The Aesthetics Of Antichrist

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The Aesthetics of Antichrist

Author : John Parker
Publisher : Cornell University Press
Page : 274 pages
File Size : 49,8 Mb
Release : 2018-07-05
Category : Literary Criticism
ISBN : 9780801463549

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The Aesthetics of Antichrist by John Parker Pdf

In Dr. Faustus, Christopher Marlowe wrote a profoundly religious drama despite the theater's newfound secularism and his own reputation for anti-Christian irreverence. The Aesthetics of Antichrist explores this apparent paradox by suggesting that, long before Marlowe, Christian drama and ritual performance had reveled in staging the collapse of Christianity into its historical opponents—paganism, Judaism, worldliness, heresy. By embracing this tradition, Marlowe's work would at once demonstrate the theatricality inhering in Christian worship and, unexpectedly, resacralize the commercial theater. The Antichrist myth in particular tells of an impostor turned prophet: performing Christ's life, he reduces the godhead to a special effect yet in so doing foretells the real second coming. Medieval audiences, as well as Marlowe's, could evidently enjoy the constant confusion between true Christianity and its empty look-alikes for that very reason: mimetic degradation anticipated some final, as yet deferred revelation. Mere theater was a necessary prelude to redemption. The versions of the myth we find in Marlowe and earlier drama actually approximate, John Parker argues, a premodern theory of the redemptive effect of dramatic representation itself. Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, The Aesthetics of Antichrist proposes a wholesale rereading of pre-Shakespearean drama.

New Medieval Literatures 24

Author : Wendy Scase,Laura Ashe,Philip Knox
Publisher : Boydell & Brewer
Page : 256 pages
File Size : 42,5 Mb
Release : 2024-03-12
Category : Fiction
ISBN : 9781843846888

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New Medieval Literatures 24 by Wendy Scase,Laura Ashe,Philip Knox Pdf

This volume continues the series' engagement with intellectual and cultural pluralism in the Middle Ages, showcasing the best new work in this field. New Medieval Literatures is an annual of work on medieval textual cultures Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces the range of European cultures, capaciously defined. Texts analysed here range in date from the late ninth or early tenth centuries to the fifteenth century, and in provenance from the eastern part of the Hungarian kingdom to the British Isles. European understandings of the world are explored in several essays, including historiographical perspectives on the Mongol Empire and "world-building" in the romances of the Round Table. In their consideration of translation - of English diplomatic texts into French, of the Latin Boethius into Old English, of Old Turkic and Mongolian into Latin - several contributors reveal complex medieval multilingual societies, while translatio is shown to be weaponised in international scholarly rivalries. Bibliophilia, book collection, and book production inform identity-formation, shaping both nationalisms and the many-layered identities of fifteenth-century merchants. Several essays engage revealingly with economic humanities. Account books provide traces of book production capacity in the unlikely location of Calais; credit finance provides metaphors for human relations with the divine in the Book of mystic Margery Kempe; and women broker credit in real-world scenarios too. Other essays engage with sensory studies: sight and optics are shown to inform ethnography, while smell and taste - often considered beyond the reach of language - emerge as surprisingly central in some religious and philosophical writings.

Tragedy as Philosophy in the Reformation World

Author : Russ Leo
Publisher : Oxford University Press
Page : 304 pages
File Size : 53,7 Mb
Release : 2019-01-24
Category : Literary Criticism
ISBN : 9780192571670

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Tragedy as Philosophy in the Reformation World by Russ Leo Pdf

