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The Band's Guide To Getting A Record Deal (Second Edition) by Will Ashurst Pdf
Will Ashurst provides tangible answers as he delves deep into the music industry. With sensible goals and pitfalls to avoid, this book will guide you through the fog that stands between you, your demo and your deal! 10,000 unsigned bands are desperate for recognition from recording and publishing companies. All bands in this position, whether or not they have the requisite talent, are certainly missing one vital commodity - information. In a jargon-free, easy-to-understand, practical style, the This is the updated third edition which also covers the developments and changes that have occured in the Music Industry since the first edition was published as well as an updated list of useful contacts.
Code of Fair Competition for the Band Instrument Manufacturing Industry as Approved on February 10, 1934 by United States. National Recovery Administration Pdf
Author : United States. Department of the Army Publisher : Unknown Page : 106 pages File Size : 53,9 Mb Release : 1969 Category : Bands (Music) ISBN : STANFORD:36105211226092
The Crawling Band as an Exchange Rate Regime by John Williamson Pdf
This study examines in detail the experiences of three countries that have in recent years operated exchange rate systems of "crawling bands," similar in spirit to the target zones that the author has recommended in the past. Williamson compares the succcessful experiences of 3 countries that have operated crawling bands with 15 similar countries and concludes that the crawling band exchange-rate policy has been an important element in their success. The study includes a manual for managing crawling bands.
Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making by Suzel Ana Reily,Katherine Brucher Pdf
Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a comparison of band cultures across geographic and historical fields. The themes addressed encompass the military heritage of band cultures; local appropriations of the military prototype; links between bands and their local communities; the spheres of local band activities and the modes of sociability within them; and the role of bands in trajectories toward professional musicianship. This book will appeal to readers with an interest in ethnomusicology, colonial and post-colonial studies, community music practices, as well as anyone who has played with or listened to their local band.
Music is a heavenly gift. It is one of the only gifts that transcends the barriers of language and creed. The inspirational and charismatic music of the Bahama Brass Band stirs a range of emotions from overwhelming peace and contentment to sheer bliss. The harmonic arrangements combined in the music of the Bahama Brass Band are the culmination of many influences; the most important being our heritage and faith in Almighty God. The world famous Bahama Brass Band was organized in 1925 by four ministers of the Gospel namely; Bishop Hermis Ferguson, Bishop Alvin S. Moss, Bishop James R. Cooper, and Pastor Frank Cunningham. Today, with the combination of its Nassau and Grand Bahama segments, the membership exceeds 100. This band plays an important role in the ministry of the Church of God of Prophecy as evidenced by its performances at local and state conventions as well as the bi-annual worldwide General Assemblies. The late Bishop Stanley R. Ferguson, first colonial overseer prophesied that the day would come when this band would play before Kings and the Rulers of the earth. On July 10th, 1973 the prophecy was fulfilled during The Bahamas' Independence Celebrations. In attendance to witness the ministry of this band were; Prince Charles, Prince of Wales, representative for his mother Queen Elizabeth II of the United Kingdom, Sir Roland Symonette, former premier of The Bahamas, Rt. Hon. Sir Lynden Pindling, prime minister of The Bahamas, prime ministers and government representatives of St. Lucia, Jamaica, Bermuda, St. Kitts, Grenada and thirty (30) Latin American countries.
Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making by Dr Suzel Ana Reily,Professor Katherine Brucher Pdf
Bands structured around western wind instruments are among the most widespread instrumental ensembles in the world. Although these ensembles draw upon European military traditions that spread globally through colonialism, militarism and missionary work, local musicians have adapted the brass band prototype to their home settings, and today these ensembles are found in religious processions and funerals, military manoeuvres and parades, and popular music genres throughout the world. Based on their expertise in ethnographic and archival research, the contributors to this volume present a series of essays that examine wind band cultures from a range of disciplinary perspectives, allowing for a comparison of band cultures across geographic and historical fields. The themes addressed encompass the military heritage of band cultures; local appropriations of the military prototype; links between bands and their local communities; the spheres of local band activities and the modes of sociability within them; and the role of bands in trajectories toward professional musicianship. This book will appeal to readers with an interest in ethnomusicology, colonial and post-colonial studies, community music practices, as well as anyone who has played with or listened to their local band.