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The Complete Harvard Classics (2022 Edition) by Plato,Immanuel Kant,William Shakespeare,Henry David Thoreau,Epictetus,John Ruskin,Homer,William Makepeace Thackeray,Benjamin Franklin,Voltaire,John Milton,William Penn,Francis Bacon,Thomas Hobbes,John Woolman,Marcus Aurelius,Friedrich von Schiller,Cicero,Jean Jacques Rousseau,Edgar Alan Poe Pdf
E-artnow presents to you the complete edition of the world famous collection of Harvard Classics. The collection was created by Harvard University President, Dr. Charles W. Eliot, a firm believer in freedom of education and self improvement. He based the selection of works on the required reading at Harvard, literature classics anyone should read and learn from, the books of history's greatest creative minds for every person to get inspired from. The first Harvard Classics Collection consisted of 51 volumes of the essential works of world literature which showed the progress of man from antics to modern age. In this edition, the original collection is supplemented with the 20 volume Harvard Shelf of Fiction, a selection of the greatest works of fiction of all time. This updated edition is meticulously edited and formatted to the highest digital standards with the text made to fit and adapt to every possible type of eReader. Each book has its own interactive table of contents, interactive footnotes and explanations. Content: The Harvard Classics: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton, Browne V. 4: John Milton V. 5: R. W. Emerson V. 6: Robert Burns V. 7: St Augustine & Thomas á Kempis V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Plutarchs V. 13: Æneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: 1001 Nights V. 17: Folklore & Fable V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27 & 28: English & American Essays V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prologues V. 40–42: English Poetry V. 43: American Historical Documents V. 44 & 45: Sacred Writings V. 46 & 47: Elizabethan Drama V. 48: Blaise Pascal V. 49: Saga V. 50: Reader's Guide V. 51: Lectures The Shelf of Fiction: V. 1 & 2: The History of Tom Jones V. 3: A Sentimental Journey & Pride and Prejudice...
Harvard Classics: All 71 Volumes by Johann Wolfgang von Goethe,Gotthold Ephraim Lessing,Bjørnstjerne Bjørnson,Thomas Carlyle,Theodor Storm,Plato,Theodor Fontane,René Descartes,Gottfried Keller,Mark Twain,Immanuel Kant,Charles Darwin,Martin Luther,Robert Louis Stevenson,William Shakespeare,Dante Alighieri,Euripides,Percy Bysshe Shelley,Charles Lamb,Henry David Thoreau,Henry James,Samuel Johnson,John Stuart Mill,Victor Hugo,David Hume,Joseph Addison,Jane Austen,John Locke,John Fletcher,Francis Beaumont,Leigh Hunt,Epictetus,Alphonse Daudet,Thomas De Quincey,Guy de Maupassant,George Eliot,Walter Scott,Laurence Sterne,Samuel Taylor Coleridge,Jonathan Swift,Christopher Marlowe,Wilhelm Grimm,William Hazlitt,Marcus Tullius Cicero,Daniel Defoe,Aesop,Richard Henry Dana,Henry Fielding,John Dryden,Philip Massinger,Pedro Calderón de la Barca,Bret Harte,George Sand,John Ruskin,Oliver Wendell Holmes,Ernest Renan,Robert Burns,David Garrick,Ralph Waldo Emerson,John Webster,Washington Irving,Izaak Walton,John Bunyan,Juan Valera,Alfred de Musset,James Russell Lowell,Charles Augustin Sainte-Beuve,Nathaniel Hawthorne,Homer,Edmund Burke,Plutarch,Molière,Aeschylus,Michael Faraday,Sophocles,William Makepeace Thackeray,Benjamin Franklin,Edward Everett Hale,Pierre Corneille,Jean Racine,Voltaire,Robert Browning,Oliver Goldsmith,Thomas Dekker,John Milton,Aristophanes,Blaise Pascal,Virgil,Richard Brinsley Sheridan,Simon Newcomb,William Penn,Walter Bigges,Philip Sidney,Herodotus,Walter Raleigh,Francis Bacon,Giuseppe Mazzini,Francis Pretty,George Berkeley,Thomas Hobbes,Adam Smith,Alessandro Manzoni,Abraham Cowley,Michel de Montaigne,Ben Jonson,John Woolman,Benvenuto Cellini,Sydney Smith,Jean Froissart,William Henry Harrison,William Harvey,Marcus Aurelius,Hans Christian Andersen,Thomas Malory,George Gordon Byron,Thomas à Kempis,Ivan Turgenev,Richard Steele,Thomas Browne,Archibald Geikie,Thomas Babington Macaulay,Leo Tolstoy,Fyodor Dostoevsky,Tacitus,William Roper,Hippocrates,Miguel de Cervantes,Thomas More,Friedrich von Schiller,Philip Nichols,Louis Pasteur,Joseph Lister,Jean Jacques Rousseau,Pliny the Younger,Charles W. Eliot,Edgar Alan Poe,Saint Augustine,Hermann Ludwig Ferdinand von Helmholtz,Francis Drake,Edward Haies,Niccolo Machiavelli,Ambroise Paré,William A. Neilson,Honoré Balzac,Alexander L. Kielland Pdf
