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‘The author tells an evocative story that is both illuminating and engrossing at the same time.’ Allie Burns, author of The Lido Girls ‘Lush and evocative.’ Rosemary Smith ‘The writing elevates this beyond many historical novels.’ Joseph Morgan Vienna 1907
To be creative, you simply open a door, the door of the subconscious mind, and allow thoughts and images to emerge unedited.—Betsy Dillard Stroud Creative opportunity is always knocking, but can you hear it over the drone of everyday life? Unlock the door and open it wide to allow your muse to appear. Travel artistic pathways you've left uncharted, unrevealed, untried. Inspired by her popular articles in Watercolor Magic, Betsy Dillard Stroud delivers creative challenges, inspirational chapters and profiles that reveal the personal and expressive thought process behind her own work and the work of many other successful artists. Inside, explore ways to loosen up, break through creative blocks and stray joyously from the beaten path. What glorious discoveries hide behind your creative door? Turn the key for a bona fide aesthetic joy ride.
What sets this study apart from the vast literature on Monet is Gedo's focused, jargon-free, accessible, psychoanalytic assessment of Monet and his relationship with his first wife and mistress, Camille Doncieux, and the impact of this complex relationship on the artist's work. Using this psychobiographical approach in conducting a careful reading of primary source material and Monet's paintings, Gedo (independent scholar) does much to debunk a good deal of the mythology surrounding the artist's life at this period. She offers fresh insights into the content of many of Monet's major paintings, particularly his figurative works that feature Camille as a model or subject. So, for example, Gedo proposes that Monet's Camille (or The Woman in the Green Dress) from 1866, via its composition, "functioned as a metaphor for the uncertainty characterizing the relationship between lovers," in addition to exposing publicly Camille as Monet's mistress. As is the danger when applying psychoanalysis to the study of art history, some of Gedo's assertions and interpretations approach the level of implausibility; however, these flights of psychoanalytic fancy are few and far between. The writing is engaging, endnotes are extensive but not oppressive, and the book is sufficiently illustrated with many images in color. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by D. E. Gliem.
Prince Theodore, the younger son of King Albert of Theron, loves to paint. He uses his art to transform his thoughts and channels everything he is into his paintings. When a beautiful woman emerges from several of his paintings, he knows he needs to find her—whomever she may be. Nicole Winters owns an art gallery in the capital city of Theron. There she encourages new and experienced artists alike. When the prince comes into her gallery, she is taken aback, but happy to show his work, as he’s made quite a name for himself in the art world. Theodore knows he wants to marry Nicole, but she doesn’t like the idea of a life in the public eye. Will Theodore be able to convince Nicole that a life together is what they both need? Or will his public life keep them apart?
From the bestselling author of The Miniaturist comes a captivating and brilliantly realized story of two young women—a Caribbean immigrant in 1960s London and a bohemian woman in 1930s Spain—and the powerful mystery that links them together July 1967, Mayfair, London—a painting left propped on the doorstep of the Skelton Gallery is discovered by Odelle Bastien, a Caribbean immigrant newly employed and in thrall with her enigmatic colleague, Marjorie Quick. The painting is rumoured to be the work of Isaac Robles, whose mysterious death at the burgeoning of his artistic powers has confounded the art world for decades. The excitement over the painting is only matched by the tension caused by the conflicting stories of its discovery. Odelle is unsure whom or what to believe as she finds herself drawn into a complex web of secrets and deceptions. Thirty years earlier, as Spain is on the brink of civil war, Olive Schloss, the daughter of a Viennese Jewish art dealer, follows her parents to Arazuelo, a village in the south rife with unrest. It is here Olive meets Maria Teresita, the young housekeeper, and Maria’s half-brother Isaac Robles, newly returned from the Paris salons, his head full of revolution and dreams of being a painter as famous as Picasso. Both siblings are the illegitimate offspring of the local landowner and have nothing to lose when it comes to exploiting these new guests in their poverty-stricken town. They insinuate themselves into the family, helping to hide Olive’s own artistic talents while Isaac plays at both painting and revolution. The consequences are devastating and echo into the decades to come. In vividly rendered detail, acclaimed and bestselling author Jessie Burton spins a tale of desire, ambition and the ways in which the tides of history inevitably shape and define our lives.
'Exhilarating and fascinating' KATY HESSEL | 'Rich and detailed' CHLOË ASHBY | 'Enlightening' TABISH KHAN | 'Sheds light on an uncharted area of art history' JENNY PERY | 'An essential read' EDWARD BROOKE-HITCHING Meet the unexpected, overlooked and forgotten models of art history. Who was Picasso's 'Weeping Woman'? Why was Grace Jones covered in graffiti? How did Francis Bacon meet the burglar who became his muse? The perception of the muse is that of a passive, powerless model, at the mercy of an influential and older artist. But is this trope a romanticised myth? Far from posing silently, muses have brought emotional support, intellectual energy, career-changing creativity and practical help to artists. Muse tells the true stories of the incredible muses who have inspired art history's masterpieces. From Leonardo da Vinci's studio to the covers of Vogue, art historian, critic and writer Ruth Millington uncovers the remarkable role of muses in some of art history's most well-known and significant works. Delving into the real-life relationships that models have held with the artists who immortalised them, it will expose the influential and active part they have played and deconstruct reductive stereotypes, reframing the muse as a momentous and empowered agent of art history.
