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Sometimes humorous, sometimes tongue-in-cheek, sometimes deeply sad and moving — such are the biographies of fifteen Texas bad girls. Husband killers, run-of-the-mill murderers, whorehouse madams, prostitutes, gamblers, bank robbers, floozies — each contributes immeasurably to a rowdy, ribald history that dates from the state's earliest settlers to yesterday's biggest news story.
From the acclaimed author of Moxie comes a gripping gender-flipped reimagining of The Outsiders that explores the deep bonds of female friendship and what it takes to be a "bad girl." 1964. Houston, Texas. Evie Barnes is a bad girl. So are all her friends. They’re the sort who wear bold makeup, laugh too loud, and run around with boys. Most of all, they protect their own against the world. So when Evie is saved from a sinister encounter by a good girl from the "right" side of the tracks, every rule she's always lived by is called into question. Now she must redefine what it means to be a bad girl and rethink everything she knew about loyalty. In this riveting story of murder, secrets, and tragedy, Jennifer Mathieu puts a female twist on S. E. Hinton's The Outsiders. Bad Girls Never Say Die has all the drama and heartache of that teen classic, but with a feminist take just right for our times.
The true-crime story of the murder of an amateur pornographer and two teenage girls on the run, by the New York Times bestselling author. The crime stunned quiet Mineral Wells, Texas: forty-nine-year-old Bob Dow shot execution-style in his own bed, his invalid mother locked in the next room—and a cache of homemade porn starring the town's underage girls. The two accused killers—teen lovers Bobbi Jo Smith and Jennifer Jones—were on the run, intent on going out in a cross-country blaze of glory. M. William Phelps exposes a gripping tale of sexploitation, lust, and betrayal, while questioning the court's fateful verdict in a tantalizing forensic puzzle. Were both girls equally guilty of murder? Or was one merely a pawn in the other's dainty, blood-stained hands? Praise for Bad Girls “Fascinating, gripping . . . Phelps's sharp investigative skills and questioning mind resonate. Whether or not you agree with the author's suspicions that an innocent is behind bars, you won't regret going along fir the ride with such an accomplished reporter.” —Sue Russell, award-winning author of Lethal Intent Includes sixteen pages of dramatic photos
In this compelling new novel from the author of Want Some, Get Some, Pam Ward proves that sometimes looks are deceiving. . . With her pale skin, heart-shaped lips, and piercing gaze, ten year-old Paula is luminous. No one can believe that Margie, as bronzed-skinned as she is plain, could possibly be Paula's mother. But Margie knows better--behind Paula's innocent, girlish beauty lies the heart of a destructive soul who literally loves to play with fire, cannot control her temper, and in school, has a proven proclivity toward violence. Margie hopes that moving closer to the California waters will snuff out the mysterious, growing flame in her daughter's heart, but Bernard, their new neighbor and funeral parlor owner, immediately senses that there is something "strange" about little Paula--something that he does not want in his home or place of business. . . Bernard, a man with secrets himself, decides that his new neighbors may need a little encouragement to find another place to live. But Paula, though still a child, has keen instincts of her own. As her suspicions about Bernard unravel and lead to a suspenseful, disturbing battle of wills, the most shocking of secrets are revealed. . . Praise for Want Some, Get Some "An outstanding debut novel. . .original, fast-paced, and full of the drama that keeps the pages turning. Don't sleep." --Darren Coleman, Essence® bestselling author
This amusing travel guide to the Lone Star State doesn't waste travelers' time telling them where to find antiques in the Hill Country, take breathtaking hikes through Big Bend, or gaze upon the Alamo. Instead, it guides television fans to a modern replica of the Munsters's mansion, leads the nonsqueamish to the world's only Cockroach Hall of Fame, and points the curious towards a small town filled with hippo statues. Among other things, Texas is home to Goliath-sized roadside attractions, and directions are provided on how to reach the World's Largest Six-Shooter, World's Largest Rattlesnake, and World's Largest Wooden Nickel. The accompanying photographs and maps instruct visitors on how to get to these and other extraordinary spots, including the Best Little Whorehouse in Texas, the Celebrity Shoe Musuem, Alley Oop's Fantasyland, and the Birthplace of Fritos. A dose of wacky Texas history is also included with answers to questions such as "Did a UFO really crash into a windmill northwest of Fort Worth in 1897? "and "What does an Abilene Kinko's have to do with the early retirement of Dan Rather?"
The lawmen in this book were serious offenders against the laws they had at one time sworn to uphold. Their skills were honed in range wars and family feuds and polished along the cattle trails, in the saloons and banks, and on the trains of the West. More than one kicked out their lives at the end of ropes strung up by citizens who were outraged by their abuse of the trust that went along with the badge they wore. These are their stories.
Drawing on fact and folklore, this book brings these gun-slinging "bad girls" to life, and explores their motives, hopes, and dreams. It dispels many of the myths about these female outlaws, for sometimes truth is stranger than fiction
The Oldest Profession in Texas by James Pylant,Sherri Knight Pdf
From 1869 to 1918 more than 1,200 women lived as prostitutes in Waco, Texas. When the city legalized its red-light district, floozies flocked to Waco where saloons and bordellos boomed. The Oldest Profession in Texas: Waco’s Legal Red-Light District examines the city’s complex stance on prostitution, debunks myths, and unveils (for the first time) the true identities of several early day madams.
Crime Fiction and Film in the Southwest by Steve Glassman,Maurice J. O'Sullivan Pdf
When Joe Leaphorn and Jim Chee, Tony Hillerman's oddly matched tribal police officers, patrol the mesas and canyons of their Navajo reservation, they join a rich traditon of Southwestern detectives. In Crime Fiction and Film in the Southwest, a group of literary critics tracks the mystery and crime novel from the Painted Desert to Death Valley and Salt Lake City. In addition, the book includes the first comprehensive bibliography of mysteries set in the Southwest and a chapter on Southwest film noir from Humphrey Bogart's tough hood in The Petrified Forest to Russell Crowe's hard-nosed cop in L.A. Confidential.
