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Author : Jennifer Ruth Doctor
Publisher : Cambridge University Press
Page : 530 pages
File Size : 45,9 Mb
Release : 1999
Category : Business & Economics
ISBN : 052166117X
This book, first published in 2000, examines the BBC's attempts to manipulate critical and public responses to contemporary music between 1922 and 1936.
Author : Alain Frogley,Aidan J. Thomson
Publisher : Cambridge University Press
Page : 361 pages
File Size : 48,7 Mb
Release : 2013-11-14
Category : Music
ISBN : 9781107650268
An icon of British national identity and one of the most widely performed twentieth-century composers, Ralph Vaughan Williams has been as much misunderstood as revered; his international impact and enduring influence on areas as diverse as church music, film scores and popular music has been insufficiently appreciated. This volume brings together a team of leading scholars, examining all areas of the composer's output from new perspectives, and re-evaluating the cultural politics of his lifelong advocacy for the music-making of ordinary people. Surveys of major genres are complemented by chapters exploring such topics as the composer's relationship with the BBC and his studies with Ravel; uniquely, the book also includes specially commissioned interviews with major living composers Peter Maxwell Davies, Piers Hellawell, Nicola Lefanu and Anthony Payne. The Companion is a vital resource for all those interested in this pivotal figure of modern music.
Author : Anaïs Fléchet,Martin Guerpin,Philippe Gumplowicz,Barbara L. Kelly
Publisher : Berghahn Books
Page : 321 pages
File Size : 55,8 Mb
Release : 2023-06-09
Category : Music
ISBN : 9781800738959
From the Napoleonic Wars to the genocide of the Tutsis in Rwanda, via the great world conflicts of the 20th century, Music and Postwar Transitions in the 19th and 20th Centuries is the first book to highlight the significance of ‘postwar transitions’ in the field of music and to demonstrate the influence that musicians, composers, critics, institutions, and publics have had on the period that follows conflict. Leading historians, political scientists, psychologists and musicologists explore the roles of music and culture in demobilization, reconstruction, memory, reconciliation, revenge, and nationalist backlash. Moving beyond the popular conception of music as an agent of peace, this study reveals music’s more complex and ambivalent role in the process of transition from war to peace.
Author : Christina L. Baade
Publisher : Oxford University Press
Page : 290 pages
File Size : 50,8 Mb
Release : 2013-10
Category : History
ISBN : 9780199328055
This book tells the fascinating story of the BBC's participation in the events of World War II through popular music and jazz broadcasting. Author Christina Baade argues that rather than providing the soundtrack for a unified "People's War" as its popular broadcast Victory through Harmony promised to do, the BBC's popular music broadcasting efforts exposed the divergent ideologies, tastes, and perspectives of the nation.
Author : Kate Guthrie
Publisher : Univ of California Press
Page : 307 pages
File Size : 45,8 Mb
Release : 2021-07-13
Category : Music
ISBN : 9780520975897
From the BBC Proms to Bernstein's Young People's Concerts, initiatives to promote classical music have been a pervasive feature of twentieth-century musical life. The goal of these initiatives was rarely just to reach a larger and more diverse audience but to teach a particular way of listening that would help the public "appreciate" music. This book examines for the first time how and why music appreciation has had such a defining and long-lasting impact—well beyond its roots in late-Victorian liberalism. It traces the networks of music educators, philanthropists, policy makers, critics, composers, and musicians who, rather than resisting new mass media, sought to harness their pedagogic potential. The book explores how listening became embroiled in a nexus of modern problems around citizenship, leisure, and education. In so doing, it ultimately reveals how a new cultural milieu—the middlebrow—emerged at the heart of Britain's experience of modernity.