All loved, and were loved by, their artists, and inspired them with an intensity of emotion akin to Eros. In a brilliant, wry, and provocative book, National Book Award finalist Francine Prose explores the complex relationship between the artist and his muse. In so doing, she illuminates with great sensitivity and intelligence the elusive emotional wellsprings of the creative process.
Artist, Soldier, Lover, Muse by Arthur D. Hittner Pdf
A tragic-comic love story set in the New York art world during the late Depression and the prelude to the Second World War, "Artist, Soldier, Lover, Muse" traces the triumphs, loves, and tribulations of an emerging young artist.
"Published on the occasion of the exhibition Picasso: the artist and his muses presented at the Vancouver Art Gallery, June 11 - October 2, 2016 ... created by Art Centre Basel, curated by Katharina Beisiegel, and produced in collaboration with the Vancouver Art Gallery"--Copyright page.
A rich, penetrating memoir about the author's relationship with a flawed but influential figure—the painter Lucian Freud—and the satisfactions and struggles of a life lived through art. One of Britain's most important contemporary painters, Celia Paul has written a reflective, intimate memoir of her life as an artist. Self-Portrait tells the artist's story in her own words, drawn from early journal entries as well as memory, of her childhood in India and her days as a art student at London's Slade School of Fine Art; of her intense decades-long relationship with the older esteemed painter Lucian Freud and the birth of their son; of the challenges of motherhood, the unresolvable conflict between caring for a child and remaining commited to art; of the "invisible skeins between people," the profound familial connections Paul communicates through her paintings of her mother and sisters; and finally, of the mystical presence in her own solitary vision of the world around her. Self-Portrait is a powerful, liberating evocation of a life and of a life-long dedication to art.
Hidden in the Shadow of the Master by Ruth Butler Pdf
Paul Czanne, Claude Monet, and Auguste Rodin. The names of these brilliant nineteenth-century artists are known throughout the world. But what is remembered of their wives? What were these unknown women like? What roles did they play in the lives and the art of their famous husbands? In this remarkable book of discovery, art historian Ruth Butler coaxes three shadowy women out of obscurity and introduces them for the first time as individuals. Through unprecedented research, Butler has been able to create portraits of Hortense Fiquet, Camille Doncieux, and Rose Beuretthe models, and later the wives, respectively, of Czanne, Monet, and Rodin, three of the most famous French artists of their generation. The book tells the stories of three ordinary women who faced issues of a dramatically changing society as well as the challenges of life with a striving genius. Butler illuminates the ways in which these model-wives figured in their husbands achievements and provides new analyses of familiar works of art. Filled with captivating detail, the book recovers the lives of Hortense, Camille, and Rose, and recognizes with new insight how their unique relationships enriched the quality of their husbands artistic endeavors."
Women Artists and the Surrealist Movement by Whitney Chadwick Pdf
A revised edition of Whitney Chadwick’s seminal work on the women artists who shaped the Surrealist art movement. This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution. Their stories and achievements are presented here against the background of the turbulent decades of the 1920s, ’30s, and ’40s and the war that forced Surrealism into exile in New York and Mexico. Whitney Chadwick, author of the highly acclaimed Women, Art, and Society, interviewed and corresponded with most of the artists themselves in the course of her research. Women Artists and the Surrealist Movement, now revised with a new foreword by art historian Dawn Ades, contains a wealth of extracts from unpublished writings and numerous illustrations never before reproduced. Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement.
The Dual Muse by Johanna Drucker,William H. Gass Pdf
For centuries an artist adept in one medium has found solace, encouragement, and inspiration in another, even to the point of merging them. Michelangelo put down his chisel to pick up his pen; Blake pictorialized his poetry; Max Ernst collaged narratives; Gertrude Stein adopted a cubist style. This bicameral interplay of the verbal and pictorial has never been more pronounced than in our own time. The Dual Muse explores a range of creative interrelationships between the visual arts and literary media in works by selected modern and contemporary artists and authors. This catalogue is published in conjunction with an exhibition and symposium organized by the Washington University Gallery of Art and the Washington University International Writers Center, St. Louis. The exhibition catalogue illustrates the 67 pieces in the exhibition with 38 color plates and contains essays on the relationship of literary and visual arts by William Gass and Johanna Drucker, with an introduction by Cornelia Homburg. A companion volume containing proceedings from The Dual Muse symposium being held at Washington University in St. Louis on November 7-9, 1997 will be available in 1999. The symposium book will include papers by artists and authors Jennifer Bartlett, Breyten Breytenbach, Tom Phillips, and Derek Walcott. Co-published with Washington University Gallery of Art and International Writers Center, Washington University in St. Louis.
