The Discourse Of Italian Cinema And Beyond

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The Discourse of Italian Cinema and Beyond

Roberta Piazza
The Discourse of Italian Cinema and Beyond Book PDF

Author : Roberta Piazza
Publisher : Bloomsbury Publishing
Page : 272 pages
File Size : 49,7 Mb
Release : 2010-12-16
Category : Language Arts & Disciplines
ISBN : 9781441182579

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The Discourse of Italian Cinema and Beyond by Roberta Piazza Pdf

Roberta Piazza's book is a linguistic investigation of the dialogue of Italian cinema covering a selection of films from the 1950s to the present day. It looks at how speech is dealt with in studies of the cinema and tackles the lack of engagement with dialogue in film studies. It explores the representation of discourse in cinema -- the way particular manifestations of verbal interaction are reproduced in film. Whereas 'representation' generally refers to the language used in texts to assign meaning to a group and its social practices, here discourse representation more directly refers to the relationship between real-life and cinematic discourse. Piazza analyses how fictional dialogue reinterprets authentic interaction in order to construe particular meanings. Beginning by exploring the relationship between discourse and genre, the second half of the book takes a topic-based approach and reflects on the themes of narrative and identity. The analysis carried out takes on board the multi-semiotic and multimodal components of film discourse. The book uses also uses concepts and methodologies from pragmatics, conversation analysis and discourse analysis.

The Non-Professional Actor

Catherine O'Rawe
The Non Professional Actor Book PDF

Author : Catherine O'Rawe
Publisher : Bloomsbury Publishing USA
Page : 261 pages
File Size : 41,8 Mb
Release : 2023-11-16
Category : Performing Arts
ISBN : 9781501394379

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The Non-Professional Actor by Catherine O'Rawe Pdf

Provides the first critical overview of acting, stardom, and performance in post-war Italian film (1945-54), with special attention to the figure of the non-professional actor, who looms large in neorealist filmmaking. Italian post-war cinema has been widely celebrated by critics and scholars: films such as Bicycle Thieves (De Sica, 1948) and Paisan (Rossellini, 1946) remain globally influential, particularly for their use of non-professional actors. This period of regeneration of Italian cinema initiated the boom in cinemagoing that made cinema an important vector of national and gender identity for audiences. The book addresses the casting, performance, and labour of non-professional actors, particularly children, their cultural and economic value to cinema, and how their use brought ideas of the ordinary into the discourse of stars as extraordinary. Relatedly, O'Rawe discusses critical and press discourses around acting, performance, and stardom, often focused on the 'crisis' of acting connected to the rise of non-professionals and the girls (like Sophia Loren) who found sudden cinematic fame via beauty contests.

Asymmetrical Concepts after Reinhart Koselleck

Kay Junge,Kirill Postoutenko
Asymmetrical Concepts after Reinhart Koselleck Book PDF

Author : Kay Junge,Kirill Postoutenko
Publisher : transcript Verlag
Page : 257 pages
File Size : 42,9 Mb
Release : 2014-03-31
Category : History
ISBN : 9783839415894

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Asymmetrical Concepts after Reinhart Koselleck by Kay Junge,Kirill Postoutenko Pdf

Although the asymmetrical concepts have been well-known to scholars across the social sciences and humanities, their role in structuring the human world has never been an object of detailed research. 35 years ago Reinhart Koselleck sketched out the historical semantics of the oppositions »Hellenes«/»barbarians«, »Christians«/»pagans« and »Übermensch«/»Untermensch«, but his insights, though eagerly cited, have been rarely developed in a systematic fashion. This volume intends to remedy this situation by bringing together a small number of scholars at the crossroads of history, sociology, literary criticism, linguistics, political science and international studies in order to elaborate on Koselleck's notion of asymmetric counter-concepts and adapt it to current research needs.

