The Art Literature And Material Culture Of The Medieval World
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The Art, Literature and Material Culture of the Medieval World by Meg Boulton,Jane Hawkes (Medievalist),Melissa Herman Pdf
This volume challenges traditional perceptions of the Medieval, exploring the many ways in which it was actively transformatory and how ideas of change are reflexively understood within academic discourse. The Medieval was long viewed as an unenlightened counterpoint to the 'Classical' and the 'Renaissance', being perceived as static and monolithic compared to their pivotal dynamism. Despite this, the Medieval period witnessed immense transition and transformation, change and development, producing significant and challenging material. Here, the wider debate about cultural crossroads and understandings in the Medieval period is readdressed, to ask what the Medieval was, is and might be. -- From publisher's website.
Crossing Boundaries by Eric Cambridge,Jane Hawkes Pdf
Interdisciplinary studies are increasingly widely recognised as being among the most fruitful approaches to generating original perspectives on the medieval past. In this major collection of 27 papers, contributors transcend traditional disciplinary boundaries to offer new approaches to a number of themes ranging in time from late antiquity to the high Middle Ages. The main focus is on material culture, but also includes insights into the compositional techniques of Bede and the Beowulf-poet, and the strategies adopted by anonymous scribes to record information in unfamiliar languages. Contributors offer fresh insights into some of the most iconic survivals from the period, from the wooden doors of Sta Sabina in Rome to the Ruthwell Cross, and from St Cuthbert’s coffin to the design of its final resting place, the Romanesque cathedral at Durham. Important thematic surveys reveal early medieval Welsh and Pictish carvers interacting with the political and intellectual concerns of the wider Insular and continental world. Other contributors consider what it is to be Viking, revealing how radically present perceptions shape our understanding of the past, how recent archaeological work reveals the inadequacy of the traditional categorisation of the Vikings as ‘incomers’, and how recontextualising Viking material culture can lead to unexpected insights into famous historical episodes such as King Edgar’s boat trip on the Dee. Recent landmark finds, notably the runic-inscribed Saltfleetby spindle whorl and the sword pommel from Beckley, are also published here for the first time in comprehensive analyses which will remain the fundamental discussions of these spectacular objects for many years to come.This book will be indispensable reading for everyone interested in medieval culture.
Material Culture and Cultural Materialisms in the Middle Ages and Renaissance by Curtis Perry Pdf
The phrase 'cultural materialism' names an approach to cultural analysis that interrogates the socio-economic conditions within which artefacts are produced as well as their participation in other ideological and material fields of culture. Disciplines that have traditionally studied cultural artefacts like literature and painting have increasingly focused on the material production and ideological operation of objects once thought of in idealized or purely aesthetic terms. By the same token, historians - whose work, of necessity, has always tended to deal with the material traces of culture - have increasingly been willing to consider the social and ideological importance of art. The increasing popularity of this cultural studies approach to the past has in turn spurred investigation into other kinds of materiality. Recent historical and literary scholarship, for example, has become increasingly aware of the ways in which the lived materiality of the human body informs a range of cultural discourses.
The history of art in the late Middle Ages and the Renaissance has generally been written as a story of elites: bankers, noblemen, kings, cardinals, and popes and their artistic interests and commissions. Recent decades have seen attempts to recast the story in terms of material culture, but the focus seems to remain on the upper strata of society. In his inclusive analysis of art from 1300 to 1600, Rembrandt Duits rectifies this. Bringing together thought-provoking ideas from art historians, historians, anthropologists and museum curators, The Art of the Poor examines the role of art in the lower social classes of Europe and explores how this influences our understanding of medieval and early modern society. Introducing new themes and raising innovative research questions through a series of thematically grouped short case studies, this book gives impetus to a new field on the cusp of art history, social history, urban archaeology, and historical anthropology. In doing so, this important study helps us re-assess the very concept of 'art' and its function in society.
