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Author : Dan Georgakas
Publisher : Unknown
Page : 436 pages
File Size : 43,8 Mb
Release : 1983
Category : Biography & Autobiography
ISBN : UOM:39015008518691
Author : Anonim
Publisher : Unknown
Page : 128 pages
File Size : 55,9 Mb
Release : 1985
Category : Electronic
ISBN : OCLC:66800733
Author : Anonim
Publisher : Unknown
Page : 396 pages
File Size : 42,8 Mb
Release : 1983
Category : Film
ISBN : 0941702022
Author : Dan Georgakas
Publisher : Unknown
Page : 396 pages
File Size : 47,8 Mb
Release : 1985
Category : Developing countries
ISBN : OCLC:1200275395
Author : Daniel Georgakas
Publisher : Unknown
Page : 128 pages
File Size : 53,7 Mb
Release : 2024-06-30
Category : Electronic
ISBN : OCLC:175158869
Author : Gary Crowdus
Publisher : Lakeview
Page : 0 pages
File Size : 45,9 Mb
Release : 2002
Category : Film and culture
ISBN : 0941702502
Cineaste, America's leading magazine on the art and politics of the cinema, has been acclaimed worldwide for its interviews with filmmakers and film critics. In the early 1980s, a collection of some of the best of these was published as The Cineaste Interviews. Now, Cineaste Interviews 2 takes on the aesthetic and political issues that have dominated the film scene over the last twenty years. The focus of this particular collection of twenty-five interviews is on the role of the director.
Author : Cynthia Lucia,Rahul Hamid
Publisher : University of Texas Press
Page : 380 pages
File Size : 53,6 Mb
Release : 2017-11-01
Category : Performing Arts
ISBN : 9781477313435
Digital technology and the Internet have revolutionized film criticism, programming, and preservation in deeply paradoxical ways. The Internet allows almost everyone to participate in critical discourse, but many print publications and salaried positions for professional film critics have been eliminated. Digital technologies have broadened access to filmmaking capabilities, as well as making thousands of older films available on DVD and electronically. At the same time, however, fewer older films can be viewed in their original celluloid format, and newer, digitally produced films that have no "material" prototype are threatened by ever-changing servers that render them obsolete and inaccessible. Cineaste, one of the oldest and most influential publications focusing on film, has investigated these trends through a series of symposia with the top film critics, programmers, and preservationists in the United States and beyond. This volume compiles several of these symposia: "Film Criticism in America Today" (2000), "International Film Criticism Today" (2005), "Film Criticism in the Age of the Internet" (2008), "Film Criticism: The Next Generation" (2013), "The Art of Repertory Film Exhibition and Digital Age Challenges" (2010), and "Film Preservation in the Digital Age" (2011). It also includes interviews with the late, celebrated New Yorker film critic Pauline Kael and the critic John Bloom ("Joe Bob Briggs"), as well as interviews with the programmers/curators Peter von Bagh and Mark Cousins and with the film preservationist George Feltenstein. This authoritative collection of primary-source documents will be essential reading for scholars, students, and film enthusiasts.
Author : Angelos Koutsourakis
Publisher : Edinburgh University Press
Page : 336 pages
File Size : 42,9 Mb
Release : 2015-10-08
Category : Performing Arts
ISBN : 9780748697960
Bringing together established and emerging scholars from multiple disciplines, the collection's unique contribution is to show how Angelopoulos created singularly intricate forms whose aesthetic contours invite us to think critically about modern history.
Author : Roy Armes
Publisher : Univ of California Press
Page : 396 pages
File Size : 55,5 Mb
Release : 1987-07-29
Category : Performing Arts
ISBN : 9780520056909
This is the fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of "world cinema." Third World countries now produce well over half of the world's films. Armes places this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World. In addition to charting filmic developments too little known in Europe and the United States, the book calls into question many of the assumptions that shape conventional film history. It stresses the role of distribution in defining and limiting production, queries simplistic notions of independent "national cinemas," and points to the need to take social and economic factors into account when considering authorship in cinema. Above all, the book celebrates the achievements of a mass of largely unknown film makes who, in difficult circumstances, have distinctively expanded our definitions of the art of cinema.
