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All loved, and were loved by, their artists, and inspired them with an intensity of emotion akin to Eros. In a brilliant, wry, and provocative book, National Book Award finalist Francine Prose explores the complex relationship between the artist and his muse. In so doing, she illuminates with great sensitivity and intelligence the elusive emotional wellsprings of the creative process.
To be a muse to a celebrated artist is surely one of the most flattering roles a person can have. But what is the life of a muse really like? In this spirited (and provocative) expose of nine women who fired the imaginations of some of the most inimitable artists and thinkers of the nineteenth and twentieth centuries, Francine Prose draws on photographs, diaries, correspondence, memoirs, and original works of art that reveal the complexity of these artist-muse relationships and illustrate the muse in all her guises: as inspiration, angel, equal partner and, sometimes, monster. The nine muses are: Hester Thrale (Samuel Johnson), Alice Liddell (Lewis Carroll), Elizabeth Siddal (Dante Gabriel Rossetti). Lou-Andreas-Salomé (Nietzsche, Rilke and Freud), Gala Dalí (Salvador Dalí), Lee Miller (Man Ray), Charis Weston (Edward Weston), Suzanne Farrell (George Balanchine) and Yoko Ono (John Lennon).
What sets this study apart from the vast literature on Monet is Gedo's focused, jargon-free, accessible, psychoanalytic assessment of Monet and his relationship with his first wife and mistress, Camille Doncieux, and the impact of this complex relationship on the artist's work. Using this psychobiographical approach in conducting a careful reading of primary source material and Monet's paintings, Gedo (independent scholar) does much to debunk a good deal of the mythology surrounding the artist's life at this period. She offers fresh insights into the content of many of Monet's major paintings, particularly his figurative works that feature Camille as a model or subject. So, for example, Gedo proposes that Monet's Camille (or The Woman in the Green Dress) from 1866, via its composition, "functioned as a metaphor for the uncertainty characterizing the relationship between lovers," in addition to exposing publicly Camille as Monet's mistress. As is the danger when applying psychoanalysis to the study of art history, some of Gedo's assertions and interpretations approach the level of implausibility; however, these flights of psychoanalytic fancy are few and far between. The writing is engaging, endnotes are extensive but not oppressive, and the book is sufficiently illustrated with many images in color. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by D. E. Gliem.
Caroline Blackwood was born into the Guinness family in 1931, the daughter of the Fourth Marquess and Marchioness of Dufferin and Ava. Brought up on the ancestral estate in Northern Ireland, Blackwood moved easily among the Anglo-Irish aristocracy, the Soho bohemians of postwar England, and the liberal intelligentsia of 1960s New York. She was on intimate terms with some of the most celebrated artists and writers of her time. An unpredictable beauty known for her wit and her courage, she has been called a muse to genius. But her marriages to three brilliant men: the painter Lucian Freud, the composer Israel Citkowitz, and the poet Robert Lowell were as troubled as they were inspiring. During her marriage to Lucian Freud, Caroline became part of an artistic and literary group that included Francis Bacon and Cyril Connolly who was infatuated with her but eventually Freud's gambling caused irrevocable problems between them. Caroline was also in the grips of her own unfolding tragedy: a fatal attraction to alcohol that would plague the rest of her life. Upon the breakup of her first marriage, she moved to America , where she met her second and third husbands. Once regarded as the obvious successor to Aaron Copland, Israel Citkowitz had stopped composing long before he met Caroline. While he and Caroline had three children together, it was her subsequent seven year marriage to Robert Lowell that she considered her "main marriage." Her life with Lowell was probably the most difficult time of her life as she dealt with his increasingly frequent and worsening attacks of mania. And to Lowell she was not only an inspiration but_as he described in his Pulitzer-prize- winning book of verse The Dolphin, she was also "a mermaid who dines upon the bones of her winded lovers." In 1977, Robert Lowell fled London to return to his former wife Elizabeth Hardwick. He died from a heart attack in the backseat of a taxi, clutching Girl in Bed, Lucian Freud's haunting portrait of Caroline. Blackwood was an artist in her own right. Her literary talents were dark and satiric; her ten books of fiction and nonfiction betrayed an extraordinary eye for human physiognomy, attire, and behavior. Arguably her best book, Great Granny Webster described the comic terrors of her upbringing in Northern Ireland, and was shortlisted for the Booker Prize. She herself died of cancer on Valentine's Day 1996, at the age of sixty-four. Dangerous Muse is the first biography of Lady Caroline Blackwood. Drawing upon numerous interviews and unpublished letters from Blackwood's mother, Maureen Dufferin, and friends and family, including Andrew Harvey, Jonathan Raban, John Richardson, and Caroline's sister Perdita Blackwood, Nancy Schoenberger eloquently captures one of the most original and provocative figures in contemporary letters of the twentieth century.
