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"Tell Them We are Singing for Jesus" by Toni P. Anderson Pdf
"Tell Them We Are Singing for Jesus" explores the Christian missionary ideals and convictions that spawned the Fisk Jubilee Singers during the 1870s and guided the ensemble throughout its impressive US and European travels. This historic choral ensemble was sponsored by the American Missionary Association (AMA), the parent organization of Fisk University.
The Oxford Handbook of Community Singing by Esther M. Morgan-Ellis,Kay Norton Pdf
"The Oxford Handbook of Community Singing shows in abundant detail that singing with others is thriving. Using an array of interdisciplinary methods, chapter authors prioritize participation rather than performance and provide finely grained accounts of group singing in community, music therapy, religious, and music education settings. Themes associated with protest, incarceration, nation, hymnody, group bonding, identity, and inclusivity infuse the 47 chapters. Written almost wholly during the 2020-21 COVID-19 pandemic, the Handbook features a section dedicated to collective singing facilitated by audiovisual or communications media (mediated singing), some of it quarantine-mandated. The last of eight substantial sections is a repository of new theories about how group singing practices work. Throughout, the authors problematize the limitations inherited from the western European choral music tradition and report on workable new remedies to counter those constraints"--
Sing! has grown from Keith and Kristyn Getty’s passion for congregational singing; it’s been formed by their traveling and playing and listening and discussing and learning and teaching all over the world. And in writing it, they have five key aims: • to discover why we sing and the overwhelming joy and holy privilege that comes with singing • to consider how singing impacts our hearts and minds and all of our lives • to cultivate a culture of family singing in our daily home life • to equip our churches for wholeheartedly singing to the Lord and one another as an expression of unity • to inspire us to see congregational singing as a radical witness to the world They have also added a few “bonus tracks” at the end with some more practical suggestions for different groups who are more deeply involved with church singing. God intends for this compelling vision of His people singing—a people joyfully joining together in song with brothers and sisters around the world and around his heavenly throne—to include you. He wants you,he wants us, to sing.
God Delights in You God loves us. With all our faults and failures, with all the secret sins no one else knows about. In fact, He rejoices over us so much that He breaks out in inexpressible joy and song as He thinks about us. "The Lord your God is in your midst, a mighty one who will save; he will rejoice over you with gladness; he will quiet you by his love; he will exult over you with loud singing." --Zephaniah 3:17 That's how God feels about you! He looks at you, He thinks of you...and He sings for joy! In The Singing God Sam Storms explores God's immeasurable love for His children. You don't need to be different; you don't need to be better. You just need to know that God loves you just the way you are now...today. When you truly believe this, you will find the strength and incentive to fight sin, experience freedom from shame, and walk in the fullness of all that God desires for you.
Accompany Them with Singing--The Christian Funeral by Thomas G. Long Pdf
Thomas Long begins this fascinating volume by describing how the Christian funeral developed historically, theologically, and liturgically, and then discusses recent cultural trends in funeral practices, including the rise in both cremations and memorial services. He describes the basic pattern for a funeral service, details options in funeral planning, identifies characteristics of a "good funeral," and provides thoughtful guidance for preaching at a funeral. Long also notes a disturbing trend toward funeral services that seem theologically right and pastorally caring, but actually depart from the primary aims of the Christian funeral. He argues that a new, less-theological and less-satisfying service that focuses on the mourner has begun to erode the Christian view. He contrasts the ancient grand community drama with today's trend toward body-less memorial services that focus primarily on the living and grief management. This is a loss for the church, he argues, and he calls for the church to reclaim the classic metaphor.
"God has promised us miracles. Are you willing to do what it takes to see them through? We all desire the favor of God on our lives. We eagerly pray and hope for God's promises and blessings, especially when they come in the form of cash or a promotion. But carrying the promises of God often means being inconvenienced, being stretched, and being patient to nourish those promises until it is God's time for you to give birth to them. The result of the process is a miraculous demonstration of God's powerto bring change on the earth. In Birthing the Miraculous, Heidi Baker weaves true stories from her life and ministry together with the biblical story of Mary's pregnancy with Jesus to show readers how to carry the promises of God in their own lives, becoming a catalyst for God's glory here on earth"--
Everyone worships. But Jesus tells us that God is seeking a particular kind of worshiper. In True Worshipers, a seasoned pastor and musician guides readers toward a more engaging, transformative, and biblically faithful understanding of the worship God is seeking. True worship is an activity rooted in the grace of the gospel that affects every area of our lives. And while worship is more than just singing, God’s people gathering in his presence to lift their voices in song is an activity that is biblically based, historically rooted, and potentially life-changing. Thoroughly based in Scripture and filled with practical guidance, this book connects Sunday worship to the rest of our lives—helping us live as true worshipers each and every day.