Author : Shundana Yusaf
Publisher : MIT Press
Page : 350 pages
File Size : 55,5 Mb
Release : 2014-02-28
Category : Architecture
ISBN : 9780262321648
How the BBC shaped popular perceptions of architecture and placed them at the heart of debates over participatory democracy. In the years between the world wars, millions of people heard the world through a box on the dresser. In Britain, radio listeners relied on the British Broadcasting Corporation for information on everything from interior decoration to Hitler's rise to power. One subject covered regularly on the wireless was architecture and the built environment. Between 1927 and 1945, the BBC aired more than six hundred programs on this topic, published a similar number of articles in its magazine, The Listener, and sponsored several traveling exhibitions. In this book, Shundana Yusaf examines the ways that broadcasting placed architecture at the heart of debates on democracy. Undaunted by the challenge of talking about space and place in disembodied voices over a nonvisual medium, designers and critics turned the wireless into an arena for debates about the definitions of the architect and architecture, the difficulties of town and country planning after the breakup of large country estates, the financing of the luxury market, the expansion of local governing power, and tourism. Yusaf argues that while broadcast technology made a decisive break with the Victorian world, these broadcasts reflected the BBC's desire to continue the legacy of Victorian institutions dedicated to the production of a cultivated polity. Under the leadership of John Reith, the BBC introduced listeners to the higher pleasures of life hoping to deepen their respect for tradition, the authority of the state, and national interests. These ambitions influenced the way architecture was portrayed on the air. Yusaf finds that the wireless evoked historic architecture only in travelogues and contemporary design mainly in shopping advice. The BBC's architectural programming, she argues, offered a paradoxical interface between the placelessness of radio and the situatedness of architecture, between the mechanical or nonhumanistic impulses of technology and the humanist conception of architecture.
Author : Pamela M. Potter,Christina L. Baade,Roberta Montemorra Marvin
Publisher : Indiana University Press
Page : 305 pages
File Size : 52,8 Mb
Release : 2020-10-06
Category : Music
ISBN : 9780253052506
A collection of essays examining the roles played by music in American and European society during the Second World War. Global conflicts of the twentieth century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. Music in World War II explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war’s musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of “war music” in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, examining how music in these environments played a crucial role in maintaining ties to an idealized “home” and constructing politicized notions of national and ethnic identity. This fascinating, well-constructed volume of essays builds understanding of the role and importance of music during periods of conflict and highlights the unique aspects of music during World War II. “A collection that offers deeply informed, interdisciplinary, and original views on a myriad of musical practices in Europe, Great Britain, and the United States during the period.” —Gayle Magee, co-editor of Over Here, Over There: Transatlantic Conversations on the Music of World War I
Author : Erica Siegel
Publisher : Boydell & Brewer
Page : 353 pages
File Size : 53,9 Mb
Release : 2023-07-18
Category : Composers
ISBN : 9781837650514
The first full-length biographical study of Elizabeth Maconchy (1907-1994). The British-born Irish composer (Dame) Elizabeth Maconchy (1907-1994) is best known today for her cycle of thirteen string quartets, composed over five decades. And yet, her oeuvre ranges from large scale choral works, to ballets, operas, and symphonic scores. Having studied with Charles Wood and Ralph Vaughan Williams at the Royal College of Music, many of her compositions also garnered accolades from peers and established musical figures such as Gustav Holst, Donald Francis Tovey, and Henry Wood, among others. With access to a wealth of documentation previously unavailable, this book explores Maconchy's life and music within a greater consideration of the social and political context of the world in which she lived. While the influence of Bartók has been well documented, this book reveals the equally potent influence of Vaughan Williams on Maconchy's musical idiom. This book also discusses Maconchy's foray into administration and her advocacy of young composers through her work as the first woman to be elected Chairman of the Composers' Guild of Great Britain in 1959 and President of the Society for the Promotion of New Music following the death of Benjamin Britten in 1976. It will be required reading for those interested in the lives of women composers, twentieth-century British music, and musical modernism.
Author : Matthew Riley
Publisher : Routledge
Page : 346 pages
File Size : 41,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351573016
Imaginative analytical and critical work on British music of the early twentieth century has been hindered by perceptions of the repertory as insular in its references and backward in its style and syntax, escaping the modernity that surrounded its composers. Recent research has begun to break down these perceptions and has found intriguing links between British music and modernism. This book brings together contributions from scholars working in analysis, hermeneutics, reception history, critical theory and the history of ideas. Three overall themes emerge from its chapters: accounts of British reactions to Continental modernism and the forms they took; links between music and the visual arts; and analysis and interpretation of compositions in the light of recent theoretical work on form, tonality and pitch organization.