'Exhilarating and fascinating' KATY HESSEL | 'Rich and detailed' CHLOË ASHBY | 'Enlightening' TABISH KHAN | 'Sheds light on an uncharted area of art history' JENNY PERY | 'An essential read' EDWARD BROOKE-HITCHING Meet the unexpected, overlooked and forgotten models of art history. Who was Picasso's 'Weeping Woman'? Why was Grace Jones covered in graffiti? How did Francis Bacon meet the burglar who became his muse? The perception of the muse is that of a passive, powerless model, at the mercy of an influential and older artist. But is this trope a romanticised myth? Far from posing silently, muses have brought emotional support, intellectual energy, career-changing creativity and practical help to artists. Muse tells the true stories of the incredible muses who have inspired art history's masterpieces. From Leonardo da Vinci's studio to the covers of Vogue, art historian, critic and writer Ruth Millington uncovers the remarkable role of muses in some of art history's most well-known and significant works. Delving into the real-life relationships that models have held with the artists who immortalised them, it will expose the influential and active part they have played and deconstruct reductive stereotypes, reframing the muse as a momentous and empowered agent of art history.
For centuries, artists have been inspired by muses to create poignant works of art and literature; this beautifully illustrated volume is a celebration of these women and the artists they influenced. American Lee Miller was a successful New York fashion model before traveling to Paris to become the apprentice, lover, and muse of surrealist artist and photographer Man Ray; Nancy Cunard, British writer, heiress, and political activist, captivated numerous members of the twentieth century's art and literary circles, including Ezra Pound and T.S. Eliot; and Parisian-born artist and poet Dora Maar had a profound influence on the work of her notorious lover, Pablo Picasso.
Walking with the Muses by Pat Cleveland,Lorraine Glennon Pdf
New York in the sixties and seventies was glamorous and gritty at the same time, a place where people like Warhol, Avedon, and Halston as well their muses came to pursue their wildest ambitions, and when the well began to run dry they darted off to Paris. Though born on the very fringes of this world, Patricia Cleveland, through a combination of luck, incandescent beauty, and enviable style, soon found herself in the centre of all that was creative, bohemian, and elegant. A "walking girl," a runway fashion model whose inimitable style still turns heads on the runways of New York, Paris, Milan, and Tokyo, Cleveland was in high demand. Ranging from the streets of New York to the jet-set beaches of Mexico, from the designer retailers of Paris to the offices of Diana Vreeland, here is Cleveland's larger-than-life story. One minute she's in a Harlem tenement making her own clothes and dreaming of something bigger, the next she's about to walk Halston's show alongside fellow model Anjelica Huston. One minute she's partying with Mick Jagger and Jack Nicholson, the next she's sharing the dance floor with Warhol. One moment she's idolizing the silver screen sensation Warren Beatty, years later, she's deciding whether to resist his considerable amorous charms. In New York, she struggles to secure her first cover of a major magazine. In Paris, she's the toast of the town. A page-turning memoir of a life well lived, Walking with the Muses is a book you won't soon forget.
The Muses Go to School by Herbert Kohl,Tom Oppenheim Pdf
What do Whoopi Goldberg, Phillip Seymour Hoffman, Rosie Perez, and Phylicia Rashad have in common? A transformative encounter with the arts during their school years. Whether attending a play for the first time, playing in the school orchestra, painting a mural under the direction of an art teacher, or writing a poem, these famous performers each credit an experience with the arts at school with helping them discover their inner humanity and putting them on the road to fully realized creative lives. In The Muses Go to School, autobiographical pieces with well-known artists and performers are paired with interpretive essays by distinguished educators to produce a powerful case for positioning the arts at the center of primary and secondary school curriculums. Spanning a range of genres from acting and music to literary and visual arts, these smart and entertaining voices make surprising connections between the arts and the development of intellect, imagination, spirit, emotional intelligence, self-esteem, and self-discipline of young people. With support from a star-studded cast, editors Herbert Kohl and Tom Oppenheim present a memorable critique of the growing national trend to eliminate the arts in public education. Going well beyond the traditional rationales, The Muses Go to School shows that creative arts, as a means of academic and personal development, are a critical element of any education. It is essential reading for teachers, parents, and anyone who really cares about education.
