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The Archetypal Pan in America by Sukey Fontelieu Pdf
Pan stalks America -- Jungian theory : complex, myth, and archetype -- The great god Pan is dead -- Mythos of Pan : isolation, innocence, panic, and the battlefield -- Rites of healing and scapegoating in antiquity: metamorphoses -- American history reconsidered using cultural complex theory -- Random shootings : American reactions to the massacre at Columbine -- American reactions to 9/11 : panic and naiveté -- American apathy toward sexual violence : rape in the military -- Panic stalks America
The Archetypal Pan in America by Sukey Fontelieu Pdf
The Archetypal Pan in America examines the complex moral and ethical dilemmas that Americans have had to face over the last few decades, including the motivations for the Vietnam War; who was in control of women’s productive rights; how to extend civil rights to all; protests for the historically unapologetic narrative of the genocide of Native Americans; and the growing number of school shootings since the Columbine massacre. Fontelieu suggests that the emotional pain these issues created has not resolved and that it continues to surface, in the guise of new issues, but with a similar dysfunctional pattern. The book argues that this pattern acts in the culture in the same manner as a psychological defense system: stimulating fight, flight, or freeze reactions; requiring great stores of energy when activated; and deflecting attention from other areas. Relying on Jung’s theory of the applicability of myth to psychological problems and the post-Jungian theory of cultural complexes, the myths of the Greek god Pan are used to scaffold a metaphor that informs this pattern. Fontelieu proposes that, rather than looking inward as a culture for how to accept its changing role in a global world, this pattern reinforces dysfunctional emotional responses to the reoccurring traumas of modernity, responses such as an increase in the magnetic appeal of hypermasculinity, or choosing to remain naively self-absorbed. The Archetypal Pan in America will be of great interest to Jungian analysts and scholars of depth psychology, as well as academics and postgraduate students studying psychology, foreign studies, literary criticism, politics and cultural studies.
The Plural Turn in Jungian and Post-Jungian Studies by Stefano Carpani Pdf
This unique book showcases the cutting-edge work of researchers in Jungian and post-Jungian studies, focusing on the advances being made at the University of Essex, UK, and operating as a Festschrift for Professor Andrew Samuels. The Plural Turn in Jungian and Post-Jungian Studies includes contributions from innovative authors who specialise in Jung but incorporate ideas from other psychoanalytic schools and from a range of disciplines. The book includes chapters which shed new light on concepts including alchemy, archetypes and individuation and which examine art, relationships and politics. It both honours the work of Andrew Samuels and sets the foundations of an ‘Essex School’ of Jungian studies. A wide-ranging collection, this book will be essential for academics and scholars of Jungian and post-Jungian studies. It will also be a key title for all readers with an interest in the work of Andrew Samuels.
In The Racial Complex: A Jungian Perspective on Culture and Race, Fanny Brewster revisits and examines Jung’s classical writing on the theory of complexes, relating it directly to race in modern society. In this groundbreaking exploration, Brewster deepens Jung’s minimalist writing regarding the cultural complexes of American blacks and whites by identifying and re-defining a psychological complex related to ethnicity. Original and insightful, this book provides a close reading of Jung’s complexes theory with an Africanist perspective on raciality and white/black racial relationships. Brewster explores how racial complexes influence personality development, cultural behavior and social and political status, and how they impact contemporary American racial relations. She also investigates aspects of the racial complex including archetypal shadow as core, constellations and their expression, and cultural trauma in the African diaspora. The book concludes with a discussion of racial complexes as a continuous psychological state and how to move towards personal, cultural and collective healing. Analyzing Jung’s work with a renewed lens, and providing fresh comparisons to other literature and films, including Get Out, Brewster extends Jung’s work to become more inclusive of culture and ethnicity, addressing issues which have been left previously unexamined in psychoanalytic thought. Due to its interdisciplinary nature, this book will be of great importance to academics and students of Jungian and post-Jungian studies, sociology, politics, history of race, African American studies and African diaspora studies. As this book discusses Jung’s complexes theory in a new light, it will be of immense interest to Jungian analysts and analytical psychologists in practice and in training.
