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Lucien Carr is rarely, if ever, mentioned in the same breath as the more famous poets and authors of the Beat Generation such as Jack Kerouac, Allen Ginsberg, or William Burroughs. The Beats were known for views and work that was considered very radical in the 1940s, 1950s, and into the 1960s. For some, this work was shocking, for others it was freeing and inspired a new generation of writers. It all began with Carr. His conversations with Ginsberg about the "New Vision" and his rejection of traditional morality drew the Beats together and set the course for literary history. However, Carr's shocking murder of David Kammerer in 1944 altered his own life's course and left him searching for anonymity rather than the spotlight that would shine on the Beat Generation.
Lucien Carr is rarely, if ever, mentioned in the same breath as the more famous poets and authors of the Beat Generation such as Jack Kerouac, Allen Ginsberg, or William Burroughs. The Beats were known for views and work that was considered very radical in the 1940s, 1950s, and into the 1960s. For some, this work was shocking, for others it was freeing and inspired a new generation of writers.It all began with Carr. His conversations with Ginsberg about the "New Vision" and his rejection of traditional morality drew the Beats together and set the course for literary history. However, Carr's shocking murder of David Kammerer in 1944 altered his own life's course and left him searching for anonymity rather than the spotlight that would shine on the Beat Generation.
THE DEFINITIVE DOSSIER ON HISTORY’S MOST HEINOUS! Hollywood’s make-believe maniacs like Jason, Freddy, and Hannibal Lecter can’t hold a candle to real life monsters like John Wayne Gacy, Ted Bundy, Jeffrey Dahmer, and scores of others who have terrorized, tortured, and terminated their way across civilization throughout the ages. Now, from the much-acclaimed author of Deviant, Deranged, and Depraved, comes the ultimate resource on the serial killer phenomenon. Rigorously researched and packed with the most terrifying, up-to-date information, this innovative and highly compelling compendium covers every aspect of multiple murderers—from psychology to cinema, fetishism to fan clubs, “trophies” to trading cards. Discover: WHO THEY ARE: Those featured include Ed Gein, the homicidal mama’s boy who inspired fiction’s most famous Psycho, Norman Bates; Angelo Buono and Kenneth Bianchi, sex-crazed killer cousins better known as the Hillside Stranglers; and the Beanes, a fifteenth-century cave-dwelling clan with an insatiable appetite for human flesh HOW THEY KILL: They shoot, stab, and strangle. Butcher, bludgeon, and burn. Drown, dismember, and devour . . . and other methods of massacre too many and monstrous to mention here. WHY THEY DO IT: For pleasure and for profit. For celebrity and for “companionship.” For the devil and for dinner. For the thrill of it, for the hell of it, and because “such men are monsters, who live . . . beyond the frontiers of madness.” PLUS: in-depth case studies, classic killers’ nicknames, definitions of every kind of deviance and derangement, and much, much more. For more than one hundred profiles of lethal loners and killer couples, Bluebeards and black widows, cannibals and copycats— this is an indispensable, spine-tingling, eye-popping investigation into the dark hearts and mad minds of that twisted breed of human whose crimes are the most frightening . . . and fascinating.
What is it like to learn that your ordinary, loving father is a serial killer? In 2005, Kerri Rawson opened the door of her apartment to greet an FBI agent who shared the shocking news that her father had been arrested for murdering ten people, including two children. That’s also when she first learned that her father was the notorious serial killer known as BTK, a name he’d given himself that described the horrific way he committed his crimes: bind, torture, kill. As news of his capture spread, the city of Wichita celebrated the end of a thirty-one-year nightmare. For Kerri Rawson, another was just beginning. In the weeks and years that followed, Kerri was plunged into a black hole of horror and disbelief. The same man who had been a loving father, a devoted husband, church president, Boy Scout leader, and a public servant had been using their family as a cover for his heinous crimes since before she was born. Everything she had believed about her life had been a lie. Written with candor and extraordinary courage, A Serial Killer’s Daughter is an unflinching exploration of life with one of America’s most infamous killers and an astonishing tale of personal and spiritual transformation. For all who suffer from: unhealed wounds, the crippling effects of violence, betrayal, or anger, Kerri Rawson’s story offers the hope of reclaiming sanity in the midst of madness, rebuilding a life in the shadow of death, and learning to forgive the unforgivable.
