The Audience Experience

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The Audience Experience

Author : Jennifer Radbourne,Hilary Glow,Katya Johanson
Publisher : Intellect (UK)
Page : 0 pages
File Size : 54,9 Mb
Release : 2013
Category : Audiences
ISBN : 184150713X

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The Audience Experience by Jennifer Radbourne,Hilary Glow,Katya Johanson Pdf

The performing arts around the world need to develop their audiences, and arts marketing in the current mode has a limited ability to help. This book provides guidance about understanding and researching your audience. The book provides international best-practice case studies of projects that employ innovative methods to build knowledge of their audience. The collection presents internationally renowned scholars' current research on contemporary practices, framed by newly emerging theory. 'The Audience Experience' identifies a momentous change in what it means to be part of an audience for a live arts performance. Together, new communication technologies and new kinds of audiences have transformed the expectations of performance, and 'The Audience Experience' explores key trends in the contemporary presentation of performing arts.

Immersive Theatre and Audience Experience

Author : Rose Biggin
Publisher : Springer
Page : 225 pages
File Size : 42,9 Mb
Release : 2017-09-06
Category : Performing Arts
ISBN : 9783319620398

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Immersive Theatre and Audience Experience by Rose Biggin Pdf

This book is the first full-length monograph to focus on Punchdrunk, the internationally-renowned theatre company known for its pioneering approach to immersive theatre. With its promises of empowerment, freedom and experiential joy, immersive theatre continues to gain popularity - this study brings necessary critical analysis to this rapidly developing field. What exactly do we mean by audience “immersion”? How might immersion in a Punchdrunk production be described, theorised, situated or politicised? What is valued in immersive experience - and are these values explicit or implied? Immersive Theatre and Audience Experience draws on rehearsals, performances and archival access to Punchdrunk, providing new critical perspectives from cognitive studies, philosophical aesthetics, narrative theory and computer games. Its discussion of immersion is structured around three themes: interactivity and game; story and narrative; environment and space. Providing a rigorous theoretical toolkit to think further about the form’s capabilities, and offering a unique set of approaches, this book will be of significance to scholars, students, artists and spectators.

Coughing and Clapping: Investigating Audience Experience

Author : Dr Karen Burland,Professor Stephanie Pitts
Publisher : Ashgate Publishing, Ltd.
Page : 227 pages
File Size : 50,7 Mb
Release : 2014-12-28
Category : Music
ISBN : 9781472410290

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Coughing and Clapping: Investigating Audience Experience by Dr Karen Burland,Professor Stephanie Pitts Pdf

This collection explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. The book brings together international researchers who consider the experience of being an audience member from a range of theoretical and empirical perspectives and the question of what makes an audience, arguing convincingly for the practical and academic value of that question.

The Reasonable Audience

Author : Kirsty Sedgman
Publisher : Springer
Page : 174 pages
File Size : 49,9 Mb
Release : 2018-11-02
Category : Performing Arts
ISBN : 9783319991665

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The Reasonable Audience by Kirsty Sedgman Pdf

Audiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage – bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back... The Reasonable Audience explores the recent trend of ‘theatre etiquette’: an audience-led crusade to bring ‘manners and respect’ back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of 'good' and 'bad' spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as ‘reasonable’ within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others.

Audience Effect

Author : Julian Hanich
Publisher : Edinburgh University Press
Page : 325 pages
File Size : 50,7 Mb
Release : 2017-11-22
Category : Performing Arts
ISBN : 9781474414968

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Audience Effect by Julian Hanich Pdf

In this innovative book, Julian Hanich explores the subjectively lived experience of watching films together, to discover a fuller understanding of cinema as an art form and a social institution that matters to millions of people worldwide.

Audience Engagement in the Performing Arts

Author : Ben Walmsley
Publisher : Springer Nature
Page : 248 pages
File Size : 51,9 Mb
Release : 2019-09-11
Category : Performing Arts
ISBN : 9783030266530

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Audience Engagement in the Performing Arts by Ben Walmsley Pdf

This book explores the concept of audience engagement from a number of complementary perspectives, including cultural value, arts marketing, co-creation and digital engagement. It offers a critical review of the existing literature on audience research and engagement, and provides an overview of established and emerging methodologies deployed to undertake research with audiences. The book focusses on the performing arts, but draws from a rich diversity of academic fields to make the case for a radically interdisciplinary approach to audience research. The book’s underlying thesis is that at the heart of audience research there is a mutual exchange of value wherein audiences ideally play the role of strategic partners in the mission fulfilment of arts organisations. Illustrating how audiences have traditionally been side-lined, homogenised and vilified, it contends that the future paradigm of audience studies should be based on an engagement model, wherein audiences take their rightful place as subjects rather than objects of empirical research.

