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Author : James M. Heath Publisher : Bucknell University Press Page : 208 pages File Size : 41,5 Mb Release : 1984 Category : Arts and society ISBN : 083875080X
The Arts, Society, Literature by James M. Heath Pdf
Roland and Romanesque : Biblical iconography in The song of Roland by William R . Cook, Ronald B. Herzman. Wordworth, Coleridge, and Turner by James A.W. Heffe rnan. Alexander Pope and picturesque landscape by James R. Aubrey. The metamorp hosis of the centaur in fifth-century Greek arts and society by Krin Gabbard. F orm and protest in atonal music : a meditation on Adorno by Lucian Krukowski. "That hive of sublety" : "Benito Cereno" as critique of ideology by James H. Kavanagh. Poetry and kingship : Shakespeare's A midsummer night's dream by Leo Pau l S. de Alvarez. Hugh MacDiarmid and the Lenin/Douglas line by Stephen P. Smith .
Art and Society by Arnold W. Foster,Judith R. Blau Pdf
There is currently no reader in print that provides a broad ranging overview for an undergraduate course on the sociology of the arts or the sociology of culture. This book remedies this situation as it provides students with an overall understanding of the current issues, theoretical approaches, and substantive contributions in the sociology of the arts. Included are chapters on the aesthetic meaning of art; the social and institutional production of art; the links among audiences, artists, and cultural organizations; tensions between artists and their bureaucratized working settings; the training and careers of artists; relations between art and society; and the dynamics of cultural change. In addition to section introductions, there is a comprehensive introduction to provide students with an understanding of the history of the field, its main theoretical currents, and also to provide them with an appreciation of the contributions to cultural studies by other disciplines, such as anthropology and history. An extensive bibliography is also included in the reader, which was developed to assist students who wish to pursue research topics.
In The Subversive Imagination , professional writers, artists and cultural critics from around the world offer their views on the issue of the artist's responsibility to society. The contributors look beyond censorship and free speech issues and instead emphasize the subject of freedom. More specifically, the contributors question the ethical, mutual responsibilities between artists and the societies in which they live. The original essays address an eclectic range of subjects: censorship, multiculturalism, the transition from communism to capitalism in Eastern Europe, postmodernism, Salman Rushdie, and young black filmmakers' responsibility to the black community.
"For almost 300 years, an organisation has quietly tried to change almost every aspect of life in Britain. That organisation is the Royal Society for the Encouragement of Arts, Manufactures and Commerce, often known simply as the Royal Society of Arts. It has acted as Britain's private national improvement agency, in every way imaginable - essentially, a society for the improvement of everything and anything. This book is its history. From its beginnings in a coffee house in the mid-eighteenth century, the Society has tried to change Britain's art, industry, laws, music, environment, education, and even culture. It has sometimes even succeeded. It has been a prize-fund for innovations, a platform for Victorian utilitarian reformers, a convenor of disparate interest groups, and the focal point for social movements. There has never been an organisation quite like it, constantly having to reinvent itself to find something new to improve. The book rewrites many of the old official histories of the Society and updates them to the present day, incorporating over half a century of further research into the periods they covered, along with new insights into the organisation's evolution. The book reveals the hidden and often surprising history of how a few public-spirited people tried to make their country better, offering lessons from their triumphs and their failures for all would-be reformers today"--
"A fundamental historical account of the much-cited but little-studied concept of mimesis, and an essential starting point for all future discussions of this crucial critical concept."—Hayden White
The Arts, Literature, and Society by Arthur Marwick Pdf
An exploration of the complex and problematic relationships between cultural products - from Shakespeare to visual art, the novel, film and modern drama - and the societies which produce them. The contributors are all specialist authors in this increasingly important field of study.
The Art of Society 1900-1945 by Johanna Yeats,Maike Steinkamp Pdf
The Mies van der Rohe-designed museum reopens with a presentation of the highlights of classic modernism between 1900 and 1945 from the Nationalgalerie?s holdings. The paintings and sculptures make for a vivid illustration of various tendencies in the art of the period, with emphases on Expressionism, the Bauhaus, the New Objectivity, and Surrealism. They also document the close ties between art and society in the German Empire, the Weimar Republic, and under National Socialism?from Paula Modersohn-Becker and Edvard Munch to George Grosz and Lotte Laserstein and on to Max Ernst and Salvador Dalí. 0The catalogue provides complete documentation of the works on view in the exhibition. Introductory essays at the beginning of each section are complemented by explanatory notes on selected major works and brief discussions of special aspects.00Exhibition: Neue Nationalgalerie Berlin, Germany (starting August 2021).
The Fifth Avenue Artists Society by Joy Callaway Pdf
'The creative sisterhood of Little Women, the social scandal of Edith Wharton and the courtship mishaps of Jane Austen . . . The Fifth Avenue Artists Society is a delightful, and at times touching, tale of Gilded Age society and creative ambition with an inspiring heroine.' New York Daily News The Bronx, 1891. Virginia Loftin, the boldest of four artistic sisters in a family living in genteel poverty, knows what she wants most: to become a celebrated novelist despite her gender, and to marry Charlie, the boy next door and her first love. When Charlie instead proposes to a woman from a wealthy family, Ginny is devastated; shutting out her family, she holes up in her room and turns their story into fiction, obsessively rewriting a better ending. Though she works with newfound intensity, literary success eludes her-until she attends an elite salon hosted at her brother's friend John Hopper's Fifth Avenue mansion. Among painters, musicians, actors, and writers, Ginny returns to herself, even blooming under the handsome, enigmatic John's increasingly romantic attentions. But just as she and her siblings have become swept up in the society, Charlie throws himself back into her path, and Ginny learns that the salon's bright lights may be obscuring some dark shadows. Torn between two worlds that aren't quite as she'd imagined them, Ginny will realise how high the stakes are for her family, her writing, and her chance at love.
