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The eponymous alchemist of Ben Jonson's quick-fire comedy is a fraud: he cannot make gold, but he does make brilliant theatre. The Alchemist is a masterpiece of wit and form about the self-delusions of greed and the theatricality of deception. This guide will be useful to a diverse assembly of students and scholars, offering fresh new ways into this challenging and fascinating play.
The eponymous alchemist of Ben Jonson's quick-fire comedy is a fraud: he cannot make gold, but he does make brilliant theatre. The Alchemist is a masterpiece of wit and form about the self-delusions of greed and the theatricality of deception. This guide will be useful to a diverse assembly of students and scholars, offering fresh new ways into this challenging and fascinating play.
A special 25th anniversary edition of the extraordinary international bestseller, including a new Foreword by Paulo Coelho. Combining magic, mysticism, wisdom and wonder into an inspiring tale of self-discovery, The Alchemist has become a modern classic, selling millions of copies around the world and transforming the lives of countless readers across generations. Paulo Coelho's masterpiece tells the mystical story of Santiago, an Andalusian shepherd boy who yearns to travel in search of a worldly treasure. His quest will lead him to riches far different—and far more satisfying—than he ever imagined. Santiago's journey teaches us about the essential wisdom of listening to our hearts, of recognizing opportunity and learning to read the omens strewn along life's path, and, most importantly, to follow our dreams.
An Andalusian shepherd boy named Santiago travels from his homeland in Spain to the Egyptian desert in search of a treasure buried in the Pyramids. Along the way he meets a Gypsy woman, a man who calls himself king, and an alchemist, all of whom point Santiago in the direction of his quest. No one knows what the treasure is, or if Santiago will be able to surmount the obstacles along the way. But what starts out as a journey to find worldly goods turns into a discovery of the treasures found within.
Arden of Faversham: A Critical Reader by Peter Kirwan,Duncan Salkeld Pdf
One of the earliest domestic tragedies, Arden of Faversham is a powerful Elizabethan drama based on the real-life murder of Thomas Arden. This Critical Reader presents the first collection of essays specifically focused upon Arden of Faversham. It highlights the way in which this important play from the early 1590s stands at several different critical intersections. Focused research chapters propose new directions for exploring the play in the light of ecocriticism, genre studies, critical race studies and narratives of dispossession. It also looks forward to Arden of Faversham's role and status in a less author-centred critical climate. Chapters explore how this anonymous and canonically marginal play has been approached in the past by scholars and theatre-makers and the frameworks that have offered productive insight into its unique features. The volume includes chapters covering a wide range of critical discourses and resources available for its study, as well as offering practical approaches to the play in the classroom.
You Bright and Risen Angels by William T. Vollmann Pdf
A bold allegorical epic that hovers somewhere between the surreal and the incredible. Vollmann tells of the battle for power between the inventors and developers of electricity and the insect world.
The Revenger's Tragedy: A Critical Reader by Brian Walsh Pdf
The Revenger's Tragedy is one of the most vital, important, and enduring tragedies of the Jacobean era, one of the few non-Shakespearean plays of that period that is still regularly revived on stage and taught in classrooms. The play is notable for its piercing insight into human depravity, its savage humour, and its florid theatricality. This collection of new essays offers students an invaluable overview of the play's critical and performance history as well as four critical essays offering a range of new perspectives.
The White Devil is one of the most violent and most fascinating plays in English theatrical history. It is also a notoriously challenging work; this volume offers a practical, accessible and thought-provoking guide to the play, surveying its major themes and critical reception. It also provides a detailed and up-to-date history of the play's performance, beginning with its first staging in 1611 staging and ending with the RSC's 2014 revival. Moving through to four new critical essays, it opens up cutting-edge perspectives on the work, and finishes with a practical guide to pedagogical approaches and resources. Detailing web-based and production-related resources, and including an annotated bibliography of critical works, the guide will equip teachers and facilitate students' understanding of this complex play.
Edward II: A Critical Reader gives students, teachers and scholars alike an overview of the play's reception both in the theatre and among artists and critics, from the end of the 16th century to the beginning of the 21st. The volume also offers a series of new perspectives on the play by leading experts in the field of early modern history and culture. Bolstered with a timeline tracking Marlowe's life and work, an up-to-date bibliography and an extensive index, this collection is an ideal and definitive guide to Edward II.
