The Ashgate Research Companion To Experimental Music

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The Ashgate Research Companion to Experimental Music

James Saunders
The Ashgate Research Companion to Experimental Music Book PDF

Author : James Saunders
Publisher : Routledge
Page : 453 pages
File Size : 40,5 Mb
Release : 2017-02-03
Category : Music
ISBN : 9781351697576

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The Ashgate Research Companion to Experimental Music by James Saunders Pdf

The recent resurgence of experimental music has given rise to a more divergent range of practices than has previously been the case. The Ashgate Research Companion to Experimental Music reflects these recent developments by providing examples of current thinking and presenting detailed case studies that document the work of contemporary figures. The book examines fourteen current practitioners by interrogating their artistic practices through annotated interviews, contextualized by nine authored chapters which explore central issues that emerge from and inform these discussions. Whilst focusing on composition, the book also encompasses related aspects of performance, improvisation and sonic art. The interviews all explore how the selected artists work, focusing on the processes involved in developing their recent projects, set against more general aesthetic concerns. They aim to shed light on the disparate nature of current work whilst seeking to find possible points of contact. Many of the practitioners are active in areas that span disciplines, such as composition and improvisation, and the book explores the interaction of these activities in the context of their work. The other chapters consider a range of issues pertinent to recent developments in the genre, including: definitions of experimentalism and its relationship with a broader avant garde; experimentalism and cultural change; notation and its effect on composition; realising open scores; issues of notation and interpretation in live electronic music; performing experimental music; improvisation and technology; improvisation and social meaning; instrumentalizing objects; visual artists' relationships to experimental music; working across interdisciplinary boundaries; listening and the soundscape; working methods, techniques and aesthetics of recent experimental music.

The Ashgate Research Companion to Minimalist and Postminimalist Music

Keith Potter,Kyle Gann
The Ashgate Research Companion to Minimalist and Postminimalist Music Book PDF

Author : Keith Potter,Kyle Gann
Publisher : Routledge
Page : 551 pages
File Size : 44,8 Mb
Release : 2016-03-23
Category : Music
ISBN : 9781317042549

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The Ashgate Research Companion to Minimalist and Postminimalist Music by Keith Potter,Kyle Gann Pdf

In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo Pärt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism’s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject.

The Ashgate Research Companion to Popular Musicology

Derek B. Scott
The Ashgate Research Companion to Popular Musicology Book PDF

Author : Derek B. Scott
Publisher : Ashgate Publishing, Ltd.
Page : 860 pages
File Size : 43,9 Mb
Release : 2010
Category : Music
ISBN : 9781409423218

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The Ashgate Research Companion to Popular Musicology by Derek B. Scott Pdf

The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars.

The Ashgate Research Companion to Minimalist and Postminimalist Music

Keith Potter,Kyle Gann
The Ashgate Research Companion to Minimalist and Postminimalist Music Book PDF

Author : Keith Potter,Kyle Gann
Publisher : Routledge
Page : 458 pages
File Size : 40,9 Mb
Release : 2016-03-23
Category : Music
ISBN : 9781317042556

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The Ashgate Research Companion to Minimalist and Postminimalist Music by Keith Potter,Kyle Gann Pdf

In recent years the music of minimalist composers such as La Monte Young, Terry Riley, Steve Reich and Philip Glass has, increasingly, become the subject of important musicological reflection, research and debate. Scholars have also been turning their attention to the work of lesser-known contemporaries such as Phill Niblock and Eliane Radigue, or to second and third generation minimalists such as John Adams, Louis Andriessen, Michael Nyman and William Duckworth, whose range of styles may undermine any sense of shared aesthetic approach but whose output is still to a large extent informed by the innovative work of their minimalist predecessors. Attempts have also been made by a number of academics to contextualise the work of composers who have moved in parallel with these developments while remaining resolutely outside its immediate environment, including such diverse figures as Karel Goeyvaerts, Robert Ashley, Arvo Pärt and Brian Eno. Theory has reflected practice in many respects, with the multimedia works of Reich and Glass encouraging interdisciplinary approaches, associations and interconnections. Minimalism’s role in culture and society has also become the subject of recent interest and debate, complementing existing scholarship, which addressed the subject from the perspective of historiography, analysis, aesthetics and philosophy. The Ashgate Research Companion to Minimalist and Postminimalist Music provides an authoritative overview of established research in this area, while also offering new and innovative approaches to the subject.

