The Africa House Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of The Africa House book. This book definitely worth reading, it is an incredibly well-written.
In the last decades of the British Empire, Stewart Gore-Brown build himself a feudal paradise in Northern Rhodesia; a sprawling country estate modelled on the finest homes of England, complete with uniformed servants, daily muster parades and rose gardens. He wanted to share it with the love of his life, the beautiful unconventional Ethel Locke King, one of the first women to drive and fly. She, however, was nearly twenty years his senior, married and his aunt. Lorna, the only other woman he had ever cared for, had married another many years earlier. Then he met Lorna's orphaned daughter, so like her mother that he thought he had seen a ghost. It seemed he had found companionship and maybe love - but the Africa house was his dream and it would be a hard one to share.
A collection of African wisdom gorgeously illustrated by artists from Ghana, South Africa, Zimbabwe, Canada, the United States and more. Aphorisms are universal. They give guidance, context and instruction for life's issues, and they help us understand each other and the world around us. We use them every day, yet never think about where they came from or why they exist. In this beautifully illustrated collection, Eric Walters brings us classic sayings from the places where this shared wisdom began. Ashanti, Sukuma, Akan and Kikuyu: all of these cultures use the portable and easily shared knowledge contained in aphorisms, and from these cultures and more this communal knowledge spread. This book is a celebration of art, of community and of our common history.
Property Tax in Africa by Riël C. D. Franzsen,William J. McCluskey Pdf
"Overview of property tax systems across Africa. Reviews of salient features for 29 countries and four regions (Anglophone, Francophone, Lusophone, North African countries). Chapters offer in-depth discussion of key policy issues (tax base, exemptions and other relief, and tax rate), administrative issues (valuation and assessment, billing, collection, enforcement), and the future of the property tax in Africa"--Provided by publisher.
Oursi Hu-beero by Lucas Pieter Petit,Maya von Czerniewicz,Christoph Pelzer Pdf
This final report describes the study of an exceptionally well-preserved Iron Age building discovered in northern Burkina Faso, West Africa. The site of Oursi hu-beero, meaning "the big house of Oursi" in the locally spoken Songhay language, was excavated in 2000 and 2001 by a scientific team from the universities of Frankfurt am Main and Ouagadougou. It is situated in the middle of a group of settlement mounds, nearby the modern village of Oursi. In the year 2000, deep erosion gullies were threatening the architectural remains on the surface, which were provisionally dated to the 10th century AD. Scholars from both universities saw the importance of this site and undertook immediate action. But even they were not prepared for what they uncovered under only one metre of destruction debris. The rich diversity of incredible finds in the 25 different rooms rendered their exposure of enormous importance for the archaeology and history of Burkina Faso. Complete storage jars, metal equipment, wooden furniture, rope and textile fragments, grinding stones and charred botanical remains are only a fraction of the total assemblage of finds. Although we are dealing with the results of a single occupation phase and from one building only, the density of finds, the preservation of the architecture and the absence of later disturbances add considerably to our understanding of daily life in this part of West Africa. Up to now the limited contextual information about life in villages and towns prior to the historical periods has promoted divergent and weakly argued interpretations. This volume breaks open new grounds of investigation and calls for further study. Additionally, the editors hope that this report will stimulate and encourage the discussion between historians and archaeologists of the fascinating West African past. The current volume presents an introduction to the expedition, an analysis of the site formation processes, the presentation of the architectural features, in-depth studies of the findings and a lively account of the heritage management project that resulted in an on-site museum. Nine authors contributed to this rich and multifaceted final report. The account of the construction, intensive use, violent destruction and subsequent rediscovery of the building is the enthralling subject of this volume, which is richly illustrated with numerous coloured drawings, photographs, maps and reconstruction drawings. It melds archaeological, historical and environmental data into a thrilling story. A story that reads like a new Crime Scene Investigation episode but happens to have been a real-life tragedy in the African Sahel almost 1,000 years ago.
The beating of Rodney King and the resulting riots in South Central Los Angeles. The violent clash between Hasidim and African-Americans in Crown Heights. The boats of Haitian refugees being turned away from the Land of Opportunity. These are among the many racially-charged images that have burst across our television screens in the last year alone, images that show that for all our complacent beliefs in a melting-pot society, race is as much of a problem as ever in America. In this vastly important, widely-acclaimed volume, Kwame Anthony Appiah, a Ghanaian philosopher who now teaches at Harvard, explores, in his words, "the possibilities and pitfalls of an African identity in the late twentieth century." In the process he sheds new light on what it means to be an African-American, on the many preconceptions that have muddled discussions of race, Africa, and Afrocentrism since the end of the nineteenth century, and, in the end, to move beyond the idea of race. In My Father's House is especially wide-ranging, covering everything from Pan Africanism, to the works of early African-American intellectuals such as Alexander Crummell and W.E.B. Du Bois, to the ways in which African identity influences African literature. In his discussion of the latter subject, Appiah demonstrates how attempts to construct a uniquely African literature have ignored not only the inescapable influences that centuries of contact with the West have imposed, but also the multicultural nature of Africa itself. Emphasizing this last point is Appiah's eloquent title essay which offers a fitting finale to the volume. In a moving first-person account of his father's death and funeral in Ghana, Appiah offers a brilliant metaphor for the tension between Africa's aspirations to modernity and its desire to draw on its ancient cultural roots. During the Los Angeles riots, Rodney King appeared on television to make his now famous plea: "People, can we all get along?" In this beautiful, elegantly written volume, Appiah steers us along a path toward answering a question of the utmost importance to us all.