From ancient myth to contemporary art and literature, a beguiling look at the many incarnations of the mischievous—and culturally immortal—god Pan, now in paperback. Pan—he of the cloven hoof and lustful grin, beckoning through the trees. From classical myth to modern literature, film, and music, the god Pan has long fascinated and terrified the western imagination. “Panic” is the name given to the peculiar feeling we experience in his presence. Still, the ways in which Pan has been imagined have varied wildly—fitting for a god whose very name the ancients confused with the Greek word meaning “all.” Part-goat, part-man, Pan bridges the divide between the human and animal worlds. In exquisite prose, Paul Robichaud explores how Pan has been imagined in mythology, art, literature, music, spirituality, and popular culture through the centuries. At times, Pan is a dangerous, destabilizing force; sometimes, a source of fertility and renewal. His portrayals reveal shifting anxieties about our own animal impulses and our relationship to nature. Always the outsider, he has been the god of choice for gay writers, occult practitioners, and New Age mystics. And although ancient sources announced his death, he has lived on through the work of Arthur Machen, Gustav Mahler, Kenneth Grahame, D. H. Lawrence, and countless others. Pan: The Great God’s Modern Return traces his intoxicating dance.
Contact Spaces of American Culture by Petra Eckhard,Klaus Rieser-Wohlfarter,Silvia Schultermandl Pdf
What do tent cities, basketball courts, slave ships, and Facebook have in common? They are spaces of American culture where an idea of 'Americanness' emerges through a concrete form of contact on the one hand and through its mediated representation on the other. This collection of essays examines these contact spaces - and their myriad and complex configurations of culture - along a spatial axis, highlighting the interconnectedness of the local and the global in concrete spaces of American culture, both inside and outside the US, and from the world wide web. One line of inquiry studies metaphors of contact, the other one reads media texts as contact spaces and investigates the role of mediation. (Series: American Studies in Austria - Vol. 12)
This is title no. 98 in the series Studies in Jungian Psychology by Jungian Analysts. Erel Shalit provides a conceptual scaffold that allows an examination of the inner structures and assumptions that underpin actions, discussions, loves, and hates. If one is hopeful of building an overview of personal and collective heritage and thus gain some measure of self-determination, one must enter into the dim light of the inner framework and learn its layout.
In April 2019, Canadian psychologist Jordan B. Peterson sat down with Slovenian philosopher and psychoanalyst Slavoj Žižek for a debate that would collect higher ticket prices than the local Toronto Maple Leafs game. The debate was considered by many to be something of a dud, with both figures largely appearing to talk past each other, but to ignore it would be a mistake. Instead, the fact that a major public event put the Communist vs. Capitalist question back into play speaks to larger cultural trends that are occurring; an old consensus seems to be bursting at the seams, and it’s unclear if the center will hold or be moved. Taking on the existentialism of Martin Heidegger as their starting point, Stephen Dozeman argues that understanding this debate means starting with the individual subject, and understanding its increasingly confused and precarious place in a disenchanted world. Wandering in between philosophical theory, history, popular culture, and back to philosophy again, this book tries to explore why so many feel compelled to call ancient wisdom into question, and what it might mean to take responsibility for our lives.
Shepherds of Pan on the Big Sur-Monterey Coast by Elayne Wareing Fitzpatrick Pdf
SHEPHERDS OF PAN ON THE BIG SUR-MONTEREY COAST is a medley of lively, literate essays about the Nature wisdom linking some unlikely bedfellows: Robert Louis Stevenson, Gertrude Atherton, Jack London, Robinson Jeffers, Jaime de Angulo, John Steinbeck, Eric Barker, D. H. Lawrence, Henry Miller and others, with a pertinent postscript on William James, father of American psychology. All these luminaries came to perceive divinity in the awesome, double-dealing power of Nature, symbolized by the Greek god Pan. Many became pantheists, or nature mystics, under the spell of the alternately soft and violent landscape of Californias central coast. The book is a multicolored meditation on a deeply rooted -- and often overlooked -- human need to reconnect with Nature, wellspring of our inner joy and psychic wholeness.
