Text And Supertext In Ibsen S Drama

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Text and Supertext in Ibsen’s Drama

Author : Brian Johnston
Publisher : Penn State Press
Page : 235 pages
File Size : 52,9 Mb
Release : 1989-09-08
Category : Drama
ISBN : 9780271040646

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Text and Supertext in Ibsen’s Drama by Brian Johnston Pdf

Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas.

Text and Supertext in Ibsen's Drama

Author : Brian Johnston
Publisher : Penn State Press
Page : 299 pages
File Size : 51,7 Mb
Release : 1989
Category : Literary Criticism
ISBN : 0271006447

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Text and Supertext in Ibsen's Drama by Brian Johnston Pdf

Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day.This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas.

Text and Supertext in Ibsen's Drama

Author : Brian Johnston
Publisher : Penn State Press
Page : 309 pages
File Size : 55,5 Mb
Release : 1989-01-01
Category : Literary Criticism
ISBN : 9780271027241

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Text and Supertext in Ibsen's Drama by Brian Johnston Pdf

Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day. This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas. Brian Johnston is Chief Editor of Theater Three. He is the author of The Ibsen Cycle and To the Third Empire, and is Visiting Professor, Department of Drama, Carnegie Mellon University.

The Ibsen Cycle

Author : Brian Johnston
Publisher : Penn State Press
Page : 440 pages
File Size : 52,7 Mb
Release : 1992
Category : Literary Criticism
ISBN : 0271008091

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The Ibsen Cycle by Brian Johnston Pdf

'Attempting no less a task than to demonstrate that Ibsen planned his last twelve plays, beginning with Pillars of Society, as a cycle paralleling exactly Hegel's account of the evolution of the human consciousness, The Phenomenology of Mind, Johnston offers a fresh look at the Norwegian master. Although there is little specific biographical data in support of the author's thesis, he argues compellingly for it in his analysis of the texts themselves. After discussing Hegel's dramatic method of exposition and Ibsen's philosophy, Johnston examines each of the twelve plays in considerable detail. Provocative and sophisticated in its approach, this volume should be widely available to scholars and advanced students of modern drama. ---Library Journal

The Ibsen Cycle

Author : Brian Johnston
Publisher : Penn State Press
Page : 410 pages
File Size : 45,8 Mb
Release : 1992
Category : Literary Criticism
ISBN : 0271008741

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The Ibsen Cycle by Brian Johnston Pdf

'Attempting no less a task than to demonstrate that Ibsen planned his last twelve plays, beginning with Pillars of Society, as a cycle paralleling exactly Hegel's account of the evolution of the human consciousness, The Phenomenology of Mind, Johnston offers a fresh look at the Norwegian master. Although there is little specific biographical data in support of the author's thesis, he argues compellingly for it in his analysis of the texts themselves. After discussing Hegel's dramatic method of exposition and Ibsen's philosophy, Johnston examines each of the twelve plays in considerable detail. Provocative and sophisticated in its approach, this volume should be widely available to scholars and advanced students of modern drama. ---Library Journal

Ibsen on the German Stage 1876–1918

Author : Jens-Morten Hanssen
Publisher : Narr Francke Attempto Verlag
Page : 258 pages
File Size : 45,8 Mb
Release : 2018-11-26
Category : Performing Arts
ISBN : 9783823392712

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Ibsen on the German Stage 1876–1918 by Jens-Morten Hanssen Pdf

Digital humanities has opened up new avenues for Ibsen scholarship, and recent developments within the field of e-research methodologies have formed a point of departure for questioning conventional assumptions. This book explores the early reception of Ibsen on the German stage from a quantitative angle using the performance database IbsenStage as a research tool. Visualization techniques are adopted as a means to prepare data for analysis and identify the major patterns in the production history, and data interrogation methodology is used to trigger new lines of enquiry.