The Routledge Research Companion to Modernism in Music

Björn Heile,Charles Wilson
The Routledge Research Companion to Modernism in Music Book PDF

Author : Björn Heile,Charles Wilson
Publisher : Routledge
Page : 518 pages
File Size : 48,6 Mb
Release : 2018-10-29
Category : Music
ISBN : 9781317042457

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The Routledge Research Companion to Modernism in Music by Björn Heile,Charles Wilson Pdf

Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period. In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.

Tomorrow Is the Question

Benjamin Piekut
Tomorrow Is the Question Book PDF

Author : Benjamin Piekut
Publisher : University of Michigan Press
Page : 301 pages
File Size : 44,8 Mb
Release : 2014-04-09
Category : Music
ISBN : 9780472119264

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Tomorrow Is the Question by Benjamin Piekut Pdf

Essays investigating and sparking new questions in experimental music

Perspectives on the Music of Christopher Fox

Rose Dodd
Perspectives on the Music of Christopher Fox Book PDF

Author : Rose Dodd
Publisher : Routledge
Page : 193 pages
File Size : 49,9 Mb
Release : 2016-07-15
Category : Music
ISBN : 9781317081678

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Perspectives on the Music of Christopher Fox by Rose Dodd Pdf

Christopher Fox (1955) has emerged as one of the most fascinating composers of the post-war generation. His spirit of experimentalism pervades an oeuvre in which he has blithely created his own version of a range of contemporary musical practices. In his work many of the major expressions of European cultural activity - Darmstadt, Fluxus, spectralism, postminimalism and more - are assimilated to produce a voice which is uniquely resonant and multifaceted. In this, the first major study of his work, musicologists, composers, thinkers and practitioners scrutinize aspects of Christopher Fox's music, each exploring elements that relate to their own distinct areas of practice, tracing Fox's compositional trajectory and situating it within post-war contemporary European music practice. Above all this book addresses the question: How can one person dip his fingers into so many paint pots and yet retain a coherent compositional vision? The range of Fox's musical concerns make his work of interest to anyone who wants to study the development of so-called new music spanning the latter twentieth century into the twenty first century.

The Ashgate Research Companion to Fan Cultures

Linda Duits,Koos Zwaan,Stijn Reijnders
The Ashgate Research Companion to Fan Cultures Book PDF

Author : Linda Duits,Koos Zwaan,Stijn Reijnders
Publisher : Routledge
Page : 320 pages
File Size : 45,5 Mb
Release : 2016-04-22
Category : Social Science
ISBN : 9781317043485

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The Ashgate Research Companion to Fan Cultures by Linda Duits,Koos Zwaan,Stijn Reijnders Pdf

Fans constitute a very special kind of audience. They have been marginalized, ridiculed and stigmatized, yet at the same time they seem to represent the vanguard of new relationships with and within the media. ’Participatory culture’ has become the new normative standard. Concepts derived from early fan studies, such as transmedial storytelling and co-creation, are now the standard fare of journalism and marketing text books alike. Indeed, usage of the word fan has become ubiquitous. The Ashgate Research Companion to Fan Cultures problematizes this exaltation of fans and offers a comprehensive examination of the current state of the field. Bringing together the latest international research, it explores the conceptualization of ’the fan’ and the significance of relationships between fans and producers, with particular attention to the intersection between online spaces and offline places. The twenty-two chapters of this volume elucidate the key themes of the fan studies vernacular. As the contributing authors draw from recent empirical work around the globe, the book provides fresh insights and innovative angles on the latest developments within fan cultures, both online and offline. Because the volume is specifically set up as companion for researchers, the chapters include recommendations for the further study of fan cultures. As such, it represents an essential reference volume for researchers and scholars in the fields of cultural and media studies, communication, cultural geography and the sociology of culture.

The Ashgate Research Companion to Popular Musicology

Derek B. Scott
The Ashgate Research Companion to Popular Musicology Book PDF

Author : Derek B. Scott
Publisher : Routledge
Page : 614 pages
File Size : 54,5 Mb
Release : 2016-03-23
Category : Music
ISBN : 9781317041979

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The Ashgate Research Companion to Popular Musicology by Derek B. Scott Pdf

The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars. The volume covers seven main themes: Film, Video and Multimedia; Technology and Studio Production; Gender and Sexuality; Identity and Ethnicity; Performance and Gesture; Reception and Scenes and The Music Industry and Globalization. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.

