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Imagine that your birth mother gave you away to her own mother and then maintained a strict distance from you. How would you feel? Amber, 24, is trying to salvage a sense of who she is from personal remnants she has collected from those who form a part of her life. Set in Saskatoon, Saskatchewan, the novel begins in the now, with Amber pulling from her closet her box of treasures, those bits that constitute her life thus far.
Unearth treasures of the past to create stunning found-object jewelry. Embark on an expeditioner's journey back in time to uncover tattered silk, faceted stones and other forgotten items, and learn how to give them new life as a pendant, ring or brooch. Found objects can be beautiful both for the unique, unexpected look they add to your work and for the stories we imagine them to tell. In the pages of Semiprecious Salvage, you will discover the excitement of reclaiming remnants of the past and reinterpreting their beauty in wearable works of mixed-media art. Step-by-step instructions guide you through the basics of wirework and creating basic jewelry findings, then encourage you to don your boots and get digging as you mix and match elements to create one-of-a-kind treasures. You'll learn to: • Age modern "flashy" objects to create the distressed look of pieces with a past • Combine jewelry elements with new and vintage fabrics for a soft, romantic touch • Master the use of a soldering iron and a propane torch in crafting metal jewelry • Incorporate plaster and resin into your work for added depth and intrigue Reinvent your artwork with your own Semiprecious Salvage and start sharing the stories of your own found objects today.
The Art of Salvage by Bill Morgan,William Woodrow Morgan Pdf
Poetry. Bill Morgan's debut poetry collection, THE ART OF SALVAGE, finds value--sometimes even treasure and joy--in unpromising materials. Exploring themes including sexuality and the aging body, the beautiful and jarring intricacies to be found in unlikely corners of the natural world (especially the poet's Central Illinois home), and the vein of gold running amid the quotidian, Morgan attempts to salvage poems from the detritus of the day. But this gold is not easily reclaimed. Salvage demands the poet's trained eye to earn wisdom from loss or recoup delight from a moment's mindfulness. Morgan's poems insist on an honest reckoning and prove what we salvage is never simple or automatic: it is a tireless endeavor of body, mind, and spirit leading to hard- won rewards. This book of poems, born of a sensibility at once keenly precise and easeful, is breathtaking. And breath- making: Bill Morgan knows how to watch intently, how to burrow in and bear down, but he also knows how to listen, how to hold, how to care--for lover, creature, flower, and finally, for self. These poems are huge of heart. Love- swollen. Generous of mind and eye. They don't merely bear witness, share, or innovate; they teach. They teach us how to live. Deeply sensual, THE ART OF SALVAGE models, in line after masterful line, the kind of communion--with other beings, with the natural world, with memory--that makes life truly meaningful. THE ART OF SALVAGE--of rescue, of reclamation--is above all else an art of healing: intimacy at its truest. This is a profoundly courageous, vulnerable, and necessary book.--Kirstin Hotelling Zona, editor, SRPR (Spoon River Poetry Review) In his author note, Bill Morgan says that '[a]t night..., he hunches over a keyboard and tries to salvage poems from the detritus of the day.' Well, he's salvaged a book, refurbishing a pocket watch, restoring the prairie, and bringing his father back to life, all with the quiet, natural perfection of a damaged starfish growing a new limb. These are poems with gravitas and levitas, heavy with knowledge and pain yet willing and able to fly up, singing, an exaltation of skylarks. THE ART OF SALVAGE is a book full of 'intimate gravity, ' and a tough one--as he says of his lady love, 'the genuine article.'--Kathleen Kirk, poetry editor, Escape Into Life 'Where are the songs of Spring? Ay, where are they? / Think not of them, thou hast thy music too, --' If in 'To Autumn' Keats did his part to convey some of that deep, otherworldly and humane music, then in THE ART OF SALVAGE Bill Morgan does his, as well. Morgan presents us with his own landscape of loss, arrived at through the vicissitudes of aging, but he, too, explores feelingly his circumstances, and so locates surprising, vital images and makes powerful, elegiac and celebratory, music. Bend close, reader, and, darkling, listen.--Michael Theune, author of Structure & Surprise: Engaging Poetic Turns From now on, when I'm asked what I want for my birthday, I'm going to say I want Bill Morgan's gifts. I want his ability to root the mystical in the mundane, to find just the right image, the telling detail to carry the metaphor. I want his vision, his ability to see the universal in the personal and to make us all see it and feel it. I want those skills and if I can't have them, at least I can read them again and again. And I will.--Michael Cain, editor, Seventh Dream Press Bill Morgan's poems accompany us on a journey through the rich and mysterious territory of the aging process. These poems address wisdom and tenderness, a path that those of us fortunate to live a long life will all one day have to walk. This is poetry that enlightens, that deepens our awareness of what it means to be human, and most of all, nourishes the soul.--Judith Valente, correspondent, PBS-TV and WGLT Radio
