The Cambridge Companion To Pop And Rock

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The Cambridge Companion to Pop and Rock

Author : Simon Frith,Will Straw,John Street
Publisher : Cambridge University Press
Page : 336 pages
File Size : 55,7 Mb
Release : 2001-08-16
Category : Music
ISBN : 0521556600

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The Cambridge Companion to Pop and Rock by Simon Frith,Will Straw,John Street Pdf

This Companion maps the world of pop and rock, pinpointing the most significant moments in its history and presenting the key issues involved in understanding popular culture's most vital art form. Expert writers chart the changing patterns in the production and consumption of popular music, the emergence of a vast industry with a turnover of billions and the rise of global stars from Elvis to Public Enemy, Nirvana to the Spice Girls. They trace the way new technologies - from the amplifier to the internet - have changed the sounds and practices of pop and they analyse the way maverick entrepreneurs have given way to multimedia corporations. In particular they focus on the controversial issues concerning race and ethnicity, politics, gender and globalisation. Contains full profiles of a selection of figures from the pop and rock world.

The Cambridge Companion to the Beatles

Author : Kenneth Womack
Publisher : Cambridge University Press
Page : 128 pages
File Size : 40,5 Mb
Release : 2009-11-12
Category : Music
ISBN : 9781139828062

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The Cambridge Companion to the Beatles by Kenneth Womack Pdf

From Please Please Me to Abbey Road, this collection of essays tells the fascinating story of the Beatles – the creation of the band, their musical influences, and their cultural significance, with emphasis on their genesis and practices as musicians, songwriters, and recording artists. Through detailed biographical and album analyses, the book uncovers the background of each band member and provides expansive readings of the band's music. • Traces the group's creative output from their earliest recordings through their career • Pays particular attention to the social and historical factors which contributed to the creation of the band • Investigates the Beatles' unique enduring musical legacy and cultural power • Clearly organized into three sections, covering Background, Works, and History and Influence, the Companion is ideal for course usage, and is also a must-read for all Beatles fans

The Cambridge Companion to the Rolling Stones

Author : Victor Coelho,John Covach
Publisher : Cambridge University Press
Page : 247 pages
File Size : 41,5 Mb
Release : 2019-09-12
Category : Music
ISBN : 9781107030268

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The Cambridge Companion to the Rolling Stones by Victor Coelho,John Covach Pdf

The first collection of academic essays focused entirely on the musical, historical, cultural and media impact of the Rolling Stones.

Popular Music

Author : Roy Shuker
Publisher : Psychology Press
Page : 352 pages
File Size : 44,6 Mb
Release : 2005
Category : Music
ISBN : 041534770X

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Popular Music by Roy Shuker Pdf

With 'Key Concepts in Popular Music', Roy Shuker presents a comprehensive A-Z glossary of the main terms and concepts used in the study of popular music.

The Cambridge Companion to the Saxophone

Author : Richard Ingham
Publisher : Cambridge University Press
Page : 242 pages
File Size : 53,7 Mb
Release : 1999-02-13
Category : Music
ISBN : 9781107494053

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The Cambridge Companion to the Saxophone by Richard Ingham Pdf

The Cambridge Companion to the Saxophone, first published in 1999, tells the story of the saxophone, its history and technical development from Adolphe Sax (who invented it c. 1840) to the end of the twentieth century. It includes extensive accounts of the instrument's history in jazz, rock and classical music as well as providing practical performance guides. Discussion of the repertoire and soloists from 1850 to the present day includes accessible descriptions of contemporary techniques and trends, and moves into the electronic age with midi wind instruments. There is a discussion of the function of the saxophone in the orchestra, in 'light music' and in rock and pop studios, as well as of the saxophone quartet as an important chamber music medium. The contributors to this volume are some of the finest performers and experts on the saxophone.

The Cambridge Companion to Nineteen Eighty-Four

Author : Nathan Waddell
Publisher : Cambridge University Press
Page : 311 pages
File Size : 55,8 Mb
Release : 2020-10
Category : Literary Collections
ISBN : 9781108841092

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The Cambridge Companion to Nineteen Eighty-Four by Nathan Waddell Pdf

The Cambridge Companion to Nineteen Eighty-Four is aimed at undergraduates, postgraduates, and academics. Situating the novel in multiple frameworks, including contextual considerations and literary histories, the book asks new questions about the novel's significance in an age in which authoritarianism finds itself freshly empowered.

The Cambridge Companion to the String Quartet

Author : Robin Stowell
Publisher : Cambridge University Press
Page : 394 pages
File Size : 47,8 Mb
Release : 2003-11-13
Category : Music
ISBN : 0521000424

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The Cambridge Companion to the String Quartet by Robin Stowell Pdf

Table of contents

The Cambridge Companion to Rhythm

Author : Russell Hartenberger,Ryan McClelland
Publisher : Cambridge University Press
Page : 371 pages
File Size : 52,8 Mb
Release : 2020-09-24
Category : Music
ISBN : 9781108492928

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The Cambridge Companion to Rhythm by Russell Hartenberger,Ryan McClelland Pdf

An exploration of rhythm and the richness of musical time from the perspective of performers, composers, analysts, and listeners.

