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Author : John Lacy
Publisher : Unknown
Page : 100 pages
File Size : 51,6 Mb
Release : 1672
Category : English drama
ISBN : ONB:+Z16230970X
Author : Solomon Posen
Publisher : CRC Press
Page : 96 pages
File Size : 53,5 Mb
Release : 2018-04-19
Category : Medical
ISBN : 9781315347875
Multiple-choice questions are an ideal way to improve understanding and revise for examinations. This book consists of 200 MCQs in psychiatry suitable for candidates for postgraduate examinations such as the MRCPsych. However medical students general practitioners psychiatric nurses clinical psychologists psychiatric social workers and psychiatric occupational therapists will also find it useful as a valuable revision guide. The questions have been carefully selected to reflect the educational needs of psychiatrists in training. Most questions are accompanied by a short answer to provide an ideal self-teaching book for all those wanting to revise for examinations and improve their understanding of this important area.
Author : Cédric Ploix
Publisher : Routledge
Page : 233 pages
File Size : 54,5 Mb
Release : 2020-05-01
Category : Language Arts & Disciplines
ISBN : 9781000076578
This book critically analyzes the body of English language translations Moliere’s work for the stage, demonstrating the importance of rhyme and verse forms, the creative work of the translator, and the changing relationship with source texts in these translations and their reception. The volume questions prevailing notions about Moliere’s legacy on the stage and the prevalence of comedy in his works, pointing to the high volume of English language translations for the stage of his work that have emerged since the 1950s. Adopting a computer-aided method of analysis, Ploix illustrates the role prosody plays in verse translation for the stage more broadly, highlighting the implementation of self-consciously comic rhyme and conspicuous verse forms in translations of Moliere’s work by way of example. The book also addresses the question of the interplay between translation and source text in these works and the influence of the stage in overcoming formal infelicities in verse systems that may arise from the process of translation. In so doing, Ploix considers translations as texts in and of themselves in these works and the translator as a more visible, creative agent in shaping the voice of these texts independent of the source material, paving the way for similar methods of analysis to be applied to other canonical playwrights’ work. The book will be of particular interest to students and scholars in translation studies, adaptation studies, and theatre studies
Author : Janet Todd
Publisher : A&C Black
Page : 830 pages
File Size : 52,8 Mb
Release : 2013-09-19
Category : Biography & Autobiography
ISBN : 9781448212545
'All women together ought to let flowers fall upon the tomb of Aphra Behn; for it was she who earned them the right to speak their minds,' said Virginia Woolf. Yet that tomb, in Westminster Abbey, records one of the few uncontested facts about this Restoration playwright, poet, novelist and spy: the date of her death, 16 April 1689. For the rest secrecy and duplicity are almost the key to her life. She loved codes, making and breaking them; writing her life becomes a decoding of a passionate but playful woman. Janet Todd draws on documents she has rediscovered in the Dutch archives, and on Behn's own writings, to tell a story of court, diplomatic and sexual intrigue, and of the rise from humble origins of the first woman to earn her living as a professional writer. Aphra Behn's first notable employment was as a Royal spy in Holland; she had probably also spied in Surinam. It was not until she was in her thirties that she published the first of the 19 plays and other works which established her fame (though not riches) among her 'good, sweet, honey-candied readers'. Many of her works were openly erotic, indeed as frank as anything by her friends Wycherley and Rochester. Some also offered an inside view of court and political intrigues, and Todd reveals the historical scandals and legal cases behind some of Behn's most famous 'fictions'.
Author : M.A. Katritzky
Publisher : Routledge
Page : 384 pages
File Size : 52,7 Mb
Release : 2017-03-02
Category : Literary Criticism
ISBN : 9781351871549
Well illustrated, accessibly presented, and drawing on a comprehensive range of historical documents, including British, German and other European images, and literary as well as non-literary texts (many previously unconsidered in this context), this study offers the first interdisciplinary gendered assessment of early modern performing itinerant healers (mountebanks, charlatans and quacksalvers). As Katritzky shows, quacks, male or female, combined, in widely varying proportions, three elements: the medical, the itinerant and the theatrical. Above all, they were performers. They used theatricality, in its widest possible sense, to attract customers and to promote and advertise their pharmaceuticals and health care services. Katritzky investigates here the performative aspects of quack marketing and healing methods, and their profound links with the rise of Europe’s professional actresses, fields of enquiry which are only now beginning to attract significant attention from historians of medicine, economics or the theatre. Women, Medicine and Theatre also recovers women’s roles in the economy of the itinerant quack stage. Women associated with mountebank troupes were medically and theatrically active at every level from major stage celebrities to humble urine sample collectors, but also included sedentary relatives, non-performing assistants, door- and bookkeepers, wardrobe mistresses, prop and costume loaners, landladies, spectators, patrons and clients. Katritzky’s study of the whole range of women who supported the troupes contextualizes the activities of their male counterparts, and rehabilitates a broad spectrum of diversely occupied women. The strength of this title’s research method lies in its comparative examination of documents that are generally examined from the point of view of either their performative or their medical aspects, by historians of, respectively, the theatre and medicine. Taken as a whole, these handbills, literary descriptions a
Author : Nicoll,Allardyce Nicoll
Publisher : Cambridge University Press
Page : 478 pages
File Size : 55,5 Mb
Release : 2009
Category : English drama
ISBN : 0521109280
Allardyce Nicoll's History of English Drama, 1660-1900 was an immense scholarly achievement and the work of one man. Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'. The History is reissued in seven paperback volumes, available separately and as a set. In volumes 1-5 Nicoll describes the conditions of the stage, actors and managers as well as dramatic genres. The sixth and seventh volumes offer a comprehensive list of all the plays known to have been produced or printed in England between 1660 and 1930, with their authors and alternative titles; it has thus independent value as well as providing an index to the earlier volumes.