Key Issues in the Arts and Entertainment Industry

Author : Ben Walmsley
Publisher : Goodfellow Publishers Ltd
Page : 237 pages
File Size : 47,9 Mb
Release : 2011-03-31
Category : Business & Economics
ISBN : 9781906884819

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Key Issues in the Arts and Entertainment Industry by Ben Walmsley Pdf

The only book on contemporary issues which covers the arts and entertainment sectors, from social networking and Twitter, to reality TV and digital rights management.

The Audience And Its Landscape

Author : James Hay
Publisher : Routledge
Page : 764 pages
File Size : 40,5 Mb
Release : 2018-10-08
Category : Social Science
ISBN : 9780429976445

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The Audience And Its Landscape by James Hay Pdf

This book offers a major reconceptualization of the term audience, one which involves a landscape, including the landscape of a given audiencesituated and territorializing features of any way of seeing and defining the world. It acknowledges, in the face of conventional discourse analysis, the contextual features of discourse, to produce complex and textured understanding of the concept of audience. The book will speak to students of rhetoric, mass communication, cultural studies, anthropology, and sociology alike. This book offers a major reconceptualization of the term audience, including the landscape of a given audiencethe situated and territorializing features of any way of seeing and defining the world. Given de Certeaus hypothesis that listening, watching, and reading all occur in places and result in produce transformed paths or spaces, the contributors to this landmark volume have provided innovative essays analyzing the transformations that take place in the geography between sender and receiver. The book acknowledges, in the face of conventional discourse analysis, the contextual features of discourse, to produce a complex and textured understanding of the concept of audience. The Audience and Its Landscape, presents the work of a vital cross-section of international scholars including Swedens Karl Erik Rosengren, the UKs Jay G. Blumler and Roger Silverstone, Australias Tony Bennett, Israels Elihu Katz, Canadas Martin Allor, and the United Statess Janice Radway, Byron Reeves, and John Fisk, to name a few. This book is truly groundbreaking in its depth and scope, and will speak to students of rhetoric, mass communication, cultural studies, anthropology, and sociology alike.

Audience as Performer

Author : Caroline Heim
Publisher : Routledge
Page : 190 pages
File Size : 42,6 Mb
Release : 2015-07-30
Category : Performing Arts
ISBN : 9781317633556

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Audience as Performer by Caroline Heim Pdf

'Actors always talk about what the audience does. I don’t understand, we are just sitting here.' Audience as Performer proposes that in the theatre, there are two troupes of performers: the actors and the audience. Although academics have scrutinised how audiences respond, make meaning and co-create while watching a performance, little research has considered the behaviour of the theatre audience as a performance in and of itself. This insightful book describes how an audience performs through its myriad gestural, vocal and paralingual actions, and considers the following questions: If the audience are performers, who are their audiences? How have audiences’ roles changed throughout history? How do talkbacks and technology influence the audience’s role as critics? What influence does the audience have on the creation of community in theatre? How can the audience function as both consumer and co-creator? Drawing from over 140 interviews with audience members, actors and ushers in the UK, USA and Austrialia, Heim reveals the lived experience of audience members at the theatrical event. It is a fresh reading of mainstream audiences’ activities, bringing their voices to the fore and exploring their emerging new roles in the theatre of the Twenty-First Century.

Odyssey Works

Author : Abraham Burickson,Ayden LeRoux
Publisher : Chronicle Books
Page : 226 pages
File Size : 54,5 Mb
Release : 2016-11-08
Category : Art
ISBN : 9781616895686

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Odyssey Works by Abraham Burickson,Ayden LeRoux Pdf

Odyssey Works infiltrates the life of one person at a time to create a customtailored, life-altering performance. It may last for one day or a few months and consists of experiences that blur the boundaries of life and art—is that subway mariachi band, used book of poetry, or meal with a new friend real or a part of the performance? Central to this book is their 2013 performance for Rick Moody, author of The Ice Storm. His Odyssey lasted four months and included a fake children's book, introducing the themes of his performance, and a cello concert in a Saskatchewan prairie (which Moody almost missed after being stopped at customs with, suspiciously, no idea why he was traveling to Canada). The book includes Moody's interviews with Odyssey Works, an original short story by Amy Hempel, and six proposals for a new theory of making art.

Audience Experience and Contemporary Classical Music

Author : Gina Emerson
Publisher : Taylor & Francis
Page : 198 pages
File Size : 48,6 Mb
Release : 2023-03-03
Category : Music
ISBN : 9781000847949

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Audience Experience and Contemporary Classical Music by Gina Emerson Pdf

This book responds to recent debates on cultural participation and the relevance of music composed today with the first large-scale audience experience study on contemporary classical music. Through analysing how existing audience members experience live contemporary classical music, this book seeks to make data-informed contributions to future discussions on audience diversity and accessibility. The author takes a multidimensional view of audience experience, looking at how sociodemographic factors and the frames of social context and concert format shape aesthetic responses and experiences in the concert hall. The book presents quantitative and qualitative audience data collected at twelve concerts in ten different European countries, analysing general trends alongside case studies. It also offers the first large-scale comparisons between the concert experiences and tastes of contemporary classical and classical music audiences. Contemporary classical music is critically discussed as a ‘high art subculture’ rife with contradictions and conflicts around its cultural value. This book sheds light on how audiences negotiate the tensions between experimentalism and accessibility that currently define this genre. It provides insights relevant to academics from audience research in the performing arts and from musicology, as well as to institutions, practitioners and artists.