Vital Crises in Italian Cinema

P. Adams Sitney
Vital Crises in Italian Cinema Book PDF

Author : P. Adams Sitney
Publisher : Oxford University Press
Page : 256 pages
File Size : 47,5 Mb
Release : 2013-02-01
Category : Performing Arts
ISBN : 9780199893065

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Vital Crises in Italian Cinema by P. Adams Sitney Pdf

Examining the landmark works that ushered in Italy's golden age of cinema, P. Adams Sitney provides a stylish, historically rich survey of the epochal films made by Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Federico Fellini, Michelangelo Antonioni, and others in the years after World War II. Remarking on the period in 1957, Pier Paolo Pasolini wrote that its films reflected a "vital crisis" in Italian culture after the fall of Fascism. Sitney expands this conceit to demonstrate the multivalent social and political forces behind a range of movies made from the mid-1940s through the1960s that includes Paisa, La terra trema, Ladri di biciclette, L'Avventura, and La dolce vita. Throughout its pages, the book considers how the nation's cinema depicts the convergence of Christian and Resistance iconography; contemplates the debate over dialect and a national language; deploys cinematic effects for the purposes of political allegory; and incorporates insights from the psychoanalytic discourse that became popular in Italy during the fifties and sixties. This new edition includes an epilogue that extends the range of the study into the 1970s with discussions of Nanni Moretti's Io sono autaurchico, the Tavianis' Padre Padrone, and Ermanno Olmi's L'albero degli zoccoli.

Filmmaking by the Book

Millicent Joy Marcus
Filmmaking by the Book Book PDF

Author : Millicent Joy Marcus
Publisher : JHU Press
Page : 330 pages
File Size : 55,7 Mb
Release : 1993
Category : History
ISBN : 080184455X

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Filmmaking by the Book by Millicent Joy Marcus Pdf

Explores the impulse to transform literary narrative into cinematic discourse through the work of several postwar Italian film-makers - Visconti, De Sica, Pasolini, Fellini and the Taviani brothers.

The Cinema of Economic Miracles

Angelo Restivo
The Cinema of Economic Miracles Book PDF

Author : Angelo Restivo
Publisher : Duke University Press
Page : 228 pages
File Size : 45,7 Mb
Release : 2002-02-26
Category : Performing Arts
ISBN : 0822327996

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The Cinema of Economic Miracles by Angelo Restivo Pdf

DIVA sophisticated theoretical treatment of post-war Italian Cinema./div

A Cinema of Poetry

Joseph Luzzi
A Cinema of Poetry Book PDF

Author : Joseph Luzzi
Publisher : JHU Press
Page : 228 pages
File Size : 40,6 Mb
Release : 2016-03-30
Category : Art
ISBN : 9781421419848

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A Cinema of Poetry by Joseph Luzzi Pdf

A Cinema of Poetry brings Italian film studies into dialogue with fields outside its usual purview by showing how films can contribute to our understanding of aesthetic questions that stretch back to Homer. Joseph Luzzi considers the relation between film and literature, especially the cinematic adaptation of literary sources and, more generally, the fields of rhetoric, media studies, and modern Italian culture. The book balances theoretical inquiry with close readings of films by the masters of Italian cinema: Roberto Rossellini, Vittorio De Sica, Luchino Visconti, Michelangelo Antonioni, Federico Fellini, Pier Paolo Pasolini, Bernardo Bertolucci, and others. Luzzi's study is the first to show how Italian filmmakers address such crucial aesthetic issues as the nature of the chorus, the relation between symbol and allegory, the literary prehistory of montage, and the place of poetry in cinematic expression—what Pasolini called the "cinema of poetry." While Luzzi establishes how certain qualities of film—its link with technological processes, capacity for mass distribution, synthetic virtues (and vices) as the so-called total art—have reshaped centuries-long debates, A Cinema of Poetry also explores what is specific to the Italian art film and, more broadly, Italian cinematic history. In other words, what makes this version of the art film recognizably "Italian"? "A thought-provoking and well-written investigation of the role of history and realism in Italian cinema and the role played by the centuries-long tradition of poetry (or more precisely, poesis) in this quest."—H-Italy "Ambitious, inventive, learned . . . A Cinema of Poetry . . . brilliantly analyzes the art in the art film by showing how Italian cinema uses a chorus or expresses itself through allegory . . . This impressively intelligent re-description of the tradition surely takes its place alongside other necessary histories of Italian cinema."—Choice Joseph Luzzi is a professor of comparative literature at Bard College. He is the author of Romantic Europe and the Ghost of Italy, which received the MLA’s Scaglione Prize for Italian Studies; My Two Italies, a New York Times Book Review Editors' Choice; and In a Dark Wood: What Dante Taught Me about Grief, Healing, and the Mysteries of Love.