Experimental Music Since 1970

Jennie Gottschalk
Experimental Music Since 1970 Book PDF

Author : Jennie Gottschalk
Publisher : Bloomsbury Publishing USA
Page : 304 pages
File Size : 54,8 Mb
Release : 2016-08-11
Category : Music
ISBN : 9781628922516

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Experimental Music Since 1970 by Jennie Gottschalk Pdf

What is experimental music today? This book offers an up to date survey of this field for anyone with an interest, from seasoned practitioners to curious readers. This book takes the stance that experimental music is not a limited historical event, but is a proliferation of approaches to sound that reveals much about present-day experience. An experimental work is not identifiable by its sound alone, but by the nature of the questions it poses and its openness to the sounding event. Experimentation is a way of working. It pushes past that which is known to discover what lies beyond it, finding new knowledge, forms, and relationships, or accepting a state of uncertainty. For each of these composers and sound artists, craft is developed and transformed in response to the questions they bring to their work. Scientific, perceptual, or social phenomena become catalysts in the operation of the work. These practices are not presented according to a chronology, a set of techniques, or social groupings. Instead, they are organized according to the content areas that are their subjects, including resonance, harmony, objects, shapes, perception, language, interaction, sites, and histories. Musical materials may be subject, among other treatments, to systemization, observation, examination, magnification, fragmentation, translation, or destabilization. These restless and exploratory modes of engagement have continued to develop over recent decades, expanding the scope of both musical practice and listening.

The Routledge Companion to Music, Technology, and Education

Andrew King,Evangelos Himonides,S. Alex Ruthmann
The Routledge Companion to Music Technology and Education Book PDF

Author : Andrew King,Evangelos Himonides,S. Alex Ruthmann
Publisher : Taylor & Francis
Page : 452 pages
File Size : 55,6 Mb
Release : 2017-01-20
Category : Music
ISBN : 9781317415138

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The Routledge Companion to Music, Technology, and Education by Andrew King,Evangelos Himonides,S. Alex Ruthmann Pdf

The Routledge Companion to Music, Technology, and Education is a comprehensive resource that draws together burgeoning research on the use of technology in music education around the world. Rather than following a procedural how-to approach, this companion considers technology, musicianship, and pedagogy from a philosophical, theoretical, and empirically-driven perspective, offering an essential overview of current scholarship while providing support for future research. The 37 chapters in this volume consider the major aspects of the use of technology in music education: Part I. Contexts. Examines the historical and philosophical contexts of technology in music. This section addresses themes such as special education, cognition, experimentation, audience engagement, gender, and information and communication technologies. Part II. Real Worlds. Discusses real world scenarios that relate to music, technology, and education. Topics such as computers, composition, performance, and the curriculum are covered here. Part III. Virtual Worlds. Explores the virtual world of learning through our understanding of media, video games, and online collaboration. Part IV. Developing and Supporting Musicianship. Highlights the framework for providing support and development for teachers, using technology to understand and develop musical understanding. The Routledge Companion to Music, Technology, and Education will appeal to undergraduate and post-graduate students, music educators, teacher training specialists, and music education researchers. It serves as an ideal introduction to the issues surrounding technology in music education.

Noise as a Constructive Element in Music

Mark Delaere
Noise as a Constructive Element in Music Book PDF

Author : Mark Delaere
Publisher : Taylor & Francis
Page : 232 pages
File Size : 48,7 Mb
Release : 2022-09-12
Category : Music
ISBN : 9781000619812

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Noise as a Constructive Element in Music by Mark Delaere Pdf

Music and noise seem to be mutually exclusive. Music is generally considered as an ordered arrangement of sounds pleasing to the ear and noise as its opposite: chaotic, ugly, aggressive, sometimes even deafening. When presented in a musical context, noise can thus act as a tool to express resistance to predominant cultural values, to society or to socioeconomic structures (including those of the music industry). The oppositional stance confirms current notions of noise as something which is destructive, a belief not only cherished by hard-core rock bands but also shared by engineers and companies developing devices to suppress or reduce noise in our daily environment. In contrast to the common opinions on noise just described, this volume seeks to explore the constructive potential of noise in contemporary musical practices. Rather than viewing noise as a ‘defect’, this volume aims at studying its aesthetic and cultural potential. Within the noise music study field, most recent publications focus on subgenres such as psychedelic post-rock, industrial, hard-core punk, trash or rave, as they developed from rock and popular music. This book includes work on avant-garde music developed in the domain of classical music as well. In addition to already well-established (social) historical and aesthetical perspectives on noise and noise music, this volume offers contributions by music analysts.