Routledge Companion to Audiences and the Performing Arts

Author : Matthew Reason,Lynne Conner,Katya Johanson,Ben Walmsley
Publisher : Routledge
Page : 774 pages
File Size : 45,5 Mb
Release : 2022-04-05
Category : Performing Arts
ISBN : 9781000537987

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Routledge Companion to Audiences and the Performing Arts by Matthew Reason,Lynne Conner,Katya Johanson,Ben Walmsley Pdf

The Routledge Companion to Audiences and the Performing Arts represents a truly multi-dimensional exploration of the inter-relationships between audiences and performance. This study considers audiences contextually and historically, through both qualitative and quantitative empirical research, and places them within appropriate philosophical and socio-cultural discourses. Ultimately, the collection marks the point where audiences have become central and essential not just to the act of performance itself but also to theatre, dance, opera, music and performance studies as academic disciplines. This Companion will be of great interest to academics, researchers and postgraduates, as well as to theatre, dance, opera and music practitioners and performing arts organisations and stakeholders involved in educational activities.

Understanding Audience Engagement in the Contemporary Arts

Author : Stephanie E. Pitts,Sarah M. Price
Publisher : Routledge
Page : 214 pages
File Size : 50,7 Mb
Release : 2020-09-23
Category : Business & Economics
ISBN : 9781000167351

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Understanding Audience Engagement in the Contemporary Arts by Stephanie E. Pitts,Sarah M. Price Pdf

Drawing on unique multi-arts, multi-city scholarly research, Understanding Audiences for the Contemporary Arts makes a timely and urgent contribution to debates about the place of arts and culture in contemporary society. The authors critically interrogate the challenges of access, diversity, privilege and responsibility in contemporary art. Asking who benefits from, pays for and consumes the arts, the book highlights fresh, forward-thinking audience and organisational attitudes that show the potential of live arts engagement to contribute to engaged citizenship. Complemented by comparative global analysis, the cutting-edge insights in this book are relevant for interdisciplinary researchers across audience studies and beyond. Enhanced by a new framework for the understanding audience engagement, the book is relevant to scholars, policymakers and reflective practitioners across the spectrum of arts and cultural industries management. Chapter 7 of this book is freely available as a downloadable Open Access PDF under a CC BY-NC-ND 4.0 license here.

Coughing and Clapping: Investigating Audience Experience

Author : Karen Burland,Stephanie Pitts
Publisher : Routledge
Page : 226 pages
File Size : 51,6 Mb
Release : 2016-05-13
Category : Music
ISBN : 9781317158981

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Coughing and Clapping: Investigating Audience Experience by Karen Burland,Stephanie Pitts Pdf

Coughing and Clapping: Investigating Audience Experience explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. The book brings together international researchers who consider the experience of being an audience member from a range of theoretical and empirical perspectives. Whether enjoying a drink at a jazz gig, tweeting at a pop concert or suppressing a cough at a classical recital, audience experience is affected by motivation, performance quality, social atmosphere and group and personal identity. Drawing on the implications of these experiences and attitudes, the authors consider the question of what makes an audience, and argue convincingly for the practical and academic value of that question.

Asking the Audience

Author : Adair Rounthwaite
Publisher : U of Minnesota Press
Page : 350 pages
File Size : 43,7 Mb
Release : 2017-02-21
Category : Art
ISBN : 9781452953878

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Asking the Audience by Adair Rounthwaite Pdf

The 1980s was a critical decade in shaping today’s art production. While newly visible work concerned with power and identity hinted at a shift toward multiculturalism, the ‘80s were also a time of social conservatism that resulted in substantial changes in arts funding. In Asking the Audience, Adair Rounthwaite uses this context to analyze the rising popularity of audience participation in American art during this important decade. Rounthwaite explores two seminal and interrelated art projects sponsored by the Dia Art Foundation in New York: Group Material’s Democracy and Martha Rosler’s If You Lived Here…. These projects married issues of social activism—such as homelessness and the AIDS crisis—with various forms of public participation, setting the precedent for the high-profile participatory practices currently dominating global contemporary art. Rounthwaite draws on diverse archival images, audio recordings, and more than thirty new interviews to analyze the live affective dynamics to which the projects gave rise. Seeking to foreground the audience experience in understanding the social context of participatory art, she argues that affect is key to the audience’s ability to exercise agency within the participatory artwork. From artists and audiences to institutions, funders, and critics, Asking the Audience traces the networks that participatory art creates between various agents, demonstrating how, since the 1980s, leftist political engagement has become a cornerstone of the institutionalized consumption of contemporary art.