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"Midnight sweatlodge tells the tale of a group of strangers and family gathered together to partake in this ancient aboriginal ceremony. Each seeks healing from the ceremony and each character gives us a glimpse into their lives that is tearful and true"--P. [4] of cover.
Having a good death is our final human right, argues Sandra Martin in this updated and expanded version of her bestselling and award-winning social history of the right to die movement in Canada and around the world. Winner of the BC National Award for Canadian Non-Fiction, finalist for both the Donner Prize in Public Policy and the Dafoe Prize for History, A Good Death has a new chapter on Canada’s Medical Assistance in Dying Law. The law allows mentally competent adults, who are suffering grievously from incurable conditions, to ask for a doctor’s help in ending their lives. Does the law go far enough? No, says Martin. She delivers compelling stories about the patients the law ignores: people with life-crushing diseases who are condemned to suffer because their natural deaths are not reasonably foreseeable. With a clear analytical eye, she exposes the law’s shortcomings and outlines constitutional challenges, including the presumed right of publicly-funded faith-based institutions to deny suffering patients a legal medical service. Martin argues that Canada can set an example for the world if it can strike a balance between compassion for the suffering and protection of the vulnerable, between individual choice and social responsibility. A Good Death asks the tough question none of us can avoid: How do you want to die? The answer will change your life—and your death. “[An] excellent new book. . . .The timeliness is hard to overstate.” —The Globe and Mail “What truly distinguishes this book is the reportage on individuals and families who have fought to arrange for a better death. . . . These first-hand experiences are the beating heart of a timely and powerful examination.” —2017 BC National Award for Canadian Non-Fiction Jury Citation
News stories are like collective memories, encapsulating the most iconic moments in recent history around the world. But to those who work in journalism, up-close involvement with these stories can also be life-changing. In That’s Why I’m a Journalist, veteran broadcaster Mark Bulgutch interviews 44 prominent Canadian journalists, who each share their behind-the-scenes accounts of some of the most memorable stories of their careers and describe the moment that made them say to themselves, “That’s why I’m a journalist.” Although many of the contributors’ stories are related to their roles in the most high-profile events of the 20th and 21st centuries, from the fall of the Berlin Wall to 9/11, here too are reflections on quieter and more intimate moments that had a deep personal impact. Peter Mansbridge talks about a trip to Vimy Ridge on the hundredth anniversary of World War I, Adrienne Arsenault recalls bringing together old friends separated by the Israeli-Palestinian conflict, Terence McKenna recounts what it’s like to worry about being kidnapped as part of the job and Wendy Mesley reflects on the satisfaction of asking tough questions—and uncovering the truth. Together, these enthralling and varied accounts provide an intimate understanding of the people we see on camera and hear on the radio. As Bulgutch argues, modern journalism is undergoing existential threats. News has never been more accessible yet, paradoxically, important news has become harder to find, often buried by pseudo-news of celebrity, lifestyle tips and the latest viral video of a water-skiing squirrel. The stories in this book serve as reminders of the importance of real journalists and real journalism.
Tom Wolfe's The Purple Decades brings together the author's own selections from his list of critically acclaimed publications, including the complete text of Mau-Mauing and the Flak Catchers, his account of the wild games the poverty program encouraged minority groups to play.
This is a new edition of the world's leading textbook on journalism. Translated into more than a dozen languages, David Randall's handbook is an invaluable guide to the "universals" of good journalistic practice for professional and trainee journalists worldwide. Irrespective of language or culture, good journalists share a common commitment to the search for truth, often in difficult circumstances. David Randall emphasizes that good journalism isn't just about universal objectives: it must also involve the acquisition of a range of skills that will empower journalists to operate in an industry where ownership, technology and information are constantly changing. This acclaimed handbook challenges old attitudes, procedures and techniques of journalism where they are seen as cynical and sloppy. This fully updated edition contains scores of new anecdotes and examples, drawing on the author's own experience as a national newspaper reporter and columnist.
