Interruptions In Early Modern English Drama

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Interruptions in Early Modern English Drama

Author : Michael M. Wagoner
Publisher : Unknown
Page : 0 pages
File Size : 55,7 Mb
Release : 2022
Category : English drama
ISBN : 135025987X

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Interruptions in Early Modern English Drama by Michael M. Wagoner Pdf

"From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power with a scene.This book analyses interruptions as a specific form in dramatic literature, arguing how these everyday occurrences when transformed into aesthetic phenomena reveal the connections among characters, between actor and audience, and between text and reader. To interrupt, both on stage and off, is to wrest power. Some vie for that power from a place of little authority, asserting their importance, while others assert self-assured prerogatives. While sociologists and linguists have studied interruptions in quotidian occurrences, literary and performance scholars have overlooked their aesthetic uses. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael Wagoner considers early modern drama as an exemplary, influential moment of dramatic output. This study examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms such as conventions and dramaturgy. Studying interruptions may indicate aspects of authorial style, emphasizing a playwright's use and control of a text and its implications and expectations. Exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago or Macbeth and the Ghost of Banquo. Interruptions, as a form on the stage, codify and expose these balances and imbalances of power."--

Interruptions in Early Modern English Drama

Author : Michael M. Wagoner
Publisher : Bloomsbury Publishing
Page : 297 pages
File Size : 53,9 Mb
Release : 2022-09-22
Category : Drama
ISBN : 9781350238329

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Interruptions in Early Modern English Drama by Michael M. Wagoner Pdf

To interrupt, both on stage and off, is to wrest power. From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style – emphasizing a playwright's use and control of a text – and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo.

Interruptions in Early Modern English Drama

Author : Michael M. Wagoner
Publisher : Bloomsbury Publishing
Page : 297 pages
File Size : 53,7 Mb
Release : 2022-09-22
Category : Literary Criticism
ISBN : 9781350238336

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Interruptions in Early Modern English Drama by Michael M. Wagoner Pdf

To interrupt, both on stage and off, is to wrest power. From the Ghost's appearance in Hamlet to Celia's frightful speech in Volpone, interruptions are an overlooked linguistic and dramatic form that delineates the balance of power within a scene. This book analyses interruptions as a specific form in dramatic literature, arguing that these everyday occurrences, when transformed into aesthetic phenomena, reveal illuminating connections: between characters, between actor and audience, and between text and reader. Focusing on the works of William Shakespeare, Ben Jonson and John Fletcher, Michael M. Wagoner examines interruptions that occur through the use of punctuation and stage directions, as well as through larger forms, such as conventions and dramaturgy. He demonstrates how studying interruptions may indicate aspects of authorial style – emphasizing a playwright's use and control of a text – and how exploring relative power dynamics pushes readers and audiences to reconsider key plays and characters, providing new considerations of the relationships between Othello and Iago, or Macbeth and the Ghost of Banquo.

An Index of Characters in Early Modern English Drama

Author : Thomas L. Berger,William C. Bradford,Sidney L. Sondergard
Publisher : Cambridge University Press
Page : 184 pages
File Size : 50,7 Mb
Release : 1998
Category : Literary Criticism
ISBN : 0521621496

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An Index of Characters in Early Modern English Drama by Thomas L. Berger,William C. Bradford,Sidney L. Sondergard Pdf

A reference book which indexes all the characters who appear in English drama from 1500 to 1660.

Money and Magic in Early Modern Drama

Author : David Hawkes,Lisa Hopkins,Douglas Bruster
Publisher : Bloomsbury Publishing
Page : 265 pages
File Size : 41,8 Mb
Release : 2022-12-29
Category : Business & Economics
ISBN : 9781350247048

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Money and Magic in Early Modern Drama by David Hawkes,Lisa Hopkins,Douglas Bruster Pdf

Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.

Women’s Labour and the History of the Book in Early Modern England

Author : Valerie Wayne
Publisher : Bloomsbury Publishing
Page : 336 pages
File Size : 40,9 Mb
Release : 2020-05-14
Category : Literary Criticism
ISBN : 9781350110038

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Women’s Labour and the History of the Book in Early Modern England by Valerie Wayne Pdf

This collection reveals the valuable work that women achieved in publishing, printing, writing and reading early modern English books, from those who worked in the book trade to those who composed, selected, collected and annotated books. Women gathered rags for paper production, invested in books and oversaw the presses that printed them. Their writing and reading had an impact on their contemporaries and the developing literary canon. A focus on women's work enables these essays to recognize the various forms of labour -- textual and social as well as material and commercial -- that women of different social classes engaged in. Those considered include the very poor, the middling sort who were active in the book trade, and the elite women authors and readers who participated in literary communities. Taken together, these essays convey the impressive work that women accomplished and their frequent collaborations with others in the making, marking, and marketing of early modern English books.

