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The Apprehension of Beauty by Donald Meltzer,Meg Harris Williams Pdf
This volume has grown over the years as a family project of Martha Harris, her two daughters Meg and Morag and her husband, Donald Meltzer. It therefore has its roots in English literature and its branches waving wildly about in psychoanalysis. It is earnestly hoped that it will reveal more problems than it will solve.
Aesthetic Conflict and its Clinical Relevance by Meg Harris Williams Pdf
Donald Meltzer coined the term 'aesthetic conflict' to describe the emotional complexities of the 'apprehension of beauty'. It had its roots in art, literature, infant observation, and above all, in clinical experience. This concept affirmed and illustrated Bion's formula of L, H, K (Love, Hate, and Knowledge), together with its negative (minus L, H, K) as a revision of Klein's fundamental emotional dynamics of Envy and Gratitude. As such, any emotional situation may be read in terms of either struggling with or retreating from the aesthetic conflict that occurs naturally at all key points of psychic development. Meltzer could be said to have encapsulated the essence of Bion's post-Kleinian trajectory when he wrote that 'If we follow Bion's thought closely, we see that the new idea presents itself as an emotional experience of the beauty of the world and its wondrous organisation.' The contributions in this book are by analysts and therapists from a wide variety of countries working with both children and adults. They have all, in individual ways, found 'aesthetic conflict' a useful frame of reference in terms of illuminating the significance of clinical observation, understanding countertransference responses, or practising the psychoanalytic method itself.
The problem explored in The Soul of Beauty is the split in modern consciousness between the world of perception and appearance on the one hand, and the world of action and meaning on the other. We see in one way and find truth in another. The work presents this dualism as a problem in the modern sense of beauty. The intent of the book is the recovery of beauty as that which brings together such contemporary splits as perception and action, appearance and meaning, matter and spirit, subject and object. Beauty is imaged in two paradigms. The first presents beauty as a matter of appearance which holds meaning - beauty as truth. The second holds that beauty is subjective experience, which in its modern sense is divorced from knowledge and practical action - beauty as relative experience. The paradigms are formed through an imaginative and historical exploration of the tradition of beauty in Western consciousness. The prototype of the first paradigm - beauty as appearance - is seen in the goddess Aphrodite, who reflects the Greek sense of divinity in form itself. This paradigm is then founded upon the tradition of Plato in the Phaedrus and the Symposium, Plotinus, Dionysius, and Ficino. The major elements of this paradigm are depicted in beauty as: (1) source in a hierarchical universe, (2) universal mediator, (3) object of love, (4) human perception, (5) human knowledge, (6) light, and (7) unity, goodness, and being. The suggestion is made that the paradigm of beauty as appearance is relevant for psychology as a study of soul because it brings together perception and meaning. The paradigm of beauty as a subjective experience focuses historically upon beauty as a spiritual, conceptual (proportion), methodological (linear perspective), and subjective phenomenon. In the tradition of proportion and subjectivism, knowledge is gained through perception that occurs via an organizing system, such as mathematics, or a concept, such as proportion, rather than through the direct perception of appearance. Meaning is separated from perception, and the organizing system or concept, not appearance, becomes the ground of knowledge. It is suggested that this paradigm, reflected in scientific and conceptual psychology, is problematic for psychology as a study of soul. Instead, psychology conducts its endeavors in the service of identification with the divine, control over the physical world, and certainty of consciousness. The final portion of the work examines the recovery of beauty as appearance in contemporary psychology through the notion of "image" in Jung's later thought and the phenomenon of psychotherapy. The work concludes with a presentation of psychology as an aesthetic enterprise bringing together meaning and appearance, spirit and matter, art and science, subject and object.
Author : Eliot Deutsch Publisher : State University of New York Press Page : 140 pages File Size : 45,7 Mb Release : 1996-11-01 Category : Social Science ISBN : 9781438401010
In this newest book, the author presents a theory of art which is at once universal in its general conception and historically-grounded in its attention to aesthetic practices in diverse cultures. The author argues that especially today art not only enjoys a special kind of autonomy but also has important social and political responsibilities. Deutsch posits that an art work has as its intentionality the striving to be aesthetically forceful, meaningful, and beautiful, with each of these dimensions culturally situated. Working from traditional imitation and expression theories, he argues that the manner of an artwork's coming into being and one's experience of it constitutes an integral whole. Selected aspects of painting, poetry, dance, architecture, films, and music are offered to deepen an understanding of the concepts presented. Also included are several inter-connected themes focusing on the difficult and controversial issues of interpreting art, truth in art, and the relations between art and morality, and art and religion.
