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Filmmaker Rose Leclair is beautiful, famous, and happily married. But when a new star actress begins commanding unwelcome amounts of attention—even, reportedly, from Rose's own husband—her life of privilege unspools. First published in 1967, The Camera Always Lies is an absorbing novel of Hollywood politics and one woman's struggle to survive them.
One marriage. So many secrets. Can a camera that captures those secrets, exposing them through pictures, save the marriage or send it crashing into the sea? Kelly Whitely is at the height of her career, selling the latest miracle drug to doctors and pharmacies across the country. But concerns about the side effects have her longing for the day when she can quit her high-paying job and really focus on saving her marriage and teenage daughter. She keeps trying to talk to her husband, Daniel, about it, but every time she brings it up, he retreats further and further away from her. Daniel Whitely is a successful marriage counselor and bestselling author, yet secrets from the past have created a chasm between him and Kelly. To make matters worse, the deadline for his second book has come and gone, and he still hasn’t written a single word. But he doesn’t dare tell anyone, not even his wife. When Daniel inherits an old camera from his grandfather, he notices an inscription on the bottom: “No matter what you think you might see, the camera never lies.” Daniel begins using the camera, but every time he develops his photos, they threaten to reveal secrets. Secrets about his own career, but also secrets about those around him, including Kelly. With each click of the camera, he risks exposure as a fraud, but if he doesn’t face the truths the photos reveal, what will happen to his marriage? To his family? A standalone short novel Approximately 60,000 words Includes discussion questions, perfect for book clubs Praise for The Camera Never Lies: "In his intriguing novel, The Camera Never Lies, David Rawlings challenges us to wonder what our photographs would look like if our souls, not our faces, were captured by the lens. This fascinating story will capture your imagination and your heart."—Rachel Hauck, New York Times bestselling author of The Wedding Dress “The camera never lies, and neither does this gripping story about unearthing our deepest secrets in the most fantastical of ways. A message relatable to us all, bottled in an adventure we all love to read.”—Melissa Ferguson, author of The Dating Charade "A thought-provoking look at the real price that secrets extract—not just from the person keeping them, but from their loved ones, too.You'll close this story and be compelled to examine your own life . . . and also look at those around you and wonder, 'Who else looks like they have it all together but is drowning on the inside?'"—Jessica Kate, author of Love and Other Mistakes
As Tiger Woods broke down in tears on the 18th green at Royal Liverpool Golf Club, legions of spectators strained their eyes to read the emotion on his face. Like the millions watching on television, they knew that Tiger had just won the British Open, and that his father had recently died. Beyond that, however, they knew precious little -- only that he played with a Nike golf ball, carried an American Express card in his wallet, and, presumably, drove a Buick. They were hungry for more, but everything else about his off-course life, and those of his fellow pros, was forbiddingly well-guarded. Until now. In The Scorecard Always Lies veteran Sports Illustrated golf correspondent Chris Lewis reaches past the results, stats, and sound-bites to focus on the personalities and personal lives of the sport's top players. While embracing all the drama and excitement of the 2006 PGA Tour season, he takes us inside the locker rooms, hotel rooms, and private planes to deliver an unrivaled, behind-thescenes look at the Tour and the men who play it. Lewis spent thirty weeks of the 2006 season on the road with the best golfers in the world, exploring their backstories, motivations, and preoccupations, and collecting telling, character-revealing tales. He bore witness to both the hard work and the privilege that frame their lifestyles. But he also discovered a Tour that to this point remained largely unknown -- one where a player while pursuing dreams of glory might also be suing his agent, going through a messy divorce, or looking to throw down in the locker room with one of his peers. There's John Daly trying to explain how his wife has just been taken off to jail. There's Chris Couch making a midnight, barefoot run through a derelict district of New Orleans, fearing he was about to be kidnapped, and taking refuge in a tattoo parlor. We watch as Tiger Woods tries to deal with losing his father to cancer, while refusing to abandon his fondness for blue humor. We see Phil Mickelson hanging with rock stars, sharing a Masters victory gift with a national championship-winning college football coach, and hooking up a sportswriter with a would-be groupie's phone number. All in all, we get a rare glimpse of the off-course lives of the Tour's stars and their supporting cast. At turns humorous, touching, and insightful, the book sheds new light on every aspect of Tour life, from easygoing Tuesday practice rounds to feverpitch Sunday showdowns, always taking care to show how their off-course concerns inform their every swing. Fans will savor the fullest portrait yet of a group of players who, throughout their successes and struggles, remain unfailingly smart, funny, and engaging, and make up the most intriguing subculture in all of sports.
