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The Complete Guide to the Quiet Man by Des MacHale Pdf
John Ford's Oscar-winning film The Quiet Man (1952), based on the story by Maurice Walsh, is one of the best-loved and most popular of all time, and currently also one of the best-selling videos. This new paperback edition of The Complete Guide To The Quiet Man is a celebration of every aspect of the film - the background, the stars, the shooting, the screenplay, the influences, and the many legends and stories that have grown up around it. This book could just as easily have been called "Everything You Ever Wanted To Know About The Quiet Man" - the shooting locations with dozens of detailed maps; a very comprehensive cast and crew list; hundreds of photographs taken by both amateurs and professionals; an in-depth analysis of every word of the dialogue; video timings of all the scenes; and above all the inside story and a thorough discussion of the whole Quiet Man phenomenon, which have all led to one of the greatest cult movies of all time. Book jacket.
Ang Lee (b. 1954) has emerged as one of cinema's most versatile, critically acclaimed, and popular directors. Known for his ability to transcend cultural and stylistic boundaries, Lee has built a diverse oeuvre that includes films about culture clashes and globalization (Eat Drink Man Woman, 1994, and The Wedding Banquet, 1993), a period drama (Sense and Sensibility, 1995), a martial arts epic (Crouching Tiger, Hidden Dragon, 2000), a comic book action movie (Hulk, 2003), and an American western (Brokeback Mountain, 2005). The Philosophy of Ang Lee draws from both Eastern and Western philosophical traditions to examine the director's works. The first section focuses on Taoist, Confucian, and Buddhist themes in his Chinese-language films, and the second examines Western philosophies in his English-language films; but the volume ultimately explores how Lee negotiates all of these traditions, strategically selecting from each in order to creatively address key issues. With interest in this filmmaker and his work increasing around the release of his 3-D magical adventure The Life of Pi (2012), The Philosophy of Ang Lee serves as a timely investigation of the groundbreaking auteur and the many complex philosophical themes that he explores through the medium of motion pictures.
The Making of... Adaptation and the Cultural Imaginary by Jan Cronin Pdf
This book explores “Making of” sites as a genre of cultural artefact. Moving beyond “making-of” documentaries, the book analyses novels, drama, film, museum exhibitions and popular studies that re-present the making of culturally loaded film adaptations. It argues that the “Making of” genre operates on an adaptive spectrum, orienting towards and enacting the adaptation of films and their making. The book examines the behaviours that characterise “Making of” sites across visual media; it explores the cultural work done by these sites, why recognition of “Making of” sites as adaptations matters, and why our conception of adaptation matters. Part one focuses on the adaptive domain presented by the “Making of” John Ford’s The Quiet Man. Part two attends to “Making of” Gone with the Wind sites, and concludes with “Making of” The Lord of the Rings texts as the acme of the cultural risks and investments charted in earlier chapters.
In the Footsteps of the Quiet Man by Gerry Mcnee Pdf
Turned down by all the major film companies, The Quiet Man brought together John Wayne and Maureen O'Hara for only the second time on screen, won two Oscars and was showered with both critical and popular praise on both sides of the Atlantic. Even today, its worldwide video and DVD sales are quite outstanding. The Quiet Man is rightly hailed as a Hollywood classic. Set in the 1920s and shot in the 1950s, the timeless, fairy-tale character of director John Ford's Ireland is as captivating now as it ever was. Gerry McNee first saw the movie when he was very young and it has intrigued him ever since. In the Footsteps of the Quiet Man is a tribute to the film and all those involved in its making, for the story behind the story, the off-screen drama, is a fascinating tale in itself. McNee has researched his subject thoroughly and conducted countless interviews to produce a stimulating and compulsive homage to what critic and author Andrew Sarris called 'a retreat into the pastoral and horse-driven past [but] very much ahead of its time'. In the Footsteps of the Quiet Man is a revealing and touching account of when Hollywood came to beautiful Connemara in the West of Ireland. It is a fitting tribute to the film and all those involved in its making, as the story behind the film - the off-screen drama - is an enthralling tale in itself.
Irelands of the Mind by Richard C. Allen,Stephen Regan Pdf
Irelands of the Mind: Memory and Identity in Modern Irish Culture offers a compelling series of essays on changing images of Ireland from the mid-nineteenth century to the present. It seeks to understand the various ways in which Ireland has been thought about, not only in fiction, poetry and drama, but in travel writing and tourist brochures, nineteenth-century newspapers, radio talk shows, film adaptations of fictional works, and the music and songs of Van Morrison and Sinéad O’Connor. The prevailing theme throughout the twelve essays that constitute the book is the complicated sense of belonging that continues to characterise so much of modern Irish culture. Questions of nationhood and national identity are given a new and invigorated treatment in the context of a rapidly changing Ireland and a changing set of intellectual methods and approaches.
A comprehensive and in-depth examination of the role of rural space in the cinema, contributing needed analysis to existing work on space, place, and identity in film.
