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WINNER OF THE PULITZER PRIZE The first full account of how the Cold War arms race finally came to a close, this riveting narrative history sheds new light on the people who struggled to end this era of massive overkill, and examines the legacy of the nuclear, chemical, and biological weapons that remain a threat today. Drawing on memoirs, interviews in both Russia and the US, and classified documents from deep inside the Kremlin, David E. Hoffman examines the inner motives and secret decisions of each side and details the deadly stockpiles that remained unsecured as the Soviet Union collapsed. This is the fascinating story of how Reagan, Gorbachev, and a previously unheralded collection of scientists, soldiers, diplomats, and spies changed the course of history.
The Dead Hand Book is a memorial to mortality and the ancestral liaison with death through quiet and sweetly-macabre short stories. The Dead Hand Book is a memorial to mortality and the ancestral liaison with death through quiet and sweetly-macabre short stories. The collection of fables is inspired by the manner those long gone have had their memories engraved onto slate and marble stones with the cadence of an old Folk song or Murder Ballad. Tales of warning, the deepest loves honored by surviving paramours and the indifferent cruelty of life in the 17th-20th century are all recorded in the Stories From Gravesend Cemetery. The purpose of this book is to educate the casual cemetery wanderer about how to read the old stones they pass by and to excite the #deathpositivity movement enthusiast or morbidly curious. This book aims help honor those who have come before us by opening the door of understanding the strange records inscribed in old cemeteries; many of those interred below having only that record of their life existing on a crumbling stone. The stories are short and often open-ended to allow the reader to contemplate their interpretation of the endings, maybe even their own mortality. (Much like the way Edward Gorey crafted his short stories.) Modern attitudes towards death have become sodden with superstition, misinformation and fear; this book’s goal is to illuminate how those of the near past embraced, cared for, and honored death as an obvious part of life. Not long ago art was very much an integral part of funerary celebrations such as elaborate Memento Mori carvings on ancient gravestones and the hair jewelry of the Victorians. Those relics are celebrated in The Dead Hand Book.
Paul Theroux returns to India with a stylish and gripping novel of crime and obsession in Calcutta. In A Dead Hand, Paul Theroux brings to dramatic life a dark and twisted narrative of obsession and need. When Jerry Delfont, a travel writer with writer’s block, receives a letter from a captivating and seductive American philanthropist with news of a scandal involving an Indian friend of her son’s, he is sufficiently intrigued to pursue the story. Who is the boy found on the floor of a cheap hotel room, how and why did he die — what is it that pulls Delfont into this story, and will he ever find the truth about what happened?
A refreshing, insightful look into the political and economicdynamics driving globalization today Globalization: it's earlier than you think. That's the provocativemessage of Against the Dead Hand, which traces the rise and fall ofthe century-long dream of central planning and top-down control andits impact on globalization-revealing the extent to which the "deadhand" of the old collectivist dream still shapes the contours oftoday's world economy. Mixing historical narrative,thought-provoking arguments, and on-the-scene reporting andinterviews, Brink Lindsey shows how the economy has grown up amidstthe wreckage of the old regime-detailing how that wreckageconstrains the present and obscures the future. He conveys aclearer picture of globalization's current state than the currentconventional wisdom, providing a framework for anticipating thefuture direction of the world economy.
The law of succession rests on a single brute fact: you can't take it with you. The stock of wealth that turns over as people die is staggeringly large. In the United States alone, some $41 trillion will pass from the dead to the living in the first half of the 21st century. But the social impact of inheritance is more than a matter of money; it is also a matter of what money buys and brings about. Law and custom allow people many ways to pass on their property. As Friedman's enlightening social history reveals, a decline in formal rules, the ascendancy of will substitutes over classic wills, social changes like the rise of the family of affection, changing ideas of acceptable heirs, and the potential disappearance of the estate tax all play a large role in the balance of wealth. Dead Hands uncovers the tremendous social and legal importance of this rite of passage, and how it reflects changing values and priorities in American families and society.
In this saga of brilliant triumphs and magnificent failures, David E. Hoffman, the former Moscow bureau chief for the Washington Post, sheds light on the hidden lives of Russia's most feared power brokers: the oligarchs. Focusing on six of these ruthless men— Alexander Smolensky, Yuri Luzhkov, Anatoly Chubais, Mikhail Khodorkovsky, Boris Berezovsky, and Vladimir Gusinsky—Hoffman shows how a rapacious, unruly capitalism was born out of the ashes of Soviet communism.