Tragedy as Philosophy in the Reformation World examines how sixteenth- and seventeenth-century poets, theologians, and humanist critics turned to tragedy to understand providence and agencies human and divine in the crucible of the Reformation. Rejecting familiar assumptions about tragedy, vital figures like Philipp Melanchthon, David Pareus, Lodovico Castelvetro, John Rainolds, and Daniel Heinsius developed distinctly philosophical ideas of tragedy, irreducible to drama or performance, inextricable from rhetoric, dialectic, and metaphysics. In its proximity to philosophy, tragedy afforded careful readers crucial insight into causality, probability, necessity, and the terms of human affect and action. With these resources at hand, poets and critics produced a series of daring and influential theses on tragedy between the 1550s and the 1630s, all directly related to pressing Reformation debates concerning providence, predestination, faith, and devotional practice. Under the influence of Aristotle's Poetics, they presented tragedy as an exacting forensic tool, enabling attentive readers to apprehend totality. And while some poets employed tragedy to render sacred history palpable with new energy and urgency, others marshalled a precise philosophical notion of tragedy directly against spectacle and stage-playing, endorsing anti-theatrical theses on tragedy inflected by the antique Poetics. In other words, this work illustrates the degree to which some of the influential poets and critics in the period, emphasized philosophical precision at the expense of—even to the exclusion of—dramatic presentation. In turn, the work also explores the impact of scholarly debates on more familiar works of vernacular tragedy, illustrating how William Shakespeare's Hamlet and John Milton's 1671 poems take shape in conversation with philosophical and philological investigations of tragedy. Tragedy as Philosophy in the Reformation World demonstrates how Reformation took shape in poetic as well as theological and political terms while simultaneously exposing the importance of tragedy to the history of philosophy.

The Aesthetics of Discipleship

Author : Adrian Coates
Publisher : Wipf and Stock Publishers
Page : 232 pages
File Size : 49,6 Mb
Release : 2021-09-30
Category : Religion
ISBN : 9781725272385

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The Aesthetics of Discipleship by Adrian Coates Pdf

Discipleship is embodied. Formation in the Christian life is not an otherworldly exercise but one that plays out in this world, interwoven with everyday sensory experience in ordinary life. The Aesthetics of Discipleship explores this dynamic through Kierkegaard's framing of "aesthetic existence"--the sensory experience of being "in the moment"--further developed by Bonhoeffer, as operating within a realm of freedom, encompassing not only art but play, friendship, and cultural formation. In addition to Kierkegaard and Bonhoeffer, the work of Iain McGilchrist, Graham Ward, and Nicholas Wolterstorff is employed to offer a fresh perspective on discipleship, "from below": Everyday sensory experiences are integral not only to being human but to the practice of discipleship, such that discipleship integrates aesthetic, ethical, and religious existence. Aesthetic existence unhinged from a life of faith or fueled by distorted Christendom creates and sustains aestheticized pseudorealities centered on the self. Mature aesthetic existence, however, anchored in love for God, plays a fundamental role in the Christian life, both as the incarnational celebration of being fully human, and also through the preconscious formation of imaginaries by which we live.

The Jew of Malta: A Critical Reader

Author : Robert A. Logan
Publisher : A&C Black
Page : 290 pages
File Size : 54,9 Mb
Release : 2013-12-02
Category : Drama
ISBN : 9781408191545

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The Jew of Malta: A Critical Reader by Robert A. Logan Pdf

Christopher Marlowe's drama, The Jew of Malta, has become an increasingly popular source for scholarly scrutiny, staged productions, and, most recently, a filmed version. The play follows the sometimes tragic, sometimes comic, often outrageous fortunes of its villainous protagonist, the Jew Barabas. In recent years the play has provoked as much interpretive controversy as any work in the Marlowe canon. This unique volume is therefore especially timely, providing fresh, varied approaches to the many enigmatic elements of the play.

Last Acts

Author : Maggie Vinter
Publisher : Fordham Univ Press
Page : 224 pages
File Size : 41,8 Mb
Release : 2019-05-07
Category : Literary Criticism
ISBN : 9780823284283

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Last Acts by Maggie Vinter Pdf

Last Acts argues that the Elizabethan and Jacobean theater offered playwrights, actors, and audiences important opportunities to practice arts of dying. Psychoanalytic and new historicist scholars have exhaustively documented the methods that early modern dramatic texts and performances use to memorialize the dead, at times even asserting that theater itself constitutes a form of mourning. But early modern plays also engage with devotional traditions that understand death less as an occasion for suffering or grief than as an action to be performed, well or badly. Active deaths belie narratives of helplessness and loss through which mortality is too often read and instead suggest how marginalized and constrained subjects might participate in the political, social, and economic management of life. Some early modern strategies for dying resonate with descriptions of politicized biological life in the recent work of Giorgio Agamben and Roberto Esposito, or with ecclesiastical forms. Yet the art of dying is not solely a discipline imposed upon recalcitrant subjects. Since it offers suffering individuals a way to enact their deaths on their own terms, it discloses both political and dramatic action in their most minimal manifestations. Rather than mournfully marking what we cannot recover, the practice of dying reveals what we can do, even in death. By analyzing representations of dying in plays by Marlowe, Shakespeare, and Jonson, alongside devotional texts and contemporary biopolitical theory, Last Acts shows how theater reflects, enables, and contests the politicization of life and death.