Cinema of Anxiety

Vincent F. Rocchio
Cinema of Anxiety Book PDF

Author : Vincent F. Rocchio
Publisher : University of Texas Press
Page : 204 pages
File Size : 47,7 Mb
Release : 2010-07-22
Category : Performing Arts
ISBN : 9780292784963

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Cinema of Anxiety by Vincent F. Rocchio Pdf

The "new" realism of Italian cinema after World War II represented and in many ways attempted to contain the turmoil of a society struggling to rid itself of Fascism while fighting off the threat of radical egalitarianism at the same time. In this boldly revisionist book, Vincent F. Rocchio combines Lacanian psychoanalysis with narratology and Marxist critical theory to examine the previously neglected relationship between Neorealist films and the historical spectators they address. Rocchio builds his analysis around case studies of the films Rome: Open City, Bicycle Thieves, La Terra Trema, Bitter Rice, and Senso. Through the lens of psychoanalysis, he challenges the traditional understanding of Neorealism as a progressive cinema and instead reveals the anxieties it encodes: a society in political turmoil, an economic system in collapse, and a national cinema in ruins; while war, occupation, collaboration, and retaliation remain a part of everyday life. These case studies demonstrate how Lacanian psychoanalysis can play a key role in analyzing the structure of cinematic discourse and its strategies of containment. As one of the first books outside of feminist film theory to bring the ideas of Lacan to theories of cinema, this book offers innovative methods that reinvigorate film analysis. Clear and detailed insights into both Italian culture and the films under investigation will make this engaging reading for anyone interested in film and cultural studies.

Re-viewing Fascism

Jacqueline Reich,Piero Garofalo
Re viewing Fascism Book PDF

Author : Jacqueline Reich,Piero Garofalo
Publisher : Indiana University Press
Page : 385 pages
File Size : 48,9 Mb
Release : 2002-05-07
Category : Performing Arts
ISBN : 9780253109149

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Re-viewing Fascism by Jacqueline Reich,Piero Garofalo Pdf

When Benito Mussolini proclaimed that "Cinema is the strongest weapon," he was telling only half the story. In reality, very few feature films during the Fascist period can be labeled as propaganda. Re-viewing Fascism considers the many films that failed as "weapons" in creating cultural consensus and instead came to reflect the complexities and contradictions of Fascist culture. The volume also examines the connection between cinema of the Fascist period and neorealism—ties that many scholars previously had denied in an attempt to view Fascism as an unfortunate deviation in Italian history. The postwar directors Luchino Visconti, Roberto Rossellini, and Vittorio de Sica all had important roots in the Fascist era, as did the Venice Film Festival. While government censorship loomed over Italian filmmaking, it did not prevent frank depictions of sexuality and representations of men and women that challenged official gender policies. Re-viewing Fascism brings together scholars from different cultural and disciplinary backgrounds as it offers an engaging and innovative look into Italian cinema, Fascist culture, and society.