Shakespeare and Early Modern Drama

Author : Pamela Bickley,Jenny Stevens
Publisher : Bloomsbury Publishing
Page : 352 pages
File Size : 41,5 Mb
Release : 2016-02-25
Category : Literary Criticism
ISBN : 9781472577153

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Shakespeare and Early Modern Drama by Pamela Bickley,Jenny Stevens Pdf

Where does Shakespeare fit into the drama of his day? Getting to know the work of Shakespeare's contemporaries offers an insight into Elizabethan and Jacobean preoccupations and the theatrical climate of the early modern period. This book provides an essential overview of some major dramatic works from their stage origins to today's screen productions. Each chapter includes: · a detailed analysis of a play by Shakespeare considered alongside a key work by one other significant playwright of the day (including The Merchant of Venice, Volpone, The Spanish Tragedy, Titus Andronicus, Othello, The Changeling, Romeo and Juliet, The Duchess of Malfi, Measure for Measure, 'Tis Pity She's a Whore, The Taming of the Shrew, The Tragedy of Mariam, Doctor Faustus and Hamlet) · close reading of the text · discussion of early modern theatrical practices · a focus on one ground-breaking example of early modern drama on screen · suggestions for links with other early modern texts and further reading This book provides a route map to the very latest developments in early modern drama studies, fostering confident and independent thinking, making it an ideal introduction for students of Shakespeare and his contemporaries.

Emotional Excess on the Shakespearean Stage

Author : Bridget Escolme
Publisher : A&C Black
Page : 343 pages
File Size : 46,7 Mb
Release : 2013-12-16
Category : Performing Arts
ISBN : 9781408179680

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Emotional Excess on the Shakespearean Stage by Bridget Escolme Pdf

Emotional Excess on the Shakespearean Stage demonstrates the links made between excess of emotion and madness in the early modern period. It argues that the ways in which today's popular and theatrical cultures judge how much is too much can distort our understanding of early modern drama and theatre. It argues that permitting the excesses of the early modern drama onto the contemporary stage might free actors and audiences alike from assumptions that in order to engage with the drama of the past, its characters must be just like us. The book deals with characters in the plays of Shakespeare and his contemporaries who are sad for too long, or angry to the point of irrationality; people who laugh when they shouldn't or make their audiences do so; people whose selfhood has broken down into an excess of fragmentary extremes and who are labelled mad. It is about moments in the theatre when excessive emotion is rewarded and applauded - and about moments when the expression of emotion is in excess of what is socially acceptable: embarrassing, shameful, unsettling or insane. The book explores the broader cultures of emotion that produce these theatrical moments, and the theatre's role in regulating and extending the acceptable expression of emotion. It is concerned with the acting of excessive emotion and with acting emotion excessively. And it asks how these excesses are produced or erased, give pleasure or pain, in versions of early modern drama in theatre, film and television today. Plays discussed include Hamlet, Romeo and Juliet, The Spanish Tragedy, Twelfth Night, Much Ado About Nothing, Measure for Measure, and Coriolanus.

The Hand on the Shakespearean Stage

Author : Farah Karim Cooper
Publisher : Bloomsbury Publishing
Page : 324 pages
File Size : 45,9 Mb
Release : 2016-04-21
Category : Drama
ISBN : 9781474234283

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The Hand on the Shakespearean Stage by Farah Karim Cooper Pdf

This ground-breaking new book uncovers the way Shakespeare draws upon the available literature and visual representations of the hand to inform his drama. Providing an analysis of gesture, touch, skill and dismemberment in a range of Shakespeare's works, it shows how the hand was perceived in Shakespeare's time as an indicator of human agency, emotion, social and personal identity. It demonstrates how the hand and its activities are described and embedded in Shakespeare's texts and about its role on the Shakespearean stage: as part of the actor's body, in the language as metaphor, and as a morbid stage-prop. Understanding the cultural signifiers that lie behind the early modern understanding of the hand and gesture, opens up new and sometimes disturbing ways of reading and seeing Shakespeare's plays.

Early Modern Theatre and the Figure of Disability

Author : Genevieve Love
Publisher : Bloomsbury Publishing
Page : 224 pages
File Size : 50,6 Mb
Release : 2018-10-18
Category : Literary Criticism
ISBN : 9781350017214

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Early Modern Theatre and the Figure of Disability by Genevieve Love Pdf

What work did physically disabled characters do for the early modern theatre? Through a consideration of a range of plays, including Doctor Faustus and Richard III, Genevieve Love argues that the figure of the physically disabled prosthetic body in early modern English theatre mediates a set of related 'likeness problems' that structure the theatrical, textual, and critical lives of the plays of Shakespeare and his contemporaries. The figure of disability stands for the relationship between actor and character: prosthetic disabled characters with names such as Cripple and Stump capture the simultaneous presence of thefictional and the material, embodied world of the theatre. When the figure of the disabled body exits the stage, it also mediates a second problem of likeness, between plays in their performed and textual forms. While supposedly imperfect textual versions of plays have been characterized as 'lame', the dynamic movement of prosthetic disabled characters in the theatre expands the figural role which disability performs in the relationship between plays on the stage and on the page. Early Modern Theatre and the Figure of Disability reveals how attention to physical disability enriches our understanding of early modern ideas about how theatre works, while illuminating in turn how theatre offers a reframing of disability as metaphor.