Traveling Backward by Elayne Wareing Fitzpatrick Pdf
TRAVELING BACKWARD is a highly original philosophic romp beyond the youth of old age with a quixotic ‘journalist turned mom turned academic turned peasant.’ It’s a kind of light-hearted guide to the wisdom of the ages—from Socrates to existentialism and beyond—gleaned during a struggle to recover the images that fi rst touched her heart and to answer two questions: Who am I really? Where does the world come from? It’s a colorful, occasionally poignant, journey that could help you look at life through the reverent eyes of a child again. GLIMPSES OF ‘TRAVELING BACKWARD’ : “You two remind me of Peter Pan. Trouble is, I’m not sure which one of you is Peter Pan. Well, I was taken aback. But my mate took action. Muttering something negative about fairy stories, he headed for the door and disappeared down the hall. I started to follow him but changed my mind. Instead, I headed for the public library to reread Peter Pan. Had I missed something?” (Elayne Wareing Fitzpatrick) “Human life – indeed all life – is poetry. It’s we who live it, unconsciously, day by day. . . Yet in its inviolable wholeness it lives us, it composes us. . . We are works of art, but we are not the artist. . . Dare everything, need nothing.” (Lou Andreas—Salome) “I relate to [Andreas—Salome’s] passionate struggle for truth, to her ultimate reverence for all life, and to her desire to enjoy intellectual friendships with a variety of men, free of sexual overtones.” (Fitzpatrick) “I was discovering that, deep down, I didn’t really ‘take’ to popular culture, crowds, and bustling cities, regardless of my curiosity, regardless of my journalist’s delight in writing about all of it.” (Fitzpatrick) “If you can’t change the world, change worlds.” (St. Francis of Assisi) “If I were ever to choose a place away from my country, it would surely be a Greek island, outside Athens. . . In Greece, I feel completely at home. Maybe that’s because, as the poet Shelley said, ‘We’re all Greeks. Our laws, our literature, our religion, our arts have their roots in Greece.” (Fitzpatrick) “Back straight and head held high, he would place his left arm on my right shoulder, snap his fingers and lead me in the graceful, deliberate movements of the Zorba dance, accompanied by a recording of Mozart’s 40th played on the bouzouki. This against a backdrop of tinkling goat bells and singing monks gathered in a distant church.” (Fitzpatrick) “Many of the highs and lows in my life. . . have resulted from conflict born of the struggle between my own strong loving, nesting needs and my equally strong needs for freedom to think, to adventure, to discover, to express myself.” (Fitzpatrick) “All parts of this one organic whole – this one God – are different expressions of the same energy, and they are all in communication with each other, influencing each other, therefore parts of one organic whole.” (Robinson Jeffers) “How did matter happen that makes the stars and cool planets and living beings? And how did the space happen that contains the stars and planets?. . . Much is still very hypothetical. Much is still unknown. Much, we will never know. . . Life is struggle, pain and suffering. But it is also extraordinarily glorious creativity.” (Dr. Kai Woehler) “Like Socrates, I’ve experienced an inner voice that usually let’s me know when I’m about to go off-track, and I’ve come to believe, with Kant, in a moral law within.” (Fitzpatrick) “Nature’ – wonderful and awe-inspiring as it is – can’t participate in a verbal dialogue, can’t exchange and explore ideas with the human mind. We can relate to the animals, the birds, the insects, the fish, and the flora with our most primitive instincts and feel joy, spiritual ecstasy in so recognizing our kinship. Yet nothing in Nature can compare with the human need for a warm
Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included--the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers and Hammerstein, and changes in lyric writing styles from the nineteenth century to the rock era.
We live in a rapidly changing world in which politics is becoming both more and less predictable at the same time: this makes political geography a particularly exciting topic to study. To make sense of the continuities and disruptions within this political world requires a strongly focused yet flexible text. This new (sixth) edition of Peter Taylor’s Political Geography proves itself fit for the task of coping with a frequently and rapidly changing geo-political landscape. Co-authored again with Colin Flint, it retains the intellectual clarity, rigour and vision of previous editions, based upon its world-systems approach. Reflecting the backdrop of the current global climate, this is the Empire, globalization and climate change edition in which global political change is being driven by three related processes: the role of cities in economic and political networks; the problems facing territorially based notions of democratic politics and citizenship, and the ongoing spectre of war. This sixth edition remains a core text for students of political geography, geopolitics, international relations and political science, as well as more broadly across human geography and the social sciences.
Many leading American thinkers in the nineteenth century, who accepted the premises of Emersonian transcendentalism, valued the basic concept of pantheism: that God inheres in nature and in all things, and that a person could achieve a sense of belonging she or he lacked in society by seeking a oneness with all of nature. As Richard Hardack shows, however, writers such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Herman Melville conceived of nature as everything "Other"--other than the white male Protestant culture of which they were a part. This conception of nature, then, became racialized, and the divine became associated with African American and Native American identities, as well as with femininity. In "Not Altogether Human," Hardack reevaluates transcendentalism in the context of nineteenth-century concerns about individual and national racial identity. Elucidating the influence of pantheism, Hardack draws on an array of canonical and unfamiliar materials to remap the boundaries of what has long been viewed as white male transcendental discourse. This book significantly revises notions of what transcendentalism and pantheism mean and how they relate to each other. Hardack's close analysis of pantheism and its influence on major works and lesser known writing of the nineteenth century opens up a new perspective on American culture during this key moment in the country's history.