In this brilliant, wry, and provocative book, National Book Award finalist Francine Prose explores the complex relationships between the artist and his muse. In so doing, she illuminates with great sensitivity and intelligence the elusive emotional wellsprings of the creative process. All nine women loved, and were loved by, their artists, and inspired them with an intensity of emotion akin to Eros: Hesther Thrale and Samuel Johnson; Alice Liddell and Lewis Carroll; Elizabeth Siddal and Dante Gabriel Rossetti; Lou Andreas-Salome and Friedrich Nietzsche; Rainer Maria Rilke and Sigmund Freud; Gala Dali and Salvador Dalip; Lee Miller and Man Ray; Charis Weston and Edward Weston; Suzanne Farrell and George Balanchine; and Yoko Ono and John Lennon. Illus.
The Muses of Greek Mythology have brought tales and wonder to the world for centuries. Follow this brand-new and exciting series that details each Muse and the story of how they came to be. Marvel at the story of Terpsichore, the muse of Dance, as she travels to the mortal world and meets with one of the most famous and well-respected dancers in modern history. Wonder at her travails in the modern world. Explore the universe with the muses and start here with Book One, the story of Terpsichore.
Farewell to the Muse: Love, War and the Women of Surrealism by Whitney Chadwick Pdf
A fascinating examination of the ambitions and friendships of a talented group of midcentury women artists Farewell to the Muse documents what it meant to be young, ambitious, and female in the context of an avant-garde movement defined by celebrated men whose backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s, and 1950s, Whitney Chadwick charts five female friendships among the Surrealists to show how Surrealism, female friendship, and the experiences of war, loss, and trauma shaped individual women’s transitions from someone else’s muse to mature artists in their own right. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the front line. Chadwick draws on personal correspondence between women, including the extraordinary letters between Leonora Carrington and Leonor Fini during the months following the arrest and imprisonment of Carrington’s lover Max Ernst and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the late 1930s. This history brings a new perspective to the political context of Surrealism as well as fresh insights on the vital importance of female friendship to its progress.
Four artists are drawn into a web of rivalry and desire at an elite art school and on the streets of New York in this “gripping, provocative, and supremely entertaining” (BuzzFeed) debut “Captures the ache-inducing quality of art and desire . . . a deeply relatable and profoundly enjoyable read, one drenched in prismatic color and light.”—Kristen Arnett, New York Times bestselling author of With Teeth FINALIST FOR THE MINNESOTA BOOK AWARD • ONE OF THE BEST BOOKS OF THE YEAR: Glamour, PopSugar, Debutiful It’s 2011: America is in a deep recession and Occupy Wall Street is escalating. But at the elite Wrynn College of Art, students paint and sculpt in a rarefied bubble. Louisa Arceneaux is a thoughtful, observant nineteen-year-old when she transfers to Wrynn as a scholarship student, but she soon finds herself adrift in an environment that prizes novelty over beauty. Complicating matters is Louisa’s unexpected attraction to her charismatic roommate, Karina Piontek, the preternaturally gifted but mercurial daughter of wealthy art collectors. Gradually, Louisa and Karina are drawn into an intense sensual and artistic relationship, one that forces them to confront their deepest desires and fears. But Karina also can’t shake her fascination with Preston Utley, a senior and anti-capitalist Internet provocateur, who is publicly feuding with visiting professor and political painter Robert Berger—a once-controversial figurehead seeking to regain relevance. When Preston concocts an explosive hoax, the fates of all four artists are upended as each is unexpectedly thrust into the cutthroat New York art world. Now all must struggle to find new identities in art, in society, and among each other. In the process, they must find either their most authentic terms of life—of success, failure, and joy—or risk losing themselves altogether. With a canny, critical eye, Sirens & Muses overturns notions of class, money, art, youth, and a generation’s fight to own their future.
Author : John T. Kirby Publisher : University of Chicago Press Page : 200 pages File Size : 48,8 Mb Release : 2000 Category : Education ISBN : 0226437477
Precious repositories of ancient wisdom? Musty relics of outmoded culture? Timeless paragons of artistic achievement? Hegemonic tools of intellectual repression? Just what are the classics, anyway, and why do (or should) we still pay so much attention to them? What is the literary canon? What is myth, and how do we use it? These are some of the questions that gave rise to John Kirby's Secret of the Muses Retold. This new study of works by five twentieth-century Italian writers investigates the abiding influence of the Greek and Roman classics, and their rich legacy in our own day. The result is not only a splendid introduction to contemporary Italian literature, but also a lucid and stimulating meditation on the insights that writers such as Umberto Eco and Italo Calvino have tapped from the wellspring of ancient tradition. Kirby's book offers an impassioned plea for the recuperation of the humanities in general, and of classical studies in particular. No expertise in Greek, Latin, Italian, or literary theory is presumed, and both traditional and postmodern perspectives are accommodated.