Shakespeare and the Soliloquy in Early Modern English Drama

Author : A. D. Cousins,Daniel Derrin
Publisher : Cambridge University Press
Page : 289 pages
File Size : 50,8 Mb
Release : 2018-08-16
Category : Literary Criticism
ISBN : 9781107172548

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Shakespeare and the Soliloquy in Early Modern English Drama by A. D. Cousins,Daniel Derrin Pdf

This is the first book to provide students and scholars with a truly comprehensive guide to the early modern soliloquy.

The Framing Text in Early Modern English Drama

Author : Brian W. Schneider
Publisher : Ashgate Publishing, Ltd.
Page : 331 pages
File Size : 52,7 Mb
Release : 2011
Category : Drama
ISBN : 9781409410188

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The Framing Text in Early Modern English Drama by Brian W. Schneider Pdf

Though individual prologues and epilogues have been treated in depth, very little scholarship has been published on early modern framing texts as a whole. Combining original analysis with carefully compiled, comprehensive reference data, the author fills a gap in the literature by examining the origins of these texts and investigating their growing importance and influence in the theatre of the period.

Ellipsis in English Literature

Author : Anne Toner
Publisher : Cambridge University Press
Page : 267 pages
File Size : 46,5 Mb
Release : 2015-03-05
Category : Language Arts & Disciplines
ISBN : 9781107073012

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Ellipsis in English Literature by Anne Toner Pdf

A history of ellipsis marks and their functions in major works of English literature over the past 500 years.

Unruly Audiences and the Theater of Control in Early Modern London

Author : Eric Dunnum
Publisher : Routledge
Page : 498 pages
File Size : 51,8 Mb
Release : 2019-09-18
Category : Performing Arts
ISBN : 9781351252638

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Unruly Audiences and the Theater of Control in Early Modern London by Eric Dunnum Pdf

Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience. This study analyses how, out of anxiety that unruly audiences would destroy the nascent industry of professional drama in England, playwrights sought to limit the effect that their plays could have on the audience. They tried to construct playgoing through their drama in the hopes of creating a less-reactive, more pensive, and controlled playgoer. The result was the radical experimentation in dramaturgy that, in part, defines Renaissance drama. Written for scholars of Early Modern and Renaissance Drama and Theatre, Theatre History, and Early Modern and Renaissance History, this book calls for a new focus on the local economic concerns of the theatre companies as a way to understand the motivation behind the drama of early modern London.

Staging Britain's Past

Author : Kim Gilchrist
Publisher : Bloomsbury Publishing
Page : 222 pages
File Size : 42,5 Mb
Release : 2021-04-08
Category : Literary Criticism
ISBN : 9781350163355

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Staging Britain's Past by Kim Gilchrist Pdf

Staging Britain's Past is the first study of the early modern performance of Britain's pre-Roman history. The mythic history of the founding of Britain by the Trojan exile Brute and the subsequent reign of his descendants was performed through texts such as Norton and Sackville's Gorboduc, Shakespeare's King Lear and Cymbeline, as well as civic pageants, court masques and royal entries such as Elizabeth I's 1578 entry to Norwich. Gilchrist argues for the power of performed history to shape early modern conceptions of the past, ancestry, and national destiny, and demonstrates how the erosion of the Brutan histories marks a transformation in English self-understanding and identity. When published in 1608, Shakespeare's King Lear claimed to be a “True Chronicle History”. Lear was said to have ruled Britain centuries before the Romans, a descendant of the mighty Trojan Brute who had conquered Britain and slaughtered its barbaric giants. But this was fake history. Shakespeare's contemporaries were discovering that Brute and his descendants, once widely believed as proof of glorious ancient origins, were a mischievous medieval invention. Offering a comprehensive account of the extraordinary theatrical tradition that emerged from these Brutan histories and the reasons for that tradition's disappearance, this study gathers all known evidence of the plays, pageants and masques portraying Britain's ancient rulers. Staging Britain's Past reveals how the loss of England's Trojan origins is reflected in plays and performances from Gorboduc's powerful invocation of history to Cymbeline's elegiac erosion of all notions of historical truth.