the editor of this collection--the greatest line of comics ever done. This once-in-a-liftime Artist's Edition collects more than 140 EC covers by their best and brightest talents. The luminaries included in this gigantic (15 x 22 inches!) tome include: Wally Wood, Harvey Kurtzman, Graham Ingels, Al Williamson, Johnny Craig, Frank Frazetta, Jack Davis, Al Feldstein, and more! To make a baseball analogy, this is a Murderers Row every bit as noteworthy as the '27 Yankees! Also includes an Introduction by noted EC scholar Thommy Burns. To Date IDW Publishing has won SIX Eisner Awards (the comic book equivalent of the Academy Awards). Each cover in this collection has been scanned from the original art While appearing to be in black and white, these images were scanned in COLOR, enabling the reader to see all the subtle nuances that make original art unique. Blue pencil notations, zip-a-tone, Duoshade, whiteout--all of these and more are clearly visible. Honestly, the only better way to see these covers is to be holding the original art in your hands!
"American Women Artists, 1935-1970 " by Helen Langa Pdf
Numerous American women artists built successful professional careers in the mid-twentieth century while confronting challenging cultural transitions: shifts in stylistic avant-gardism, harsh political transformations, and changing gender expectations for both women and men. These social and political upheavals provoked complex intellectual and aesthetic tensions. Critical discourses about style and expressive value were also renegotiated, while still privileging masculinist concepts of aesthetic authenticity. In these contexts, women artists developed their careers by adopting innovative approaches to contemporary subjects, techniques, and media. However, while a few women working during these decades have gained significant recognition, many others are still consigned to historical obscurity. The essays in this volume take varied approaches to revising this historical silence. Two focus on evidence of gender biases in several exhibitions and contemporary critical writings; the rest discuss individual artists' complex relationships to mainstream developments, with attention to gender and political biases, cultural innovations, and the influence of racial/ethnic diversity. Several also explore new interpretative directions to open alternative possibilities for evaluating women's aesthetic and formal choices. Through its complex, nuanced approach to issues of gender and female agency, this volume offers valuable and exciting new scholarship in twentieth-century American art history and feminist studies.