The Complete Motets 4

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The Complete Motets 4

Author : Orlando di Lasso
Publisher : A-R Editions, Inc.
Page : 256 pages
File Size : 43,8 Mb
Release : 1996-01-01
Category : Electronic
ISBN : 9780895793355

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The Complete Motets 4 by Orlando di Lasso Pdf

The Complete Motets

Author : Peter Bergquist
Publisher : A-R Editions, Inc.
Page : 114 pages
File Size : 53,7 Mb
Release : 2007-01-01
Category : Music
ISBN : 9780895796097

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The Complete Motets by Peter Bergquist Pdf

Pagination: vii + 106 pp.

Newe Deutzsche Lieder

Author : Johann Eccard
Publisher : A-R Editions, Inc.
Page : 130 pages
File Size : 55,9 Mb
Release : 2002-01-01
Category : Music
ISBN : 9780895794451

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Newe Deutzsche Lieder by Johann Eccard Pdf

xx + 99 pages

Consort, Full, and Verse Anthems

Author : Matthew Jeffries
Publisher : A-R Editions, Inc.
Page : 162 pages
File Size : 47,8 Mb
Release : 1998-01-01
Category : Music
ISBN : 9780895794130

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Consort, Full, and Verse Anthems by Matthew Jeffries Pdf

Syntagma Musicum III

Author : Michael Praetorius
Publisher : OUP USA
Page : 304 pages
File Size : 48,9 Mb
Release : 2004-03-18
Category : Music
ISBN : 0195145631

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Syntagma Musicum III by Michael Praetorius Pdf

Volume III deals with terminology and offers us the most detailed commentary available from the 17th century about the performance of particular pieces of music.

Notes

Author : Music Library Association
Publisher : Unknown
Page : 552 pages
File Size : 53,6 Mb
Release : 2002
Category : Music
ISBN : UOM:39015061586049

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Notes by Music Library Association Pdf

Robert de Reims

Author : Robert de Reims
Publisher : Penn State Press
Page : 190 pages
File Size : 44,5 Mb
Release : 2021-11-22
Category : Literary Criticism
ISBN : 9780271088266

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Robert de Reims by Robert de Reims Pdf

Robert de Reims, also known as “La Chievre de Rains,” was among the earliest trouvères—poet-composers who were contemporaries of the troubadours but who wrote in the dialects of northern France. This critical edition provides new translations into English and modern French of all the songs and motets ascribed to him, along with the original texts, the extant music, and a substantive introduction. Active sometime between 1190 and 1220, Robert was an influential figure in the literary circles of Arras. Thirteen compositions set to music are here attributed to him, including nine chansons and four polyphonic motets that were broadly disseminated in the thirteenth century and beyond. Robert’s work is exceptional on a number of fronts. He lavished particular care on the phonic harmony of his words. Acoustic luxuriance and expertise in rhyming, grounded in the play of echoes and variation (often extending into the music), constitute the hallmark of his poetry. Moreover, he is the earliest trouvère known to have composed a parodic sotte chanson contre Amours (silly song against Love). Located clearly at the nexus of monophonic song and polyphony, Robert’s corpus also poses the intriguing question of trouvère participation in the development of the polyphonic repertory. The case of Robert de Reims jostles and tempers the standard history of the chanson and motet. Accessible and instructive, this trilingual critical edition of his complete works makes the oeuvre of this innovative and consequential trouvère available in one volume for the first time.

The Motet in the Late Middle Ages

Author : Margaret Bent
Publisher : Oxford University Press
Page : 777 pages
File Size : 42,7 Mb
Release : 2023-11-03
Category : Music
ISBN : 9780190063795

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The Motet in the Late Middle Ages by Margaret Bent Pdf

A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening. In this book, Bent examines the words and music of motets from many different angles: foundational verbal quotations and pre-existent chant excerpts and their contexts, citations both of words and music from other compositions, function, dating, structure, theory, and number symbolism. Individual studies of these original creations tease out a range of strategies, ingenuity, playfulness, striking juxtapositions, and even subversion. Half of the thirty-two chapters consist of new material; the other half are substantially revised and updated versions of previously published articles and chapters, organized into seven Parts. With new analyses of text and music together, new datings, new attributions, and new hypotheses about origins and interrelationships, Bent uncovers little-explored dimensions, provides a window into the craft and thought processes of medieval composers, and opens up many directions for future work.

Giovanni Pierluigi Da Palestrina

Author : Clara Marvin
Publisher : Taylor & Francis
Page : 504 pages
File Size : 48,8 Mb
Release : 2002
Category : Music
ISBN : 0815323514

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Giovanni Pierluigi Da Palestrina by Clara Marvin Pdf

Sex and the Internet is the first ever professional book on the fascinating and revolutionary area of internet sexuality. With many disturbing questions raised by sex and the internet, here is a clinician's guide that addresses these concerns by both informing and providing practical and concrete suggestions and directions. Contributions by an international compilation of experts in the field of sexuality keeps on course with pertinent and relevant material.

