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To stripe a surface serves to distinguish it, to point it out, to oppose it or associate it with another surface, and thus to classify it, to keep an eye on it, to verify it, even to censor it. Throughout the ages, the stripe has made its mark in mysterious ways. From prisoners' uniforms to tailored suits, a street sign to a set of sheets, Pablo Picasso to Saint Joseph, stripes have always made a bold statement. But the boundary that separates the good stripe from the bad is often blurred. Why, for instance, were stripes associated with the devil during the Middle Ages? How did stripes come to symbolize freedom and unity after the American and French revolutions? When did the stripe become a standard in men's fashion? "In the stripe," writes author Michel Pastoureau, "there is something that resists enclosure within systems." So before putting on that necktie or waving your country's flag, look to The Devil's Cloth for a colorful history of the stripe in all its variety, controversy, and connotation.
Author : Hanna Rose Shell Publisher : University of Chicago Press Page : 249 pages File Size : 46,9 Mb Release : 2020-09-03 Category : History ISBN : 9780226698229
“A remarkable story that moves from nineteenth-century England to today’s global ecological concerns around fast fashion.” —Times Literary Supplement Starting in the early 1800s, shoddy was the name given to a new material made from reclaimed wool, and to one of the earliest forms of industrial recycling. Old rags and leftover fabric clippings were ground to bits by a machine known as “the devil” and then reused. Usually undisclosed, shoddy—also known as reworked wool—became suit jackets, army blankets, mattress stuffing, and much more. Shoddy is the afterlife of rags. And Shoddy, the book, reveals hidden worlds of textile intrigue. Hanna Rose Shell takes us on a journey from Haiti to the “shoddy towns” of West Yorkshire in England, to the United States, back in time to the British cholera epidemics and the American Civil War, and into agricultural fields, textile labs, and rag-shredding factories. The narrative is both literary and historical, drawing on an extraordinary range of sources from court cases to military uniforms, mattress labels to medical textbooks, political cartoons to high art, and bringing richly drawn characters and unexpected objects to life. Along the way, shoddy becomes equally an evocative object and a portal into another world. Shell exposes an interwoven tale of industrial espionage, political infighting, scientific inquiry, ethnic prejudices, and war profiteering, and shows how, over the past century, the shredding “devil” has moved from wool to synthetics such as nylon stockings and Kevlar. The use of the term “virgin” wool emerged as an effort by the wool industry to counter shoddy’s appeal: to make shoddy seem . . . well, shoddy. Over time, the word would become a synonym for “inferior” and describe a host of personal, ethical, commercial, and societal failings. And yet, there was always, within shoddy, the alluring concept of regeneration—of what we today think of as conscious clothing, eco-fashion, or sustainable textiles. “In a brilliantly quixotic, scholarly rich, fabulously illustrated trek, Shell guides readers through the history of the reprocessing of used clothing and textiles, reflecting on human ornament, fears of contagion (think of the associations of ‘shoddy’ versus ‘virgin’ wool), and the evolution of a vast industry.” —Harvard Magazine “The fascinating story of how a respectable textile product became synonymous with all things inferior . . . . a fun ride.” —Washington Independent Review of Books
A NEW YORKER BEST BOOK OF THE YEAR • A sweeping and captivatingly told history of clothing and the stuff it is made of—an unparalleled deep-dive into how everyday garments have transformed our lives, our societies, and our planet. “We learn that, if we were a bit more curious about our clothes, they would offer us rich, interesting and often surprising insights into human history...a deep and sustained inquiry into the origins of what we wear, and what we have worn for the past 500 years." —The Washington Post In this panoramic social history, Sofi Thanhauser brilliantly tells five stories—Linen, Cotton, Silk, Synthetics, Wool—about the clothes we wear and where they come from, illuminating our world in unexpected ways. She takes us from the opulent court of Louis XIV to the labor camps in modern-day Chinese-occupied Xinjiang. We see how textiles were once dyed with lichen, shells, bark, saffron, and beetles, displaying distinctive regional weaves and knits, and how the modern Western garment industry has refashioned our attire into the homogenous and disposable uniforms popularized by fast-fashion brands. Thanhauser makes clear how the clothing industry has become one of the planet’s worst polluters and how it relies on chronically underpaid and exploited laborers. But she also shows us how micro-communities, textile companies, and clothing makers in every corner of the world are rediscovering ancestral and ethical methods for making what we wear. Drawn from years of intensive research and reporting from around the world, and brimming with fascinating stories, Worn reveals to us that our clothing comes not just from the countries listed on the tags or ready-made from our factories. It comes, as well, from deep in our histories.