Four Major Plays

Author : Henrik Ibsen
Publisher : Oxford University Press
Page : 385 pages
File Size : 53,7 Mb
Release : 2008-05-08
Category : Drama
ISBN : 9780199536191

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Four Major Plays by Henrik Ibsen Pdf

This collection of plays is taken from the Oxford Ibsen, James McFarlane's acclaimed scholarly edition.

The Cambridge Companion to Ibsen

Author : James Walter McFarlane
Publisher : Cambridge University Press
Page : 302 pages
File Size : 54,5 Mb
Release : 1994
Category : Drama
ISBN : 052142321X

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The Cambridge Companion to Ibsen by James Walter McFarlane Pdf

In the history of modern theatre, Ibsen is one of the dominating figures. The sixteen chapters of this 1994 Companion explore his life and work, providing an invaluable reference work for students. In chronological terms they range from an account of Ibsen's earliest pieces, through the years of rich experimentation, to the mature 'Ibsenist' plays that made him famous towards the end of the nineteenth century. Among the thematic topics are discussions of Ibsen's comedy, realism, lyric poetry and feminism. Substantial chapters account for Ibsen's influence on the international stage and his challenge to theatre and film directors and playwrights today. Essential reference materials include a full chronology, list of works and essays on twentieth-century criticism and further reading.

Modernism in European Drama

Author : Frederick J. Marker,Christopher Innes
Publisher : University of Toronto Press
Page : 316 pages
File Size : 43,7 Mb
Release : 1998-01-01
Category : Literary Criticism
ISBN : 0802082068

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Modernism in European Drama by Frederick J. Marker,Christopher Innes Pdf

This collection of essays, originally published over the last forty years in the journal Modern Drama, explores the drama of four of the most influential European proponents of modernism in the European Drama: Ibsen, Strandberg, Pirandello and Beckett.

Henrik Ibsen and the Birth of Modernism

Author : Toril Moi
Publisher : OUP Oxford
Page : 416 pages
File Size : 43,7 Mb
Release : 2008-02-14
Category : Literary Criticism
ISBN : 9780191502644

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Henrik Ibsen and the Birth of Modernism by Toril Moi Pdf

Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism , Toril Moi makes a powerful case not just for Ibsen's modernity, but for his modernism. Situating Ibsen in his cultural context, she shows how unexpected his rise to world fame was, and the extent of his influence on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism. Henrik Ibsen and the Birth of Modernism also rewrites nineteenth-century literary history; positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism. Modernism, Moi argues, arose from the ruins of idealism, the dominant aesthetic paradigm of the nineteenth century. She also shows why Ibsen still matters to us today, by focusing on two major themes-his explorations of women, men, and marriage and his clear-eyed chronicling of the tension between skepticism and the everyday. This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert, and Manet as a founder of European modernism.

Ibsen, Strindberg and the Intimate Theatre

Author : Egil Törnqvist
Publisher : Amsterdam University Press
Page : 262 pages
File Size : 51,6 Mb
Release : 1999
Category : Performing Arts
ISBN : 9053563717

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Ibsen, Strindberg and the Intimate Theatre by Egil Törnqvist Pdf

I Part 2 : Strindberg (s. 106-184) behandlas TV-teaterföreställningar av Fadren (s. 106-116), Fröken Julie (s. 117-126), Den starkare (s. 127-133), Ett drömspel (s. 134-145), Oväder (s. 146-154), Spöksonaten (s. 155-171) och Pelikanen (s. 172-184).

Peer Gynt

Author : Henrik Ibsen
Publisher : Oxford University Press, USA
Page : 196 pages
File Size : 45,5 Mb
Release : 1998
Category : Danish poetry
ISBN : 019283746X

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Peer Gynt by Henrik Ibsen Pdf

Peer Gynt was Ibsen's last work to use poetry as a medium of dramatic expression, and the poetry is brilliantly appropriate to the imaginative swings between Scandinavian oral folk traditions, the Morrocan coast, the Sahara Desert, and the absurdist images of the Cairo madhouse. Thistranslation is taken from the acclaimed Oxford Ibsen.John McFarlane is Emeritus Professor of European Literature at the University of East Anglia, and General Editor of the Oxford Ibsen.