"The Woodend series has always been one of the best British police procedurals around. Now Spencer has taken up a new series with Paniatowski in the lead, and she proves again that she is in the league with Peter Turnbull and Lynda La Plante" - Library Journal The first book in the page-turning DCI Monika Paniatowski British police procedural series, set in the 1970s. It will be no easy task to fill the shoes of a local legend like DCI Charlie Woodend, the newly-promoted Monika Paniatowski tells herself, but given a little time, she thinks she can grow into them. Yet time is the one thing she does not have. On her first day in the new job, a severed female hand is discovered on the riverbank. The obvious suspect is Stan Szymborska, the victim’s war-hero husband, though Paniatowski refuses to arrest him. But is it the lack of evidence which is holding her back . . . or is it the fact that he is not only the most attractive man she has met in a long time, but also a fellow Pole? Woodend is preparing to leave for a new life in Spain, and Paniatowski is determined not to ask for his help. But when her colleagues prove untrustworthy, the urge to call him becomes almost irresistible . . .
A powerful doomsday weapon originally designed by the Soviets falls into the hands of nationalist fanatic General Likatchev, who threatens to unleash a global holocaust in order to topple the current Russian regime.
Dead Hands traces the fascinating career of a curious imaginative device: the wandering, disembodied, or ghostly hand. Dexterously threading historical, theoretical, and formalist questions, the author situates this familiar gothic convention in its rich literary and intellectual contexts, from early modern English drama through American fiction.
The rise and rise of the Bin Laden family is one of the great stories of the twentieth century; its repercussions have already deeply marked the twenty-first. Until now, however, it is a story that has never been fully told, as the Bin Ladens have successfully fended off attempts to understand the family circles from which Osama sprang. In this the family has been abetted by the kingdom it calls home, Saudi Arabia, one of the most closed societies on earth. Steve Coll’s The Bin Ladens: An Arabian Family in the American Century is the groundbreaking history of a family and its fortune. It chronicles a young illiterate Yemeni bricklayer, Mohamed Bin Laden, who went to the new, oil-rich country of Saudi Arabia and quickly became a vital figure in its development, building great mosques and highways and making himself and many of his children millionaires. It is also a story of the Saudi royal family, whom the Bin Ladens served loyally and without whose capricious favor they would have been nothing. And it is a story of tensions and contradictions in a country founded on extreme religious purity, which then became awash in oil money and dazzled by the temptations of the West. In only two generations the Bin Ladens moved from a famine-stricken desert canyon to luxury jets, yachts, and private compounds around the world, even going into business with Hollywood celebrities. These religious and cultural gyrations resulted in everything from enthusiasm for America—exemplified by Osama’s free-living pilot brother Salem—to an overwhelming determination to destroy it. The Bin Ladens is a meticulously researched, colorful, shocking, entertaining, and disturbing narrative of global integration and its limitations. It encapsulates the unsettling contradictions of globalization in the story of a single family who has used money, mobility, and technology to dramatically varied ends.
It’s All Just a Show...Right? “This is an authentic old west ghost town, son. Around these parts the dead don’t stay dead.” Nick Caden’s vacation at Deadwood Canyon Ghost Town takes a deadly turn toward trouble when the fifteen-year-old finds himself trapped in a livery stable with the infamous outlaw Jesse James. The shooter whirls, aims and... vanishes. Great theatrics, Nick thinks, except now he’s alone in the hayloft with the bullet-riddled body of Billy the Kid. And by the time the sheriff arrives, the body disappears. Soon Nick is caught in a deadly chase—from an abandoned gold mine, through forbidden buffalo hunting grounds, and across Rattlesnake Gulch. Around every turn he finds another suspect. Will Nick solve the murder? Will his parents have him committed? Or will the town's infatuation with Hollywood theatrics conceal the real truth about souls, spirits and the destiny that awaits those who die.
"COLD WAR RELICS," Part One Carter Carlson was a highly decorated operative during the Cold War. But in the fall of 1991, as the Soviet Union collapsed, Carter discovered a secret that not only changed his life but also altered the course of history. Now, as the mysterious "Dead Hand" threatens to end the world once again, the only thing standing in its way is the relationship between an old spy and a little boy.
Step past the flashing lights into the true scene of the crime with this frank, unflinching, and unforgettable account of life as a crime scene investigator. Whether explaining rigor mortis or the art of fingerprinting a stiff corpse on the side of the road, Dana Kollmann details her true, unvarnished experiences as a CSI for the Baltimore County Police Department. Unlike the popular crime dramas proliferating on today's television networks, these forensic tales forgo glitz for grit to show what really goes on. Kollmann recounts stories that the cops and the CSI's usually leave in the field, bringing the sights, smells and sounds of a crime scene alive as never before. Unveiling the process and science of crime scene investigation in all its can't-tear-your-eyes-away fascination, Never Suck a Dead Man's Hand takes you into the strange world behind the yellow tape, offering a truly eye-opening perspective on the day-to-day life of a CSI.