Good Press presents to you this unique and meticulously edited collection by Dr. Eliot: The Harvard Classics: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton, Browne V. 4: Poems by John Milton V. 5: R. W. Emerson V. 6: Poems by Robert Burns V. 7: St Augustine & Thomas á Kempis V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Plutarch's Lives V. 13: Æneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: Thousand and One Nights V. 17: Folklore & Fable V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27 & 28: English and American Essays V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prefaces and Prologues V. 40–42: English Poetry V. 43: American Historical Documents V. 44 & 45: Sacred Writings V. 46 & 47: Elizabethan Drama V. 48: Blaise Pascal V. 49: Epic and Saga V. 50: Reader's Guide V. 51: Lectures The Shelf of Fiction: V. 1 & 2: The History of Tom Jones V. 3: A Sentimental Journey & Pride and Prejudice V. 4: Guy Mannering V. 5 & 6: Vanity Fair V. 7 & 8: David Copperfield V. 9: The Mill on the Floss V. 10: Hawthorne, Irving, Poe, Harte, Twain, Hale V.11: The Portrait of a Lady V. 12: Notre Dame de Paris V. 13: Balzac, Sand, de Musset, Daudet, de Maupassant V. 14 & 15: Goethe, Keller, Storm, Fontane V. 16–19: Tolstoy, Dostoevsky, Turgenev V. 20: Valera, Bjørnson, Kielland
The Harvard Classics Shelf of Fiction (Classic Reprint) by Charles William Eliot Pdf
Excerpt from The Harvard Classics Shelf of Fiction The history of the German novel would have, however, also to record that those writers have secured the most permanent distinction who have most significantly modified in their own way the suggestions which foreign examples gave them, and that the greatest distinction of all belongs to writers whom we can, if we will, associate with one or another Of the main currents, but wh'o are by no means carried away by it. In the work of these men the national character Of the German novel, if it has a national character, ought to be discoverable. For two reasons it is a fair question whether the Ger man novel has a national character. In the first place, modern Germany has been a nation only Since 1871; and in the second place, only in times of some great crisis does there appear to be in Germany a national life, as we under stand the term. At other times life in Germany is urban, provincial, or private, in those aspects of existence which the Germans most prize. The imperial capital affects to represent Germany as London represents England and Paris represents France; but such ascendancy is stoutly denied Berlin in the capitals of the other states, and Saxons or Bavarians refuse to submit to Prussian hegemony in any other than political and military affairs. In literature Prussia is not the nation; the empire itself is a federation of states, and Berlin is less specifically a German city than any other in the realm. Germany is emphatically e plum'bus. Still, there may be some bond of union stronger than political alliance, some fundamental quality common to Prussian, Saxon, and Bavarian. In this we should seek the national character. We should find the national character depicted in the historical novel, which has had a great vogue in Germany; but we may discern it also in the fiction devoted to the problems Of contemporary life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Beatrix Farrand's Plant Book for Dumbarton Oaks by Diane K. McGuire Pdf
The Plant Book for Dumbarton Oaks was prepared as a resource for those charged with maintenance of the gardens following their acquisition by Harvard University in 1941. Beatrix Farrand here explains the reasoning behind her plan for each of the gardens and stipulates how each should be cared for in order that its basic character remain intact. Her resourceful suggestions for alternative plantings, her rigorous strictures concerning pruning and replacement, her exposition of the overall concept that underlies each detail, and the plant lists that accompany her discussion of each garden make this a volume of interest to every student, practitioner, and lover of landscape design.