Ibsen: A Doll's House

Author : Egil Törnqvist
Publisher : Cambridge University Press
Page : 232 pages
File Size : 55,6 Mb
Release : 1995-04-27
Category : Drama
ISBN : 0521478669

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Ibsen: A Doll's House by Egil Törnqvist Pdf

This 1995 critical study of Ibsen's A Doll's House addresses fundamental questions of text, reception and performance. What is the definitive 'version' of A Doll's House: original text, translation, stage presentation, radio version, adaptation to film or television? What occurs when a drama intended for recipients in one language is translated into another, or when a play written for the stage is adapted for radio, television or film? And to what extent do differences between the media and between directorial approaches influence the meaning of the play text? Discussions of these issues include an internal analysis of the dramatic text and comparative performance analysis, framed by the biographical background to the play and its impact on dramas by Strindberg, Shaw and O'Neill and on films by Ingmar Bergman. The book concludes with a list of productions and a select bibliography.

Ibsen and the Greeks

Author : Norman Rhodes
Publisher : Bucknell University Press
Page : 220 pages
File Size : 54,6 Mb
Release : 1995
Category : German literature
ISBN : 0838752985

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Ibsen and the Greeks by Norman Rhodes Pdf

"Was Ibsen influenced by Greek culture? Were allusions to the Greeks configured in the Norwegian playwright's works? According to author Norman Rhodes, whether consciously or unconsciously, many of Ibsen's plays are encoded with veiled references to ancient Greek culture. Rhodes also postulates that Ibsen's perception of the importance of the Greeks was most likely mediated to him through German Romanticism and Scandinavian culture." "According to Rhodes, numerous echoes of Greek literature resonate in such early Ibsen plays as Catiline, The Warrior's Barrow, Olaf Liljerkrans, and Love's Comedy. Ibsen's Brand and Peer Gynt are a dialectic pair which in key ways are suggestive of Homer's Iliad and Odyssey, A Doll House has important parallels with Sophocles' Antigone, and An Enemy of the People correlates with both Plato's Apology and Sophocles' Oedipus Tyrannos. Moreover, a Euripidean sense of fatal irrationality seems inscribed in Ibsen's final plays: the protagonists John Rosmer, Hedda Gabler, Master Builder Solness, John Gabriel Borkman, and the sculptor Rubek all destroy themselves."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

James Baldwin

Author : A. Scott Henderson,Paul Lee Thomas
Publisher : Springer
Page : 224 pages
File Size : 53,8 Mb
Release : 2014-05-05
Category : Education
ISBN : 9789462096196

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James Baldwin by A. Scott Henderson,Paul Lee Thomas Pdf

"The recognition and study of African American (AA) artists and public intellectuals often include Martin Luther King, Jr., and occasionally Booker T. Washington, W.E.B. DuBois, and Malcolm X. The literary canon also adds Ralph Ellison, Richard White, Langston Hughes, and others such as female writers Zora Neale Hurston, Maya Angelou, and Alice Walker. Yet, the acknowledgement of AA artists and public intellectuals tends to skew the voices and works of those included toward normalized portrayals that fit wellwithin foundational aspects of the American myths refl ected in and perpetuated by traditional schooling. Further, while many AA artists and public intellectuals are distorted by mainstream media, public and political characterizations, and the curriculum, several powerful AA voices are simply omitted, ignored, including James Baldwin. This edited volume gathers a collection of essays from a wide range of perspectives that confront Baldwin’s impressive and challenging canon as well as his role as a public intellectual. Contributors also explore Baldwin as a confrontational voice during his life and as an enduring call for justice."