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The Desert and the Dancing Girls by Gustave Flaubert Pdf
Every book tells a story . . . And the 70 titles in the Pocket Penguins series are emblematic of the renowned breadth and quality that formed part of the original Penguin vision in 1935 and that continue to define our publishing today. Together, they tell one version of the unique story of Penguin Books. Gustave Flaubert transformed French literature and caused an outcry when his novel Madame Bovary, portraying a woman trapped in an unhappy marriage, was published in 1857. Combining letters to his mother and friends with personal notes, this volume reconstructs Flaubert's formative journey to Egypt as a young man, beautifully portraying his sense of wonder and decadent surrender to the sensual delights of nineteenth-century Cairo.
In the Heart of the Desert by Michael Quentin Morton Pdf
In the heart of the desert is the biography of exploration geologist Mike Morton, written by his son who grew up with his father's stories and first came to experience the desert on their field trips together. Making use of Mike's journals and letters and writings of his contemporaries, the author describes his father's jouneys and what it was like for westerners to live in the Middle East in the post-World War II years. The book is also a history of oil exploration in the Middle East, relying onthe author's extensive research into company archives and eye-witness accounts of activities in the field. -- Provided by publisher.
Ted Shawn (1891-1972) is the self-proclaimed "Father of American Dance" who helped to transform dance from a national pastime into theatrical art. In the process, he made dancing an acceptable profession for men and taught several generations of dancers, some of whom went on to become legendary choreographers and performers in their own right, most notably his prot�g�s Martha Graham, Louise Brooks, Doris Humphrey, and Charles Weidman. Shawn tried for many years and with great frustration to tell the story of his life's work in terms of its social and artistic value, but struggled, owing to the fact that he was homosexual, a fact known only within his inner circle of friends. Unwilling to disturb the meticulously narrated account of his paternal exceptionalism, he remained closeted, but scrupulously archived his journals, correspondence, programs, photographs, and motion pictures of his dances, anticipating that the full significance of his life, writing, and dances would reveal itself in time. Ted Shawn: His Life, Writings, and Dances is the first critical biography of the dance legend, offering an in-depth look into Shawn's pioneering role in the formation of the first American modern dance company and school, the first all-male dance company, and Jacob's Pillow, the internationally renowned dance festival and school located in the Berkshires. The book explores Shawn's writings and dances in relation to emerging discourses of modernism, eugenics and social evolution, revealing an untold story about the ways that Shawn's homosexuality informed his choreographic vision. The book also elucidates the influences of contemporary writers who were leading a radical movement to depathologize homosexuality, such as the British eugenicist Havelock Ellis and sexologist Alfred Kinsey, and conversely, how their revolutionary ideas about sexuality were shaped by Shawn's modernism.
I don't know why, the street lamp beside the street emits a dim light, which can barely illuminate a small area directly below the street lamp, which greatly affects the teenager's vision. The teenager can only see the road outside two or three street lamps, and then it is deep darkness.
The Englishwoman Gertrude Bell lived an extraordinary life. Her adventures are the stuff of novels: she rode with bandits; braved desert shamals; was captured by Bedouins; and sojourned in a harem. Called the most powerful woman in the British Empire, she counseled kings and prime ministers. Bell’s colleagues included Lloyd George and Winston Churchill, who in 1921 invited Bell—the only woman whose advice was sought—to the Cairo Conference to “determine the future of Mesopotamia.” Bell numbered among her closest friends T.E. Lawrence, St. John Philby, and Arabian sheiks. In this volume of three of her notebooks, Rosemary O’Brien preserves Bell’s elegant, vibrant prose, and presents Bell as a brilliant tactician fearlessly confronting her own vulnerability. The fundamental themes of her life—reckless behavior; a divided self which combined brilliance of intellect with a passionate nature; a sense of history; and the fatal gift of falling in love with a married man—are all here in remarkable detail. Her journey to northern Arabia in 1914 earned Bell professional recognition from the Royal Geographical Society, and solidified her reputation as a canny political analyst of Middle Eastern affairs. In addition to Bell’s own photographs, O’Brien has provided us an unprecedented first access to excerpts of the Bell/Richard Doughty-Wyllie love letters, the married British army officer with whom she was in love and for whom her diaries were written.