An Apprenticeship or The Book of Pleasures by Clarice Lispector Pdf
Now in paperback, a romantic love story by the great Brazilian writer Lóri, a primary school teacher, is isolated and nervous, comfortable with children but unable to connect to adults. When she meets Ulisses, a professor of philosophy, an opportunity opens: a chance to escape the shipwreck of introspection and embrace the love, including the sexual love, of a man. Her attempt, as Sheila Heti writes in her afterword, is not only “to love and to be loved,” but also “to be worthy of life itself.” Published in 1968, An Apprenticeship is Clarice Lispector’s attempt to reinvent herself following the exhausting effort of her metaphysical masterpiece The Passion According to G. H. Here, in this unconventional love story, she explores the ways in which people try to bridge the gaps between them, and the result, unusual in her work, surprised many readers and became a bestseller. Some appreciated its accessibility; others denounced it as sexist or superficial. To both admirers and critics, the olympian Clarice gave a typically elliptical answer: “I humanized myself,” she said. “The book reflects that.”
“The Meddlers is an eye-opening, essential new history that places our international financial institutions in the transition from a world defined by empire to one of nation states enmeshed in the world economy.” —Adam Tooze, Columbia University A pioneering history traces the origins of global economic governance—and the political conflicts it generates—to the aftermath of World War I. International economic institutions like the International Monetary Fund and World Bank exert incredible influence over the domestic policies of many states. These institutions date from the end of World War II and amassed power during the neoliberal era of the late twentieth century. But as Jamie Martin shows, if we want to understand their deeper origins and the ideas and dynamics that shaped their controversial powers, we must turn back to the explosive political struggles that attended the birth of global economic governance in the early twentieth century. The Meddlers tells the story of the first international institutions to govern the world economy, including the League of Nations and Bank for International Settlements, created after World War I. These institutions endowed civil servants, bankers, and colonial authorities from Europe and the United States with extraordinary powers: to enforce austerity, coordinate the policies of independent central banks, oversee development programs, and regulate commodity prices. In a highly unequal world, they faced a new political challenge: was it possible to reach into sovereign states and empires to intervene in domestic economic policies without generating a backlash? Martin follows the intense political conflicts provoked by the earliest international efforts to govern capitalism—from Weimar Germany to the Balkans, Nationalist China to colonial Malaya, and the Chilean desert to Wall Street. The Meddlers shows how the fraught problems of sovereignty and democracy posed by institutions like the IMF are not unique to late twentieth-century globalization, but instead first emerged during an earlier period of imperial competition, world war, and economic crisis.