Winner of the Edward Stanford Prize for Fiction with a Sense of Place, 2019 Shortlisted for the Dylan Thomas Prize, 2019 Shortlisted for the Orwell Prize, 2019 Longlisted for the Rathbones Folio Prize, 2019 __________ 'Extraordinary' Guardian __________ Bukhosi has gone missing. His father, Abed, and his mother, Agnes, cling to the hope that he has run away, rather than been murdered by government thugs. Only the lodger seems to have any idea... Zamani has lived in the spare room for years now. Quiet, polite, well-read and well-heeled, he's almost part of the family - but almost isn't quite good enough for Zamani. Cajoling, coaxing and coercing Abed and Agnes into revealing their sometimes tender, often brutal life stories, Zamani aims to steep himself in borrowed family history, so that he can fully inherit and inhabit its uncertain future.
In this landmark cookbook, chef Pierre Thiam, a native of Senegal, celebrates fonio, an ancient "miracle grain" of his childhood that he believes could change the world. Grown for centuries in Africa, fonio is not only nutritious and gluten-free, but also as easy to cook as rice and quinoa. The Fonio Cookbook is full of simple recipes for the home cook, with both traditional West African dishes such as Fonio Fritters with Sweet Potato and modern creations like Tamarind Roasted Chicken with Fonio and Fonio Seafood Paella. There are also numerous fonio dishes for breakfast and satisfying your sweet tooth, including Fonio and Plantain Pancakes and Fonio Chocolate Cake with Raspberry Coulis. Among the recipes, you'll find a rich cultural history of fonio that Thiam recounts in fascinating detail. The Fonio Cookbook also takes the reader on a journey to Senegal's fonio-growing region, with evocative photos and stories from harvest season detailing the grain's ease of growth and highlighting the people who transform fonio from crop to edible grain. Come along and discover this nutrient-rich ancient grain that's gaining incredible momentum in the western world and how it can replace any grain in your favorite dishes.
Experience Africa's vibrant and volatile struggle at the crossroads between tradition and modernity . . . INTO THE HOUSE OF THE ANCESTORS "Rich . . . fascinating." --The New York Times Book Review "A master of eyewitness description and of the telling interview, [Maier] has unearthed Africa's hidden heroes and heroines." --Financial Times "Maier has written a sensitive and complex narrative. . . . excellent descriptions of the lives and experiences of both ordinary and extraordinary individuals in different parts of Africa." --Richard Leakey, The Times (London) "A remarkable book. . . . It is no easy task to articulate an intangible undercurrent in an area so geographically large and culturally diverse, but Maier has succeeded admirably. Maier gives us hope that [the Africans] can rebound and even thrive. Highly recommended." --Library Journal
The Son of the House by Cheluchi Onyemelukwe-Onuobia Pdf
SHORTLISTED for the Scotiabank Giller Prize 2021 • WINNER of the Nigeria Prize for Literature 2021 • SHORTLISTED for the Chinua Achebe Prize for Nigerian Writing 2021 • WINNER of the SprinNG Women Authors Prize 2020 • WINNER of the Best International Fiction Book Award, Sharjah International Book Fair 2019 “The Son of the House is a compelling novel about two women caught in a constricting web of tradition, class, gender, and motherhood.” — FOREWORD REVIEWS, starred review The lives of two Nigerian women divided by class and social inequality intersect when they're kidnapped, held captive, and forced to await their fate together. In the Nigerian city of Enugu, young Nwabulu, a housemaid since the age of ten, dreams of becoming a typist as she endures her employers’ endless chores. She is tall and beautiful and in love with a rich man’s son. Educated and privileged, Julie is a modern woman. Living on her own, she is happy to collect the gold jewellery lovestruck Eugene brings her, but has no intention of becoming his second wife. When a kidnapping forces Nwabulu and Julie into a dank room years later, the two women relate the stories of their lives as they await their fate. Pulsing with vitality and intense human drama, Cheluchi Onyemelukwe-Onuobia’s debut is set against four decades of vibrant Nigeria, celebrating the resilience of women as they navigate and transform what remains a man’s world.