Author : Tomás Gutiérrez Alea
Publisher : Rutgers University Press
Page : 276 pages
File Size : 49,9 Mb
Release : 1990
Category : Biography & Autobiography
ISBN : 0813515378
Includes the complete English continuity script of the film, Memorias del subdesarollo (Memories of underdevelopment) directed by Tomás Gutiérrez Alea and the complete English translation (entitled 'Inconsolable memories') of Edmundo Desnoes' novel of the same name on which it was based.
Author : Peter Bondanella
Publisher : Bloomsbury Publishing
Page : 392 pages
File Size : 49,6 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781839020254
THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form.
Author : Rajendra Roy,Anke Leweke,Thomas Arslan,Valeska Grisebach,Benjamin Heisenberg,Christoph Hochhäusler,Nina Hoss,Dennis Lim,Katja Nicodemus,Christian Petzold,Rainer Rother
Publisher : Unknown
Page : 0 pages
File Size : 42,9 Mb
Release : 2013
Category : Art
ISBN : 0870708740
"The informal movement that critics like to call the Berlin School, " as director Christoph Hochhäusler puts it, is a loose affiliation of filmmakers who emerged around the time the Berlin Wall fell. The founding figures--Thomas Arslan, Christian Petzold, and Angela Schanelec--and their younger colleagues are not bound by a manifesto or by any singular aesthetic. Nonetheless, their observant portrayals of characters in flux offer a compelling cinematic expression of the search for new identities in a time of societal change. The films of the Berlin School have resonated profoundly since the mid-1990s, making it one of the most influential auteur movements to emerge from Europe in the new millennium.
Author : Giorgio Bertellini
Publisher : Wallflower Press
Page : 294 pages
File Size : 48,5 Mb
Release : 2004
Category : Performing Arts
ISBN : 1903364981
Giorgio Bertellini examines the historical and aesthetic connections of some of Italy's most important films with both Italian and Western film culture.
Author : Dan Georgakas,Marvin Surkin
Publisher : South End Press
Page : 280 pages
File Size : 48,5 Mb
Release : 1998
Category : Biography & Autobiography
ISBN : 0896085716
This new South End Press edition makes available the full text of this out-of-print classic--along with a new foreword by Manning Marable, interviews with participants in DRUM, and reflections on political developments over the past threee decades by Georgakas and Surkin.
Author : Robert C. Reimer,Carol J. Reimer
Publisher : Scarecrow Press
Page : 273 pages
File Size : 44,6 Mb
Release : 2012-04-12
Category : History
ISBN : 9780810879867
Some say that telling the story of the Holocaust is impossible, yet, artists have told the story thousands of time since the end of World War II in novels, dramas, paintings, music, sculpture, and film. Over the past seven decades, hundreds of documentaries, narrative shorts and features, and television miniseries have confronted the horrors of the past, creating an easily recognized iconography of persecution and genocide. While it can be argued that film and television have a tendency to trivialize, using the artifacts of popular culture – film and literature – artists keep the past alive, ensuring that victims are not forgotten and the tragedy of the Holocaust is not repeated. The Historical Dictionary of Holocaust Cinema examines the history of how the Holocaust is presented in film, including documentaries, feature films, and television productions. It contains a chronology of events needed to give the films and their reception a historical context, an introductory essay, a bibliography, a filmography of more than 600 titles, and over 100 cross-referenced dictionary entries on films, directors, and historical figures. Foreign language films and experimental films are included, as well as canonical films. This book is a must for anyone interested in the scope of films on the Holocaust and also for scholars interested in investigating ideas for future research.