Harvard on the Beach by Johann Wolfgang von Goethe,Gotthold Ephraim Lessing,Thomas Carlyle,Plato,Charles Darwin,Dante Alighieri,Euripides,Percy Bysshe Shelley,Charles Lamb,Samuel Johnson,John Stuart Mill,David Hume,Joseph Addison,Leigh Hunt,Epictetus,Thomas De Quincey,Samuel Taylor Coleridge,Jonathan Swift,Christopher Marlowe,Jacob Grimm,Wilhelm Grimm,William Hazlitt,Marcus Tullius Cicero,Daniel Defoe,Aesop,Richard Henry Dana,John Dryden,Pedro Calderón de la Barca,John Ruskin,Robert Burns,David Garrick,Ralph Waldo Emerson,Izaak Walton,John Bunyan,Homer,Edmund Burke,Plutarch,Molière,Aeschylus,Sophocles,William Makepeace Thackeray,Benjamin Franklin,Pierre Corneille,Jean Racine,Robert Browning,Oliver Goldsmith,John Milton,Aristophanes,Virgil,Richard Brinsley Sheridan,William Penn,Philip Sidney,Francis Bacon,Adam Smith,Alessandro Manzoni,Abraham Cowley,Ben Jonson,John Woolman,Sydney Smith,Marcus Aurelius,Hans Christian Andersen,George Gordon Byron,Thomas à Kempis,Richard Steele,Thomas Browne,Thomas Babington Macaulay,Miguel de Cervantes,Friedrich von Schiller,Pliny the Younger,Saint Augustine Pdf
Get smarter on the sun! Whether that be on the beach or in the deck chair on your terrace or backyard. The Harvard Classics in 51 volumes include the essential works of world literature, showing the progress of man from antics to modern age. In addition – there are 20 volumes of the greatest works of fiction. Content: The Harvard Classics: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton, Browne V. 4: John Milton V. 5: R. W. Emerson V. 6: Robert Burns V. 7: St Augustine & Thomas á Kempis V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Plutarchs V. 13: Æneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: 1001 Nights V. 17: Folklore & Fable V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27 & 28: English & American Essays V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prologues V. 40–42: English Poetry V. 43: American Historical Documents V. 44 & 45: Sacred Writings V. 46 & 47: Elizabethan Drama V. 48: Blaise Pascal V. 49: Saga V. 50: Reader's Guide V. 51: Lectures The Shelf of Fiction: V. 1 & 2: The History of Tom Jones V. 3: A Sentimental Journey & Pride and Prejudice V. 4: Guy Mannering V. 5 & 6: Vanity Fair V. 7 & 8: David Copperfield V. 9: The Mill on the Floss V. 10: Irving, Poe, Harte, Twain, Hale V.11: The Portrait of a Lady V. 12: Notre Dame de Paris V. 13: Balzac, Sand, de Musset, Daudet, de Maupassant V. 14 & 15: Goethe, Keller, Storm, Fontane V. 16–19: Tolstoy, Dostoevsky, Turgenev V. 20: Valera, Bjørnson, Kielland
The Voices of Babyn Yar by Marianna Kiyanovska Pdf
With The Voices of Babyn Yar—a collection of stirring poems by Marianna Kiyanovska—the award-winning Ukrainian poet honors the victims of the Holocaust by writing their stories of horror, death, and survival by projecting their own imagined voices. Artful and carefully intoned, the poems convey the experiences of ordinary civilians going through unbearable events leading to the massacre at Kyiv’s Babyn Yar from a first-person perspective to an effect that is simultaneously immersive and estranging. While conceived as a tribute to the fallen, the book raises difficult questions about memory, responsibility, and commemoration of those who had witnessed an evil that verges on the unspeakable.
This is the little book that started a revolution, making women's voices heard, in their own right and with their own integrity, for virtually the first time in social scientific theorizing about women. Its impact was immediate and continues to this day, in the academic world and beyond. Translated into sixteen languages, with more than 700,000 copies sold around the world, In a Different Voice has inspired new research, new educational initiatives, and political debate—and helped many women and men to see themselves and each other in a different light.Carol Gilligan believes that psychology has persistently and systematically misunderstood women—their motives, their moral commitments, the course of their psychological growth, and their special view of what is important in life. Here she sets out to correct psychology's misperceptions and refocus its view of female personality. The result is truly a tour de force, which may well reshape much of what psychology now has to say about female experience.