The Literature of Egypt and the Soudan from the Earliest Times to the Year 1885 [i.e. 1887] Inclusive by Prince Ibrahim-Hilmy (son of Ismail, Khedive of Egypt) Pdf
For more than twenty years, Maria Paula Acuña has claimed to see the Virgin Mary, once a month, at a place called Our Lady of the Rock in the Mojave Desert of California. Hundreds of men, women, and children follow her into the desert to watch her see what they cannot. While she sees and speaks with the Virgin, onlookers search the skies for signs from heaven, snapping photographs of the sun and sky. Not all of them are convinced that Maria Paula can see the Virgin, yet at each vision event they watch for subtle clues to Mary’s presence, such as the unexpected scent of roses or a cloud in the shape of an angel. The visionary depends on her audience to witness and authenticate her visions, while observers rely on Maria Paula and the Virgin to create a sacred space and moment where they, too, can experience firsthand one of the oldest and most fundamental promises of Christianity: direct contact with the divine. Together, visionary and witnesses negotiate and enact their monthly liturgy of revelations. Our Lady of the Rock, which features text by Lisa M. Bitel and more than sixty photographs by Matt Gainer, shows readers what happens in the Mojave Desert each month and tells us how two thousand years of Christian revelatory tradition prepared Maria Paula and her followers to meet in the desert. Based on six years of observation and interviews, chapters analyze the rituals, iconographies, and physical environment of Our Lady of the Rock. Bitel and Gainer also provide vivid portraits of the pilgrims—who they are, where they come from, and how they practice the traditional Christian discernment of spirits and visions. Our Lady of the Rock follows three pilgrims as they return home with relics and proofs of visions where, out of Maria Paula’s sight, they too have learned to see the Virgin. The book also documents the public response from the Catholic Church and popular news media to Maria Paula and other contemporary visionaries. Throughout, Our Lady of the Rock locates Maria Paula and her followers in the context of recent demographic and cultural shifts in the American Southwest, the astonishing increase in reported apparitions and miracles from around the world, the latest developments in communications and visual technologies, and the never-ending debate among academics, faith leaders, scientists, and citizen observers about sight, perception, reason, and belief.
The odor of burning flesh and the screams of those condemned to the flames disturb the dreams of young Safire of Long Marsh. Safire struggles to keep the curse of her psychic abilities secret, lest she be burned at the stake as a witch in her native land Cormalen. Forced to keep her talents hidden instead of learning how to use them, Safire is ill-prepared to face the evil that awaits her. When she meets the rebellious Merius of Landers, a nobleman determined to escape his overbearing father's influence, she finally finds someone who accepts her. But their romance interferes with court plots and family duty and ultimately leads Safire to confront the dark secrets of the House of Landers alone. What she finds there proves to be a test of her unusual gifts, a test that could free the soul of a haunted man--or end in her death.
Little girls all over the world may hope to grow up to become a princess, but few ever realize the dream. For those who grow up to become showgirls, they go far beyond, becoming goddess-like objects of men's desire and the epitome of feminine beauty, elegance, and class. As soon as resort casinos began to dot the dusty Las Vegas landscape, major stars, extravagant show productions, and beautiful women helped promote the city to become the ultimate adult playground. In the early 1950s, when women began to dance and parade on the stages of Las Vegas, the showgirl persona evolved from the seductive burlesque-style performance art to the elegant productions modeled after those staged in France, with women dripping in furs and feathers, or in nothing more than a G-string and rhinestones. The over-the-top Las Vegas productions may have faded into obscurity, leaving but one show, Bally's Jubilee, as the longest running showgirl show on the Las Vegas Strip, but the iconic showgirl will forever represent Las Vegas in all of its glitz and glory.
To Nietzsche: Dionysus, I Love You! Ariadne by Claudia Crawford Pdf
This book explores the possibility that Friedrich Nietzsche simulated his madness as a form of voluntary death, and thus that his madness functioned as the symbolic culmination of his philosophy. The book weaves together scholarly, mytho-poetic, literary critical, biographical, and dramatic genres not only to explore specifics of Nietzsches madness, but to question the reason/madness opposition in nineteenth and twentieth century thinking. A rational and scholarly study of this period of Nietzsches breakdownpresented through his writings, letters, and poetry in combination with relevant historical documents and other critics writingsis simultaneously disrupted and questioned by several non-traditional discourses or voices that break in on it. Thus, Ariadnes voice frames and unframes the research context and plays alongside it. Ariadnes voice is poetic, revelatory, rhapsodic, and prophetic, sounding much like Nietzsches own voice during his breakdown. Ariadnes discourse attempts to seduce through a non-rational, mytho-poetic love story which culminates in the wedding of Dionysus and Ariadne. Other non-rational discourses, critically developed and based upon the work of Nietzsche, Jean Baudrillard, and Gilles Deleuze, are given voice and work together with Ariadne to counter the usual interpretations of Nietzsches madness and of what mad discourse is. These discourses are given the names catastrophe, phantasm, and seduction. The experiment of the book is not only to offer an entirely different perspective on Nietzches madness but to offer and perform new and challenging forms of affirmative discourse.