“A true-crime page-turner.... Lowry exhausts every possible scenario behind the shocking, unsolved quadruple murder ... and offers a theory on what really happened.” —New York Post "Gripping, moving, and as good as any depiction of a murder case since In Cold Blood.... Brilliant." —Ann Patchett, award-winning, bestselling author The facts are brutally straightforward. On December 6, 1991, the naked, bound-and-gagged, burned bodies of four girls—each one shot in the head—were found in a frozen yogurt shop in Austin, Texas. Grief, shock, and horror overtook the city. But after eight years of misdirected investigations, only two suspects (teenagers at the time of the crime) were tried; their convictions were later overturned and detectives are still working on what is now a very cold case. The story has grown to include DNA technology, coerced false confessions, and other developments in crime and punishment. But this story belongs to the scores of people involved, and from them Beverly Lowry has fashioned a riveting saga that reads like a novel, heart-stopping and thoroughly engrossing.
Dangerous Woman by Michael Foster,Barbara Foster Pdf
The definitive biography of a trailblazing actress who entertained—and shocked—the nation and the world Marilyn Monroe might never have become the legend she did without America’s original tragic starlet: actress and poet Adah Isaacs Menken (1835–68). In a century remembered for Victorian restraint, Menken’s modern flair for action, scandal, and unpopular causes—especially that of the Jewish people—revolutionized show business. On stage, she was the first actress to bare all. Off stage, she originated the front-page scandal and became the world’s most highly paid actress—celebrated on Broadway, as well as in San Francisco, London, and Paris. At thirty-three, she mysteriously died. A Dangerous Woman is the first book to tell Menken’s fascinating story. Born in New Orleans to a “kept woman of color” and to a father whose identity is debated, Menken eventually moved to the Midwest, where she became an outspoken protégé of the rabbi who founded Reform Judaism. In New York City, she became Walt Whitman’s disciple. During the Civil War she was arrested as a Confederate agent—and became America’s first pin-up superstar. Menken married and left five husbands. Ultimately, she paid dearly for success. A major biography of a remarkable woman, A Dangerous Woman is must reading for those interested in women’s history, the roots of modern-day American Judaism, and African-American history. Praise for a previous book by Barbara and Michael Foster, Forbidden Journey: The Life of Alexandra David-Neel “Hers was a great human life, very well written up in Forbidden Journey. . . . Surely this biography will provoke even more interest.” —New York Times Book Review
Country Boys and Redneck Women by Diane Pecknold,Kristine M. McCusker Pdf
Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender has shaped the way that music is made and heard. In addition to shedding new light on such legends as Wells, Parton, Loretta Lynn, and Charley Pride, it traces more recent shifts in gender politics through the performances of such contemporary luminaries as Swift, Gretchen Wilson, and Blake Shelton. The book also explores the intersections of gender, race, class, and nationality in a host of less expected contexts, including the prisons of WWII-era Texas, where the members of the Goree All-Girl String Band became the unlikeliest of radio stars; the studios and offices of Plantation Records, where Jeannie C. Riley and Linda Martell challenged the social hierarchies of a changing South in the 1960s; and the burgeoning cities of present-day Brazil, where "college country" has become one way of negotiating masculinity in an age of economic and social instability.
A page-turning, spine-chilling young adult murder mystery about surviving the ghosts around us. Alexis thought she led a typically dysfunctional high school existence. Dysfunctional like her parents' marriage. Or her doll-crazy twelve-year-old sister, Kasey. Or even like her own anti-social, anti-cheerleader attitude. When a family fight results in some tearful sisterly bonding, Alexis realizes that her life is creeping from dysfunction into danger. Kasey is acting stranger than ever: her blue eyes go green, sometimes she uses old-fashioned language, and she even loses track of chunks of time, claiming to know nothing about her strange behavior. Their old house is changing, too. Doors open and close by themselves. Water boils on the unlit stove, and an unplugged air conditioner turns the house cold enough to see their breath in. Alexis wants to think that it's all in her head, but soon, what she liked to think of as silly parlor tricks are becoming life-threatening: to her, her family, and to her budding relationship with the class president. Alexis knows she's the only person who can stop Kasey—but what if that green-eyed girl isn't even Kasey anymore?
Author : American Film Institute Publisher : Univ of California Press Page : 1198 pages File Size : 40,6 Mb Release : 1993 Category : Motion pictures ISBN : 0520079086
The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films by American Film Institute Pdf
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
De-Whitening Intersectionality by Shinsuke Eguchi,Shadee Abdi,Bernadette Marie Calafell Pdf
De-Whitening Intersectionality: Race, Intercultural Communication, and Politics re-evaluates how the logic of color-blindness as whiteness is at play in the current scope of intersectional research on race, intercultural communication, and politics. Calling for a re-centering of difference by exploring the emergence and inception of intersectionality concepts, the coeditors and contributors distinguish between the uses of intersectionality that seem inclusive versus those that actually enact inclusion by demonstrating how to re-conceptualize intersectionality in ways that explicate, elucidate, and elaborate culture-specific and text-specific nuances of knowledge for women of color, queer/trans-people of color, and non-western people of color who have been marked as the Others. As a feminist of color tradition, intersectionality has been appropriated through increasing popularity in the discipline of communication, undermining efforts to critique power when researchers reduce the concept to a checklist of identity markers. This book underscores that in order to play well with and illustrate a nuanced understanding of intersectionality; scholars must be attentive to its origins and implications.