The first book on Hitchcock that focuses exclusively on his work with actors Alfred Hitchcock is said to have once remarked, "Actors are cattle," a line that has stuck in the public consciousness ever since. For Hitchcock, acting was a matter of contrast and counterpoint, valuing subtlety and understatement over flashiness. He felt that the camera was duplicitous, and directed actors to look and act conversely. In The Camera Lies, author Dan Callahan spotlights the many nuances of Hitchcock's direction throughout his career, from Cary Grant in Notorious (1946) to Janet Leigh in Psycho (1960). Delving further, he examines the ways that sex and sexuality are presented through Hitchcock's characters, reflecting the director's own complex relationship with sexuality. Detailing the fluidity of acting -- both what it means to act on film and how the process varies in each actor's career -- Callahan examines the spectrum of treatment and direction Hitchcock provided well- and lesser-known actors alike, including Ingrid Bergman, Henry Kendall, Joan Barry, Robert Walker, Jessica Tandy, Kim Novak, and Tippi Hedren. As Hitchcock believed, the best actor was one who could "do nothing well" - but behind an outward indifference to his players was a sophisticated acting theorist who often drew out great performances. The Camera Lies unpacks Hitchcock's legacy both as a director who continuously taught audiences to distrust appearance, and as a man with an uncanny insight into the human capacity for deceit and misinterpretation.
"The media in general, and TV in particular, are incomparably the greatest single influence in our society . This influence is, in my opinion, largely exerted irresponsibly, arbitrarily, and without reference to any moral or intellectual, still less spiritual guidelines whatsoever." Throughout his journalistic career, Malcolm Muggeridge was a commentator. On radio and television, as a lecturer, journalist and author, he fascinated, delighted, provoked-and sometimes infuriated-his audiences. Christ and the Media is a sharp, witty critique of media-oriented culture with such intriguing fantasies as the "the Fourth Temptation," in which Jesus is approached with the offer of a worldwide TV network. "Future historians," wrote Muggeridge, "will surely see us as having created in the media a Frankenstein monster which no one knows how to control or direct, and marvel that we should have so meekly subjected ourselves to its destructive and often malign influence. Born in 1903 started his career as a university lecturer at the university in Cairo before taking up journalism. As a journalist he worked around the world on the Guardian, Calcutta Statesman, the Evening Standard and the Daily Telegraph, and then in 1953 became editor of Punch where he remained for four years. In later years he became best known as a broadcaster both on television and radio for the BBC. His other books include Jesus Rediscovered, Jesus: The Man Who Lives, and A Third Testament. He died in 1990.
Documents of Life 2 by Ken Plummer,Kenneth Plummer Pdf
This study champions the use of life stories and other perosnal documents in social research. It considers recent developments in the humanist approach to social research, looking at writing and narrative, memory, and the auto/biographical society.
Skilful lighting involves a subtle blend of systematic mechanics and a sensitive visual imagination. It requires anticipation, perceptiveness, patience and know-how. But learning through practice alone can take a great deal of time. This book is a distillation of many years' experience, with advice and guidance that will bring successful results right from the start. Whether you are a student studying lighting techniques in the television, video and film media, or a professional lighting for the camera, this book will be an invaluable aid. Other members of the production team, including camera crews, designers and directors, will also find the information here interesting and useful. The book concentrates primarily on the fundamental principles of lighting in studios, on location and display, as well as single-camera, small unit production, improvised and economy lighting, and working with limited facilities. Emphasis is also placed on the safety aspects of working with lighting equipment. Lighting for Television and Film reflects the author's considerable experience of lighting techniques in BBC studios, his teaching and consultancy work. Gerald Millerson's analytical writings spring from a lifetime's personal experience in the medium, and from his teaching and engineering background. During his career with the BBC, he was primarily associated with studio operations in the Television Service. His lecturing background included courses in TV production at a number of American universities. His other books for Focal Press are Television Production, TV Scenic Design, Video Production Handbook and, in the Media Manuals series, Effective TV Production, Lighting for Video and Video Camera Techniques.