Author : Anonim
Publisher : Unknown
Page : 458 pages
File Size : 53,7 Mb
Release : 1875
Category : Drama
ISBN : NYPL:33433089894301
Author : Alexander Dyce
Publisher : BoD – Books on Demand
Page : 458 pages
File Size : 45,6 Mb
Release : 2024-01-30
Category : Fiction
ISBN : 9783385252875
Reprint of the original, first published in 1875.
Author : John Forster
Publisher : BoD – Books on Demand
Page : 454 pages
File Size : 44,5 Mb
Release : 2024-03-14
Category : Fiction
ISBN : 9783385379381
Reprint of the original, first published in 1875.
Author : Anonim
Publisher : Unknown
Page : 454 pages
File Size : 41,6 Mb
Release : 1875
Category : Electronic
ISBN : BSB:BSB11314106
Author : South Kensington Museum. Dyce collection
Publisher : Unknown
Page : 460 pages
File Size : 53,9 Mb
Release : 1875
Category : Bibliography
ISBN : OXFORD:N12003192
Author : Daphna Oren-Magidor
Publisher : Springer
Page : 196 pages
File Size : 40,5 Mb
Release : 2017-08-09
Category : History
ISBN : 9781137476685
This book explores the experiences of people who struggled with fertility problems in sixteenth and seventeenth-century England. Motherhood was central to early modern women’s identity and was even seen as their path to salvation. To a lesser extent, fatherhood played an important role in constructing proper masculinity. When childbearing failed this was seen not only as a medical problem but as a personal emotional crisis. Infertility in Early Modern England highlights the experiences of early modern infertile couples: their desire for children, the social stigmas they faced, and the ways that social structures and religious beliefs gave meaning to infertility. It also describes the methods of treating fertility problems, from home-remedies to water cures. Offering a multi-faceted view, the book demonstrates the centrality of religion to every aspect of early modern infertility, from understanding to treatment. It also highlights the ways in which infertility unsettled the social order by placing into question the gendered categories of femininity and masculinity.
Author : Janet Todd
Publisher : Routledge
Page : 472 pages
File Size : 42,5 Mb
Release : 2018-10-24
Category : Literary Collections
ISBN : 9781351259262
Aphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the third volume in a set of seven which comprises a complete edition of all her works.
Author : J. Douglas Canfield
Publisher : University Press of Kentucky
Page : 429 pages
File Size : 53,9 Mb
Release : 2021-12-14
Category : Drama
ISBN : 9780813189659
If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period's comedy that puts the plays in perspective and reveals the ideological function they performed in England during the latter half of the seventeenth century. To explain this function, J. Douglas Canfield groups the plays into three categories: social comedy, which underwrites Stuart ideology; subversive comedy, which undercuts it; and comical satire, which challenges it as fundamentally immoral or amoral. Through play-by-play analysis, he demonstrates how most of the comedies support the ideology of the Stuart monarchs and the aristocracy, upholding what they regarded as their natural right to rule because of an innate superiority over all other classes. A significant minority of comedies, however, reveal cracks in class solidarity, portray witty heroines who inhabit the margins of society, or give voice to folk tricksters who embody a democratic force nearly capable of overwhelming class hierarchy. A smaller yet but still significant minority end in no resolution, no restoration, but, at their most radical, playfully portray Stuart ideology as empty rhetoric. Tricksters and Estates is a truly comprehensive work, offering serious critical readings of many plays that have never before received close attention and fresh insights into more familiar works. By juxtaposing the comedies of such lesser-known playwrights as Orrery, Lacy, and Rawlins with those of more familiar figures like Behn, Wycherley, and Dryden, the author invites a greater appreciation than has previously been possible of the meaning and function of Restoration comedy. This intelligent and wide-ranging study promises is a standard work in its field.
Author : Andrew R. Walkling
Publisher : Routledge
Page : 344 pages
File Size : 44,8 Mb
Release : 2019-03-19
Category : Music
ISBN : 9781315524207
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