Author : Tony Stoller
Publisher : Springer
Page : 297 pages
File Size : 54,5 Mb
Release : 2017-11-11
Category : History
ISBN : 9783319647104
This book is the first comprehensive account of classical music on all British radio stations, BBC and commercial, between 1945 and 1995. It narrates the shifting development of those services, from before the launch of the Third Programme until after the start of Classic FM, examining the output from both qualitative and quantitative perspectives, as well as recounting some of the stories and anecdotes which enliven the tale. During these fifty years, British classical music radio featured spells of broad, multi-channel classical music radio, with aspirational and mainstream culture enjoying positive interactions, followed by periods of more restricted and exclusive output, in a paradigm of the place of high culture in UK society as a whole. The history was characterised by the recurring tensions between elite and popular provision, and the interplay of demands for highbrow and middlebrow output, and also sheds new light on the continuing relevance of class in Britain. It is an important and unique resource for those studying British history in the second half of the twentieth century, as well as being a compelling and diverting account for enthusiasts for classical music radio.
Author : Joanna Bullivant
Publisher : Cambridge University Press
Page : 289 pages
File Size : 42,9 Mb
Release : 2017-08-10
Category : History
ISBN : 9781107033368
The first major study of British communist composer Alan Bush, providing new perspectives on music and politics during the Cold War.
Author : Annika Forkert
Publisher : Cambridge University Press
Page : 261 pages
File Size : 55,6 Mb
Release : 2023-10-31
Category : Music
ISBN : 9781009337359
Unlocks new perspectives on twentieth-century British music, charting Lutyens and Clark's influential and controversial contributions to composition, performance, appreciation, and education.
Author : A. M. Garnham
Publisher : Routledge
Page : 317 pages
File Size : 45,7 Mb
Release : 2018-02-05
Category : Music
ISBN : 9781351759953
Originally published in 2003, Hans Keller and the BBC is a vivid portrait of the changing face of British broadcasting seen through the work of one of its most significant personalities. Starting with an examination of Keller’s early psychological interests, and the evolution of his method of ‘functional analysis’ of music (with which the BBC was intimately concerned), the book charts the huge contribution Keller made to British music during his BBC years. Also explored in detail are the successive crises of the Third Programme and its replacement by Radio 3, together with Keller’s leading role in opposing the decline of the BBC’s cultural idealism. Drawing on a wealth of primary sources, much of which has never been previously examined, this study paints a striking picture of Keller’s personality in combination with the BBC’s turbulent inner workings, showing the effect of one remarkable individual on the most powerful musical institution in 20th-century Britain.
Author : Eva Moreda Rodriguez,Inja Stanović
Publisher : Taylor & Francis
Page : 279 pages
File Size : 45,5 Mb
Release : 2023-02-28
Category : Music
ISBN : 9781000845075
The use of historical recordings as primary sources is relatively well established in both musicology and performance studies and has demonstrated how early recording technologies transformed the ways in which musicians and audiences engaged with music. This edited volume offers a timely snapshot of a wide range of contemporary research in the area of performance practice and performance histories, inviting readers to consider the wide range of research methods that are used in this ever-expanding area of scholarship. The volume brings together a diverse team of researchers who all use early recordings as their primary source to research performance in its broadest sense in a wide range of repertoires within and on the margins of the classical canon – from the analysis of specific performing practices and parameters in certain repertoires, to broader contextual issues that call attention to the relationship between recorded performance and topics such as analysis, notation and composition. Including a range of accessible music examples, which allow readers to experience the music under discussion, this book is designed to engage with academic and non-academic readers alike, being an ideal research aid for students, scholars and performers, as well as an interesting read for early sound recording enthusiasts.
Author : Louis Niebur
Publisher : Oxford University Press
Page : 128 pages
File Size : 46,5 Mb
Release : 2010-09-16
Category : Music
ISBN : 9780199709533
Special Sound traces the fascinating creation and legacy of the BBC's electronic music studio, the Radiophonic Workshop, in the context of other studios in Europe and America. The BBC built a studio to provide its own avant-garde dramatic productions with experimental sounds "neither music nor sound effect." Quickly, however, a popular kind of electronic music emerged in the form of quirky jingles, signature tunes such as Doctor Who, and incidental music for hundreds of programs. These influential sounds and styles, heard by millions of listeners over decades of operation on television and radio, have served as a primary inspiration for the use of electronic instruments in popular music. Using in-depth research in the studio's archives and papers, this book tells the history of the many engineers, composers, directors, and producers behind the studio to trace the shifting perception towards electronic music in Britain. Combining historical discussion of the people and instruments in the workshop with analysis of specific works, Louis Niebur creates a new model for understanding how the Radiophonic Workshop fits into the larger history of electronic music.