Lars von Trier's Cinema

Author : Rebecca Ver Straten-McSparran
Publisher : Routledge
Page : 296 pages
File Size : 51,7 Mb
Release : 2021-11-12
Category : Religion
ISBN : 9781000427820

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Lars von Trier's Cinema by Rebecca Ver Straten-McSparran Pdf

This book offers a bold and dynamic examination of Lars von Trier’s cinema by interweaving philosophy and theology with close attention to aesthetics through style and narrative. It explores the prophetic voice of von Trier's films, juxtaposing them with Ezekiel's prophecy and Ricoeur’s symbols of evil, myth, and hermeneutics of revelation. The films of Lars von Trier are categorized as extreme cinema, inducing trauma and emotional rupture rarely paralleled, while challenging audiences to respond in new ways. This volume argues that the spiritual, biblical content of the films holds a key to understanding von Trier’s oeuvre of excess. Spiritual conflict is the mechanism that unpacks the films’ notorious excess with explosive, centrifugal force. By confronting the spectator with spiritual conflict through evil, von Trier's films truthfully and prophetically expose the spectator’s complicity in personal and structural evil, forcing self-examination through theological themes, analogous to the prophetic voice of the transgressive Hebrew prophet Ezekiel, his prophecy, and its form of delivery. Placed in context with the prophetic voices of Dante, Milton, Dostoyevsky, O’Connor, and Tarkovsky, this volume offers a theoretical framework beyond von Trier. It will be of great interest to scholars in Film Studies, Film and Philosophy, Film and Theology.

Shakespeare and the Middle Ages

Author : Curtis Perry,John Watkins
Publisher : OUP Oxford
Page : 311 pages
File Size : 54,6 Mb
Release : 2009-05-07
Category : Literary Criticism
ISBN : 9780191569715

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Shakespeare and the Middle Ages by Curtis Perry,John Watkins Pdf

Shakespeare and the Middle Ages brings together a distinguished, multidisciplinary group of scholars to rethink the medieval origins of modernity. Shakespeare provides them with the perfect focus, since his works turn back to the Middle Ages as decisively as they anticipate the modern world: almost all of the histories depict events during the Hundred Years War, and King John glances even further back to the thirteenth-century Angevins; several of the comedies, tragedies, and romances rest on medieval sources; and there are important medieval antecedents for some of the poetic modes in which he worked as well. Several of the essays reread Shakespeare by recovering aspects of his works that are derived from medieval traditions and whose significance has been obscured by the desire to read Shakespeare as the origin of the modern. These essays, taken cumulatively, challenge the idea of any decisive break between the medieval period and early modernity by demonstrating continuities of form and imagination that clearly bridge the gap. Other essays explore the ways in which Shakespeare and his contemporaries constructed or imagined relationships between past and present. Attending to the way these writers thought about their relationship to the past makes it possible, in turn, to read against the grain of our own teleological investment in the idea of early modernity. A third group of essays reads texts by Shakespeare and his contemporaries as documents participating in social-cultural transformation from within. This means attending to the way they themselves grapples with the problem of change, attempting to respond to new conditions and pressures while holding onto customary habits of thought and imagination. Taken together, the essays in this volume revisit the very idea of transition in a refreshingly non-teleological way.

Medieval and Renaissance Drama in England, vol. 27

Author : S. P. Cerasano
Publisher : Fairleigh Dickinson Univ Press
Page : 263 pages
File Size : 49,8 Mb
Release : 2014-09-30
Category : Literary Criticism
ISBN : 9780838644720

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Medieval and Renaissance Drama in England, vol. 27 by S. P. Cerasano Pdf

An international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes nine new articles and reviews of three books.

