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Indigenous Symbols and Practices in the Catholic Church by Kathleen J. Martin Pdf
Indigenous Symbols and Practices in the Catholic Church presents views, concepts and perspectives on the relationships among Indigenous Peoples and the Catholic Church, as well as stories, images and art as metaphors for survival in a contemporary world. Few studies present such interdisciplinary interpretations from contributors in multiple disciplines regarding appropriation, spiritual and religious tradition, educational issues in the teaching of art and art history, the effects of government sanctions on traditional practice, or the artistic interpretation of symbols from Indigenous perspectives. Through photographs and visual materials, interviews and data analysis, personal narratives and stories, these chapters explore the experiences of Indigenous Peoples whose lives have been impacted by multiple forces - Christian missionaries, governmental policies, immigration and colonization, education, assimilation and acculturation. Contributors investigate current contexts and complex areas of conflict regarding missionization, appropriation and colonizing practices through asking questions such as, 'What does the use of images mean for resistance, transformation and cultural destruction?' And, 'What new interpretations and perspectives are necessary for Indigenous traditions to survive and flourish in the future?'
Deep Inculturation: Indigenous Genius by Antonio Sison Pdf
Traditionally, inculturation has referred to a strategy employed by Western missionaries to evangelize non-Christian cultures. But what does this look like from the other side, from the perspective of indigenous cultures of the Global South and immigrant-heritage cultures in the interstices of dominant cultures? Going beyond inherited ways of understanding and doing inculturation, this anthology turns the hermeneutical prism in new, diverse angles to reveal the variegated facets of a "deep inculturation" born from the creative and often heroic faith of underrepresented communities, who have, in the power of their own Indigenous genius, upheld their cultural identity and historical agency, while seeking religious synthesis. Deep Inculturation features original essays by seven leading global theologians with a focus on inculturation in particular contexts: Africa, Mexico, Japan, Australia, and Indonesia.
Engaging Latino/a/x Theologies by Sharon E. Heaney Pdf
Sharon E. Heaney describes how the life-giving interruption of Latin American poets, novelists, artists, and theologians changed her life in a conflict-ridden Northern Ireland. An outsider, in this study she provides an engagement with a stream of theology in the United States she takes to be exemplary. Latino/a/x theology is teología en conjunto (collaborative theology). It models ways to examine complicated and contested histories and identities, and it resists dominant assumptions about theological points of departure in favor of also valuing the everyday as locus theologicus. Identifying major themes and foundational thinkers, alongside more recent developments, Heaney offers an overview and invites readers to further reading, study, and formation. Modelling what it esteems, each chapter closes in conversation with a Latino/a/x leader in the church. The conclusion is written by practical theologian, Altagracia Pérez-Bullard. She affirms, this “is not just an intellectual exercise, . . . this engagement . . . is the practice of our lives as we journey with God and as we journey with one another. . . . It is an exciting journey. It changes us.”
Indigenous Symbols and Practices in the Catholic Church by Dr Kathleen J Martin Pdf
Indigenous Symbols and Practices in the Catholic Church presents views, concepts and perspectives on the relationships among Indigenous Peoples and the Catholic Church, as well as stories, images and art as metaphors for survival in a contemporary world. Few studies present such interdisciplinary interpretations from contributors in multiple disciplines regarding appropriation, spiritual and religious tradition, educational issues in the teaching of art and art history, the effects of government sanctions on traditional practice, or the artistic interpretation of symbols from Indigenous perspectives. Through photographs and visual materials, interviews and data analysis, personal narratives and stories, these chapters explore the experiences of Indigenous Peoples whose lives have been impacted by multiple forces – Christian missionaries, governmental policies, immigration and colonization, education, assimilation and acculturation. Contributors investigate current contexts and complex areas of conflict regarding missionization, appropriation and colonizing practices through asking questions such as, 'What does the use of images mean for resistance, transformation and cultural destruction?' And, 'What new interpretations and perspectives are necessary for Indigenous traditions to survive and flourish in the future?'
Christian Inculturation in India by Paul M. Collins Pdf
Drawing together international and Indian sources, and new research on the ground in South India, this book presents a unique examination of the inculturation of Christian Worship in India. Paul M. Collins examines the imperatives underlying the processes of inculturation - the dynamic relationship between the Christian message and cultures - and then explores the outcomes of those processes in terms of architecture, liturgy and ritual, and the critique offered of these outcomes, especially by Dalit theologians. This book highlights how the Indian context has informed global discussions, and how the decisions of the World Council of Churches, Vatican II and Lambeth Conferences have impacted upon the Indian context.
African Artists Under Mission Patronage by Fadhili Safieli Mshana Pdf
African Artists under Mission Patronage explores relationships between African artists and Western Christian missions in twentieth-century Africa, and how that patronage has shaped and defined twentieth-century African art.