Italian Americans on Screen

Ryan Calabretta-Sajder,Alan J. Gravano
Italian Americans on Screen Book PDF

Author : Ryan Calabretta-Sajder,Alan J. Gravano
Publisher : Rowman & Littlefield
Page : 254 pages
File Size : 47,8 Mb
Release : 2021-02-04
Category : Social Science
ISBN : 9781793611550

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Italian Americans on Screen by Ryan Calabretta-Sajder,Alan J. Gravano Pdf

Italian Americans on Screen: Challenging the Past, Re-Theorizing the Future reconsiders Robert Casillo’s definition of Italian-American cinema as “appl[ying] to works by Italian-American directors who treat Italian-American subjects” to expand this classification. Contributors situate Italian-American cinema and media within the contemporary and intersectional debates about ethnic identity, including race, class, gender, and sexuality studies. This book links past scholarship to theoretical underpinnings with new hermeneutical approaches in television and film to establish new interpretations concerning Italian Americans on screen. Scholars of film studies, media studies, cultural studies, and sociology will find this book particularly useful.

Beyond Monopoly

Michela Ardizzoni,Chiara Ferrari
Beyond Monopoly Book PDF

Author : Michela Ardizzoni,Chiara Ferrari
Publisher : Rowman & Littlefield
Page : 304 pages
File Size : 50,6 Mb
Release : 2010
Category : Political Science
ISBN : 0739128515

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Beyond Monopoly by Michela Ardizzoni,Chiara Ferrari Pdf

Current trends of globalization have influenced the social, economic, and political framework of national media worldwide. In recent years, the field of media studies has focused on globalization as a phenomenon that has greatly impacted the production and reception of media formats. By reshaping local economies, diversifying societies, and introducing digital technologies, the globalization of media has enacted a process of re-definition of national and local broadcasting. Beyond Monopoly: Globalization and Contemporary Italian Media examines the impact of globalization on contemporary Italian media. By engaging both the production and reception levels of different media, this volume assesses the extent to which Italian media have been part of current trends of media flows and have responded to the centrifugal and centripetal forces of globalization. The contributors to this edited volume touch upon a wide diversity of issues, such as foreign ownership on Satellite TV, the effects of digital technology on media policy making, and the framing of "Otherness" in the news. Beyond Monopoly provides a unique case study of the complexity of national media in the era of globalization that will appeal to students as well as scholars of global and national media systems.

A Companion to Italian Cinema

Frank Burke
A Companion to Italian Cinema Book PDF

Author : Frank Burke
Publisher : John Wiley & Sons
Page : 648 pages
File Size : 40,8 Mb
Release : 2017-04-10
Category : Performing Arts
ISBN : 9781119006176

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A Companion to Italian Cinema by Frank Burke Pdf

Written by leading figures in the field, A Companion to Italian Cinema re-maps Italian cinema studies, employing new perspectives on traditional issues, and fresh theoretical approaches to the exciting history and field of Italian cinema. Offers new approaches to Italian cinema, whose importance in the post-war period was unrivalled Presents a theory based approach to historical and archival material Includes work by both established and more recent scholars, with new takes on traditional critical issues, and new theoretical approaches to the exciting history and field of Italian cinema Covers recent issues such as feminism, stardom, queer cinema, immigration and postcolonialism, self-reflexivity and postmodernism, popular genre cinema, and digitalization A comprehensive collection of essays addressing the prominent films, directors and cinematic forms of Italian cinema, which will become a standard resource for academic and non-academic purposes alike

Italian Locations

Noa Steimatsky
Italian Locations Book PDF

Author : Noa Steimatsky
Publisher : U of Minnesota Press
Page : 281 pages
File Size : 43,7 Mb
Release : 2008
Category : Performing Arts
ISBN : 9780816650873

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Italian Locations by Noa Steimatsky Pdf

