The Classical Plot And The Invention Of Western Narrative
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The Cambridge Companion to Narrative by David Herman Pdf
The Cambridge Companion to Narrative provides a unique and valuable overview of current approaches to narrative study. An international team of experts explores ideas of storytelling and methods of narrative analysis as they have emerged across diverse traditions of inquiry and in connection with a variety of media, from film and television, to storytelling in the 'real-life' contexts of face-to-face interaction, to literary fiction. Each chapter presents a survey of scholarly approaches to topics such as character, dialogue, genre or language, shows how those approaches can be brought to bear on a relatively well-known illustrative example, and indicates directions for further research. Featuring a chapter reviewing definitions of narrative, a glossary of key terms and a comprehensive index, this is an essential resource for both students and scholars in many fields, including language and literature, composition and rhetoric, creative writing, jurisprudence, communication and media studies, and the social sciences.
One Book, the Whole Universe by Richard D. Mohr,Barbara M. Sattler Pdf
"The most wide ranging and stimulating presentation of ancient and modern views on Plato's cosmological dialogue ever published. Highly recommended." David T. Runia, University of Melbourne --
Vikram Seth, an Anthology of Recent Criticism by G. J. V. Prasad Pdf
This Collection Of Essays Explores The World Of Vikram Seth With Critical Readings Of His Major Works. Seth'S Position In The Pantheon Of Indian English Writing, His Poetic Craft, His Responses To Contemporary Codes Of Relationships, His Notations As A Postcolonial Writer Living In And Writing About Various Countries, And His Politics Are All Examined Closely By The Scholars Who Have Contributed To This Volume. They Engage With His Works From Various Critical And Ideological Positions, From The Aesthetic To The Postcolonial To The Ecological. The Aim Of The Dozen Chapters In This Collection Is To Open Various Windows Into Seth'S World To Enhance The Reader'S Understanding And Appreciation Of The Work Of This Highly Talented And Most Accessible Writer.
This study of Sophocles' Oedipus at Colonus demonstrates the applicability of narrative models to drama. It presents a major contribution not only to Sophoclean criticism but to dramatic criticism as a whole. For the first time, the methods of contemporary narrative theory are thoroughly applied to the text of a single major play. Sophocles' Oedipus at Colonus is presented as a uniquely rich text, which deftly uses the figure and history of the blind Oedipus to explore and thematize some of the basic narratological concerns of Greek tragedy: the relation between the narrow here-and-now of visible stage action and the many off-stage worlds that have to be mediated into it through narrative, including the past, the future, other dramatizations of the myth, and the world of the fifth-century audience.
A Comedy of Storytelling by Alexander Kirichenko Pdf
Current interpretations of Apuleius' 'Golden Ass' cover the entire spectrum from a religious autobiography to an incongruous collection of titillating stories. The goal of this book is to explain the extraordinary polyphony of Apuleius' novel as a product of the 2nd century CE context, in which elite culture (philosophy and sophistic oratory) and popular entertainment not only share the same venues and appeal to the same audiences but also engage in active exchange of subject matter and histrionic techniques. The book argues that Apuleius' narrative represents a mosaic of discourses each of which possesses a respectable pedigree in the world of Greco-Roman 'paideia'. It further traces the ensuing ambiguity to the Second Sophistic rhetoric and concludes that the particular thrill of reading the novel consists in the ironic frustration of any attempt to discover a centripetal force in an irreducibly multi-polar text.