Fifty Early Medieval Things by Deborah Deliyannis,Hendrik Dey,Paolo Squatriti Pdf
Fifty Early Medieval Things introduces readers to the material culture of late antique and early medieval Europe, north Africa, and western Asia. Ranging from Iran to Ireland and from Sweden to Tunisia, Deborah Deliyannis, Hendrik Dey, and Paolo Squatriti present fifty objects—artifacts, structures, and archaeological features—created between the fourth and eleventh centuries, an ostensibly "Dark Age" whose cultural richness and complexity is often underappreciated. Each thing introduces important themes in the social, political, cultural, religious, and economic history of the postclassical era. Some of the things, like a simple ard (plow) unearthed in Germany, illustrate changing cultural and technological horizons in the immediate aftermath of Rome's collapse; others, like the Arabic coin found in a Viking burial mound, indicate the interconnectedness of cultures in this period. Objects such as the Book of Kells and the palace-city of Anjar in present-day Jordan represent significant artistic and cultural achievements; more quotidian items (a bone comb, an oil lamp, a handful of chestnuts) belong to the material culture of everyday life. In their thing-by-thing descriptions, the authors connect each object to both specific local conditions and to the broader influences that shaped the first millennium AD, and also explore their use in modern scholarly interpretations, with suggestions for further reading. Lavishly illustrated and engagingly written, Fifty Early Medieval Things demonstrates how to read objects in ways that make the distant past understandable and approachable.
Transmissions and Translations in Medieval Literary and Material Culture by Anonim Pdf
This collection explores multiple artefactual, visual, textual and conceptual adaptations, developments and exchanges across the medieval world in the context of their contemporary and subsequent re-appropriations.
Everyday Objects by Tara Hamling,Catherine Richardson Pdf
This book is about the objects people owned and how they used them. Twenty-three specially written essays investigate the type of things that might have been considered 'everyday objects' in the medieval and early modern periods, and how they help us to understand the daily lives of those individuals for whom few other types of evidence survive - for instance people of lower status and women of all status groups. Everyday Objects presents new research by specialists from a range of disciplines to assess what the study of material culture can contribute to our understanding of medieval and early modern societies. Extending and developing key debates in the study of the everyday, the chapters provide analysis of such things as ceramics, illustrated manuscripts, pins, handbells, carved chimneypieces, clothing, drinking vessels, bagpipes, paintings, shoes, religious icons and the built fabric of domestic houses and guild halls. These things are examined in relation to central themes of pre-modern history; for instance gender, identity, space, morality, skill, value, ritual, use, belief, public and private behaviour, continental influence, materiality, emotion, technical innovation, status, competition and social mobility. This book offers both a collection of new research by a diverse range of specialists and a source book of current methodological approaches for the study of pre-modern material culture. The multi-disciplinary analysis of these 'everyday objects' by archaeologists, art historians, literary scholars, historians, conservators and museum practitioners provides a snapshot of current methodological approaches within the humanities. Although analysis of material culture has become an increasingly important aspect of the study of the past, previous research in this area has often remained confined to subject-specific boundaries. This book will therefore be an invaluable resource for researchers and students interested in learning about important new work which demonstrates the potential of material culture study to cut across traditional historiographies and disciplinary boundaries and access the lived experience of individuals in the past.
Place and Space in the Medieval World by Meg Boulton,Jane Hawkes,Heidi Stoner Pdf
This book addresses the critical terminologies of place and space (and their role within medieval studies) in a considered and critical manner, presenting a scholarly introduction written by the editors alongside thematic case studies that address a wide range of visual and textual material. The chapters consider the extant visual and textual sources from the medieval period alongside contemporary scholarly discussions to examine place and space in their wider critical context, and are written by specialists in a range of disciplines including art history, archaeology, history, and literature.
All Things Medieval [2 volumes] by Ruth A. Johnston Pdf
This insightful survey of the "things" of medieval Europe allows modern readers to understand what they looked like, what they were made of, how they were created, and how they were used. All Things Medieval: An Encyclopedia of the Medieval World covers the widest definition of "medieval Europe" possible, not by covering history in the traditional, textbook manner of listing wars, leaders, and significant historic events, but by presenting detailed alphabetical entries that describe the artifacts of medieval Europe. By examining the hidden material culture and by presenting information about topics that few books cover—pottery, locks and keys, shoes, weaving looms, barrels, toys, pets, ink, kitchen utensils, and much more—readers get invaluable insights into the nature of life during that time period and area. The heartland European regions such as England, France, Italy, and Germany are covered extensively, and information regarding the objects of regions such as Byzantium, Muslim Spain, and Scandinavia are also included. For each topic of material culture, the entry considers the full scope of the medieval period—roughly 500–1450—to give the reader a historical perspective of related traditions or inventions and describes the craftsmen and tools that produced it.