Khrist Bhakta Movement: A Model for an Indian Church? by Ciril J. Kuttiyanikkal Pdf
In this PhD research, the author has inquired the contribution of the Khrist Bhakta movement to inculturation in the field of community building in India. He focuses on Matridham asram at Varanasi where rural Hinduism and the charismatic form of Catholic Christianity meet one another. The author addresses the issues involved in this encounter from a social, cultural, legal, pastoral and theological perspective, which is relevant for all those interested in interreligious and intercultural encounter. --Book Jacket.
Drawing upon fine art and objects made for pedagogical and devotional needs of the local Christian communities, including prints, posters, paintings, and photographs dating from the early twentieth century to the present, this volume mainly explores Christian art in Taiwan. By recognizing the artistic development from merely adapting traditional Christian iconography to creating new indigenous narratives, Su-Chi Lin examines the issue of visual representation raised in such inculturation processes, and considers whether these artworks offer models to re-imagine the contextual illustration of global Christian faith. [Räume der Vermittlung. Christliche Kunst und visuelle Kultur in Taiwan] Der vorliegende Band erkundet christliche Kunst in Taiwan am Beispiel von Bildender Kunst und Kunsthandwerk, das für pädagogische und devotionale Zwecke der lokalen christlichen Gemeinschaften geschaffen wurde. Die Drucke, Poster, Bilder und Photographien datieren vom frühen 20. Jahrhundert bis heute. Die künstlerische Entwicklung reicht dabei von der bloßen Adaption christlicher Ikonographie bis zur Schöpfung neuer indigener Narrative. Su-Chi Lin untersucht die visuellen Repräsentationen in solchen Inkulturationsprozessen und geht der Frage nach, ob diese Kunstwerke Modelle anbieten für die kontextuelle Illustration des globalen christlichen Glaubens.
Between the sixteenth and the nineteenth centuries, the west central African kingdom of Kongo practiced Christianity and actively participated in the Atlantic world as an independent, cosmopolitan realm. Drawing on an expansive and largely unpublished set of objects, images, and documents, Cecile Fromont examines the advent of Kongo Christian visual culture and traces its development across four centuries marked by war, the Atlantic slave trade, and, finally, the rise of nineteenth-century European colonialism. By offering an extensive analysis of the religious, political, and artistic innovations through which the Kongo embraced Christianity, Fromont approaches the country's conversion as a dynamic process that unfolded across centuries. The African kingdom's elite independently and gradually intertwined old and new, local and foreign religious thought, political concepts, and visual forms to mold a novel and constantly evolving Kongo Christian worldview. Fromont sheds light on the cross-cultural exchanges between Africa, Europe, and Latin America that shaped the early modern world, and she outlines the religious, artistic, and social background of the countless men and women displaced by the slave trade from central Africa to all corners of the Atlantic world.
Postcolonial Voices from Downunder by Jione Havea Pdf
How do indigenous matters inform, irritate and advance postcolonial theologies and postcolonial biblical criticisms? What options emerge from confronting readings of religious, customary, scriptural, political and cultural texts, traditions, leanings, bodies and anxieties? These two questions epitomize the concerns that the contributors address in this collection. The postcolonial voices that come together between the covers of this book show that indigenous subjects and heritages do matter in the theological and hermeneutical business, for we all have something to learn from First Peoples, and that theologians and biblical critics have much to gain from (and offer to) confronting and troubling traditional views and fears. Together in this book, the postcolonial voices from Downunder (geographically: Oceania, Pasifika; ideologically: marginalized, minoritized) confront political and religious bodies, including Christian churches, on account of their participation in and justification of the occupation and poaching of native lands, wisdom, wealth, and titles. This book is for First Peoples and Second Peoples, whether they are down under or up yonder, who are curious about possible advents of postcolonial theologies and postcolonial biblical criticisms in the future.
This book is a study of music inculturation in Indonesia. It shows how religious expression can be made relevant in an indigenous context and how grassroots Christianity is being realized by means of music. Through the discussion of indigenous expressions of Christianity, the book presents multiple ways in which Indonesians reiterate their identity through music by creatively forging Christian and indigenous elements. This study moves beyond the discussion (and charge) of syncretism, showing that the inclusion of local cultural manifestations is an answer to creating a truly indigenous Christian expression. Marzanna Poplawska, while telling the story of Indonesian Christians and the multiple ways in which they live Christianity through music, emphasizes the creative energy and agency of local people. In their practices she finds optimism for the continuing existence of many traditional genres and styles. Indonesian Christians perform their Christian faith through music, dance, and theater, generating innovative cultural products that enrich the global Christian heritage. The book is addressed to a broad spectrum of readers: scholars from a variety of disciplines – music, religion, anthropology, especially those interested in interactions between Christianity and indigenous cultures; general music lovers and World Music enthusiasts eager to discover musics outside of European realm; as well as Christian believers, church musicians, and choir directors curious to learn about Christian music beyond Euro-American context. Students of religion, sacred music, (ethno)musicology, theater, and dance will also benefit from learning about a variety of indigenous arts employed in Christian churches in Indonesia.