Mapping the Motet in the Post-Tridentine Era

Author : Esperanza Rodríguez-García,Daniele V. Filippi
Publisher : Routledge
Page : 288 pages
File Size : 53,5 Mb
Release : 2018-09-03
Category : Music
ISBN : 9781315463070

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Mapping the Motet in the Post-Tridentine Era by Esperanza Rodríguez-García,Daniele V. Filippi Pdf

Mapping the Motet in the Post-Tridentine Era provides new dimensions to the discussion of the immense corpus of polyphonic motets produced and performed in the decades following the end of the Council of Trent in 1563. Beyond the genre’s rich connections with contemporary spiritual life and religious experience, the motet is understood here as having a multifaceted life in transmission, performance and reception. By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by contemporaries, the eleven chapters in this book redefine the cultural role of the genre. The motet, thanks to its own protean nature, not bound to any given textual, functional or compositional constraint, was able to convey cultural meanings powerfully, give voice to individual and collective identities, cross linguistic and confessional divides, and incarnate a model of learned and highly expressive musical composition. Case studies include considerations of composers (Palestrina, Victoria, Lasso), cities (Seville and Granada, Milan), books (calendrically ordered collections, non-liturgical music books) and special portions of the repertoire (motets pro defunctis, instrumental intabulations).

French Renaissance and Baroque Drama

Author : Michael Meere
Publisher : Rowman & Littlefield
Page : 369 pages
File Size : 54,5 Mb
Release : 2015-02-26
Category : Literary Criticism
ISBN : 9781611495492

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French Renaissance and Baroque Drama by Michael Meere Pdf

The fifteen articles in this volume highlight the richness, diversity, and experimental nature of French and Francophone drama before the advent of what would become known as neoclassical French theater of the seventeenth century. In essays ranging from conventional stage plays (tragedies, comedies, pastoral, and mystery plays) to court ballets, royal entrances, and meta- and para-theatrical writings of the period from 1485 to 1640, French Renaissance and Baroque Drama: Text, Performance, Theory seeks to deepen and problematize our knowledge of texts, co-texts, and performances of drama from literary-historical, artistic, political, social, and religious perspectives. Moreover, many of the articles engage with contemporary theory and other disciplines to study this drama, including but not limited to psychoanalysis, gender studies, anthropology, and performance theory. The diversity of the essays in their methodologies and objects of study, none of which is privileged over any other, bespeaks the various types of drama and the numerous ways we can study them.

A Critical Companion to Medieval Motets

Author : Jared C. Hartt
Publisher : Boydell & Brewer
Page : 422 pages
File Size : 55,9 Mb
Release : 2018
Category : BUSINESS & ECONOMICS
ISBN : 9781783273072

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A Critical Companion to Medieval Motets by Jared C. Hartt Pdf

First full comprehensive guide to one of the most important genres of music in the Middle Ages.

Hearing the Motet

Author : Dolores Pesce
Publisher : Oxford University Press
Page : 393 pages
File Size : 45,7 Mb
Release : 1998-12-10
Category : Music
ISBN : 9780195351651

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Hearing the Motet by Dolores Pesce Pdf

The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds. How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing as well a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture--a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort. Fresh, broad-ranging, and unique, Hearing the Motet makes vital reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods. Contributors include Rebecca A. Baltzer, Margaret Bent, M. Jennifer Bloxam, David Crook, James Haar, Paula Higgins, Joseph Kerman, Patrick Macey, Craig Monson, Robert Nosow, Jessie Ann Owens, Dolores Pesce, Joshua Rifkin, Anne Walters Robertson, Richard Sherr, and Rob C. Wegman.

J. S. Bach and the German Motet

Author : Daniel R. Melamed
Publisher : Cambridge University Press
Page : 260 pages
File Size : 54,9 Mb
Release : 1995-09-28
Category : Music
ISBN : 052141864X

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J. S. Bach and the German Motet by Daniel R. Melamed Pdf

An exploration of Bach's motets in the context of the German motet tradition.

Music, Libraries, and the Academy

Author : James P. Cassaro
Publisher : A-R Editions, Inc.
Page : 279 pages
File Size : 53,5 Mb
Release : 2007-01-01
Category : Music
ISBN : 9780895796127

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Music, Libraries, and the Academy by James P. Cassaro Pdf

This collection of articles dedicated to the memory of Lenore Coral divides into three sections that focus on her scholarly interests: music of the eighteenth century, music libraries and collections, and new approaches to the musical canon. Many of the seventeen contributions included in the volume are the result of the individual author's connection with Lenore, or were projects that she had been directly involved with, either as dissertation advisor, committee member, or interested observer. The senior scholars and music librarians represented here are testament to the impact of her intellect and influence.