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Author : Orlando di Lasso
Publisher : A-R Editions, Inc.
Page : 256 pages
File Size : 42,7 Mb
Release : 1996-01-01
Category : Electronic
ISBN : 9780895793355
Author : Peter Bergquist
Publisher : A-R Editions, Inc.
Page : 114 pages
File Size : 49,8 Mb
Release : 2007-01-01
Category : Music
ISBN : 9780895796097
Pagination: vii + 106 pp.
Author : William Smith
Publisher : A-R Editions, Inc.
Page : 170 pages
File Size : 48,7 Mb
Release : 2003-01-01
Category : Music
ISBN : 9780895795250
Pagination: xvi + 140 pp.
Author : John Hilton
Publisher : A-R Editions, Inc.
Page : 146 pages
File Size : 51,7 Mb
Release : 2004-01-01
Category : Music
ISBN : 9780895795496
xvii + 114 pp.
Author : Johann Eccard
Publisher : A-R Editions, Inc.
Page : 130 pages
File Size : 52,6 Mb
Release : 2002-01-01
Category : Music
ISBN : 9780895794451
xx + 99 pages
Author : Martin Roth
Publisher : A-R Editions, Inc.
Page : 213 pages
File Size : 52,8 Mb
Release : 2021-06-07
Category : Music
ISBN : 9781987206241
Martin Roth was a student and later cantor at the Pforta school near Leipzig. His sixteen surviving motets are contained in the anthology Florilegium Portense, issued in two volumes in 1618 and 1621. Consisting largely of double-choir motets, this collection is a retrospective of late Renaissance style, intersecting with seventeenth-century usage in Lutheran churches. The collection consists of 165 pieces by about ninety composers and was used widely in schools and churches throughout central Germany. These motets were performed on a weekly basis as late as 1770 for services at the main churches in Leipzig; J. S. Bach purchased new copies in use at the St. Thomas School in 1729, mentioning that the old copies had been sung to pieces (zersungen). The fact that such late-Renaissance motets were performed in rotation for some 150 years in Leipzig lends depth to our understanding of baroque performance practice.
Author : Giovanni Antonio Terzi
Publisher : A-R Editions, Inc.
Page : 170 pages
File Size : 41,7 Mb
Release : 2000-01-01
Category : Music
ISBN : 9780895794697
Lute music from Terzi's 2 compilations, originally published 1593 and 1599. Includes original works, and intabulations of works by other composers.
Author : Jacques Boogaart
Publisher : Medieval Institute Publications
Page : 280 pages
File Size : 45,9 Mb
Release : 2017-12-31
Category : Literary Criticism
ISBN : 9781580442886
This long overdue new edition of Guillaume de Machaut's twenty-three motets, the largest surviving collection of such works by a single composer in this period, is based on the most authoritative of the surviving manuscripts and is designed to meet the needs both of advanced scholars and musicians as well as students and performers. This user-friendly format indicates variants on the scores and has a layout that makes each work's structure clearly visible; the lyrics, with full English translation, are presented at the end of each work.
Author : Matthew Jeffries
Publisher : A-R Editions, Inc.
Page : 162 pages
File Size : 53,9 Mb
Release : 1998-01-01
Category : Music
ISBN : 9780895794130
Author : Margaret Bent
Publisher : Oxford University Press
Page : 777 pages
File Size : 50,5 Mb
Release : 2023-11-03
Category : Music
ISBN : 9780190063801
A unique capacity of measured polyphony is to give precisely fixed places not only to musical notes, but also to individual words in relation to them and each other. The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond, showcasing the imaginative opportunities afforded by this literal kind of intertextuality, and yielding a very different narrative from the common complaint that different simultaneous texts make motets incomprehensible. As leading musicologist Margaret Bent asserts, they simply require a different approach to preparation and listening. In this book, Bent examines the words and music of motets from many different angles: foundational verbal quotations and pre-existent chant excerpts and their contexts, citations both of words and music from other compositions, function, dating, structure, theory, and number symbolism. Individual studies of these original creations tease out a range of strategies, ingenuity, playfulness, striking juxtapositions, and even subversion. Half of the thirty-two chapters consist of new material; the other half are substantially revised and updated versions of previously published articles and chapters, organized into seven Parts. With new analyses of text and music together, new datings, new attributions, and new hypotheses about origins and interrelationships, Bent uncovers little-explored dimensions, provides a window into the craft and thought processes of medieval composers, and opens up many directions for future work.
Author : Orlando di Lasso
Publisher : A-R Editions, Inc.
Page : 194 pages
File Size : 46,5 Mb
Release : 2005-01-01
Category : Music
ISBN : 9780895795724
Pagination: xxvii + 160 pp.
Author : Orlando di Lasso
Publisher : A-R Editions, Inc.
Page : 242 pages
File Size : 48,9 Mb
Release : 2002-01-01
Category : Music
ISBN : 9780895795113
xliii + 187 pages
Author : Anonim
Publisher : Unknown
Page : 336 pages
File Size : 42,6 Mb
Release : 2002-11
Category : Humanities
ISBN : UCBK:C077728697
Author : Esperanza Rodríguez-García,Daniele V. Filippi
Publisher : Routledge
Page : 288 pages
File Size : 41,9 Mb
Release : 2018-09-03
Category : Music
ISBN : 9781315463070
Mapping the Motet in the Post-Tridentine Era provides new dimensions to the discussion of the immense corpus of polyphonic motets produced and performed in the decades following the end of the Council of Trent in 1563. Beyond the genre’s rich connections with contemporary spiritual life and religious experience, the motet is understood here as having a multifaceted life in transmission, performance and reception. By analysing the repertoire itself, but also by studying its material life in books and accounts, in physical places and concrete sonic environments, and by investigating the ways in which the motet was listened to and talked about by contemporaries, the eleven chapters in this book redefine the cultural role of the genre. The motet, thanks to its own protean nature, not bound to any given textual, functional or compositional constraint, was able to convey cultural meanings powerfully, give voice to individual and collective identities, cross linguistic and confessional divides, and incarnate a model of learned and highly expressive musical composition. Case studies include considerations of composers (Palestrina, Victoria, Lasso), cities (Seville and Granada, Milan), books (calendrically ordered collections, non-liturgical music books) and special portions of the repertoire (motets pro defunctis, instrumental intabulations).
Author : Orlando di Lasso
Publisher : Unknown
Page : 208 pages
File Size : 45,6 Mb
Release : 1964
Category : Instrumental music
ISBN : UCSC:32106016796341