The Cambridge Companion to Bob Dylan

Author : Kevin J. H. Dettmar
Publisher : Cambridge University Press
Page : 185 pages
File Size : 42,7 Mb
Release : 2009-02-19
Category : Literary Criticism
ISBN : 1139828436

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The Cambridge Companion to Bob Dylan by Kevin J. H. Dettmar Pdf

A towering figure in American culture and a global twentieth-century icon, Bob Dylan has been at the centre of American life for over forty years. The Cambridge Companion to Bob Dylan brings fresh insights into the imposing range of Dylan's creative output. The first Part approaches Dylan's output thematically, tracing the evolution of Dylan's writing and his engagement with American popular music, religion, politics, fame, and his work as a songwriter and performer. Essays in Part II analyse his landmark albums to examine the consummate artistry of Dylan's most accomplished studio releases. As a writer Dylan has courageously chronicled and interpreted many of the cultural upheavals in America since World War II. This book will be invaluable both as a guide for students of Dylan and twentieth-century culture, and for his fans, providing a set of new perspectives on a much-loved writer and composer.

The Cambridge Companion to the Musical

Author : William A. Everett,Paul R. Laird
Publisher : Cambridge University Press
Page : 503 pages
File Size : 50,5 Mb
Release : 2017-09-21
Category : Music
ISBN : 9781107114746

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The Cambridge Companion to the Musical by William A. Everett,Paul R. Laird Pdf

An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.

The Cambridge Companion to Women in Music since 1900

Author : Laura Hamer
Publisher : Cambridge University Press
Page : 357 pages
File Size : 48,6 Mb
Release : 2021-05-06
Category : Music
ISBN : 9781108470285

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The Cambridge Companion to Women in Music since 1900 by Laura Hamer Pdf

An overview of women's work in classical and popular music since 1900 as performers, composers, educators and music technologists.

Analyzing Popular Music

Author : Allan F. Moore
Publisher : Cambridge University Press
Page : 284 pages
File Size : 43,7 Mb
Release : 2003-05-22
Category : Music
ISBN : 9781139435345

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Analyzing Popular Music by Allan F. Moore Pdf

How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with and is the first collection of such essays to incorporate contextualisation in this way.

The Routledge Companion to Popular Music Analysis

Author : Ciro Scotto,Kenneth M. Smith,John Brackett
Publisher : Routledge
Page : 442 pages
File Size : 46,8 Mb
Release : 2018-09-28
Category : Music
ISBN : 9781134830855

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The Routledge Companion to Popular Music Analysis by Ciro Scotto,Kenneth M. Smith,John Brackett Pdf

The Routledge Companion to Popular Music Analysis: Expanding Approaches widens the scope of analytical approaches for popular music by incorporating methods developed for analyzing contemporary art music. This study endeavors to create a new analytical paradigm for examining popular music from the perspective of developments in contemporary art music. "Expanded approaches" for popular music analysis is broadly defined as as exploring the pitch-class structures, form, timbre, rhythm, or aesthetics of various forms of popular music in a conceptual space not limited to the domain of common practice tonality but broadened to include any applicable compositional, analytical, or theoretical concept that illuminates the music. The essays in this collection investigate a variety of analytical, theoretical, historical, and aesthetic commonalities popular music shares with 20th and 21st century art music. From rock and pop to hip hop and rap, dance and electronica, from the 1930s to present day, this companion explores these connections in five parts: Establishing and Expanding Analytical Frameworks Technology and Timbre Rhythm, Pitch, and Harmony Form and Structure Critical Frameworks: Analytical, Formal, Structural, and Political With contributions by established scholars and promising emerging scholars in music theory and historical musicology from North America, Europe, and Australia, The Routledge Companion to Popular Music Analysis: Expanding Approaches offers nuanced and detailed perspectives that address the relationships between concert and popular music.

The Cambridge Companion to the Singer-Songwriter

Author : Katherine Williams,Justin A. Williams
Publisher : Cambridge University Press
Page : 385 pages
File Size : 46,5 Mb
Release : 2016-02-25
Category : Music
ISBN : 9781107063648

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The Cambridge Companion to the Singer-Songwriter by Katherine Williams,Justin A. Williams Pdf

This Companion explores the historical and theoretical contexts of the singer-songwriter tradition, and includes case studies of singer-songwriters from Thomas d'Urfey through to Kanye West.

Performing Rites

Author : Simon Frith
Publisher : Harvard University Press
Page : 363 pages
File Size : 46,6 Mb
Release : 1998-02-06
Category : Music
ISBN : 9780674247314

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Performing Rites by Simon Frith Pdf

Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject--and discloses their place at the very center of the aesthetics that structure our culture and color our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of popular aesthetics on our lives. How we nod our heads or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's "for real"--these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgments but also demanding them, and shaping our understanding of what all music means.