In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
A hurricane is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family. Esch and her three brothers are stocking up on food, but there isn't much to save. Lately, Esch can't keep down what food she gets; at fifteen, she has just realized that she's pregnant. Her brother Skeetah is sneaking scraps for his prized pit bull's new litter, dying one by one. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the twelve days that make up the novel's framework yield to a dramatic conclusion, this unforgettable family - motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce - pulls itself up to face another day.
Author : Jane K. Hutchins,Barbara O. Roberts Publisher : Hard Press Page : 122 pages File Size : 53,6 Mb Release : 2006 Category : Art ISBN : UCSD:31822035456425
First Aid for Art by Jane K. Hutchins,Barbara O. Roberts Pdf
This handbook, written by highly regarded professi onal museum conservators, outlines procedures and techniques to help improve the chances of rescuing artworks, photographs, books, memorabilia, textile s, and furniture from catastrophic damage.
Styling with Salvage: Designing and Decorating with Reclaimed Materials by Joanne Palmisano Pdf
Discover the secrets of styling your home with reclaimed materials Joanne Palmisano is passionate about the joy and importance of reuse in home decor. Whether it's reclaimed, repurposed, recycled, salvaged, or antique, Joanne will show you how to turn an old piece into a stunning decorative object. Styling with Salvage is an essential guide for those who can't walk by a secondhand store or salvage yard without taking a peek, or who just want to decorate in a more mindful way. Joanne provides an aspirational-but-achievable template for all who wish to bring some character, style, and soul into their home. Includes: Top tips on the best places to look for items like vintage lace or old balusters Ways to design with salvage when you seek to add color, or are working with monochromatic palettes Inspiration on styling and displaying collections, whether it's vintage glass, leather boots, or bottle tops Filled with Susan Teare's gorgeous photography, this book will inspire everyone who picks it up to reclaim their spaces with reclaimed materials.
First published in 1958, The Salvager is both a narrative history of Great Lakes shipping disasters of 1880–1950 and the life story of Captain Thomas Reid, who operated one of the region’s largest salvaging companies during that era. The treacherous shoals, unpredictable storms, and sub-zero temperatures of the Great Lakes have always posed special hazards to mariners—particularly before the advent of modern navigational technologies—and offered ample opportunity for an enterprising sailor to build a salvage business up from nothing. Designing much of his equipment himself and honing a keen eye for the risks and rewards of various catastrophes, Captain Reid rose from humble beginnings and developed salvaging into a science. Using the actual records of the Reid Wrecking and Towing Company as well as Reid’s personal logs and letters, Mary Frances Doner deftly tells the stories not only of the maritime disasters and the wrecking adventures that followed, but also of those waiting back on shore for their loved ones to return.
Aidan Jones was my brother. But I couldn't really remember his face. I couldn't remember talking to him or playing with him. He was just a gap, an absence, a missing person. Before she was adopted by a loving family and raised in a leafy Home Counties town, Cass Montgomery was Cass Jones. Her memories of her birth family disappeared with her name. But when her adopted family starts to break down, a way out comes in the form of a message from her lost brother, Aidan. Having Aidan back in her life is both everything she needs and nothing she expected. Who is this boy who calls himself her brother? And why is he so haunted? I glance at the paper. There's a big picture on the front page. A girl with dark red hair. A girl with eyes that might have been green or they might have been grey. I sit down and stare at Cass, and it is her, it is. My stolen sister. Aidan's a survivor. He's survived an abusive stepfather and an uncaring mother. He's survived crowded foster homes and empty bedsits.He's survived to find Cass. If only he can make her understand what it means to be part of his family. . .