The story of the color black in art, fashion, and culture—from the beginning of history to the twenty-first century Black—favorite color of priests and penitents, artists and ascetics, fashion designers and fascists—has always stood for powerfully opposed ideas: authority and humility, sin and holiness, rebellion and conformity, wealth and poverty, good and bad. In this beautiful and richly illustrated book, the acclaimed author of Blue now tells the fascinating social history of the color black in Europe. In the beginning was black, Michel Pastoureau tells us. The archetypal color of darkness and death, black was associated in the early Christian period with hell and the devil but also with monastic virtue. In the medieval era, black became the habit of courtiers and a hallmark of royal luxury. Black took on new meanings for early modern Europeans as they began to print words and images in black and white, and to absorb Isaac Newton's announcement that black was no color after all. During the romantic period, black was melancholy's friend, while in the twentieth century black (and white) came to dominate art, print, photography, and film, and was finally restored to the status of a true color. For Pastoureau, the history of any color must be a social history first because it is societies that give colors everything from their changing names to their changing meanings—and black is exemplary in this regard. In dyes, fabrics, and clothing, and in painting and other art works, black has always been a forceful—and ambivalent—shaper of social, symbolic, and ideological meaning in European societies. With its striking design and compelling text, Black will delight anyone who is interested in the history of fashion, art, media, or design.
A revolution is waged against a totalitarian regime in this “courageous” novel of a dystopian near-future America by a #1 New York Times–bestselling author (Chicago Tribune). In the heart of Philadelphia, insurgent Andrew Durant has been nursing a festering rage. And he’s not alone. Through underground networks, he’s found himself among a secret thousands, building an army called the Minute Men. They’re readying themselves for war to reclaim what was once America. In the nation now known as the Democracy, independent thought is a thing of the past. The Constitution is waste paper. A conscienceless president has been appointed by the military—for life. The government has co-opted farmland crops. Citizens are divided between two classes: wealthy corporations and the destitute. Areas of the country devastated by war or natural disaster remain unchecked. On behalf of national security, neighbors are instructed to spy on one another. Exposing those who are undemocratic is law. And all dissenters are eliminated. Durant, the chosen agent for the poverty-stricken rural Democracy, finds himself increasingly isolated and afraid. Mobilizing revolutionaries has become a dangerous tactic; the Minute Men have their own traitors, infiltrators assigned to undo everything Durant and his men are fighting to conquer. Now, the rebels have only their beliefs left to trust. A stunning dystopian vision in the tradition of George Orwell’s 1984 and Ayn Rand’s Anthem, The Devil’s Advocate is author Taylor Caldwell’s “tour de force” (Kirkus Reviews). More than a half-century after its original publication, it is timelier than ever. This ebook features an illustrated biography of Taylor Caldwell including rare images from the author’s estate.
Author : Jason P. Coy Publisher : University of Virginia Press Page : 229 pages File Size : 53,5 Mb Release : 2020-06-04 Category : History ISBN : 9780813944081
In early modern Germany, soothsayers known as wise women and men roamed the countryside. Fixtures of village life, they identified thieves and witches, read palms, and cast horoscopes. German villagers regularly consulted these fortune-tellers and practiced divination in their everyday lives. Jason Phillip Coy brings their enchanted world to life by examining theological discourse alongside archival records of prosecution for popular divination in Thuringia, a diverse region in central Germany divided into a patchwork of princely territories, imperial cities, small towns, and rural villages. Popular divination faced centuries of elite condemnation, as the Lutheran clergy attempted to suppress these practices in the wake of the Reformation and learned elites sought to eradicate them during the Enlightenment. As Coy finds, both of these reform efforts failed, and divination remained a prominent feature of rural life in Thuringia until well into the nineteenth century. The century after 1550 saw intense confessional conflict accompanied by widespread censure and disciplinary measures, with prominent Lutheran theologians and demonologists preaching that divination was a demonic threat to the Christian community and that soothsayers deserved the death penalty. Rulers, however, refused to treat divination as a capital crime, and the populace continued to embrace it alongside official Christianity in troubled times. The Devil’s Art highlights the limits of Reformation-era disciplinary efforts and demonstrates the extent to which reformers’ efforts to inculcate new cultural norms relied upon the support of secular authorities and the acquiescence of parishioners. Negotiation, accommodation, and local resistance blunted official reform efforts and ensured that occult activities persisted and even flourished in Germany into the modern era, surviving Reformation-era preaching and Enlightenment-era ridicule alike. Studies in Early Modern German History
An investigation into what thrills us, what terrifies us, and what would make us travel ten thousand miles and evade the local authorities, The Devil's Picnic is a delicious and compelling expedition into the heart of vice and desire. Taras Grescoe is the author of two books, one of which, Sacre Blues: An Unsentimental Journey Through Quebec, was shortlisted for the Writers' Trust Award and was a national bestseller in Canada. His work appears in major publications all over the US, the UK and Canada. "Vivid and entertaining."-New York Times "[Grescoe] spends a year in seven countries, seeking out such delicacies as Epoisses cheese, which smells so bad it's said to have been banned from the Paris Metro; the author writes fondly that it makes 'Gorgonzola smell like Velveeta.'...He eats bulls' testicles in Madrid and visits an absinthe distillery in Switzerland. You feel hung over just reading the thing-guilty, implicated and strangely hungry."-Los Angeles Times Also available: HC ISBN: 1-58234-429-9 ISBN-13 978-1-58234-429-4 $24.95
The Devil and the Disappearing Sea by Robert W. Ferguson Pdf
In January 2000, Rob Ferguson went to Uzbekistan to work on an environmental project to save the Aral Sea. By the time he left Central Asia a year later, he was under suspicion for murder. And despite the support of the World Bank and millions of dollars of donors' money, the environmental project had achieved almost nothing. 2003.