The Revival of Beauty by Catherine Wesselinoff Pdf
This book provides original descriptive accounts of two schools of thought in the philosophy of beauty: the 20th-century “Anti-Aesthetic” movement and the 21st-century “Beauty Revival” movement. It also includes a positive defence of beauty as a lived experience extrapolated from Beauty-Revival position. Beauty was traditionally understood in the broadest sense as a notion that engages our sense perception and embraces everything evoked by that perception, including mental products and affective states. This book constructs and places in parallel with one another the Anti-Aesthetic and Beauty-Revival movements. In the author’s view, Anti-Aestheticism is devoted to a decisive negation of beauty—denying its importance as a philosophical notion and its significance as a lived experience. It suggests that beauty is a merely sensual experience, which can be used, at best, as a distraction from justice and, at worst, as an instrument of evil. Alternatively, the Beauty-Revival movement advances arguments for beauty as an experience that extends primarily to sensual experience, but which also calls forth mental products and cognitive and affective states evoked by that experience. After reconstructing these two positions, the author elaborates on the notion of beauty as a lived experience through three key moments which occur in the process of our experiencing beautiful objects. These moments are (a) the conditions that constitute an experience of beauty, (b) the attitudinal features most likely to lead to the experience of beauty, and (c) the results of the experience of beauty. The Revival of Beauty will be of interest to scholars and advanced students working in aesthetics, history of philosophy, and art history.
Beauty, Ugliness and the Free Play of Imagination by Mojca Küplen Pdf
This book presents a solution to the problem known in philosophical aesthetics as the paradox of ugliness, namely, how an object that is displeasing can retain our attention and be greatly appreciated. It does this by exploring and refining the most sophisticated and thoroughly worked out theoretical framework of philosophical aesthetics, Kant’s theory of taste, which was put forward in part one of the Critique of the Power of Judgment. The book explores the possibility of incorporating ugliness, a negative aesthetic concept, into the overall Kantian aesthetic picture. It addresses a debate of the last two decades over whether Kant's aesthetics should allow for a pure aesthetic judgment of ugliness. The book critically reviews the main interpretations of Kant’s central notion of the free play of imagination and understanding and offers a new interpretation of free play, one that allows for the possibility of a disharmonious state of mind and ugliness. In addition, the book also applies an interpretation of ugliness in Kant’s aesthetics to resolve certain issues that have been raised in contemporary aesthetics, namely the possibility of appreciating artistic and natural ugliness and the role of disgust in artistic representation. Offering a theoretical and practical analysis of different kinds of negative aesthetic experiences, this book will help readers acquire a better understanding of his or her own evaluative processes, which may be helpful in coping with complex aesthetic experiences. Readers will gain unique insight into how ugliness can be offensive, yet, at the same time, fascinating, interesting and captivating.
Theological Perspectives on God and Beauty by Graham Ward,Edith Wyschogrod Pdf
Eminent theologians John Milbank, Graham Ward, and Edith Wyschogrod discuss aesthetics, placing radical orthodoxy in dialogue with postmodern theology.
The Oxford Handbook of Western Music and Philosophy by Tom?s McAuley,Nanette Nielsen,Jerrold Levinson,Ariana Phillips-Hutton Pdf
Whether regarded as a perplexing object, a morally captivating force, an ineffable entity beyond language, or an inescapably embodied human practice, music has captured philosophically inclined minds since time immemorial. In turn, musicians of all stripes have called on philosophy as a source of inspiration and encouragement, and scholars of music through the ages have turned to philosophy for insight into music and into the worlds that sustain it. In this Handbook, contributors build on this legacy to conceptualize the rich interactions of Western music and philosophy as a series of meeting points between two vital spheres of human activity. They draw together key debates at the intersection of music studies and philosophy, offering a field-defining overview while also forging new paths. Chapters cover a wide range of musics and philosophies, including concert, popular, jazz, and electronic musics, and both analytic and continental philosophy.
Routledge Philosophy GuideBook to Kant on Judgment by Robert Wicks Pdf
Kant’s Critique of Judgment is one of the most important texts in the history of modern aesthetics. This GuideBook discusses the Third Critique section by section, and introduces and assesses: Kant's life and the background of the Critique of Judgment the ideas and text of the Critique of Judgment, including a critical explanation of Kant’s theories of natural beauty the continuing relevance of Kant’s work to contemporary philosophy and aesthetics. This GuideBook is an accessible introduction to a notoriously difficult work and will be essential reading for students of Kant and aesthetics.