An ambitious account of the corrosion of liberal democracy in rich and poor countries alike, arguing that antidemocratic sentiment reflects fear of material and cultural loss, not a critique of liberalism’s failure to deliver equality, and suggesting possible ways out. The retreat of liberal democracy in the twenty-first century has been impossible to ignore. From Wisconsin to Warsaw, Budapest to Bangalore, the public is turning against pluralism and liberal institutions and instead professing unapologetic nationalism and majoritarianism. Critics of inequality argue that this is a predictable response to failures of capitalism and liberalism, but Pranab Bardhan, a development economist, sees things differently. The problem is not inequality but insecurity—financial and cultural. Bardhan notes that antidemocratic movements have taken root globally in a wide range of demographic and socioeconomic groups. In the United States, older, less-educated, rural populations have withdrawn from democracy. But in India, the prevailing Hindu Nationalists enjoy the support of educated, aspirational urban youth. And in Europe, antidemocratic populists firmly back the welfare state (but for nonimmigrants). What is consistent among antidemocrats is fear of losing what they have. That could be money but is most often national pride and culture and the comfort of tradition. A World of Insecurity argues for context-sensitive responses. Some, like universal basic income schemes, are better suited to poor countries. Others, like worker empowerment and international coordination, have broader appeal. But improving material security won’t be enough to sustain democracy. Nor, Bardhan writes, should we be tempted by the ultimately hollow lure of China’s authoritarian model. He urges liberals to adopt at least a grudging respect for fellow citizens’ local attachments. By affirming civic forms of community pride, we might hope to temper cultural anxieties before they become pathological.
100 Books You Must Read Before You Die - volume 1 [Emma; Jane Eyre; Wuthering Heights; Heart of Darkness;Frankenstein ...] by Lewis Carroll,Emily Brontë,Victor Hugo,Edgar Rice Burroughs,E. M. Forster,Joseph Conrad,Homer,Aldous Huxley,Charles Dickens,Jane Austen,Alexandre Dumas,E. E. Cummings,H.P lovecraft Pdf
This book,contains now several HTML tables of contents The first table of contents lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC. This 1st volume of "100 Books You Must Read Before You Die" contains the following 50 works, arranged alphabetically by authors' last names: Alcott, Louisa May: Little Women Austen, Jane: Pride and Prejudice, Emma Balzac, Honoré de: Father Goriot Brontë, Anne: The Tenant of Wildfell Hall Brontë, Charlotte: Jane Eyre Brontë, Emily: Wuthering Heights Burroughs, Edgar Rice: Tarzan of the Apes Butler, Samuel: The Way of All Flesh Carroll, Lewis: Alice's Adventures in Wonderland Cather, Willa: My Ántonia Cervantes, Miguel de: Don Quixote Chopin, Kate: The Awakening Cleland, John: Fanny Hill Collins, Wilkie: The Moonstone Conrad, Joseph: Heart of Darkness, Nostromo Cooper, James Fenimore: The Last of the Mohicans Cummings, E. E: The Enormous Room Defoe, Daniel: Robinson Crusoe, Moll Flanders Dickens, Charles: Bleak House, Great Expectations Dostoyevsky, Fyodor: Crime and Punishment, The Idiot Doyle, Arthur Conan: The Hound of the Baskervilles Dreiser, Theodore: Sister Carrie Dumas, Alexandre: The Three Musketeers, The Count of Monte Cristo Eliot, George: Middlemarch Fielding, Henry: Tom Jones Flaubert, Gustave: Madame Bovary, Sentimental Education Ford, Ford Madox: The Good Soldier Forster, E. M.: A Room With a View, Howards End Gaskell, Elizabeth: North and South Goethe, Johann Wolfgang von: The Sorrows of Young Werther Gogol, Nikolai: Dead Souls Gorky, Maxim: The Mother Haggard, H. Rider: King Solomon's Mines Hardy, Thomas: Tess of the D'Urbervilles Hawthorne, Nathaniel: The Scarlet Letter Homer: The Iliad & The Odyssey Hugo, Victor: The Hunchback of Notre Dame, Les Misérables Huxley, Aldous: Crome Yellow James, Henry: The Portrait of a Lady Lovecraf H.P: The Call of Cthulhu Shelley Mary: Frankenstein
The United States is the global leader in higher education, but this was not always the case and may not remain so. William Kirby examines sources of—and threats to—US higher education supremacy and charts the rise of Chinese competitors. Yet Chinese institutions also face problems, including a state that challenges the commitment to free inquiry.