New from award-winning Michigan writer Bonnie Jo Campbell, American Salvage is rich with local color and peopled with rural characters who love and hate extravagantly. They know how to fix cars and washing machines, how to shoot and clean game, and how to cook up methamphetamine, but they have not figured out how to prosper in the twenty-first century. Through the complex inner lives of working-class characters, Campbell illustrates the desperation of post-industrial America, where wildlife, jobs, and whole ways of life go extinct and the people have no choice but to live off what is left behind. The harsh Michigan winter is the backdrop for many of the tales, which are at turns sad, brutal, and oddly funny. One man prepares for the end of the world--scheduled for midnight December 31, 1999--in a pole barn with chickens and survival manuals. An excruciating burn causes a man to transcend his racist and sexist worldview. Another must decide what to do about his meth-addicted wife, who is shooting up on the other side of the bathroom door. A teenaged sharpshooter must devise a revenge that will make her feel whole again. Though her characters are vulnerable, confused, and sometimes angry, they are also resolute. Campbell follows them as they rebuild their lives, continue to hope and dream, and love in the face of loneliness. Fellow Michiganders, fans of short fiction, and general readers will enjoy this poignant and affecting collection of tales.
In Salvage, Krisna Uk draws on extensive research in a Cambodian village she calls Leu to provide a unique ethnography of the Jorai, an ethnic minority group that lives in Vietnam and in the most heavily bombed region of northeast Cambodia. The Jorai inhabit a remote region largely beyond the reach of the nation-state but have suffered the devastating effects of battles between and within states. Uk focuses on the experience of a Jorai community that experienced violent and protracted international and domestic conflicts—the Vietnam War and the Khmer Rouge regime. These conflicts had enduring effects on the community's moral fabric, the villagers’ activities, and the physical and spiritual environments with which they engage daily.Uk’s ethnography is an exploration of a resilient communal life that refuses to surrender its integrity to the blind, destructive forces of modern aerial warfare and that struggles to come to terms with the unintelligible violence unleashed by Cambodia’s revolutionary movement. It examines the destructive power and enduring harm that explosive remnants of war inflict on the human body and the social relations. But it also reveals how the local Jorai villagers turn these treacherous and fatal products of foreign technology into precious subsistence items as well as aesthetic and ritualistic objects that will take the souls of the dead on their journey to a better life. Uk demonstrates how the Jorai of Leu can, through their creative and traditional labor, revive the legend of the formidable Jorai warriors by transforming deadly modern weapons into their own war trophies.
Author : James Joseph Rorimer Publisher : Unknown Page : 312 pages File Size : 53,8 Mb Release : 1950 Category : Art treasures in war ISBN : STANFORD:36105070688218
Perfect for the do-it-yourselfer, this handy guide to household electronics gives the weekend workbench enthusiast a multitude of ideas on how to salvage valuable parts from old electronics and turn them into useful gadgets once more. This handbook is loaded with information and helpful tips for disassembling old and broken electronics. Each of the more than 50 deconstruction projects includes a "treasures cache" of the components to be found, a required tools list, and step-by-step instructions with photos on how to safely extract the working components. Projects include building a desk lamp from an old flatbed scanner, a barbeque supercharger from a Dustbuster impeller, and a robot from the gears, rollers, and stepper motor found in an ink-jet printer. Now, old VHS players and fax machines will find new life with these fun ideas.
Stone pediments, mantel pieces, lighting sconces, garden gates, benches, doors, columns, tiles, lintels, art glass--even entire staircases can be purchased from salvage and put to use. This beautifully illustrated book shows how to secure these and other pieces. 200 color photos & illustrations.