Author : John F. Wukovits Publisher : University of Notre Dame Pess Page : 414 pages File Size : 51,5 Mb Release : 2018-08-15 Category : History ISBN : 9780268103965
Soldiers of a Different Cloth by John F. Wukovits Pdf
“This riveting account of the heroic contributions of thirty-five chaplains and missionaries during World War II is nearly impossible to put down . . . inspiring.” —The Boston Pilot In Soldiers of a Different Cloth, New York Times-bestselling author and military historian John Wukovits tells the inspiring story of thirty-five chaplains and missionaries who, while garnering little acclaim, performed extraordinary feats of courage and persistence during World War II. Ranging in age from twenty-two to fifty-three, these University of Notre Dame priests and nuns were counselor, friend, parent, and older sibling to the young soldiers they served. These chaplains experienced the horrors of the Death March in the Philippines and the filthy holds of the infamous Hell Ships. They dangled from a parachute while descending toward German fire at Normandy and shivered in Belgium’s frigid snows during the Battle of the Bulge. They languished in German and Japanese prison camps, and stood speechless at Dachau. Based on a vast collection of letters, papers, records, and photographs in the archives of the University of Notre Dame, as well as other contemporary sources, Wukovits brings to life these nearly forgotten heroes who served wherever duty sent them and wherever the war dictated. Wukovits intertwines their stories on the battlefronts with their memories of Notre Dame. In their letters to their superior in South Bend, Indiana, they often asked about campus, the Grotto, and the football team. Soldiers of a Different Cloth will fascinate and engage all readers interested in the history of World War II and alumni, friends, and fans of the Fighting Irish.
Convicted murderer David Haines sits on death row. Meanwhile, researcher Dr. Laura Donaldson discovers that Haines’s blood may hold the cure to cancer. When she unwittingly helps Haines escape, she and FBI agent Kevin Sheldrake embark on a terrifying manhunt. It is imperative that Haines be brought back alive—but he’d sooner kill himself than offer his blood to medical science.
Medieval Clothing and Textiles by Robin Netherton,Gale R. Owen-Crocker Pdf
The best new research on medieval clothing and textiles, drawing from a range of disciplines. Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution. Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian community at Beaulieu Abbey based on its 1269-1270 account book, and the use of clothing as pledge or payment in medieval Ireland. In addition, there is a consideration of the history of dagged clothing and its negative significance to moralists, and of the painted hangings that were common in homes of all classes in the sixteenth century. ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester. Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhl
INSTANT NEW YORK TIMES BESTSELLER “It’s never quite the book you think it is. It’s better.” —Dwight Garner, The New York Times From John Darnielle, the New York Times bestselling author and the singer-songwriter of the Mountain Goats, comes an epic, gripping novel about murder, truth, and the dangers of storytelling. Gage Chandler is descended from kings. That’s what his mother always told him. Years later, he is a true crime writer, with one grisly success—and a movie adaptation—to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the big break: to move into the house where a pair of briefly notorious murders occurred, apparently the work of disaffected teens during the Satanic Panic of the 1980s. Chandler finds himself in Milpitas, California, a small town whose name rings a bell––his closest childhood friend lived there, once upon a time. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected—back into his own work and what it means, back to the very core of what he does and who he is. Devil House is John Darnielle’s most ambitious work yet, a book that blurs the line between fact and fiction, that combines daring formal experimentation with a spellbinding tale of crime, writing, memory, and artistic obsession.
On Midsummer Eve in 1985, a young folklore researcher disappears from the village of Eidsborg in the Telemark region of Norway. Exactly thirty years later, the student Cecilie Wiborg goes missing. She too had been researching the old, pagan rituals as