This book takes the reader on a delightful journey into Africa and into the world of a little girl called Tippi who tells her unforgettable story on her return from Africa to France at the age of ten. Tippi is no ordinary child. She believes that she has the gift of talking to animals and that they are like brothers to her. Her world is filled with characters like Leon the Chameleon, Abu the elephant whom she calls ‘my brother’, and leopards, snakes, baboons, lions and ostriches ... ‘I speak to them with my mind, or through my eyes, my heart or my soul, and I see that they understand and answer me.’ My Book of Africa contains the words of a little girl who has the gift of reaching out and touching the people and animals of Africa. It s beautifully illustrated with over 100 magical photographs taken by her parents, French filmmakers and photographers, Sylvie Robert and Alain Degré.
Let me tell you a story. It’s about a war. This war is not the type fought with guns and machetes. It is a family type. A silent war. The type fought in the heart. It began long before I was formed. Udonwa’s family is at war – a war of relationships, played out under the tyranny of a monster dad. Age twelve, Udonwa has a peculiar love of her father, Reverend Leonard Ilechukwu, who favours her but beats his wife and his other children. She sees his good side: after all, he pays the school fees in advance, and tells her that she, named ‘the peaceful child’, is the one most likely to become a doctor in the family. But luck doesn’t last forever. When her newly married eldest sister suddenly takes her from their family compound in Iruama, Nigeria, to live with her in Awka, Udonwa experiences violence first-hand. Later, pieces of a sinister picture emerge that shake her life to the core. No longer the person she thought she was, Udonwa launches into a period of extreme change, and parts of her life spiral into chaos as she finds herself torn between her love for her father and an underlying need to free herself. This vivid family saga is engrossing, deeply unsettling and finally uplifting
This is Samantha Ford's long awaited 2nd novel The House Called Mbabati another story out of Africa. The Mother Superior crossed herself quickly. "May God forgive them both," she murmured as she locked the diary and faded letters in the drawer. Deep in the heart of the East African bush stands a deserted mansion. Boarded up, on the top floor, is a magnificent Steinway Concert Grand, shrouded in decades of dust. In an antique shop in London, an elderly nun recognises an old photograph of the mansion; she knows it well - it is called Mbabati. Seven thousand miles away in Cape Town a woman lies dying, she whispers one final word to journalist Alex Patterson - Mbabati. Sensing a good story, and intrigued with what he has discovered about the dead woman's past, Alex heads for East Africa in search of the old abandoned house. He is totally unprepared for what he discovers there; the hidden home of a once famous classical pianist whose career came to a shattering end; a grave with a blank headstone and an old retainer called Luke, who is the only person left alive who knows the truth about two sisters who disappeared without trace more than twenty years earlier. Alex unravels a story which has fascinated the media and the police for decades. A twisting tale of love, passion, betrayal and murder; and the unbreakable bond between two extraordinary sisters who were prepared to sacrifice everything to hide the truth. Mbabati is set against the magnificent and enduring landscape of the African bush - where nothing is ever quite as it seems. Samantha's first novel The Zanzibar Affair was a very well received and highly acclaimed debut novel which used Africa as a backdrop to her story telling. Once again she has drawn on her knowledge and experiences of Africa, its culture and the lives of the rich and privileged to weave an even more tangled web of mystery, intrigue and suspense in this; her second superb novel. "The House Called Mbabati is skilfully written and layered with mystery and intrigue. Set against the romantic backdrop of Kenya and South Africa, the author manages to sweep the reader away into another world where the scenes are so well depicted one can almost smell the hot dry earth and the dusty pelts of the animals. An unforgettable cast of characters within a story which twists and turns at a ferocious pace. A real page turner with a breath-taking and richly rewarding ending. A cracking good story ." John Gordon-Davis (author)
The first Graywolf Press African Fiction Prize winner, a story of a girl’s fantastical sea voyage to rescue her father The House of Rust is an enchanting novel about a Hadhrami girl in Mombasa. When her fisherman father goes missing, Aisha takes to the sea on a magical boat made of a skeleton to rescue him. She is guided by a talking scholar’s cat (and soon crows, goats, and other animals all have their say, too). On this journey Aisha meets three terrifying sea monsters. After she survives a final confrontation with Baba wa Papa, the father of all sharks, she rescues her own father, and hopes that life will return to normal. But at home, things only grow stranger. Khadija Abdalla Bajaber’s debut is a magical realist coming-of-age tale told through the lens of the Swahili and diasporic Hadhrami culture in Mombasa, Kenya. Richly descriptive and written with an imaginative hand and sharp eye for unusual detail, The House of Rust is a memorable novel by a thrilling new voice.
Understanding Africa is critical for all concerned with the world today: in what promises to be his final great work of reportage, one of the keenest observers of the continent surveys the effects of belief and religion on the disparate peoples of Africa. The Masque of Africa is Nobel Prize-winning V. S. Naipaul's first major work of non-fiction to be published since his internationally bestselling Beyond Belief. Like all of Naipaul's great works of non-fiction, The Masque of Africa is superficially a book of travels — full of people, stories and landscapes he visits — but it also encompasses a larger narrative and purpose: to judge the effects of belief (whether in indigenous animisms, faiths imposed by other cultures, or even the cults of leaders and mythical history) upon the progress of civilization.