Author : Professor Andrea Denny-Brown,Dr Lisa H Cooper Publisher : Ashgate Publishing, Ltd. Page : 452 pages File Size : 50,9 Mb Release : 2014-01-24 Category : History ISBN : 1409456765
The Arma Christi in Medieval and Early Modern Material Culture by Professor Andrea Denny-Brown,Dr Lisa H Cooper Pdf
This book explores the multiple resonances and representations of the arma Christi, the ‘instruments of the Passion,’ in medieval and early modern culture. From the weapons used to torment and sacrifice the body of Christ sprang a reliquary tradition that produced active and contemplative devotional practices, complex literary narratives, intense lyric poems, striking visual images, and innovative architecture. The verbal and visual representations that accrued from these holiest of relics, and the practices they in turn inspired, are relevant to a wide variety of critical fields and theoretical approaches. This collection capitalizes on recent work on these most central of medieval ‘objects,’ and produces, through its interdisciplinary and intergenerational scholarly collaboration, a fresh view of the multiple intersections of the spiritual and the material in the Middle Ages. It also includes a new edition of the English arma Christi poem known as ‘O Vernicle’ from previously unpublished manuscripts.
Trees As Symbol and Metaphor in the Middle Ages by Michael Bintley,Pippa Salonius Pdf
Forests, with their interlacing networks of trees and secret patterns of communication, are powerful entities for thinking-with. A majestic terrestrial community of arboreal others, their presence echoes, entangles, and resonates deeply with the human world. The essays collected here aim to highlight human encounters with the forest and its trees at the time of the European Middle Ages, when, whether symbol and metaphor, or actual and real, their lofty boughs were weighted with meaning. The chapters interrogate the pre-Anthropocene environment, reflecting on trees as metaphors for kinship and knowledge as they appear in literary, historical, art-historical, and philosophical sources. They examine images of trees and trees in-themselves across a range of environmental, material, and intellectual contexts, and consider how humans used arboreal and rhizomatic forms to negotiate bodies of knowledge and processes of transition. Looking beyond medieval Europe, they include discussion of parallel developments in the Islamic world and that of the Māori, the indigenous people of New Zealand.
Art and Worship in the Insular World by Anonim Pdf
The book examines the lived experience of worship in early medieval England and Ireland, ranging from public experience of church and stone sculptures, to monastic life, to personal contemplation of, and meditation on, manuscript illuminations and other devotional objects.
Stasis in the Medieval West? by Michael D.J. Bintley,Martin Locker,Victoria Symons,Mary Wellesley Pdf
This volume questions the extent to which Medieval studies has emphasized the period as one of change and development through reexamining aspects of the medieval world that remained static. The Medieval period is popularly thought of as a dark age, before the flowerings of the Renaissance ushered a return to the wisdom of the Classical era. However, the reality familiar to scholars and students of the Middle Ages – that this was a time of immense transition and transformation – is well known. This book approaches the theme of ‘stasis’ in broad terms, with chapters covering the full temporal range from Late Antiquity to the later Middle Ages. Contributors to this collection seek to establish what remained static, continuous or ongoing in the Medieval era, and how the period’s political and cultural upheavals generated stasis in the form of deadlock, nostalgia, and the preservation of ancient traditions.
Sources in Medieval Culture and History by Kay Brainerd Slocum Pdf
This reader is appropriate as a main text or a supplementary text for courses on medieval history, medieval literature, art history, and humanities. The wide range of primary sources featured in this book trace the development of medieval civilization from the era of the Roman Emperor Diocletian to the late fourteenth century. The events of these years are viewed from various perspectives, including selections from legal documents, annals, letters, contemporaneous biographies, paintings, theological and philosophical treatises, historical writings, architecture, and literary extracts. Author Kay Slocum has chosen the sources to integrate social and cultural history with more traditional material and, as a result, selections that inform the student about women and marginal groups in the medieval world are included alongside works that treat topics that are more common in the field.
Medieval Literature on Display by Alexandra Sterling-Hellenbrand Pdf
How is the medieval world depicted today? Two German museums serve as case studies for a vibrant, imaginative, and provocative enactment of twenty-first century medievalism: the Museum Wolfram von Eschenbach in Wolframs Eschenbach (1995) and the Nibelung Museum in Worms (2001). Emerging around the turn of the 20th century, the museums explore medieval German literature, cultural memory and local history. As the museums reconstruct and transform medieval narratives for the contemporary audience, they enact the process of medievalism: they reveal how memory, through the lens of the middle ages, shapes modern cultural identity and heritage. Medieval Literature on Display thereby contributes to important conversations about medievalism's role in constructing and affirming cultural identity, in conceptualizing and finding places for the future of the past. This unique book is vital reading for scholars of medieval literature and historians of medieval Europe, as well as scholars of visual culture and museum studies.