The End of Satisfaction

Author : Heather Hirschfeld
Publisher : Cornell University Press
Page : 255 pages
File Size : 41,9 Mb
Release : 2014-04-17
Category : History
ISBN : 9780801470639

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The End of Satisfaction by Heather Hirschfeld Pdf

Heather Hirschfeld recovers the historical specificity and the conceptual vigor of the term "satisfaction" as used in dramas of the sixteenth and early seventeenth centuries.

The Cambridge Companion to English Renaissance Tragedy

Author : Emma Josephine Smith,Garrett A. Sullivan (Jr.)
Publisher : Cambridge University Press
Page : 293 pages
File Size : 42,9 Mb
Release : 2010-08-12
Category : Drama
ISBN : 9780521519373

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The Cambridge Companion to English Renaissance Tragedy by Emma Josephine Smith,Garrett A. Sullivan (Jr.) Pdf

Introducing the reader to important topics in English Renaissance tragedy, this Companion presents fresh readings of key texts.

The Faust Legend

Author : Sara Munson Deats
Publisher : Cambridge University Press
Page : 277 pages
File Size : 55,8 Mb
Release : 2019-09-19
Category : Drama
ISBN : 9781108475853

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The Faust Legend by Sara Munson Deats Pdf

Explores the influence of the Faust legend on drama and film from the sixteenth century to the contemporary era.

The Antichrist: Curse on Christianity

Author : Friedrich Nietzsche
Publisher : DigiCat
Page : 79 pages
File Size : 54,6 Mb
Release : 2022-11-22
Category : Nature
ISBN : EAN:8596547419853

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The Antichrist: Curse on Christianity by Friedrich Nietzsche Pdf

The author, Friedrich Wilhelm Nietzsche, was a German philosopher in the late nineteenth century who attacked the basis of Christianity and morality. traditional. He is concerned with enhancing individual and cultural health, and he believes in life, creativity, power, and the reality of the world we live in, rather than what lies beyond. The allusion to the Antichrist is not intended to relate to the biblical Antichrist, but rather to criticize Western Christianity's "slave morality" and indifference. The central contention of Nietzsche is that Christianity is a poison to Western society and a distortion of Jesus' ideas and activities. Nietzsche is strongly critical of established religion and its priestly class, from which he draws, throughout the work. Much of this work is a systematic attack on St. Paul and those who followed his understanding of Christ's words. In the Foreword, Nietzsche claims to have produced a book for a very small audience. To grasp the work, he requires that the reader be intellectually honest to the point of violence, as well as endure my sincerity, my passion. Politics and nationalism must be avoided by the reader.

Four Shakespearean Period Pieces

Author : Margreta de Grazia
Publisher : University of Chicago Press
Page : 259 pages
File Size : 44,6 Mb
Release : 2021-05-14
Category : History
ISBN : 9780226785226

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Four Shakespearean Period Pieces by Margreta de Grazia Pdf

"Margreta de Grazia continues to change the course of Shakespeare studies in this book, where she focuses on four key terms: anachronism, chronology, periods, and the grand secular narrative. These 'unassailable' terms, once considered the bedrock of what we 'know' and how we study Shakespeare, are now under debate in our particular moment in the study of the past"--

Martyrs and Players in Early Modern England

Author : David K. Anderson
Publisher : Routledge
Page : 282 pages
File Size : 49,7 Mb
Release : 2016-05-13
Category : Performing Arts
ISBN : 9781317100140

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Martyrs and Players in Early Modern England by David K. Anderson Pdf

Focusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson explores a link between the unstable emotional response of society to religious executions in the Tudor-Stuart period, and the revival of tragic drama as a major cultural form for the first time since classical antiquity. Placing John Foxe at the center of his historical argument, Anderson argues that Foxe’s Book of Martyrs exerted a profound effect on the social conscience of English Protestantism in his own time and for the next century. While scholars have in recent years discussed the impact of Foxe and the martyrs on the period’s literature, this book is the first to examine how these most vivid symbols of Reformation-era violence influenced the makers of tragedy. As the persecuting and the persecuted churches collided over the martyr’s body, Anderson posits, stress fractures ran through the culture and into the playhouse; in their depictions of violence, the early modern tragedians focused on the ethical confrontation between collective power and the individual sufferer. Martyrs and Players in Early Modern England sheds new light on the particular emotional energy of Tudor-Stuart tragedy, and helps explain why the genre reemerged at this time.