From Michael Connelly's first career as a prize-winning crime reporter comes this collection of the gripping, true stories that have inspired and informed his novels.
800 Weird But True Serial Killer Facts by Blake Seaforth Pdf
800 weird and often grisly facts about the bizarre and gruesome history of serial killers. There are a varied range of facts on the background of serial killers, their eating habits and last meals, strange habits, unusual aspects of their crimes, anecdotes and interesting statements from the killers and other pieces of fascinating trivia about them. Read on if you dare!
An anthology of the best of the beats edited by Anne Waldman (who should know) and containing a chronology of the movement from Kerouac to Snyder. The emphasis is on the the poetry and prose excerpts; However, the volume includes brief biographical sketches, an introduction by Ginsberg, a recommended beat vacation guide of the places where the gang passed out or recovered, and more scholarly references. The writers selected for inclusion represent the core of beat: Corso, Kerouac, Ginsberg, Orlovsky, di Prima, Burroughs, Baraka, Ferlinghetti, Kyger, Kandel, Kaufman, Whalen, McClure, and Snyder. Annotation copyright by Book News, Inc., Portland, OR
A suspenseful, tongue-in-cheek adventure inspired by Bigfoot mythology traces the experiences of a hairy monster that stalks its woodland home and wreaks bloody havoc on unsuspecting campers in its quest for apocalyptic destruction. By the co-author of It's in the Book, Bob! 50,000 first printing.
"When I interrogate a serial killer I dive into the blackness of his soul. I am familiar with his feelings of emptiness, loneliness, depression, death, omnipotence and fear. I dive deeply to get a grip on his torment..." A profiler who wants to understand the mind of the serial killer must have been prepared by life experiences before he or she can dare to venture into the abyss. A person who has led a protected life will not survive.
It is 1973 when a New York police o cer is gunned down in the vestibule of a mob hangout. As the killer, ma a boss Frank Ardone, escapes despite the bullet from the slain cop's gun that remains in his shoulder, he breathes a sigh of relief, not realizing that detectives Anthony Pirelli and Solly Samuels will soon be hot on his tail. Pirelli and Samuels know they need the bullet to convict the killer. Seemingly left with few options, Detective Pirelli's e orts to nail the murderer prove fruit-less. Leads go nowhere. The courts do nothing to help. Frustrated beyond belief, Pirelli and Samuels helplessly spin their wheels while a cop killer freely walks the streets. But when Pirelli is suspended from the force as part of the investigation, he suddenly gains the freedom to move in the netherworld of organized crime where he calls upon his charm and street smarts as he attempts to maneuver himself closer and closer to Ardone. In this gripping, murderous thriller, a detective must become someone he is not in order to retrieve the evidence he needs to bring a vicious mobster down for good."
Set during the early years of the First Liberian Civil War (1989 – 1996), this startling debut play by Diana Nneka Atuona tells the story of fourteen-year-old Martha who flees her country, disguised as a boy, when it's invaded by rebels. Investigated and cruelly interrogated, she is separated from her grandmother as they attempt to escape the conflict under false identities and, convincing in her boy's apparel, Martha is forced to join the rebels' army. Exposed to the violence of this brutal and seemingly misguided conflict, both as victim and perpetrator, Martha's experience of the First Liberian Civil War is one of excessive cruelty and, in particular, abuse against female prisoners of war. Liberian Girl received its world premiere at the Royal Court Upstairs, London in December 2014.