Fascism and the Second World War left Italy indelibly changed, and cinema was arguably the art that most rigorously confronted the devastated nation. In this examination of four Italian filmmakers, Noa Steimatsky brilliantly maps their forceful negotiation of Italy’s identity and posits that the cinematic forms they employ constitute an imaginary reinhabiting of Italy-one that is inextricably linked with the political, physical, and symbolic predicament of reconstruction. A dynamic intersection of pictorial and photographic, architectural and literary discourses inform Steimatsky’s revisionist interrogation of exemplary works from the 1940s to the mid–1960s. From the earliest documentary work of Michelangelo Antonioni on the River Po to Pier Paolo Pasolini’s re-siting of the Gospel in the arid, peripheral landscape of the Italian south, and from Roberto Rossellini’s tracing of a neorealist project in ruinous Berlin to Luchino Visconti’s wrought grandeur visited upon a humble Sicilian fishing village, Italian Locations probes the historical experience of displacement, anachronism, and a thoroughly contemporary anxiety in the cinematic arena. For Steimatsky, Antonioni’s modernist achievement, informed by his native landscape, Rossellini’s neorealist image of Italy as a nation of ruins, Visconti’s reaching back to the nineteenth century and even more archaic pasts, and Pasolini’s ambivalence about modernity-all partake in a search for a politically and culturally redeemed Italy. Noa Steimatsky is associate professor of the history of art and film studies at Yale University.

Italian Fascism's Empire Cinema

Ruth Ben-Ghiat
Italian Fascism s Empire Cinema Book PDF

Author : Ruth Ben-Ghiat
Publisher : Indiana University Press
Page : 421 pages
File Size : 51,8 Mb
Release : 2015-02-11
Category : History
ISBN : 9780253015662

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Italian Fascism's Empire Cinema by Ruth Ben-Ghiat Pdf

Ruth Ben-Ghiat provides the first in-depth study of feature and documentary films produced under the auspices of Mussolini’s government that took as their subjects or settings Italy’s African and Balkan colonies. These "empire films" were Italy's entry into an international market for the exotic. The films engaged its most experienced and cosmopolitan directors (Augusto Genina, Mario Camerini) as well as new filmmakers (Roberto Rossellini) who would make their marks in the postwar years. Ben-Ghiat sees these films as part of the aesthetic development that would lead to neo-realism. Shot in Libya, Somalia, and Ethiopia, these movies reinforced Fascist racial and labor policies and were largely forgotten after the war. Ben-Ghiat restores them to Italian and international film history in this gripping account of empire, war, and the cinema of dictatorship.

Cultural Metamorphoses in Contemporary Italian Cinema

Roberta Di Carmine
Cultural Metamorphoses in Contemporary Italian Cinema Book PDF

Author : Roberta Di Carmine
Publisher : Peter Lang Incorporated, International Academic Publishers
Page : 0 pages
File Size : 46,9 Mb
Release : 2018
Category : Emigration and immigration in motion pictures
ISBN : 1433142376

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Cultural Metamorphoses in Contemporary Italian Cinema by Roberta Di Carmine Pdf

Cultural Metamorphoses in Contemporary Italian Cinema explores four different areas of study in contemporary Italian cinema: the migrants' social struggle, the decline of the middle class, the isolation of the elderly, and gender inequality. This book focuses on four films produced between 2007 and 2013, specifically Io sono Li (Shun Li and the Poet, 2011), Giorni e nuvole (Days and Clouds, 2007), Pranzo di ferragosto (Mid-August Lunch, 2008), and Viaggio sola (A Five Star Life, 2013), examining a slice of contemporary Italian cinema to highlight specific socio-economic changes within the country over the past decade. Italian filmmakers Andrea Segre, Silvio Soldini, Gianni Di Gregorio, and Maria Sole Tognazzi concentrate on themes that refer to "metamorphoses" to exemplify several Italian societal changes deeply affected by economic challenges and strongly rooted in male-dominant ideology. These Italian filmmakers reevaluate cultural traditions and societal roles by depicting unconventional narratives and identities in their films and giving "voice to the voiceless."