Historical Dictionary of Modern and Contemporary Classical Music

Nicole V. Gagné
Historical Dictionary of Modern and Contemporary Classical Music Book PDF

Author : Nicole V. Gagné
Publisher : Rowman & Littlefield
Page : 545 pages
File Size : 55,9 Mb
Release : 2019-07-17
Category : Music
ISBN : 9781538122983

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Historical Dictionary of Modern and Contemporary Classical Music by Nicole V. Gagné Pdf

The contemporary music scene thus embodies a uniquely broad spectrum of activity, which has grown and changed down to the present hour. With new talents emerging and different technologies developing as we move further into the 21st century, no one can predict what paths music will take next. All we can be certain of is that the inspiration and originality that make music live will continue to bring awe, delight, fascination, and beauty to the people who listen to it. This book cover modernist and postmodern concert music worldwide from the years 1888 to 2018. This second edition of Historical Dictionary of Modern and Contemporary Classical Music contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 500 cross-referenced entries on the most important composers, musicians, methods, styles, and media in modernist and postmodern classical music worldwide, from 1888 to 2018. This book is an excellent resource for students, researchers, and anyone wanting to know more about modern and contemporary classical music.

Christian Wolff

Michael Hicks,Christian Asplund
Christian Wolff Book PDF

Author : Michael Hicks,Christian Asplund
Publisher : University of Illinois Press
Page : 138 pages
File Size : 43,9 Mb
Release : 2012-09-15
Category : Biography & Autobiography
ISBN : 9780252094163

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Christian Wolff by Michael Hicks,Christian Asplund Pdf

In this first interpretive narrative of the life and work of Christian Wolff, Michael Hicks and Christian Asplund trace the influences and sensibilities of a contemporary composer's atypical career path and restless imagination. Written in full cooperation with Wolff, including access to his papers, this volume is a much-needed introduction to a leading avant-garde composer still living, writing music, and speaking about his own work. Wolff has pioneered various compositional and notational idioms, including overtly political music, indeterminacy, graphic scores, and extreme virtuosity. Trained as a classicist rather than a musician, Wolff has never quite had both feet in the rarefied world of contemporary composition. Yet he's considered a "composer's composer," with a mind ensconced equally in ancient Greek tragedy and experimental music and an eccentric and impulsive compositional approach that eludes a fixed stylistic fingerprint. Hicks and Asplund cover Wolff's family life and formative years, his role as a founder of the New York School of composers, and the context of his life and work as part of the John Cage circle, as well as his departures from it. Critically assessing Wolff's place within the experimental musical field, this volume captures both his eloquence and reticence and provides insights into his broad interests and activities within music and beyond.

New Directions in Music and Human-Computer Interaction

Simon Holland,Tom Mudd,Katie Wilkie-McKenna,Andrew McPherson,Marcelo M. Wanderley
New Directions in Music and Human Computer Interaction Book PDF

Author : Simon Holland,Tom Mudd,Katie Wilkie-McKenna,Andrew McPherson,Marcelo M. Wanderley
Publisher : Springer
Page : 306 pages
File Size : 42,7 Mb
Release : 2019-02-06
Category : Computers
ISBN : 9783319920696

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New Directions in Music and Human-Computer Interaction by Simon Holland,Tom Mudd,Katie Wilkie-McKenna,Andrew McPherson,Marcelo M. Wanderley Pdf

Computing is transforming how we interact with music. New theories and new technologies have emerged that present fresh challenges and novel perspectives for researchers and practitioners in music and human-computer interaction (HCI). In this collection, the interdisciplinary field of music interaction is considered from multiple viewpoints: designers, interaction researchers, performers, composers, audiences, teachers and learners, dancers and gamers. The book comprises both original research in music interaction and reflections from leading researchers and practitioners in the field. It explores a breadth of HCI perspectives and methodologies: from universal approaches to situated research within particular cultural and aesthetic contexts. Likewise, it is musically diverse, from experimental to popular, classical to folk, including tango, laptop orchestras, composition and free improvisation.