The Arts, Society, Literature by James M. Heath Pdf
Roland and Romanesque : Biblical iconography in The song of Roland by William R . Cook, Ronald B. Herzman. Wordworth, Coleridge, and Turner by James A.W. Heffe rnan. Alexander Pope and picturesque landscape by James R. Aubrey. The metamorp hosis of the centaur in fifth-century Greek arts and society by Krin Gabbard. F orm and protest in atonal music : a meditation on Adorno by Lucian Krukowski. "That hive of sublety" : "Benito Cereno" as critique of ideology by James H. Kavanagh. Poetry and kingship : Shakespeare's A midsummer night's dream by Leo Pau l S. de Alvarez. Hugh MacDiarmid and the Lenin/Douglas line by Stephen P. Smith .
How do we define 'culture?' In this volume, Adam Muller brings together contributions from established and emerging scholars in a number of different disciplines who each examine the concept of culture as it is understood and deployed within their respective fields.
Arts, Research, Innovation and Society by Gerald Bast,Elias G. Carayannis,David F. J. Campbell Pdf
This book explores – at the macro, meso and micro levels and in terms of qualitative as well as quantitative studies – theories, policies and practices about the contributions of artistic research and innovations towards defining new forms of knowledge, knowledge production, as well as knowledge diffusion, absorption and use. Artistic research, artistic innovations and arts-based innovations have been major transformers, as well as disruptors, of the ways in which societies, economies, and political systems perform. Ramifications here refer to the epistemic socio-economic, socio-political and socio-technical base and aesthetic considerations on the one hand, as well as to strategies, policies, and practices on the other, including sustainable enterprise excellence, considerations in the context of knowledge economies, societies and democracies. Creativity in general, and the arts in particular, are increasingly recognized as drivers of cultural, economic, political, social, and scientific innovation and development. This book examines how one could derive and develop insights in these areas from the four vantage points of Arts, Research, Innovation and Society. Among the principal questions that are examined include: - Could and should artists be researchers? - How are the systems of the Arts and Sciences connected and/or disconnected? - What is the impact of the arts in societal development? - How are the Arts interrelated with the mechanisms of generating social, scientific and economic innovation? As the inaugural book in the Arts, Research, Innovation and Society series, this book uses a thematically wide spectrum that serves as a general frame of reference for the entire series of books to come.
Artists’ Letters is a treasure trove of carefully selected letters written by great artists, providing the reader with a unique insight into their characters and a glimpse into their lives. Arranged thematically, it includes writings and musings on love, work, daily life, money, travel and the creative process. On the theme of friendship, for example, letters provide evidence of a creative community between peers, with support and mutual appreciation that helps to dispel the myth of the artist as solitary genius. Letters between Vincent van Gogh and Paul Gauguin show an ongoing conversation and exchange of ideas. We see mutual admiration between Claude Monet and Berthe Morisot, and Picasso’s quick notes to Jean Cocteau illustrate their closeness. Correspondence, some of which includes sketches and drawings, is reproduced with the transcript and some background and contextual information alongside. The book brings together a collection of treasures found in letters, which in our digital age are an increasingly lost art.
The fascinating story of the evolution of the country house in Britain, from its Roman precursors to the present The Story of the Country House is an authoritative and vivid account of the British country house, exploring how they have evolved with the changing political and economic landscape. Clive Aslet reveals the captivating stories behind individual houses, their architects, and occupants, and paints a vivid picture of the wider context in which the country house in Britain flourished and subsequently fell into decline before enjoying a renaissance in the twenty-first century. The genesis, style, and purpose of architectural masterpieces such as Hardwick Hall, Hatfield House, and Chatsworth are explored, alongside the numerous country houses lost to war and economic decline. We also meet a cavalcade of characters, owners with all their dynastic obsessions and diverse sources of wealth, and architects such as Inigo Jones, Sir John Vanbrugh, Robert Adam, Sir John Soane and A.W.N. Pugin, who dazzled or in some cases outraged their contemporaries. The Story of the Country House takes a fresh look at this enduringly popular building type, exploring why it continues to hold such fascination for us today.
Celebrating art and interpretation that take on social challenges, Doris Sommer steers the humanities back to engagement with the world. The reformist projects that focus her attention develop momentum and meaning as they circulate through society to inspire faith in the possible. Among the cases that she covers are top-down initiatives of political leaders, such as those launched by Antanas Mockus, former mayor of Bogotá, Colombia, and also bottom-up movements like the Theatre of the Oppressed created by the Brazilian director, writer, and educator Augusto Boal. Alleging that we are all cultural agents, Sommer also takes herself to task and creates Pre-Texts, an international arts-literacy project that translates high literary theory through popular creative practices. The Work of Art in the World is informed by many writers and theorists. Foremost among them is the eighteenth-century German poet and philosopher Friedrich Schiller, who remains an eloquent defender of art-making and humanistic interpretation in the construction of political freedom. Schiller's thinking runs throughout Sommer's modern-day call for citizens to collaborate in the endless co-creation of a more just and more beautiful world.