Prose Fiction: An Introduction to the Semiotics of Narrative by Ignasi Ribó Pdf
This concise and highly accessible textbook outlines the principles and techniques of storytelling. It is intended as a high-school and college-level introduction to the central concepts of narrative theory – concepts that will aid students in developing their competence not only in analysing and interpreting short stories and novels, but also in writing them. This textbook prioritises clarity over intricacy of theory, equipping its readers with the necessary tools to embark on further study of literature, literary theory and creative writing. Building on a ‘semiotic model of narrative,’ it is structured around the key elements of narratological theory, with chapters on plot, setting, characterisation, and narration, as well as on language and theme – elements which are underrepresented in existing textbooks on narrative theory. The chapter on language constitutes essential reading for those students unfamiliar with rhetoric, while the chapter on theme draws together significant perspectives from contemporary critical theory (including feminism and postcolonialism). This textbook is engaging and easily navigable, with key concepts highlighted and clearly explained, both in the text and in a full glossary located at the end of the book. Throughout the textbook the reader is aided by diagrams, images, quotes from prominent theorists, and instructive examples from classical and popular short stories and novels (such as Jane Austen’s Pride and Prejudice, Franz Kafka’s ‘The Metamorphosis,’ J. K. Rowling’s Harry Potter, or Dostoyevsky’s The Brothers Karamazov, amongst many others). Prose Fiction: An Introduction to the Semiotics of Narrative can either be incorporated as the main textbook into a wider syllabus on narrative theory and creative writing, or it can be used as a supplementary reference book for readers interested in narrative fiction. The textbook is a must-read for beginning students of narratology, especially those with no or limited prior experience in this area. It is of especial relevance to English and Humanities major students in Asia, for whom it was conceived and written.
Harvard Studies in Classical Philology, Volume 103 by Albert Henrichs,Eliot Professor of Greek Literature Albert Henrichs Pdf
Volume 103 of Harvard Studies in Classical Philology includes the following contributions: "Perceiving Iliadic Gods" by Daniel Turkeltaub; "The Gods Visit to the Ethiopians in Iliad 1" by Ruth Scodel; "The Poetics of the Bath in the Iliad" by Jonas Grethlein; "The Theologian Pherecydes of Syros & the Early Days of Natural Philosophy" by Herbert Granger; "The Derveni Theogony: Many Questions and Some Answers" by Alberto Bernabe; "Winds and Ancestors: The Physika of Orpheus" by Renaud Gagne; "Sinister Omens, Troubling Oracles, Bad Dreams, and Self-Fulfilling Prophecies: Patterns of Divination in Greek Tragedy" by Albert Henrichs; "The Toys of Dionysos" by Olga Levaniouk; "Philia in Plato's Lysis" by David Wolfsdorf; "How to Make a Monostichos: Strategies of Variation in the Sententiae Menandri" by Vayos Liapis; "The Use of Adjective Interlacing (Double Hyperbaton) in Latin Poetry" by Stanley Hoffer; "The Imperial Pontifex" by Alan Cameron; "Further to Ps.-Quintilian's Longer Declamations" by D. R. Shackleton Bailey; "Neither Fish nor Fowl? Metrical Selection in Martial's Xenia" by Llewelyn Morgan; "A Rhetorical Riddle: The Subject of Dio Chrysostom's First Tarsian Oration" by Christina Kokkinia; "Frontinus and Domitian: Laudes principis in the Strategemata" by Andrew Turner; "The Younger Pliny's Debt to Moral Philosophy" by Miriam Griffin; "Further Notes on Fulgentius" by Gregory Hays; "Re-evaluating E. R. Dodds' Platonism" by Wayne Hankey; "A Copper Alloy Cypriot Tripod at the Harvard University Art Museums" by Sean Hemingway and Henry Lie; and "Odysseus and the Ram in Art and (Con)text: Arthur M. Sackler Museum 1994.8 and the Heros Escape from Polyphemos" by Maura Giles.
From Homer to Hypertext by Hans Balling,Anders Klinkby Madsen Pdf
The articles in this anthology discuss the connection between the rhetorical and narrative manifestations of literature, and the media and communicative structures in which they appear. Background literature is described from antique Greece to the present. The conception of literature is here a formal construction rather than an expression of a certain aesthetic perception. The book is structured in three themes: "Tradition and Authority", about the relations between the author and the tradition in post-modern literature; "Narrative Technique", about the role of the author; and "Textuality and Hypertext", concentrating on the textuality of literature in modernistic lyrics and the digitalized hypertext.
Although Chinese narrative, and especially the genres of colloquial fiction, have been subjected to intensive scholarly scrutiny, no comprehensive volume has provided a framework that would permit an overall view of the tradition. The distinguished contributors to this volume have taken an important first step in making possible the consideration of Chinese narrative at the level of comparative and general literary scholarship. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.