First performed in 1610, The Alchemist is one of Ben Jonson’s greatest comedies. Written for the King’s Men—the acting company to which Shakespeare belonged—it was first performed in Oxford because the playhouses in London were closed due to the plague. It was an immediate success and has remained a popular staple ever since. The play centers around a con man, his female accomplice, and a roguish butler who uses his master’s house to gull a series of victims out of their money and goods. Jonson uses the play to satirize as many people as he can—pompous lords, greedy commoners, and self-righteous Anabaptists alike—as his three con artists proceed to bilk everyone who comes to their door. They don multiple roles and weave elaborate tales to exploit their victims’ greed and amass a small fortune. But it all comes to a sudden, raucous end when the master unexpectedly returns to London and all the victims gather to try and reclaim their property.
Julius Caesar: A Critical Reader by Andrew James Hartley Pdf
This volume offers a practical, accessible and thought-provoking guide to this Roman tragedy, surveying its major themes and critical reception. It also provides a detailed and up-to-date history of the play's performance, beginning with its earliest known staging in 1599, including an analysis of the 2013 film Caesar Must Die starring Italian inmates, and an assessment of why the play is now coming back into vogue on stage. Moving through to four new critical essays, it opens up cutting-edge perspectives on the work, and finishes with a guide to pedagogical approaches by the experienced teacher and leading academic Jeremy Lopez. Detailing web-based and production-related resources, and including an annotated bibliography of critical works, the guide will equip teachers and facilitate students' understanding of this challenging play.
The Alchemist by Paulo Coelho | Summary & Analysis Preview: The Alchemist is a Brazilian novel about a shepherd named Santiago, an 18-year-old youth who abandons his life in Spain to embark upon an epic treasure hunt across Africa. Making several unexpected stops along the way, he uncovers profound truths about himself, the world, and the kingdom of God, which are fundamentally connected. Ultimately, he finds the treasure, but along the way he also finds love and personal fulfillment. At 16, Santiago, who had been studying to become a priest, had defied his parents’ wishes and set off to travel across Andalusia with a herd of sheep. The story picks up two years later. The boy has been leading his sheep all this time. Lovesick, he’s thinking about settling down with the daughter of a merchant he met the year before. As he contemplates the future, he feels anxious, hopeful, and full of questions… PLEASE NOTE: This is summary and analysis of the book and NOT the original book. Inside this Instaread Summary of The Alchemist: Summary of the book Important People Character Analysis Analysis of the Themes and Author’s Style About the Author With Instaread, you can get the key takeaways, summary and analysis of a book in 15 minutes. We read every chapter, identify the key takeaways and analyze them for your convenience.
Ben Jonson has frequently been maligned for his antitheatricalism and inability to conceive of his plays as anything other than a reading experience. Staging Ben: A Collection of Essays on the Theatricality of Jonson’s Plays offers a rebuttal of this mischaracterization of Jonson’s work. Featuring contributions from both Renaissance literature scholars and theatre practitioners, this volume of essays demonstrates the prodigious theatrical imagination of one of the world’s most underappreciated dramatists. It explores the problems associated with producing a Jonson play – from length to topicality to cast size – and offers solutions for those who have an interest in bringing Jonson’s plays to life. Specific plays explored in this collection are Sejanus, Volpone, The Alchemist, Catiline, and Bartholomew Fair.
Handbook of English Renaissance Literature by Ingo Berensmeyer Pdf
This handbook of English Renaissance literature serves as a reference for both students and scholars, introducing recent debates and developments in early modern studies. Using new theoretical perspectives and methodological tools, the volume offers exemplary close readings of canonical and less well-known texts from all significant genres between c. 1480 and 1660. Its systematic chapters address questions about editing Renaissance texts, the role of translation, theatre and drama, life-writing, science, travel and migration, and women as writers, readers and patrons. The book will be of particular interest to those wishing to expand their knowledge of the early modern period beyond Shakespeare.
Interruptions in Early Modern English Drama by Michael M. Wagoner Pdf
To interrupt, both on stage and off, is to wrest power. From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style – emphasizing a playwright's use and control of a text – and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo.