Music and Traditions of the Arabian Peninsula by Lisa Urkevich Pdf
Music and Traditions of the Arabian Peninsula provides a pioneering overview of folk and traditional urban music, along with dance and rituals, of Saudi Arabia and the Upper Gulf States of Kuwait, Bahrain, and Qatar. The nineteen chapters introduce variegated regions and subcultures and their rich and dynamic musical arts, many of which heretofore have been unknown beyond local communities. The book contains insightful descriptions of genres, instruments, poetry, and performance practices of the desert heartland (Najd), the Arabian/Persian Gulf shores, the great western cities including Makkah and Medinah, the southwestern mountains, and the hot Red Sea coast. Musical customs of distinctive groups such as Bedouin, seafarers, and regional women are explored. The book is packaged with an audio CD and almost 200 images including a full color photo essay, numerous music transcriptions, a glossary with over 400 specialized terms, and original Arabic script alongside key words to assist with further research. This book provides a much-needed introduction and organizational structure for the diverse and complex musical arts of the region.
The Ascetic Imperative in Culture and Criticism by Geoffrey Galt Harpham Pdf
In this bold interdisciplinary work, Geoffrey Galt Harpham argues that asceticism has played a major role in shaping Western ideas of the body, writing, ethics, and aesthetics. He suggests that we consider the ascetic as "the 'cultural' element in culture," and presents a close analysis of works by Athanasius, Augustine, Matthias, Grünewald, Nietzsche, Foucault, and other thinkers as proof of the extent of asceticism's resources. Harpham demonstrates the usefulness of his findings by deriving from asceticism a "discourse of resistance," a code of interpretation ultimately more generous and humane than those currently available to us.
Hollywood's Silent Closet provides a banquet of information about the pansexual intrigues of Hollywood between 1919 and 1926, compiled from eyewitness interviews with men and women, all of them insiders, who flourished in its midst. Not for the timid, it names names and doesn't spare the guilty. If you believe, like Truman Capote, that the literary treatment of gossip will become the literature of the 21st century, then you will love Hollywood's Silent Closet. Hollywood's Silent Closet is a vivid portrait of the decadent, homosexual, and gossipy world of pre-talkie Hollywood. It's an Info-Novel where 90% of everything in it is true. It represents the greatest collection of star-studded scandal ever assembled on the film stars of Hollywood's Silent Era. Valentino, Ramon Novarro, Charlie Chaplin, Fatty Arbuckle, Pola Negri, Nazimova, and many others figure into eyewitness accounts of the debauched excesses that went on behind closed doors. It also documents the often tragic endings of America's first screen idols, some of whom admitted to being more famous than the monarchs of England and Jesus Christ combined. Many of the interviews that went into the compilation of this book were conducted between 1940 and 1974, as the subjects were nearing the end of their lives and were willing, at last, to reveal scandals and insights that had previously been repressed by their own fears and by the media machines of the studio system. Marriages of convenience are the norm as intra-male peccadillos (and lots of lesbian love, too) are swept under the potted palms of the Edwardian age. The hero of this tale is the amiably cross-dressing Durango Jones, a wide-eyed neophyte from Kansas, circa 1919, who hits Hollywood during its Pre-Code excesses, and stays for a sexual feast wherein the banquet consists of many of the era's most flamboyant sex symbols. And although technically, this title has been formatted as a novel rather than a straight-line biography, there's the sometimes disturbing sense that this book is genuinely historical as well as being a jolly and rollicking piece of very savvy entertainment. This is high-testosterone Hollywood at its most compulsively readable. The 60s didn't invent sex-the stars of the Silent Screen did. --Cruiser. Who slept with Mary Pickford's three husbands, her two brothers-in-law, and even her brother? The hero of Hollywood's Silent Closet, that's who! --Trova Roma.