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Author : Yuheng Bao
Publisher : Unknown
Page : 0 pages
File Size : 52,8 Mb
Release : 1999
Category : Comparative arts
ISBN : LCCN:99022944
Author : Yuheng Bao
Publisher : Unknown
Page : 0 pages
File Size : 50,8 Mb
Release : 1999
Category : Comparative arts
ISBN : 0773480439
This is an interdisciplinary study of art history and theory, developing a new concept of East-West art study. It examines the concept of relationship between painting poetry as seen in analysis of selected writings and art works of Leonardo da Vinci and Su Dong-po (Su Shi) of the Song Dynasty of China.
Author : Mary Jacobus
Publisher : Princeton University Press
Page : 320 pages
File Size : 51,9 Mb
Release : 2016-08-16
Category : Art
ISBN : 9780691170725
Cover -- Title -- Copyright -- Contents -- PREFACE AND ACKNOWLEDGMENTS -- INTRODUCTION: TWOMBLY'S BOOKS -- 1 MEDITERRANEAN PASSAGES: RETROSPECT -- 2 PSYCHOGRAM AND PARNASSUS: HOW (NOT) TO READ A TWOMBLY -- 3 TWOMBLY'S VAGUENESS: THE POETICS OF ABSTRACTION -- 4 ACHILLES' HORSES, TWOMBLY'S WAR -- 5 ROMANTIC TWOMBLY -- 6 THE PASTORAL STAIN -- 7 PSYCHE: THE DOUBLE DOOR -- 8 TWOMBLY'S LAPSE -- POSTSCRIPT: WRITING IN LIGHT -- NOTES -- BIBLIOGRAPHY -- INDEX
Author : Beatriz Dr Gonzalez Moreno,Fernando González-Moreno
Publisher : Routledge
Page : 185 pages
File Size : 52,7 Mb
Release : 2020-05-14
Category : Literary Criticism
ISBN : 9780429515781
Painting Words: Aesthetics and the Relationship between Image and Text addresses the importance of dialogue between art and literature, text and image in our image-saturated era. In a globalized world, isolation and compartmentalization hinder us back, whereas the Romantic idea of belonging urges us to look beyond and to build bridges. Bearing this Romantic spirit in mind, rather than focusing on a traditional paragonal approach, this book puts forward the benefits of alliance by offering an interdisciplinary and transdisciplinary perspective. Illustrations are included to guide the reader into comparativism and intermedial encounters, while providing an inspiring overview of the literary and visual department both in Europe and America from the Renaissance to the twentieth century. The different essays lead us through an aesthetic exploratory journey by the hand of Cervantes, Shakespeare, Felicia Hemans, Emily Eden, William Wordsworth, Edgar A. Poe, Flannery O’Connor, N. Scott Momaday, José Joaquín de Mora, Wallace Stevens and José Ángel Valente, among others. Editors, Beatriz González Moreno and Fernando González Moreno have brought together an international group of scholars around the idea of "painting words," which they define as the pictorial ability of language to stir the reader’s imagination and the way illustrators have "read" literary works over the course of centuries. Many traditional comparative studies examine literature belonging to specific time periods or movements, far less frequently do they bridge visual culture with text-- Painting Words: Aesthetics and the Relationship between Image and Text aims to do just that.
Author : Shen Jiaxuan
Publisher : Taylor & Francis
Page : 320 pages
File Size : 54,6 Mb
Release : 2023-09-14
Category : Foreign Language Study
ISBN : 9781000873405
As the first volume of a two-volume set that re-examines nouns and verbs in Chinese, this book proposes the verbs-as-nouns theory, corroborated by discussions of the nature and relationship between nouns and verbs in Chinese. Seeking to break free from the shackles of Western linguistic paradigms largely based on Indo-European languages and to a great extent inappropriate for Chinese, this two-volume study revisits the nature of nouns and verbs and relevant linguistic categories in Chinese to unravel the different relationships between nouns and verbs in Chinese, English, and other languages. It argues that Chinese nouns and verbs are related inclusively rather than in the oppositional pattern found in Indo-European languages, with verbs included in nouns as a subcategory. Preliminary to the core discussion on the verbs-as-nouns framework, the author critically engages with the issues of word classes and nominalization, as well as problems with the analysis of Chinese grammar due to the noun-verb distinction. Through linguistic comparisons, the following chapters look into noticeable differences between Chinese and English, the referential and predicative natures of nouns and verbs, the asymmetry of the two, and the referentiality of predicates in Chinese. The volume will be a must-read for linguists and students studying Chinese linguistics, Chinese grammar, and contrastive linguistics.