'There is no such thing as autobiography, there is only art and lies'. Set in a London of the near future, its three principal characters, Handel, Picasso and Sappho, separately flee the city and find themselves on the same train, drawn to one another through the curious agency of a book. Stories within stories take us through the unlikely love affairs of one Doll Sneerpiece, an 18th century bawd, and into the world of painful beauty where language has the power to heal. Art & Lies is a question and a quest: How shall I live?
Six Sigma in the Pharmaceutical Industry by Brian K. Nunnally,John S. McConnell Pdf
Six Sigma in the Pharmaceutical Industry is the first book to introduce the fundamentals of Six Sigma, examine control chart theory and practice, and explain the concept of variation management and reduction applied specifically to the pharmaceutical industry. The first half lays out a conceptual framework for understanding variation, while the second half introduces control chart theory and practice. Using case studies and statistics, the book illustrates the concepts and explains their application to actual workplace improvements. Providing the basis for a complete operating philosophy, this book focuses on core concepts and their implementation to improve the existing products and processes in the pharmaceutical industry.
Presented in one volume for the very first time, and updated with new archival discoveries, Early Auden, Later Auden reintroduces Edward Mendelson's acclaimed, two-part biography of W. H. Auden (1907–73), one of the greatest literary figures of the twentieth century. This book offers a detailed history and interpretation of Auden’s oeuvre, spanning the duration of his career from juvenilia to his final works in poetry as well as theatre, film, radio, opera, essays, and lectures. Early Auden, Later Auden follows the evolution of the poet’s thought, offering a comparison of Auden’s views at various junctures over a lifetime. With penetrating insight, Mendelson examines Auden’s early ideas, methods, and personal transitions as reflected in poems, manuscripts, and private papers. The book then links changes in Auden’s intellectual, emotional, and religious experience with his shifting public role—showing the depth of his personal struggles with self and with fame, and the means by which these internal conflicts were reflected in his art in later years. Featuring a new preface by the author, Early Auden, Later Auden is an engaging and timeless work that demonstrates Auden’s remarkable range and complexity, paying homage to his enduring legacy.
Using jargon-free language and lively, up-to-date examples, Semiotics: The Basics demystifies this highly interdisciplinary subject. Along the way, the reader will find out: * what is a sign? * which codes do we take for granted? * what is a text? * how can semiotics be used in textual analysis? * who were Saussure, Peirce, Barthes and Jakobson - and why are they important? Features include a glossary of key terms and realistic suggestions for further reading. There is also a highly-developed and long-established online version of the book at: www.aber.ac.uk/media/Documents/S4B
The Cinema of Wim Wenders: The Celluloid Highway is a new study of the films of this most prominent of German directors, and penetrates the seductive sounds and images for which he is best known. The book analyses the individual films in the context of a preoccupation central to all of Wenders' work and writings: why modern cinema - a recording art, solely composed of sounds and images - naturally developed into a primarily narrative medium, a domain traditionally associated with words and sentences? With its emphasis on analysing the films themselves, this book identifies and critically elucidates Wenders' chief artistic motivation: that the act of seeing can constitute a creative act in its own right.
Essentials of Teaching and Integrating Visual and Media Literacy by Danilo M. Baylen,Adriana D'Alba Pdf
This book focuses on how to effectively integrate the teaching and learning of visual and media literacies in K-12 and higher education. Not only does it address and review the elements and principles of visual design but also identifies, discusses and describes the value of media in learning diverse and challenging content across disciplines. Finally, this book provides a balanced treatment of how visual and media literacies support deep content learning, student engagement, critical thinking, creativity, problem solving, and production.