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Anthony Comstock was America’s first professional censor. From 1873 to 1915, as Secretary of the New York Society for the Suppression of Vice, Comstock led a crusade against lasciviousness, salaciousness, and obscenity that resulted in the confiscation and incineration of more than three million pictures, postcards, and books he judged to be obscene. But as Amy Werbel shows in this rich cultural and social history, Comstock’s campaign to rid America of vice in fact led to greater acceptance of the materials he deemed objectionable, offering a revealing tale about the unintended consequences of censorship. In Lust on Trial, Werbel presents a colorful journey through Comstock’s career that doubles as a new history of post–Civil War America’s risqué visual and sexual culture. Born into a puritanical New England community, Anthony Comstock moved to New York in 1868 armed with his Christian faith and a burning desire to rid the city of vice. Werbel describes how Comstock’s raids shaped New York City and American culture through his obsession with the prevention of lust by means of censorship, and how his restrictions provided an impetus for the increased circulation and explicitness of “obscene” materials. By opposing women who preached sexual liberation and empowerment, suppressing contraceptives, and restricting artistic expression, Comstock drew the ire of civil liberties advocates, inspiring more open attitudes toward sexual and creative freedom and more sophisticated legal defenses. Drawing on material culture high and low, including numerous examples of the “obscenities” Comstock seized, Lust on Trial provides fresh insights into Comstock’s actions and motivations, the sexual habits of Americans during his era, and the complicated relationship between law and cultural change.
Derived from first-hand accounts and oral histories collected and stored at Vanderbilt University as well as newspapers and other local history sources, this collection is an invaluable look at the “Gay Nineties” in Nashvillians’ own words. It is, however, not a complete insight into Nashville in the 1890s. Readers should take note that the book focuses almost exclusively on the experiences and worldviews of white Nashvillians. These stories have incredible value for local historians and anyone interested in Nashville history, but the book’s failure to deal with race—as evidenced by Waller’s belief that “the social order was thought to be providential,” which was clearly not true for Nashville’s Black residents who struggled against the unjust systems designed to oppress them—is a grave shortcoming.
A lively history of the Watch and Ward Society--New England's notorious literary censor for over eighty years. Banned in Boston is the first-ever history of the Watch and Ward Society--once Boston's unofficial moral guardian. An influential watchdog organization, bankrolled by society's upper crust, it actively suppressed vices like gambling and prostitution, and oversaw the mass censorship of books and plays. A spectacular romp through the Puritan City, here Neil Miller relates the scintillating story of how a powerful band of Brahmin moral crusaders helped make Boston the most straitlaced city in America, forever linked with the infamous catchphrase "banned in Boston."
Library of Congress,American Library Association. Committee on Resources of American Libraries. National Union Catalog Subcommittee
Author : Library of Congress,American Library Association. Committee on Resources of American Libraries. National Union Catalog Subcommittee Publisher : Unknown Page : 712 pages File Size : 48,5 Mb Release : 1968 Category : Catalogs, Union ISBN : UOM:39015081704549
The National Union Catalog, Pre-1956 Imprints by Library of Congress,American Library Association. Committee on Resources of American Libraries. National Union Catalog Subcommittee Pdf