Author : Franklin R. Rogers,Mary Ann Rogers
Publisher : Bucknell University Press
Page : 264 pages
File Size : 47,5 Mb
Release : 1985
Category : Art
ISBN : 083875077X
This study addresses itself to the formal (in the topological sense) aspect of literature and literary words, and concludes that if logos (discursive langauge) and mythos (literary language) are indeed contiguous complementary forms, they are then essentially no different from those forms with which the painter or sculptor deals in the formation of his art object.
Author : Nesrin Demir,M. Fatih Sansar
Publisher : Livre de Lyon
Page : 525 pages
File Size : 49,5 Mb
Release : 2022-06-15
Category : Business & Economics
ISBN : 9782382362808
Research on Economics and Administration and Social Sciences
Author : Alfreda Murck,Wen Fong
Publisher : Metropolitan Museum of Art
Page : 615 pages
File Size : 55,5 Mb
Release : 1991
Category : Calligraphy, Chinese
ISBN : 9780870996047
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
Author : Camilla Caporicci,Armelle Sabatier
Publisher : Routledge
Page : 251 pages
File Size : 43,9 Mb
Release : 2019-11-04
Category : Literary Criticism
ISBN : 9781000734836
Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "picturing" in early modern English literature. The essays in this volume offer a comprehensive and varied picture of the relationship between visual and verbal in the early modern period, while also contributing to the understanding of the literary context in which Shakespeare wrote. Using different methodological approaches and taking into account a great variety of texts, including Elizabethan sonnet sequences, metaphysical poetry, famous as well as anonymous plays, and court masques, the book opens new perspectives on the literary modes of "picturing" and on the relationship between this creative act and the tense artistic, religious and political background of early modern Europe. The first section explores different modes of looking at works of art and their relation with technological innovations and religious controversies, while the chapters in the second part highlight the multifaceted connections between European visual arts and English literary production. The third section explores the functions performed by portraits on the page and the stage, delving into the complex question of the relationship between visual and verbal representation. Finally, the chapters in the fourth section re-appraise early modern reflections on the relationship between word and image and on their respective power in light of early-seventeenth-century visual culture, with particular reference to the masque genre.
Author : Leonard Barkan
Publisher : Princeton University Press
Page : 208 pages
File Size : 45,8 Mb
Release : 2013
Category : Art
ISBN : 9780691141831
Subject: Visible and invisible -- Apples and oranges -- Desire and loss -- The theater as a visual arrt -- Afterword
Author : Pierre Brunel
Publisher : Routledge
Page : 1242 pages
File Size : 43,7 Mb
Release : 2015-07-30
Category : Literary Criticism
ISBN : 9781317387145
First published in French in 1988, and in English in 1992, this companion explores the nature of the literary myth in a collection of over 100 essays, from Abraham to Zoroaster. Its coverage is international and draws on legends from prehistory to the modern age throughout literature, whether fiction, poetry or drama. Essays on classical figures, as well as later myths, explore the origin, development and various incarnations of their subjects. Alongside entries on western archetypes, are analyses of non-European myths from across the world, including Africa, China, Japan, Latin America and India. This book will be indispensable for students and teachers of literature, history and cultural studies, as well as anyone interested in the fascinating world of mythology. A detailed bibliography and index are included. ‘The Companion provides a fine interpretive road map to Western culture’s use of archetypal stories.’ Wilson Library Review ‘It certainly is a comprehensive volume... extremely useful.’ Times Higher Education Supplement
Author : Phillip John Usher
Publisher : Oxford University Press
Page : 266 pages
File Size : 53,7 Mb
Release : 2014
Category : Art
ISBN : 9780199687848
Studies the relationship between epic literature and other art forms (painting, sculpture, architecture) in the French Renaissance, exploring the paradox that the heroes and themes in the art of the period are widely celebrated while the literary epics are largely unread.
Author : Wallace Stevens
Publisher : Unknown
Page : 16 pages
File Size : 47,8 Mb
Release : 1951
Category : Art and literature
ISBN : UOM:39015013644094
Author : Kang-i Sun Chang,Stephen Owen
Publisher : Cambridge University Press
Page : 748 pages
File Size : 53,9 Mb
Release : 2010
Category : Chinese literature
ISBN : 0521855586
Stephen Owen is James Bryant Conant Professor of Chinese at Harvard University. --Book Jacket.
Author : Daniela Hammer-Tugendhat
Publisher : Walter de Gruyter GmbH & Co KG
Page : 340 pages
File Size : 45,7 Mb
Release : 2015-03-10
Category : Art
ISBN : 9783110423013
The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.