Seeing and savouring Jesus Christ by JOHN PIPER Pdf
Who is Jesus Christ? You've never met Him in person, and you don't know anyone who has. But there is a way to know who he is. How? Jesus Christ - the divine Person revealed in the Bible - has a unique excellence and a spiritual beauty that speaks directly to our souls and says, "Yes, this is truth." It's like seeing the sun and knowing that it is light, or tasting honey and knowing that it is sweet. The depth and complexity of Jesus shatter our simple mental frameworks. He baffled proud scribes with his wisdom but was understood and loved by children. He calmed a raging storm with a word but would not get himself down from the cross. Look at the Jesus of the Bible. Keep your eyes open, and fill them with the portrait of Jesus in God's Word. Jesus said, "If anyone's will is to do God's will, He will know whether the teaching is from God or whether I am speaking on my own authority." Ask God for the grace to do His will, and you will see the truth of His Son. John Piper has written this book in the hope that all will see Jesus for who he really is and will come to enjoy him above all else.
The Jesus Road by Luke E. Lassiter,Clyde Ellis,Ralph Kotay Pdf
In this highly original and moving volume, an anthropologist, a historian, and a Native singer come together to reveal the personal and cultural power of Christian faith among theøKiowas of southwestern Oklahoma and to show how Christian members of the Kiowa community have creatively embraced hymns and made them their own. Kiowas practice a unique expression of Christianity, a blending that began with the arrival of missionaries on the Kiowa-Comanche-Apache Reservation in the 1870s. In these pages, historian Clyde Ellis offers a compelling look at the way in which many Kiowas became Christian over the past century and have woven that faith into their identity. The personal and cultural significance of traditional songs and their close connection to the power of hymns is then illuminated by anthropologist Luke Eric Lassiter. Like traditional Kiowa songs, Christian hymns help restore and minister to the community; they also can be highly individualistic since many are composed and shared by church members themselves at different times in their lives. In the final section of the book Kiowa singer Ralph Kotay tells of the personal meaning and value of the hymns and of the Christian faith in general. This remarkable, sensitive book makes an important contribution to our understanding of the complexity of Native lives today and offers a subtle yet penetrating look at the legacy of Christianity among Native peoples.
Perhaps no twentieth century writer was so observant and elegant a chronicler of his times as Truman Capote. Whether he was profiling the rich and famous or creating indelible word-pictures of events and places near and far, Capote’s eye for detail and dazzling style made his reportage and commentary undeniable triumphs of the form. Portraits and Observations is the first volume devoted solely to all the essays ever published by this most beloved of writers. From his travel sketches of Brooklyn, New Orleans, and Hollywood, written when he was twenty-two, to meditations about fame, fortune, and the writer’s art at the peak of his career, to the brief works penned during the isolated denouement of his life, these essays provide an essential window into mid-twentieth-century America as offered by one of its canniest observers. Included are such celebrated masterpieces of narrative nonfiction as “The Muses Are Heard” and the short nonfiction novel “Handcarved Coffins,” as well as many long-out-of-print essays, including portraits of Isak Dinesen, Mae West, Marcel Duchamp, Humphrey Bogart, and Marilyn Monroe. Among the highlights are “Ghosts in Sunlight: The Filming of In Cold Blood, “Preface to Music for Chameleons, in which Capote candidly recounts the highs and lows of his long career, and a playful self-portrait in the form of an imaginary self-interview. The book concludes with the author’s last written words, composed the day before his death in 1984, the recently discovered “Remembering Willa Cather,” Capote’s touching recollection of his encounter with the author when he was a young man at the dawn of his career. Portraits and Observations puts on display the full spectrum of Truman Capote’s brilliance. Certainly, Capote was, as Somerset Maugham famously called him, “a stylist of the first quality.” But as the pieces gathered here remind us, he was also an artist of remarkable substance.