John Ford's "The Quiet Man" (1952) is the most popular cinematic representation of Ireland, and one of Hollywood's classic romantic comedies. For some viewers and critics the film is a powerful evocation of romantic Ireland and the search for home; for others, it is a showcase for the worst stereotypes of stage-Irishry. Much of Irish cinema since the development of an indigenous film industry in the 1980s has set its face firmly against these mythic images of Ireland, but no film has yet attained the enduring appeal of "The Quiet Man". In this radical reappraisal of Ford's Oscar-winning film, Luke Gibbons traces its development from Maurice Walsh's original story (1933) and argues that its romantic excesses are a symptom of much darker undercurrents in the literary text, and the displacement of trauma that often underlies nostalgia. Moreover, Gibbons ably demonstrates how the film, rather than indulging in escapism, actually questions its own romantic illusions and the dream of returning to an Irish paradise lost.
The Myth of an Irish Cinema by Michael Patrick Gillespie Pdf
For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.
Lonely Planet Ireland's Best Trips by Lonely Planet,Fionn Davenport,Belinda Dixon,Catherine Le Nevez,Neil Wilson,Isabel Albiston Pdf
Lonely Planet: The world's number one travel guide publisher Whether exploring your own backyard or somewhere new, discover the freedom of the open road with Lonely Planet's Ireland's Best Trips. Featuring 34 amazing road trips, plus up-to-date advice on the destinations you'll visit along the way, you can explore Dublin's heritage, Connemara's scenery and Galway's pubs - all with your trusted travel companion. Jump in the car, turn up the tunes, and hit the road! Inside Lonely Planet's Ireland's Best Trips: Lavish colour and gorgeous photography throughout Itineraries and planning advice to pick the right tailored routes for your needs and interests Get around easily - easy-to-read, full-colour route maps and detailed directions Insider tips to get around like a local, avoid trouble spots and be safe on the road - local driving rules, parking, toll roads Essential info at your fingertips - hours of operation, phone numbers, websites, prices Honest reviews for all budgets - eating, sleeping, sight-seeing, hidden gems that most guidebooks miss Useful features - including Stretch Your Legs, Detours, Link Your Trip Covers Dublin, Ennis, Cork, Galway, Belfast, the Dingle Peninsula, Wexford, Waterford, Killarney, Limerick, Westport, Tralee, Kenmare, Ring of Kerry, Connemara, Glendalough, Doolin, Derry, Bangor, and more The Perfect Choice: Lonely Planet's Ireland's Best Trips is perfect for exploring Ireland by road and discovering sights that are more accessible by car. About Lonely Planet: Lonely Planet is a leading travel media company and the world's number one travel guidebook brand, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, video, 14 languages, nine international magazines, armchair and lifestyle books, ebooks, and more. 'Lonely Planet guides are, quite simply, like no other.' - New York Times 'Lonely Planet. It's on everyone's bookshelves, it's in every traveler's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' - Fairfax Media (Australia) eBook Features: (Best viewed on tablet devices and smartphones) Downloadable PDF and offline maps prevent roaming and data charges Effortlessly navigate and jump between maps and reviews Add notes to personalise your guidebook experience Seamlessly flip between pages Bookmarks and speedy search capabilities get you to key pages in a flash Embedded links to recommendations' websites Zoom-in maps and images Inbuilt dictionary for quick referencing Important Notice: The digital edition of this book may not contain all of the images found in the physical edition.
This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema.
'The novel that I love the most is The Quiet American' Ian McEwan, Sunday Times bestselling author of Lessons Into the intrigue and violence of 1950s Saigon comes CIA agent Alden Pyle, a young idealistic American sent to promote democracy through a mysterious 'Third Force'. As Pyle's naive optimism starts to cause bloodshed, his friend Fowler, a cynical foreign correspondent, finds it hard to stand aside and watch. But even as Fowler intervenes he wonders why: for the greater good, or something altogether more complicated? WITH AN INTRODUCTION BY ZADIE SMITH **One of the BBC's 100 Novels That Shaped Our World**
Irish English as Represented in Film by Shane Walshe Pdf
This study is the first of its kind to analyse the representation of Irish English in film. Using a corpus of 50 films, ranging from John Ford's The Informer (1935) to Lenny Abrahamson's Garage (2007), the author examines the extent to which Irish English grammatical, discourse and lexical features are present in the films and provides a qualitative analysis of the accents in these works. The authenticity of the language is called into question and discussed in relation to the phenomenon of the Stage Irishman.
This research-based monograph presents an introduction to the concept of film-induced tourism, building on the work of the seminal first edition. Many new case studies exploring the relationship between film and TV and tourism have been added and existing cases have been updated. The book incorporates studies on film studio theme parks, the impact of film-induced tourism on communities and the effect of film on tourists’ behaviour. It introduces new content including film-induced tourism in non-Western cultures, movie tours and contents tourism. The book is an essential resource for postgraduate students and researchers in the fields of tourism, film and media studies.