What if our beliefs were not what divided us, but what pulled us together? In Have a Little Faith, Mitch Albom offers a beautifully written story of a remarkable eight-year journey between two worlds -- two men, two faiths, two communities -- that will inspire readers everywhere. Albom's first nonfiction book since Tuesdays with Morrie, Have a Little Faith begins with an unusual request: an eighty-two-year-old rabbi from Albom's old hometown asks him to deliver his eulogy. Feeling unworthy, Albom insists on understanding the man better, which throws him back into a world of faith he'd left years ago. Meanwhile, closer to his current home, Albom becomes involved with a Detroit pastor -- a reformed drug dealer and convict -- who preaches to the poor and homeless in a decaying church with a hole in its roof. Moving between their worlds, Christian and Jewish, African-American and white, impoverished and well-to-do, Albom observes how these very different men employ faith similarly in fighting for survival: the older, suburban rabbi embracing it as death approaches; the younger, inner-city pastor relying on it to keep himself and his church afloat. As America struggles with hard times and people turn more to their beliefs, Albom and the two men of God explore issues that perplex modern man: how to endure when difficult things happen; what heaven is; intermarriage; forgiveness; doubting God; and the importance of faith in trying times. Although the texts, prayers, and histories are different, Albom begins to recognize a striking unity between the two worlds -- and indeed, between beliefs everywhere. In the end, as the rabbi nears death and a harsh winter threatens the pastor's wobbly church, Albom sadly fulfills the rabbi's last request and writes the eulogy. And he finally understands what both men had been teaching all along: the profound comfort of believing in something bigger than yourself. Have a Little Faith is a book about a life's purpose; about losing belief and finding it again; about the divine spark inside us all. It is one man's journey, but it is everyone's story. Ten percent of the profits from this book will go to charity, including The Hole In The Roof Foundation, which helps refurbish places of worship that aid the homeless.
All life — whether on land or in the sea — depends on the oceans for two things: • Oxygen. Most of Earth’s oxygen is produced by phytoplankton in the sea. These humble, one-celled organisms, rather than the spectacular rain forests, are the true lungs of the planet. • Climate control. Our climate is regulated by the ocean’s currents, winds, and water-cycle activity. Sea Sick is the first book to examine the current state of the world’s oceans — the great unexamined ecological crisis of the planet — and the fact that we are altering everything about them; temperature, salinity, acidity, ice cover, volume, circulation, and, of course, the life within them. Alanna Mitchell joins the crews of leading scientists in nine of the global ocean’s hotspots to see firsthand what is really happening around the world. Whether it’s the impact of coral reef bleaching, the puzzle of the oxygen-less dead zones such as the one in the Gulf of Mexico, or the shocking implications of the changing Ph balance of the sea, Mitchell explains the science behind the story to create an engaging, accessible yet authoritative account.
"This book is a message from autistic people to their parents, friends, teachers, coworkers and doctors showing what life is like on the spectrum. It's also my love letter to autistic people. For too long, we have been forced to navigate a world where all the road signs are written in another language." With a reporter's eye and an insider's perspective, Eric Garcia shows what it's like to be autistic across America. Garcia began writing about autism because he was frustrated by the media's coverage of it; the myths that the disorder is caused by vaccines, the narrow portrayals of autistic people as white men working in Silicon Valley. His own life as an autistic person didn't look anything like that. He is Latino, a graduate of the University of North Carolina, and works as a journalist covering politics in Washington D.C. Garcia realized he needed to put into writing what so many autistic people have been saying for years; autism is a part of their identity, they don't need to be fixed. In We're Not Broken, Garcia uses his own life as a springboard to discuss the social and policy gaps that exist in supporting those on the spectrum. From education to healthcare, he explores how autistic people wrestle with systems that were not built with them in mind. At the same time, he shares the experiences of all types of autistic people, from those with higher support needs, to autistic people of color, to those in the LGBTQ community. In doing so, Garcia gives his community a platform to articulate their own needs, rather than having others speak for them, which has been the standard for far too long.
The Journalist and the Murderer by Janet Malcolm Pdf
A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.
NEW YORK TIMES BESTSELLER A “thrilling” (The New York Times), “dazzling” (The Wall Street Journal) tour of the radically different ways that animals perceive the world that will fill you with wonder and forever alter your perspective, by Pulitzer Prize–winning science journalist Ed Yong “One of this year’s finest works of narrative nonfiction.”—Oprah Daily ONE OF THE TEN BEST BOOKS OF THE YEAR: The Wall Street Journal, The New York Times, Time, People, The Philadelphia Inquirer, Slate, Reader’s Digest, Publishers Weekly, BookPage ONE OF THE BEST BOOKS OF THE YEAR: The Globe and Mail, The New Yorker, Oprah Daily, The Washington Post, The Guardian, Smithsonian Magazine, Kirkus Reviews, Library Journal The Earth teems with sights and textures, sounds and vibrations, smells and tastes, electric and magnetic fields. In An Immense World, Ed Yong coaxes us beyond the confines of our own senses to encounter beetles that are drawn to fires, turtles that can track the Earth’s magnetic fields, fish that fill rivers with electrical messages, and even humans who wield sonar like bats. We discover that a crocodile’s scaly face is as sensitive as a lover’s fingertips, that the eyes of a giant squid evolved to see sparkling whales, that plants thrum with the inaudible songs of courting bugs, and that even simple scallops have complex vision. We learn what bees see in flowers, what songbirds hear in their tunes, and what dogs smell on the street. We listen to stories of pivotal discoveries in the field, while looking ahead at the many mysteries that remain unsolved. Funny, rigorous, and suffused with the joy of discovery, An Immense World takes us on what Marcel Proust called “the only true voyage . . . not to visit strange lands, but to possess other eyes.”