Harvard Classics (All 20 Volumes in One Edition) by Bjørnstjerne Bjørnson,Theodor Storm,Charles Dickens,Theodor Fontane,Gottfried Keller,Mark Twain,Edgar Allan Poe,Henry James,Victor Hugo,Jane Austen,Alphonse Daudet,Guy de Maupassant,George Eliot,Walter Scott,Laurence Sterne,Henry Fielding,George Sand,Washington Irving,Juan Valera,Alfred de Musset,Nathaniel Hawthorne,William Makepeace Thackeray,Edward Everett Hale,Francis Bret Harte,Ivan Turgenev,Leo Tolstoy,Fyodor Dostoevsky,Johann Wolfgang Goethe,Honoré Balzac,Alexander L. Kielland Pdf
The Harvard Classics - Shelf of Fiction represents a specific selection of the greatest novels, novellas and short stories of seven national literatures, namely: English, American, French, Spanish, German, Russian, and Scandinavian. Table of Contents: Vols. 1 & 2: The History of Tom Jones by Henry Fielding Vol. 3: A Sentimental Journey by Laurence Sterne Pride and Prejudice by Jane Austen Vol. 4: Guy Mannering by Sir Walter Scott Vol. 5 & 6: Vanity Fair by William Makepeace Thackeray Vol. 7 & 8: David Copperfield by Charles Dickens Vol. 9: The Mill on the Floss by George Eliot Vol. 10: Nathaniel Hawthorne: The Scarlet Letter Rappaccini's Daughter Washington Irving: Rip Van Winkle The Legend of Sleepy Hollow Edgar Alan Poe: Eleonora The Fall of the House of Usher The Purloined Letter Francis Bret Harte: The Luck of Roaring Camp The Outcasts of Poker Flat The Idyl of Red Gulch Jim Smiley and His Jumping Frog by Mark Twain The Man Without a Country by Edward Everett Hale Vol.11: The Portrait of a Lady by Henry James Vol. 12: Notre Dame de Paris by Victor Hugo Vol. 13: French Fiction Old Goriot by Honoré de Balzac The Devil's Pool by George Sand The Story of a White Blackbird by Alfred de Musset Alphonse Daudet: The Siege of Berlin The Last Class The Child Spy The Game of Billiards The Bad Zouave Guy de Maupassant: Walter Schnaffs' Adventure Two Friends The Cripple Vols. 14 & 15: German Fiction J. W. von Goethe: Wilhelm Meister's Apprenticeship The Sorrows of Young Werther The Banner of the Upright Seven by Gottfried Keller The Rider on the White Horse by Theodor Storm Trials and Tribulations by Theodor Fontane Vols. 16–19: Russian Fiction Tolstoy: Anna Karenina Ivan the Fool Crime and Punishment by Dostoevsky Turgenev: A House of Gentlefolk Fathers and Children Vol. 20: Spanish & Scandinavian Fiction Pepita Jimenez by Juan Valera A Happy Boy by Bjørnstjerne Bjørnson Skipper Worse by Alexander L. Kielland
A mondegreen is something that is heard improperly by someone who then clings to that misinterpretation as fact. Fittingly, Volodymyr Rafeyenko’s novel Mondegreen: Songs about Death and Love explores the ways that memory and language construct our identity, and how we hold on to it no matter what. The novel tells the story of Haba Habinsky, a refugee from Ukraine’s Donbas region, who has escaped to the capital city of Kyiv at the onset of the Ukrainian-Russian war. His physical dislocation—and his subsequent willful adoption of the Ukrainian language—place the protagonist in a state of disorientation during which he is forced to challenge his convictions. Written in beautiful, experimental style, the novel shows how people—and cities—are capable of radical transformation and how this, in turn, affects their interpersonal relations and cultural identification. Taking on crucial topics stirred by Russian aggression that began in 2014, the novel stands out for the innovative and probing manner in which it dissects them, while providing a fresh Donbas perspective on Ukrainian identity.